Rockfist Slim's enemies have just plunged him into yet another desperate situation when Kevin has to close his detective book and go to sleep. But his own adventure is only just beginning. Fast-moving, fun and full of special effects, Ayckbourn's wonderfully inventive play for children brings alive several well-known children's books as Kevin and Rockfist Slim escape the baddies and plunge into many different worlds. The Boy Who Fell into a Book premiered at the Stephen Joseph Theatre, Scarborough, in December 1998.

Holly Hogan is on the run. Fed up of life in foster care and longing to be reunited with her mum, she packs a bag and heads for the road, destined for Ireland. With only her mum's amber ring, a blonde wig and distant memories of a troubled childhood, Holly transforms herself into the feisty Solace the kind of girl who can take on anything. But just how far will Holly get before her past catches up with her? Solace of the Road features a detailed scheme of work including a range of inspiring activities and drama techniques, written by title consultants Paul Bunyan and Ruth Moore.

Imagine swapping places with a monster for day... A funny and thrilling play for children (aged 6+) about friendship and facing up to your fears. Ben has a BIG problemo. His best friend Vince has stolen his precious binoculars, his Dad is far, far away... oh, and there's a monster under his bed. But when Ben swaps places with the underbed monster, Ben's life - and his school - is turned inside out, and upside down. First presented as a staged reading in April 2008, at the John F Kennedy Center for Performing Arts in Washington D.C, USA, as part of New Visions/New Voices. First produced at Polka Theatre, 6 June 2009. North American premiere at the Lorraine Kimsa Theatre for Young People, Toronto, March 2010. Resources for teachers and parents: Polka Theatre's free Monster Under the Bed Activity Pack download contains activities for you to do with your children after you have seen and/or read the play. Most of these exercises are drama based and are good for developing speaking and listening skills. All of the exercises are suitable for both KS1 and KS2 pupils. Watch Allen MacInnis, Artistic Director of Young People's Theatre (Toronto), talk about the play https://youtu.be/sYyqA6rR7F8.

This book is the answer to the comedic monologue needs of kid actors a and their parents a everywhere. EKids' Comedic Monologues That Are Actually FunnyE is specifically geared for children ages 5-12. Divided into boy girl and gender neutral categories every piece is guaranteed to be clean hilariously funny easy to memorize and a joy for young actors to perform.THIt features monologues by writers and comics who have written for or performed on EEllenE ESaturday Night LiveE EThe Tonight ShowE ELast Comic StandingE Comedy Central Stage and many more.

When an invitation to The Ball arrives at the Ash girl's house, from Prince Amir, she can't bring herself to believe that she, like her sisters, can go. With her mother dead and her father away, she must learn to fight the monsters that have slithered and insinuated their way into her heart and mind. In this wondrous drama Timberlake Wertenbaker explores the beauty and terror inherent in growing up. The Ash Girl premiered at Birmingham Rep in 2001.

Stage adaptation of the classic tale with songs and original music by Conor Mitchell. In this theatrical version of the much-loved tale, we follow Mowgli, the boy-cub, as he meets Baloo the bear and Bagheera the panther and fights the terrifying tiger Shere Khan. After life in the jungle, can Mowgli ever return to his village?

An engaging classroom playscript. When a nuclear bomb wrecks his hometown and rips his family apart, 15-year-old Danny has to learn the art of survival...and fast. Under constant threat from radiation sickness, starvation, and the men who have seized power, Danny struggles to protect himself and his brother. Then he joins the resistance and the real fight begins... New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

This revised version of Willy Russell's much loved play won rave reviews when it opened in Liverpool in 2009. Slightly updated and featuring more songs, it retains all the humour and appeal of the original. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: meets the new requirements at KS3 and GCSE (2010) features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis places pupils' understanding of the learning process at the heart of the activities will help pupils to boost English GCSE success and develop high-level skills at KS3 will save teachers considerable time devising their own resources. Mrs Kay's Progress Class are off to Alton Towers - until Mr Briggs gets on board. The destination might have changed in this new version of Willy Russell's classic play, but mixing humour, lively songs and the poignancy of the original, this drama of a class day out to remember is ideal for Year 9 and above.

How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you! Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds. It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: Play Playwright Casting numbers Gender splits Ability Genre description Brief Summary Exam level Workshop ideas Warnings/advice (where necessary) Suggested scenes for study Performance notes including lighting, sound, costume and space

Prisoner Five One Eight, Jack Wilson, has recently been released from jail, and is back roaming the streets of Victorian London. Despite his best intentions to stay out of trouble, mischief follows him everywhere he goes and he gets caught up with a band of rascals who have ambitious plans for the opening of the Great Exhibition. They are not the only gang of criminals, however, to be making plans for this event. Who will get there first, and who will be caught red-handed?

Fringe Benefits, a team of professional artists, teachers, parents, and youth, present this assortment of plays, songs, and interactive performance pieces that promote tolerance and celebrate diversity. "Cootie Shots" includes more than two dozen five-20 minute educational plays for elementary school audiences.

What the Ladybird Heard, bestselling picture book from Julia Donaldson and Lydia Monks, has been adapted by author Julia Donaldson into a fun and accessible play script that children will love performing at school or at home. The What the Ladybird Heard Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join the cast! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed What the Ladybird Heard activities, as well as mask templates for the key characters! With Lydia Monks' bright and distinctive illustrations and Julia Donaldson's hilarious and witty rhyming text, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.

