Winner of the 2020 Award for Excellence in the Study of Religion: Historical Studies In her groundbreaking investigation from the perspective of the aesthetics of religion, Isabel Laack explores the religion and art of writing of the pre-Hispanic Aztecs of Mexico. Inspired by postcolonial approaches, she reveals Eurocentric biases in academic representations of Aztec cosmovision, ontology, epistemology, ritual, aesthetics, and the writing system to provide a powerful interpretation of the Nahua sense of reality. Laack transcends the concept of "sacred scripture" traditionally employed in religions studies in order to reconstruct the Indigenous semiotic theory and to reveal how Aztec pictography can express complex aspects of embodied meaning. Her study offers an innovative approach to nonphonographic semiotic systems, as created in many world cultures, and expands our understanding of human recorded visual communication. This book will be essential reading for scholars and readers interested in the history of religions, Mesoamerican studies, and the ancient civilizations of the Americas. "This excellent book, written with intellectual courage and critical self-awareness, is a brilliant, multilayered thought experiment into the images and stories that made up the Nahua sense of reality as woven into their sensational ritual performances and colorful symbolic writing system." - David Carrasco, Harvard University

Divine Covenant explores the Qur'anic concept of divine knowledge through scientific, theoretical paradigms - in particular natural law theory - and their relationship with seven Islamic scholarly disciplines: linguistics, hadith, politics, history, exegesis, jurisprudence, theology. By comparing scholarship within these disciplines with current state-of-the-art, the study shows how the Qur'anic concept of divine Covenant reflects natural law theory, relates to a range of other legal, political, and linguistic Qur'anic concepts, informs the canon's entire literary structure, and has implications for a new, legal theory of 'Islamic origins'. The book makes the case that the Islamic disciplines share political economy, institutional framework, and decisive theoretical topics with the Qur'an. The latter include the natural law-related issues of human rights, constitutional separation of powers, and social contract. The book surveys the scholarly deliberations of these topics within the parameters of each discipline and in changing contexts. In addition, consequences of the modern nation-state institutional order for early modern and contemporary Qur'anic studies are mapped. It is argued that the early and medieval Islamic disciplines offer scientifically valuable knowledge because they refer to the same institutional framework as the Qur'an. The disciplines are also important parts of European political history, where they have inspired social contract theory inclusive of diverse religious identities.

Through the application of scientific methods of analysis to a corpus of medieval manuscripts found in the Cairo Genizah, this work aims to gain a better understanding of the writing materials used by Jewish communities at that time, shedding new light not only on the production of manuscripts in the Middle Ages, but also on the life of those Jewish communities.

In this engaging book of commentary on the Talmud, the author upends the long-held theory of the immutability of halakhah, Jewish law. In her detailed analysis of over 80 short halakhic anecdotes in the Babylonian Talmud, the author shows that the Talmud itself promotes halakhic change. She leads the reader through one sugya (discussion unit) after another, accumulating evidence for her rather radical thesis. Along the way, she teases out details of what life was like 1500 years ago for women in their relationships with men and for students in their relationships with mentors. An eye-opening read by one of today's leading Talmud scholars.

Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a "Jewish perspective", creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.

The chapters in Emerging Horizons: 21st Century Approaches to the Study of Midrash pertain to an intriguing midrash that appears in a Masoretic context, the Qur'anic narrative of the red cow, midrashic narratives that rabbinise enemies of Israel, the death of Moses, emotions in rabbinic literature, and yelammedenu units in midrashic works.