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Books > History > American history > From 1900 > Postwar, from 1945
In this ambitious follow-up to Achilles in Vietnam, Dr. Jonathan Shay uses the Odyssey, the story of a soldier's homecoming, to illuminate the pitfalls that trap many veterans on the road back to civilian life. Seamlessly combining important psycho- logical work and brilliant literary interpretation with an impassioned plea to renovate American military institutions, Shay deepens our understanding of both the combat veteran's experience and one of the world's greatest classics.
With the knowledge born of firsthand experience, James H. Willbanks tells the story of the 60-day siege of An Loc. In 1972, late in the Vietnam War, a small group of South Vietnamese held off three North Vietnamese divisions and helped prevent a direct attack on Saigon. The battle can be considered one of the major events during the gradual American exit from Vietnam. An advisor to the South Vietnamese during the battle, Willbanks places the battle in the context of the shifting role of the American forces and a policy decision to shift more of the burden of fighting the war onto the Vietnamese troops. He presents an overview of the 1972 North Vietnamese Easter Offensive, a plan to press forward the attack on U.S. and ARVN positions throughout the country, including Binh Long province and Saigon. The North Vietnamese hoped to strike a decisive blow at a time when most American troops were being withdrawn. The heart of Willbanks's account concentrates on the fighting in Binh Long province, Saigon, and the siege of An Loc. It concludes with a discussion of the Paris peace talks, the significance of the fighting at An Loc, and the eventual fall of South Vietnam.
'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.
A poignant, angry, articulate book Newsweek 'Mr Fall's book is a dramatic treatment of a historic event graphic impact New York Times Originally published in 1961, before the United States escalated its involvement in South Vietnam, Street Without Joy offered a clear warning about what American forces would face in the jungles of Southeast Asia; a costly and protracted revolutionary war fought without fronts against a mobile enemy. In harrowing detail, Fall describes the brutality and frustrations of the Indochina War, the savage eight-year conflict, ending in 1954 after the fall of Dien Bien Phu, in which French forces suffered a staggering defeat at the hands of Communist-led Vietnamese nationalists. Street Without Joy was required reading for policymakers in Washington and GIs in the field and is now considered a classic.
'Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. Essential reading for every journalist and aspiring journalist the world over' John le Carre In the early 1950s, teenage Seymour Hersh was finishing high school and university - while running the family's struggling dry cleaning store in a Southside Chicago ghetto. Today, he is one of America's premier investigative journalists, whose fearless reporting has earned him fame, front-page bylines in virtually every newspaper in the world, a staggering collection of awards, and no small amount of controversy. Reporter is the story of how he did it. It is a story of slog, ingenuity and defiance, following Hersh from his first job as a crime reporter for the Chicago City News Bureau, through his Pulitzer Prize-winning freelance investigative exposes, to the heights of his reporting for The New York Times and the New Yorker. It is a tale of night-time encounters with great Civil Rights leaders, unauthorised meetings with Pentagon officials, raucous dinners with Canadian soldiers in Hanoi, tense phone calls with Secretaries of State, desperate to save face; of exposing myriad military and political wrongdoing, from My Lai to Watergate to Abu Ghraib, and the cynical cover-ups that followed in Washington and New York. Here too are unforgettable encounters with some of the most formidable figures from recent decades, from Saul Bellow to Martin Luther King Jr., from Henry Kissinger to Bashar al-Assad. Ultimately, in unfurling Seymour Hersh's life and career, Reporter tells a story of twentieth-century America, in all its excitement and darkness.
Although US involvement in the Vietnam conflict began long before 1965, Lyndon Johnson's substantial large commitment of combat troops that year marked the official beginning of America's longest twentieth-century war. By 1969, after years of intense fighting and thousands of casualties, an increasing number of Americans wanted the United States out of Vietnam. Richard Nixon looked for a way to pull out while preserving the dignity of the United States at home and abroad, and at the same time, to support the anticommunist Republic of Vietnam. Ultimately, he settled on the strategy of Vietnamization—the gradual replacement of US soldiers with South Vietnamese forces. Drawing on newly declassified documents and international archives, Unwilling to Quit dissects the domestic and foreign contexts of America's withdrawal from the Vietnam War. David L. Prentice demonstrates how congressional and presidential politics were a critical factor in Nixon's decision to abandon his hawkish sensibilities in favor of de-escalation. Prentice reframes Nixon's choices, emphasizes Secretary of Defense Melvin Laird's outsized yet subtle role in the decision-making process, and considers how South Vietnam's Nguyen Van Thieu and North Vietnam's Le Duan decisively shaped the American exit. Prentice brings Vietnamese voices into the discussion and underscores the unprecedented influence of American civilians on US foreign policy during the Vietnamization era.
Twenty-Fifth Anniversary Edition Widely regarded as a classic on the Vietnam War, Decent Interval provides a scathing critique of the CIA's role in and final departure from that conflict. Still the most detailed and respected account of America's final days in Vietnam, the book was written at great risk and ultimately at great sacrifice by an author who believed in the CIA's cause but was disillusioned by the agency's treacherous withdrawal, leaving thousands of Vietnamese allies to the mercy of an angry enemy. A quarter-century later, it remains a riveting and powerful testament to one of the darkest episodes in American history.