An entertaining collection of new short plays by popular children's playwright Rachel Barnett. Specially commissioned for young people, these plays are a great resource for schools, colleges and youth theatres. With contemporary themes and a wide variety of roles, this is a collection which enables young people to engage with serious topics while enjoying all the fun of performance.

Lelapa la ga Tsamaelakoo le mo kutlobotlhokong gonne ngwana wa bona e leng Kgomotso ga a kgone go tswelela pele mo dithutong. Tsamaelakoo ga a na mathata ena o a itagelwa. Tsamaelakoo, the head of the family is a drunk. He is not paying proper attention to his family, so it is not surprising that Kgomotso is not making good progress at school.

An engaging classroom playscript. Blending science fiction with the dangers of human ambition, this is a story of scientific discovery turned nightmare. There are many whispered questions when medical student Griffin arrives at a small village wrapped in bandages; however, no one can guess the true reason for his disguise. Terror, revenge and chaos ensue as Griffin, and those around him, come to terms with the effects of his latest experiment.

Written specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. Charlotte Keatley's My Mother Said I Never Should grapples with social forces that threaten to split four generations of women apart. When Jackie, who is unmarried, gives away her baby to her mother, the women are united in keeping this family secret yet divided in their opinions of it. In addition to some on-page explanatory notes and the play text itself, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.

This collection brings together Philip Ridley's one-act plays for young people, known as The Storyteller Sequence, ideal for teenagers to either watch or perform. Karamazoo is a fifteen-minute monologue about one of the coolest, most popular kids in the school, whose recent increase in popularity is the direct result of a character make-over following the death of a parent. A witty and moving performance piece for the teenage actor. Fairytaleheart features two fifteen-year-olds, Kirsty and Gideon, who meet for the first time and come to terms with their broken families by sharing their hopes, fears and past experiences - as well as stories - in a derelict community centre. Sparkleshark tells of fourteen-year-old Jake - a victim of bullying and other teenager's mockery - who has to take refuge on the roof of a tower block in order to write his stories. Moonfleece sees Curtis, a young right-wing activist, arrange a meeting in a flat of a derelict tower block where he lived as a child. But his older brother's ghost keeps haunting him. Moonfleece is an intense and thrilling exploration of memory and identity. Brokenville features an unknown disaster, which has left seven characters with little knowledge of who they are or of what has happened. As an old woman and five teenagers begin to act out stories for a mute and frightened child, they begin to discover a little of who they were and what they can be.

The unbearable Twits do not allow anyone to live in peace, but a migrant bird and some monkeys teach them a lesson!

Looking for a whizzpoppingly wonderful collection of plays for your whole class? Want some ready-made, delumptious lesson plans to accompany them? Biffsquiggled at the thought of how to stage these pieces? Well, look no further because this is a scrumdiddlyumptious selection of David Wood's plays; paired with all the information and materials you need to use them in class or on stage, edited by Paul Bateson, an experienced primary-level drama teacher. The plays create worlds that trigger children's imaginations as well as entertain them, make them think as well as make them laugh, and open their minds to new ideas and the power of storytelling through theatre. Plays included are: The Gingerbread Man The See-Saw Tree The BFG Save the Human Mother Goose's Golden Christmas This book also contains a new foreword by David Wood.

Perfect for schools - both for class reading as well as performance.

A short black and white illustrated play set in World War Two written by Julia Donaldson, author of the modern classic The Gruffalo.

World War Two has been declared and the Chivers children are sent to the safety of the countryside. They are delighted to be brought back home when it looks like the Germans aren't going to invade after all. But the air-raid siren goes off and this time it's frighteningly real.

This dramatic and touching play brings Manchester during the Second World War and its people to life, and provides a variety of opportunities for school classes to explore both historical and literacy topics in an involving and creative setting. Also includes helpful tips on staging and costume.

'This touching play brings to life the Second World War in a very accessible way for junior children' - Books for Keeps

IN

"What, my dear Lady Disdain Are you yet living?" These famous lines from Shakespeare's comedy Much Ado About Nothing delightfully show the verbal sparring between the reluctant lovers, Beatrice and Benedick who are happily brought together at the end by the schemes of their friends. And, no story is complete without at least one evil character, Don John, who unsuccessfully tries to tear apart the wedding plans of Hero and Claudio, the other lovers in this sparkling tale.

Written in rhyming couplets, Much Ado About Nothing, the eighth book in this successful series, captures all the exciting elements of the original story, and is truly a delightful read for both adult and child.

Lois Burdett has been a teacher at Hamlet Public School in Stratford, Ontario, for over twenty years and her expertise in bringing Shakespeare to life for children as young as seven is reflected in the children's clever insights and wonderful drawings which complement the play.

Her success has resulted in an ever-increasing demand for workshops as far afield as Europe and Australia where she instructs educators on how they too can familiarize young children with Shakespeare.

From the "Foreword" by Denzel Washington

" Lois Burdett's] delightfully entertaining text is complemented by her students' thoughtful interpretations and charming artwork which make "Much Ado About Nothing" come alive in a whole new way."