Modern Moves traces the movement of American social dance styles between black and white cultural groups and between immigrant and migrant communities during the early twentieth century. Its central focus is New York City, where the confluence of two key demographic streams - an influx of immigrants from Eastern Europe and the growth of the city's African American community particularly as it centered Harlem - created the conditions of possibility for hybrid dance forms like blues, ragtime, ballroom, and jazz dancing. Author Danielle Robinson illustrates how each of these forms came about as the result of the co-mingling of dance traditions from different cultural and racial backgrounds in the same urban social spaces. The results of these cross-cultural collisions in New York City, as she argues, were far greater than passing dance trends; they in fact laid the foundation for the twentieth century's social dancing practices throughout the United States. By looking at dance as social practice across conventional genre and race lines, this book demonstrates that modern social dancing, like Western modernity itself, was dependent on the cultural production and labor of African diasporic peoples - even as they were excluded from its rewards. A cornerstone in Robinson's argument is the changing role of the dance instructor, which was transformed from the proprietor of a small-scale, local dance school at the end of the nineteenth century to a member of a distinct, self-identified social industry at the beginning of the twentieth. Whereas dance studies has been slow to connect early twentieth century dancing with period racial politics, Modern Moves departs radically from prior scholarship on the topic, and in so doing, revises social and African American dance history of this period. Recognizing the rac(ial)ist beginnings of contemporary American social dancing, it offers a window into the ways that dancing throughout the twentieth century has provided a key means through which diverse groups of people have navigated shifting socio-political relations through their bodily movement. Modern Moves asserts that the social practice of modern dancing, with its perceived black origins, empowered displaced people such as migrants and immigrants to grapple with the effects of industrialization, urbanization, and the rise of North American modernity. Far more than simple appropriation, the selling and practicing of "black" dances during the 1910s and 1920s reinforced whiteness as the ideal racial status in America through embodied and rhetorical engagements with period black stereotypes.

Music- and style-centred youth cultures are now a familiar aspect of everyday life in countries as far apart around the globe as Nepal and Jamaica, Hong Kong and Israel, Denmark and Australia. This lucid and original text provides a lively and wide-ranging account of the relationship between popular music and youth culture within the context of debates about the spatial dimensions of identity. It begins with a clear and comprehensive survey, and critical evaluation, of the existing body of literature on youth culture and popular music developed by sociologists and cultural and media theorists. It then develops a fresh perspective on the ways in which popular music is appropriated as a cultural resource by young people, using as a springboard a series of original ethnographic studies of dance music, rap, bhangra and rock. Bennett's original research material is carefully contextualised within a wider international literature on youth styles, local spaces and popular music but it serves to illustrate graphically how styles of music and their attendant stylistic innovations are appropriated and `lived out' by young people in particular social spaces. Music, Bennett argues, is produced and consumed by young people in ways that both inform their sense of self and also serve to construct the social world in which their identities operate. With its comprehensive coverage of youth and music studies and its important new insights, Popular Music and Youth Culture is essential reading for undergraduate and postgraduate students in sociology, cultural studies, media studies and popular music studies. Dr ANDY BENNETT is lecturer in Sociology at the University of Kent at Canterbury. He has published articles on aspects of youth culture, popular music, local identity and music and ethnicity in a number of journals, including Sociological Review, Media Culture and Society and Popular Music. He is currently co-editing a book on guitar cultures.

In response to increased focus on the protection of intangible cultural heritage across the world, Music Endangerment offers a new practical approach to assessing, advocating, and assisting the sustainability of musical genres. Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. Significant for both its insight and its utility, Music Endangerment is an important contribution to the growing field of applied ethnomusicology, and will help secure the continued diversity of our global musical traditions.

This definitive biography of John Mellencamp is "a true coming-of-age story" (John Sykes, chairman of the Rock and Roll Hall of Fame Foundation) of an iconic American rock and roll original, featuring exclusive in-depth interviews and never-before-told details. Perfect for fans of Janis and Born to Run.

John Mellencamp is not your typical rock star.

With music inspired by the work of William Faulkner, John Steinbeck, and other giants of American literature, he has experienced a colorful career unlike any other. Now, this fascinating biography fully charts the life of one of this country's most important voices in American music.

Mellencamp's story is also the story of the American heartland. His growth as an artist and evolution into legendary status directly reflected the major changes of the last fifty years. From the Summer of Love to the growing divisiveness of American politics and beyond, his music has served as the backdrop to this country for millions of fans.

Featuring exclusive interviews with friends, family, and colleagues, and exploring everything from the founding of Farm Aid to his induction into the Rock and Roll Hall of Fame, this is a fresh, expansive, and "inspirational" (Nora Guthrie, president of The Woody Guthrie Foundation) look at a true original.