How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020
The combat history of the 1st Battalion, 5th Marines--or One Five (1/5)--is long and illustrious, but there are many periods of their combat operations during the Vietnam War about which there is little in print. This history is drawn from many years of research, from the author's personal memories, and from careful study of the battalion's Command Chronologies and Combat After-action Reports and other historical records. Most importantly it includes a collection of true stories told to the author by dozens of U.S. Marines who served in and fought with 1/5 during the Vietnam War, at all levels of the Chain of Command. This book hunkers down with the Mud Marines of Charlie One Five, a small but determined band of American fighting men, and their very human and often painful stories of combat cover a wide range of scenarios and situations. Follow the Marines of 1/5 as they are lulled by the exotic and beautiful countryside, trudge through swamps, jungles, mountains, and rice paddies for seemingly endless days, and struggle to stay alert during their cautious passage through the extreme terrain and weather conditions of this incredibly scenic but deceptive land, only to be shattered by sudden and deadly attacks from Viet Cong snipers, ambushes, and command-detonated bombs. Despite the overwhelming odds against them, the Marines of Charlie One Five always emerge victorious in every battle they fight.
Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.
The involvement of the United States in the Vietnam War has been the most polarizing issue within post-war American history. It was divisive at the time, both domestically and internationally, and debates continue to the present day. At the heart of the disputes has always been the question of 'failure' - why was the United States unable to achieve its objectives? Was failure inherent in the decision to go to war? Was it inherently an unwinnable war, or was failure the result of inept strategy, poor leadership, and a biased media? In Vietnam, Gary R. Hess describes and evaluates the main arguments of scholars, participants, and journalists, both revisionist and orthodox in their approach, as they consider why the United States was unable to achieve its objectives. While providing a clear and well-balanced account of existing historical debate, Hess also offers his own interpretation of the events and opens a dialogue about the usefulness of historical argument in reaching a deeper understanding of the conflict. This concise book is essential reading for students and teachers of the Vietnam War as both a clear and well-balanced account of existing historical debate and a thought-provoking look at the future of historical scholarship.
Featuring modern portraits and first-hand accounts, this book offers a unique perspective on the Vietnam War, bringing together the stories of American Vietnam war veterans, southern Vietnamese war veterans and civilians. The surreal imagery of Thomas Sanders' vivid portraits encourages the viewer to take a closer look at those who experienced the war, giving them a chance to read the haunting, inspirational, and sometimes comical stories of the individuals of the Vietnam War. Set in a surreal jungle environment, the portraits evoke the sense of darkness and uncertainty felt by those who experienced the war. Some of the portraits hold objects that relate to their role or experience during their time in the service. The objects tell a deeper story of a dark and confusing war: the common cigarette pack smoked by the vets while in the jungle; a homemade grenade made by the northern Vietnamese; and a "order to report" document - a piece of paper that changed many a life. Vietnam Portraits serves as a form of catharsis for the many people involved in the Vietnam War and honours them by giving them an opportunity to tell their story, bearing witness to their service, their experiences and the aftermath.
Over the eight years of the Vietnam War, US forces used three major types of equipment sets, with numerous modifications for particular circumstances. Different equipments were also used by Special Forces, the South Vietnamese, and other allied ground troops. Vietnam War US & Allied Combat Equipments offers a comprehensive examination of the gear that US and allied soldiers had strapped around their bodies, what they contained, and what those items were used for. Fully illustrated with photographs and artwork detailing how each piece of equipment was used and written by a Special Forces veteran of the conflict, this book will fascinate enthusiasts of military equipment and will be an ideal reference guide for re-enactors, modellers and collectors of Vietnam War memorabilia.
The Vietnam War examines this conflict from its origins up until North Vietnam's victory in 1975. Historian Mitchell K. Hall's lucid account is an ideal introduction to the key debates surrounding a war that remains controversial and disputed in American scholarship and collective memory. The new edition has been fully updated and expanded to include additional material on the preceding French Indochina War, the American antiwar movement, North Vietnamese perspectives and motivations, and the postwar scholarly debate. The text is supported by a documents section and a wide range of study tools, including a timeline of events, glossaries of key figures and terms, and a rich "further reading" section accompanied by a new bibliographical essay. Concise yet comprehensive, The Vietnam War remains the most accessible and stimulating introduction to this crucial 20th-century conflict.
Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.
