GRACIAS SENOR JESUS, POR ESE SACRIFICIO DE AMOR QUE HAS HECHO AL MORIR EN LA CRUZ PARA RECONCILIARNOS CON EL PADRE, GRACIAS SENOR JESUS. CIERTAMENTE NO HAY PALABRAS SUFICIENTES NI QUE LLENEN LA MAGNITUD DE GRATITUD QUE DEBERIAMOS TENER POR ESE SACRIFICIO DE AMOR QUE HAS HECHO POR NOSOTROS; POR ESO, DANOS LOS DONES DEL ESPIRITU SANTO PARA CONOCERTE, AMARTE Y ENTENDER TU PALABRA; Y ASI QUE A TRAVES DE LA DONACION DE ESOS DONES, PONIENDOLOS AL SERVICIO DEL PROJIMO, PODAMOS DEMOSTRARTE LA GRATITUD QUE MERECE TU GRAN AMOR. OH SENOR JESUS CON LA FUERZA DE TU AMOR, CONCEDENOS LA DICHA DE SER AGRADECIDOS CONTIGO PARA PODER ESTAR JUNTOS EN LA ETERNIDAD. AMEN

Jesuit Intellectual and Physical Exchange between England and Mainland Europe, c. 1580-1789: 'The World is our House'? offers new perspectives on the English Mission of the Society of Jesus. It brings together an interdisciplinary and international group of scholars to explore the Mission's role and wider impact within the Society, as well as early modern European Catholicism. Building on recent movements within the field to decentralise the Catholic Reformation, the volume seeks to change perceptions of the English Mission as peripheral, bringing the archipelagic experience of Jesuits working in the British Isles in line with work on their European confreres and the broader global network of the Society of Jesus.

This account of the life of St. Ignatius, dictated by himself, is considered the most valuable record of the great Founder of the Society of Jesus. It gives an insight into the spiritual life of St. Ignatius detailing his conversion, his trials, the obstacles in his way, the heroism with which he accomplished his great mission. Few works in ascetical literature impart such a knowledge of the soul.

In Liturgy, Books and Franciscan Identity in Medieval Umbria, Anna Welch explores how Franciscan friars engaged with manuscript production networks operating in Umbria in the late thirteenth and early fourteenth centuries to produce the missals essential to their liturgical lives. A micro-history of Franciscan liturgical activity, this study reassesses methodologies pertinent to manuscript studies and reflects on both the construction of communal identity through ritual activity and historiographic trends regarding this process. Welch focuses on manuscripts decorated by the ateliers of the Maestro di Deruta-Salerno (active c. 1280) and Maestro Venturella di Pietro (active c. 1317), in particular the Codex Sancti Paschalis, a missal now owned by the Australian Province of the Order of Friars Minor.

The small town of Medjugorje, Bosnia-Herzegovina was a simple and unassuming farming community, unheard of to most people. But all that changed during the summer of 1981, and it has since been the meeting place of millions of pilgrims. In "Fingerprints of God," author "Stephen J. Malloy" chronicles the reported miracles and extraordinary supernatural activity that have occurred in Medjugorje since that time.

It all started when five teenagers and a ten-year old boy began to report in tandem that they were having heavenly visions. According to their witness, the Madonna, the Virgin Mary had begun appearing to them in order to call the world to an urgent conversion, reconciliation, and peace through Jesus Christ.

"Fingerprints of God" uniquely combines: the author's own experiences as a pilgrim to Medjugorje; a detailed description of the central messages given by the Virgin Mary, according to the six visionaries; stories about miraculous healings and extraordinary signs; the meaning of the ten secrets, concerning prophesied events to occur in Medjugorje and in the wider world; thorough examination of what the Catholic Church has said in its official capacity concerning the reported apparitions and related phenomena; positive assessments of renowned theologians; relationship made between the Medjugorje messages, Christian morality, and biblical revelation, especially the teachings of Jesus.

Celebrating thirty-one years of the Madonna's special presence, "Fingerprints of God" accounts that Medjugorje has been host now to more than twenty-eight million pilgrims from all over the world.

Holy Organ or Unholy Idol? focuses on the significance of the cult of the Sacred Heart of Jesus and its accompanying imagery in eighteenth-century New Spain. Lauren G. Kilroy-Ewbank considers paintings, prints, devotional texts, and archival sources within the Mexican context alongside issues and debates occurring in Europe to situate the New Spanish cult within local and global developments. She examines the iconography of these religious images and frames them within broader socio-political and religious discourses related to the Eucharist, the sun, the Jesuits, scientific and anatomical ideas, and mysticism. Images of the Heart helped to champion the cult's validity as it was attacked by religious reformers.