Designed for use with the Guitar Cards Chord Starter Pack, this pack of 55 cards gives you over 50 moveable chord shapes. Small enough to fit into your back pocket or guitar case, they are an easy way to learn new chords - suitable for beginners, songwriters and teachers.

Chess Record Corp A Tribute Chess Record Corp , A Tribute is the ultimate pictorial journey of one of the most iconic record labels in the history of music . Chess Records the foundation Rock n roll. See the faces that made Chess one of the most seminal record labels in the world. Virtually, every rock & pop artist in the 20 & 21th century can trace back to the influence and unique sounds of Chess Records artists. This high quality illustrated hard back features over 150 unique artist images from Blues,Gospel,Jazz, Rock & Soul as well as unique memorabilia images. Also includes complete R&B chart entry history of Chess Records and the Chess family archive contributions. A one of a kind 70th anniversary celebration of Chess Records for music fans worldwide. Foreword by Marshall Chess & Introductions by Richard Ganter.

In time for the band's twentieth anniversary, the inside story of the Dave Matthews Band-from the early days playing small gigs in Charlottesville to their current sold-out annual summer concert tours...and more than thirty-five million records sold. Dave Matthews Band has one of the largest and most loyal followings of any band today-after twenty years of constant touring and several acclaimed, multiplatinum albums, the members enjoy a connection with their fans that few other acts can match. Ask DMB devotees and they'll happily tell you tales of amazing sold-out summer shows, the stunning venues they've seen the band play all around the world, classic live show recordings...and memories of good times with great friends, old and new. For hundreds of thousands of people, affection for DMB goes far beyond simple fan adulation-it's a way of life. Journalist (and fan) Nikki Van Noy bridges the gap between the band and their followers, looking at the DMB phenomenon from all perspectives-including interviews with the band, Charlottesville insiders who knew them in the early days, and, of course, the DMB fans who witnessed it all. This lively, insider book offers insights into: -The beginnings of the band in Charlottesville, VA-which gave rise to the culture of taping and trading live shows, and the early online networking that laid the groundwork for their later explosive success. -The heady success of their first several albums-when the small "club" of DMB fans suddenly became a lot less exclusive. -Their creative misfires in the early 2000s-including the leaked Lillywhite Sessions. -The crushing sudden loss of saxophonist LeRoi Moore-and how the band emerged stronger than ever. A chronicle of the live Dave Matthews Band experience and what it means to be a part of it, So Much to Say is a comprehensive biography of this incredible group and the fans who helped them achieve such enduring success.

A classically trained countertenor who sang with his high school choir, Dee remembers the day he decided he was "not gonna take it" and stopped caring what people thought about him. Following in the footsteps of his idols Alice Cooper and Black Sabbath, Dee jumped from band to band until he met Jay Jay French and Twisted Sister. But it wasn't until he met his costume-designing soul-mate Suzette that they developed his unique style. Dee's hard work finally paid off with an impressive resume that includes: a monster hit record; smash MTV videos; a long-running radio show, "The House of Hair"; appearances in film (Pee Wee's Big Adventure, Howard Stern's Private Parts, StrangeLand) and television (Growing Up Twisted, Celebrity Apprentice); and a starring role in Broadway's Rock of Ages. He even authored a teenage survival guide that was required reading in Russia! Filled with entertaining anecdotes and candid confessions, Shut Up and Give Me the Miketakes you through the good times and bad with a heavy metal star who worked as hard as he played, and who did it all for his wife, four kids, and millions of "SMF " (Sick Mother F******) fans.

Nu Metal: Resurgence documents the groundbreaking movement from its original inception, right up to the present day. Featuring fully detailed band biographies that includes major players such as Korn, Limp Bizkit, Linkin Park, Papa Roach, Rammstein and Slipknot, a guide to 'The Nu Breed' of bands coming up like Cane Hill, DED, Frontstreet and Lethal Injektion, and exclusive interviews with members of classic Nu Metal bands that includes Alien Ant Farm, Coal Chamber, Kittie, Nonpoint, Orgy, Spineshank and Taproot; as well as record producer extraordinaire Ross Robinson- Nu Metal: Resurgence confirms once and for all that Nu Metal is indeed here to stay.

