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Books > Arts & Architecture > Music > Other types of music > Sacred & religious music

O come, let us sing unto the Lord (Sheet music, Vocal score): Ethan McGrath O come, let us sing unto the Lord (Sheet music, Vocal score)
Ethan McGrath
R145 Discovery Miles 1 450 Ships in 12 - 19 working days
A Carol for our Times (Sheet music, SATB vocal score): David Blackwell A Carol for our Times (Sheet music, SATB vocal score)
David Blackwell
R128 Discovery Miles 1 280 Ships in 12 - 19 working days

for SATB (with S. solo) unaccompanied This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar lines from the Coventry Carol, rooting the piece in tradition while encouraging us to consider our present. The verses feature contrasting textures and changing metres, while a soft, reflective refrain stands steadfastly in triple metre.

Sweet was the song - from Make We Merry (Sheet music, Vocal score): David Bednall Sweet was the song - from Make We Merry (Sheet music, Vocal score)
David Bednall
R128 Discovery Miles 1 280 Ships in 12 - 19 working days

for SS and organ This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part, with an imitative second soprano part joining towards the end. The organ accompaniment gently underpins the tender vocal lines throughout.

John Rutter - The Jolly Shepherd (Sheet music, Set of parts): John Rutter John Rutter - The Jolly Shepherd (Sheet music, Set of parts)
John Rutter
R2,226 Discovery Miles 22 260 Ships in 12 - 19 working days

for SATB and piano or organ or orchestra This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting textures, a memorable refrain, and a rousing finish. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase or hire.

The Music of the Sumerians and Their Immediate Successors - The Babylonians and Assyrians, Described and Illustrated from... The Music of the Sumerians and Their Immediate Successors - The Babylonians and Assyrians, Described and Illustrated from Original Sources (Hardcover, New edition of 1937 ed)
Francis William Galpin
R2,773 Discovery Miles 27 730 Ships in 10 - 15 working days
How Good is Our God (Sheet music, Vocal score): Alan Bullard How Good is Our God (Sheet music, Vocal score)
Alan Bullard
R187 Discovery Miles 1 870 Ships in 12 - 19 working days

for SATB unaccompanied Alan Bullard's simple, uplifting setting of words by eighteenth-century writer and Calvinist minister Joseph Hart is perfectly suited to the Every Voice Rejoice series. The anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

Communion Chants of the Thirteenth-Century Byzantine Asmatikon (Hardcover): Simon Harris Communion Chants of the Thirteenth-Century Byzantine Asmatikon (Hardcover)
Simon Harris
R4,472 Discovery Miles 44 720 Ships in 12 - 19 working days

This is a complete edition with critical commentary of the Byzantine Communions in thirteenth-century manuscripts of the Asmatikon, all known sources being used. The chants concerned are the earliest known examples of Communion Chants of the Orthodox Church, and are found in a book which may go back to the rite of St Sophia at Constantinople during the tenth century-the earliest copies of which date from the thirteenth-century and come from South Italy and North Greece. Further more, there are also a few manuscripts from Kiev with text in Church Slavonic and an untranscribable musical notation. This is the first systematic transcription of the Asmatikon ever to be published.

Tree of Life (Sheet music, Vocal score): Mack Wilberg Tree of Life (Sheet music, Vocal score)
Mack Wilberg
R171 Discovery Miles 1 710 Ships in 12 - 19 working days

for SATB and piano or orchestra Tree of Life is an expansive setting of an evocative text by David Warner that depicts the sacred archetype of the life-giving tree through the cycle of all four seasons. The lyrics, coupled with simple, memorable melodies, speak of spiritual planting and growth, nourishment, and an abundant harvest; each observation is punctuated by an 'Alleluia' as an expression of praise and gratitude. Wilberg's imaginative orchestration creates an abundant soundworld, with arching woodwind phrases, sweeping strings, and a cacophony of handbells that lifts the closing alleluias skywards in celebration. This is the title track on the Tabernacle Choir's 2018 CD release.

I Will Rejoice (Sheet music, Vocal score): Gary Hallquist I Will Rejoice (Sheet music, Vocal score)
Gary Hallquist
R129 Discovery Miles 1 290 Ships in 12 - 19 working days
When spring comes walking (Sheet music, Vocal score): Bob Chilcott When spring comes walking (Sheet music, Vocal score)
Bob Chilcott
R129 Discovery Miles 1 290 Ships in 12 - 19 working days

for SSAATTBB unaccompanied When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with gentle sustained melodies, rich harmonies, and a quote from the traditional carol 'O come, O come, Emmanuel'. This piece is suitable for both advent and Easter.

Gloria (Sheet music, Vocal score): Gary Hallquist Gloria (Sheet music, Vocal score)
Gary Hallquist
R128 Discovery Miles 1 280 Ships in 12 - 19 working days
Johann Sebastian Bach's Christmas Oratorio - Music, Theology, Culture (Hardcover): Markus Rathey Johann Sebastian Bach's Christmas Oratorio - Music, Theology, Culture (Hardcover)
Markus Rathey
R2,260 Discovery Miles 22 600 Ships in 12 - 19 working days

In the last decades of the 17th century, the feast of Christmas in Lutheran Germany underwent a major transformation when theologians and local governments waged an early modern "war on Christmas," discouraging riotous pageants and carnivalesque rituals in favor of more personal and internalized expressions of piety. Christmas rituals, such as the "Heilig Christ" plays and the rocking of the child (Kindelwiegen) were abolished, and Christian devotion focused increasingly on the metaphor of a birth of Christ in the human heart. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey's book is the first thorough study of this popular masterpiece in English. While giving a comprehensive overview of the Christmas Oratorio as a whole, the book focuses on two themes in particular: the cultural and theological understanding of Christmas in Bach's time and the compositional process that led Bach from the earliest concepts to the completed piece. The cultural and religious context of the oratorio provides the backdrop for Rathey's detailed analysis of the composition, in which he explores Bach's compositional practices, for example, his reuse and parodies of movements that had originally been composed for secular cantatas. The book analyzes Bach's original score and sheds new light on the way Bach wrote the piece, how he shaped musical themes, and how he revised his initial ideas into the final composition.