A riveting historical narrative of the shocking events surrounding the assassination of John F. Kennedy, and the follow-up to mega-bestselling author Bill O'Reilly's "Killing Lincoln" More than a million readers have thrilled to Bill O'Reilly's "Killing Lincoln," the page-turning work of nonfiction about the shocking assassination that changed the course of American history. Now the anchor of "The O'Reilly Factor "recounts in gripping detail the brutal murder of John Fitzgerald Kennedy--and how a sequence of gunshots on a Dallas afternoon not only killed a beloved president but also sent the nation into the cataclysmic division of the Vietnam War and its culture-changing aftermath. In January 1961, as the Cold War escalates, John F. Kennedy struggles to contain the growth of Communism while he learns the hardships, solitude, and temptations of what it means to be president of the United States. Along the way he acquires a number of formidable enemies, among them Soviet leader Nikita Khrushchev, Cuban dictator Fidel Castro, and Alan Dulles, director of the Central Intelligence Agency. In addition, powerful elements of organized crime have begun to talk about targeting the president and his brother, Attorney General Robert Kennedy. In the midst of a 1963 campaign trip to Texas, Kennedy is gunned down by an erratic young drifter named Lee Harvey Oswald. The former Marine Corps sharpshooter escapes the scene, only to be caught and shot dead while in police custody. The events leading up to the most notorious crime of the twentieth century are almost as shocking as the assassination itself. "Killing Kennedy" chronicles both the heroism and deceit of Camelot, bringing history to life in ways that will profoundly move the reader. This may well be the most talked about book of the year.
"Hunt deliciously complicates the history of the 1960s by
introducing a protest element not bound to college campuses or the
counterculture. . . . It is a disturbing story, one that Hunt tells
well." "All students of the concluding years of America's longest war
should be grateful to Andrew Hunt for the clarity and grace with
which he has told V.V.A.W.'s story." "This extraordinary and deeply moving history explodes all the
encrusted stereotypes of GIs on one side of the barricades and
anti-war protestors on the other. At along last we can again hear
the voices of the thousands of courageous veterans who refused to
be silent about the immoral war in Indochina." "A splendid addition to the growing literature on Vietnam
veterans and their experiences during and after the war. Hunt's
complex and moving history is a vital corrective to accounts which
equate the anti-war movement with student activists as well as to
those who persist in seeing veterans as passive victims." "Explodes one of the most persistent and pernicious myths
attached to the 1960s: that the anti-war movement was anti-GI and
anti-veteran. How could that be, when, as Hunt shows, many of the
most committed and eloquent opponents of the Vietnam war were
themselves veterans of the conflict in Southeast Asia. The Vietnam
Veterans Against the War were heroes then, and they deserve to be
remembered as heroes today." "For all kinds of veterans of the Sixties era, this book offers
powerful testimony on the meaning of patriotismand moral courage.
For younger people, whose images of the Sixties are often caught in
the caricatures of the mass media, Hunt's sophisticated account of
veterans' anti-war protest evokes new understanding, and I think,
hard questions about a difficult time." The anti-Vietnam War movement in the United States is perhaps best remembered for its young, counterculture student protesters. However, the Vietnam War was the first conflict in American history in which a substantial number of military personnel actively protested the war while it was in progress. In The Turning, Andrew Hunt reclaims the history of the Vietnam Veterans Against the War (VVAW), an organization that transformed the antiwar movement by placing Vietnam veterans in the forefront of the nationwide struggle to end the war. Misunderstood by both authorities and radicals alike, VVAW members were mostly young men who had served in Vietnam and returned profoundly disillusioned with the rationale for the war and with American conduct in Southeast Asia. Angry, impassioned, and uncompromisingly militant, the VVAW that Hunt chronicles in this first history of the organization posed a formidable threat to America's Vietnam policy and further contributed to the sense that the nation was under siege from within. Based on extensive interviews and in-depth primary research, including recently declassified government files, The Turning is a vivid history of the men who risked censures, stigma, even imprisonment for a cause they believed to be "an extended tour of duty."
More than half a million copies of "Chickenhawk" have been sold since it was first published in 1983. Now with a new afterword by the author and photographs taken by him during the conflict, this straight-from-the-shoulder account tells the electrifying truth about the helicopter war in Vietnam. This is Robert Masonas astounding personal story of men at war. A veteran of more than one thousand combat missions, Mason gives staggering descriptions that cut to the heart of the combat experience: the fear and belligerence, the quiet insights and raging madness, the lasting friendships and sudden deathathe extreme emotions of a achickenhawka in constant danger.
On October 17, 1965, Navy LTJG Porter Halyburton was shot down over North Vietnam on his 76th mission and listed as killed in action. One-and-a-half years later he was found to be alive and a prisoner of war. Halyburton was held captive for more than seven years. Reflections on Captivity, is a collection of fifty short stories about this young naval officer's experiences as a POW in North Vietnam. This book recounts difficult times but focuses more on the positive aspects--the humor, creativity, friendships, courage, and leadership of an amazing group of Americans and how they helped each other survive and even thrive. These vignettes demonstrate how the human mind, body, and spirit can adapt and find meaning in life in the most challenging circumstances. There are powerful lessons learned from this complex experience that continue to guide the author's life to this day. Despite hardship, suffering, and long separation, Halyburton strongly believes one's quality of life is determined more by choices made than by circumstances, and the most liberating choice we can make is to forgive. Reflections on Captivity furthers the reader's understanding about the nature of captivity, race relations, human relations, aspects of the air war against North Vietnam, and highlights the importance of leadership, ethics, and devotion to duty in difficult times. |
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