An essential companion to Michael Jackson's music, films, and books, this work offers 21 original, academic essays on all things Jackson-from film, music, and dance to fashion, culture, and literature. Michael Jackson is regarded as one of the most important musicians of our time. Going well beyond the average celebrity biography, this comprehensive book looks at why that is true, offering insights into every facet of Jackson's art, life, and artistic afterlife. It looks at the methods by which his work was created, presented, received, and appropriated; discusses Jackson's varied personas along with his public and private appearances, albums, conceptual art, short films, and dance; and considers his use of costume, makeup, and reinvention. To help readers understand the phenomenon that was-and is-Michael Jackson, the book focuses on Jackson's historical context through an analysis of his films, songs, and books, examining him as an artist and shedding light on the political and ideological debates that surrounded him. Not shying away from the controversial aspects of Jackson's life and legacy, it also tackles questions of sexuality and racism, gender, and class, comparing Jackson to artists ranging from J. S. Bach to Andy Warhol. Through its examination of Jackson's entire catalog, the work connects all the aspects of his art and life to exemplify-and explain-the performer's unparalleled influence in the 20th and 21st centuries. Takes a sophisticated, academic approach to understanding Jackson's art and life, providing insights into his entire body of work from a perspective never before available outside of music/culture journals Concentrates on aspects of Jackson's art that have not previously been researched, such as his use of costumes and clothing, his poetry, and his function as an auteur Includes a section focused on Jackson's posthumous work and representation Connects with the study of literature, especially early modern English writings and, perhaps surprisingly, the works of William Shakespeare

One Man's Search for the Perfect Gig You know the way the bass makes your plastic cup of watery beer throb? Who the hell (you think, as you sit there in some huge hangar, peering into the distance) are those ants on the stage? Ever bumped into a celeb and said something that made you sound like a prat? Ever found yourself stuck at a red light in a battered old car with ten of your mates, chased by four angry skinheads? Over more than thirty years of gig-going, Adam Broadway has been there, done that. The Jam, Killing Joke, DeadMau5, Glastonbury, dodgy sanitation and stitches a | The Prodigy, James, U2, Reading, ecstasy and embarrassment a | Leftfield, The Rolling Stones, Prince, Ezio, Cambridge Junction and Brixton Academy, everyday life and Goths - and much, much more. Along the way Adam - yes, now follically challenged and with tinnitus to boot - tells us something the shallow-callow cool-school of rock journalism never could. He tells it like it is. If you ever found music really said something to you about your friends, your relationships, your dreams, your life - the sheer passion and honesty of Down the Front is here to remind you. Join Adam for the best view in the house. a Go on a | get down the front.'

Winner of the 2010 Non-Fiction National Book Award Patti Smith's definitive memoir: an evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe 'Sharp, elegiac and finely crafted' Sunday Times 'Terrifically evocative ... The most spellbinding and diverting portrait of funky-but-chic New York in the late '60s and '70s that any alumnus has committed to print' New York Times 'Render, harrowing, often hilarious' Vogue In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max's Kansas City, Scribner's Bookstore, Coney Island, Warhol's Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years--the days of cous-cous and lettuce soup. Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.

This is a true life story account of Len Garry's childhood memories of his childhood days spent with John Lennon and Paul McCartney and the forming of the band The Quarrymen. Also the day John Lennon met Paul McCartney for the very first time at St. Peter's Church fete on 6th July 1957, this book is a first hand account of what took place on that day plus more stories.

Rick Bucklers autobiography is the first from a member of The Jam, who some considered were the ultimate Mod band. Rick tells The Jam story from growing up in Woking and meeting fellow members Paul Weller and Bruce Foxton at school, through their formation in 1972 and tells of the band's early years before signing to Polydor records. He provides a year by year account of The Jam's progress whilst describing what it was like being a part of the music industry during the 70's and 80's and some of the characters who he met along the way including the Ramones, John Enwistle, Sid Vicious, Blondie, Boy George and Paul McCartney. Rick shares his own experiences and thoughts about what it was like to be in one of the UK's most successful bands who spent a great deal of time recording, performing and touring. Following The Jam's split in 1982, Rick gives a candid account of how he coped and his subsequent relationship with Paul and Bruce. All three members of The Jam stayed within the music industry and Rick takes the reader through his years in Time UK and various other bands up until forming From the Jam. A must read for any Jam fan.

This bibulous, drug-indulgent and anarchic rock legend was born on a small farm in Tipperary, won a scholarship to Westminster, was rapidly expelled, became a rent boy, then a central figure of punk and the hugely influential star of The Pogues. MacGowan's music, innovative and powerful, is as distinctive as his chaotic, breakdown-scarred, drug and alcohol-fuelled lifestyle. MacGowan has an enormous fan-base hungry for stories of his wild behaviour, but this is also a book that celebrates this unique and charming musician, and offers insight into his remarkable perspective on this world - and the next!