Past Three a Clock (Sheet music, Vocal score): John Rutter Past Three a Clock (Sheet music, Vocal score)
John Rutter
R145 Discovery Miles 1 450 Ships in 12 - 19 working days

for SATB (with divisions) and piano or small orchestra Originally published in Carols for Choirs 2, Rutter's arrangement of this well-known carol is energetic and joyful. The memorable and buoyant melody is supported and driven by lively piano accompaniment, making it well-suited for Christmas concerts and services. Orchestral material is available on hire.

Pilgrim Jesus (Sheet music, Vocal score): Bob Chilcott Pilgrim Jesus (Sheet music, Vocal score)
Bob Chilcott
R185 Discovery Miles 1 850 Ships in 12 - 19 working days
The Star Has Come (Sheet music, Vocal score): Roderick Williams The Star Has Come (Sheet music, Vocal score)
Roderick Williams
R145 Discovery Miles 1 450 Ships in 12 - 19 working days
Jesus Child (Sheet music, Two-part vocal score): John Rutter Jesus Child (Sheet music, Two-part vocal score)
John Rutter; Arranged by Kenneth Pont
R145 Discovery Miles 1 450 Ships in 12 - 19 working days
The Wise Men and the Star (Sheet music, Vocal score): Oliver Tarney The Wise Men and the Star (Sheet music, Vocal score)
Oliver Tarney
R145 Discovery Miles 1 450 Ships in 12 - 19 working days

for SATB unaccompanied A mystical, atmospheric carol for Epiphany, The Wise Men and the Star sets a text by contemporary writer Lucia Quinault that depicts the journey of the wise men as they follow the star. Tarney's appealing musical language creates a sense of expectancy, and there are beautiful moments of stillness and quiet that enable the listener to reflect on the wonder of the events of the season.

The Angel Gabriel (Sheet music, Vocal score): Michael Higgins The Angel Gabriel (Sheet music, Vocal score)
Michael Higgins
R129 Discovery Miles 1 290 Ships in 12 - 19 working days

for SSSSAATBB unaccompanied In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the various textures explored in each verse, producing a dramatic and atmospheric setting of the Basque carol. Suitable for chamber and concert choir.

Alleluia (Sheet music, Vocal score): Giulio Caccini Alleluia (Sheet music, Vocal score)
Giulio Caccini; Arranged by Mack Wilberg
R129 Discovery Miles 1 290 Ships in 12 - 19 working days

for SATB and piano or orchestra Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini (and usually sung to 'Ave Maria'). In keeping with the cumulative embellishment of the original, Wilberg's version starts with unison men and gradually adds more parts, always grounded by the lower voices. Similarly, the accompaniment's texture thickens as the piece develops, with the instrumental version starting with strings only, building up to a full orchestral climax before a gentler coda.

A Simple Gloria (Sheet music, Vocal score): Libby Larsen A Simple Gloria (Sheet music, Vocal score)
Libby Larsen
R184 Discovery Miles 1 840 Ships in 12 - 19 working days
Hush! my dear (Sheet music, Vocal score): Gabriel Jackson Hush! my dear (Sheet music, Vocal score)
Gabriel Jackson
R185 Discovery Miles 1 850 Ships in 12 - 19 working days

for SATB accompanied or unaccompanied Offprinted from Carols for Choirs 5, this exquisite setting of a familiar text by Isaac Watts has flexible scoring, with choirs encouraged to explore different options for each of the four verses. The music is gentle, flowing, and peaceful, perfectly reflecting the nativity scene the poet so vividly depicts.

Sweet Rivers (Sheet music, SSATB vocal score): Reginald UNTERSEHER Sweet Rivers (Sheet music, SSATB vocal score)
Reginald UNTERSEHER
R145 Discovery Miles 1 450 Ships in 12 - 19 working days

for SSATB and piano Reginald Unterseher has adapted his much-loved lower-voice arrangement of this well-known hymn by John Adam Granade for mixed-voice choir. The arching vocal lines are accompanied by a rhythmic, undulating piano part evocative of the rivers the hymn-writer describes.

The Jolly Shepherd (Sheet music, Vocal score with piano accompaniment): John Rutter The Jolly Shepherd (Sheet music, Vocal score with piano accompaniment)
John Rutter
R156 Discovery Miles 1 560 Ships in 12 - 19 working days

for SATB and piano or organ or orchestra This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting textures, a memorable refrain, and a rousing finish. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase or hire.

The Jolly Shepherd (Sheet music, Vocal score with organ accompaniment): John Rutter The Jolly Shepherd (Sheet music, Vocal score with organ accompaniment)
John Rutter
R161 Discovery Miles 1 610 Ships in 12 - 19 working days

for SATB and piano or organ or orchestra This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting textures, a memorable refrain, and a rousing finish. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase or hire.

From Everlasting to Everlasting (Sheet music, Vocal score): Benjamin Harlan From Everlasting to Everlasting (Sheet music, Vocal score)
Benjamin Harlan
R130 Discovery Miles 1 300 Ships in 12 - 19 working days
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