This catalogue presents fourteen early sculptures by the late artist, many of which had never before been shown in the United States. Documented in vivid colour photographs, these exuberant sculptures depict Anthony Caro's decision to bypass representational imagery, and to use bright colours to synthesize the bolted and welded metal parts that replaced it. Along with installation shots and historical photographs, this vibrant book includes a brand-new essay from Tim Marlow that tracks Caro's development as a sculptor, as well as Rosalind Krauss's 1967 Art International article on the artist and the nature of sculpture. This catalogue is published in conjunction with Caro's 2015 show at Gagosian Gallery Beverly Hills.

One guilty secret will tear her life apart...After a series of heart-breaking miscarriages, Kate's marriage is hanging by a thread. When her husband Michael tells her he has shocking news, at first, she thinks the worst - he's been having an affair. It would explain why he's been so distant. Instead, he reveals that the daughter he abandoned twenty years ago is coming to stay. Kate is blindsided by the sudden arrival of Imogen mere hours later. Her new stepdaughter is beautiful but troubled and seems wary of her own father. All the same, Kate is pleased to find herself connecting with Imogen, until one day, Imogen reveals a disturbing secret to her stepmother, making her swear never to tell a soul. With Kate already keeping secrets of her own, she worries her marriage will crumble under the weight of another. But perhaps it's not Imogen's intrusion Kate should be worried about. Perhaps it's Michael's past she should have been looking at all along... A completely addictive domestic suspense novel that will keep you guessing into the early hours of the morning. Perfect for fans of The Stepdaughter, Amanda Robson and Adele Parks. What readers are saying about The Stepmother:'This elegantly written suspense novel quickly drew me in and transported me into the lives of Kate and Michael and their dysfunctional marriage... Compels the reader to keep turning the pages... A very satisfying and well-written novel.' M. M. DeLuca 'Loved this one! So easy to read and lots of twists and turns along the way. Definitely a quick read and one I recommend.' NetGalley Reviewer 'I really enjoyed this book, I was hooked from the first chapter and couldn't put it down, loads of twists & turns to keep one guessing' NetGalley Reviewer 'A marriage in tatters and a shocking surprise. This thriller is just that, thrilling until the end. Definitely not for the faint-hearted.' NetGalley Reviewer 'I really enjoyed this story... It was well written and truly heartfelt... A great read that I would recommend.' NetGalley Reviewer 'An original domestic thriller telling the story of a stepmother caught between the rock and a hard place... Highly recommended!' NetGalley Reviewer 'I really enjoyed this book... A unique perspective on the step-parent spectrum. Carne really makes you think and question the secrets of her characters. The Stepmother is a great read.' NetGalley Reviewer 'This is a story of a marriage failing, death and life's drama. Well written and gripping. This is my first book by Ros Carne and look forward to her next book.' NetGalley Reviewer 'I really enjoyed it. There were enjoyable twists to keep me guessing and I'd definitely read more by this author in the future.' NetGalley Reviewer

Sculpture Victorious highlights the diversity, originality, and ubiquity of sculptural production during the reign of Queen Victoria. This lavishly illustrated book examines how colorful marbles, bronzes, finely wrought silver, and exquisitely detailed electrotypes, as well as gems, cameos, and porcelain, related to and contributed to the contemporary world. In an age of unprecedented territorial expansion, sculpture reflected the power of the British empire; at the same time, increased access to materials and resources facilitated artistic production and innovation. The partnership between art and industry was equally generative and creative, enabling daring explorations of sculpture's possibilities, both political and aesthetic. Bringing to bear a range of materials including statuary, reliefs, models, drawings, and objets d'art, as well as prints, photographs, and paintings, this stunning tome assembles, for the first time, the vibrancy, inventiveness, and modernity of Victorian sculpture. Published in association with the Yale Center for British Art Exhibition Schedule: Yale Center for British Art (09/11/14-11/30/14) Tate Britain (02/24/15-05/24/15)

In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.

Italian sculptor Davide Rivalta seeks out wild animals in their natural habitat and in captivity, then creates sculptures in bronze that capture their energy, otherness, and power. This book documents an exhibition at the Forte di Belvedere in Florence, where Rivalta turns the gallery and garden into a savannah with life-size buffalos, eagles, wolves, and a rhinoceros. Site-specific wall drawings of large birds highlight another artistic practice that the artist uses to explore the untamed essence of the animal world. His works are on show in permanent exhibitions in various cities, both in Italy and abroad, and have been shown in many art galleries and museums.

The artist who created the statue for the Lincoln Memorial, John Harvard in Harvard Yard, and The Minute Man in Concord, Massachusetts, Daniel Chester French (1850-1931) is America's best-known sculptor of public monuments. Monument Man is the first comprehensive biography of this fascinating figure and his illustrious career. Full of rich detail and beautiful archival photographs, Monument Man is a nuanced study of a preeminent artist whose evolution ran parallel to, and deeply influenced, the development of American sculpture, iconography, and historical memory. Monument Man was specially commissioned by Chesterwood / National Trust for Historic Preservation. The release will coincide with the fiftieth anniversary of the opening of Chesterwood, his country home and studio, as a public site and with a major renovation of the Lincoln Memorial. The book includes a comprehensive geographical guide to French's public work.

These intimate, emotive sculptures have evolved from personal experience, even as they are infused with Colombian folk traditions. Zapata's light-hearted works reveal a darker side where folk and tribal art meet Christian iconography and merge spiritual and political realities. Painted with hand-mixed pigments, roughhewn and deceptively simple, Zapata's art is both celebratory and unflinching.

Ramkinkar Vaij (1906-1980), a significant artist of twentieth century India, is regarded as the first major figure in modern Indian sculpture. Born into a poor family in Bankura district, Bengal, he enrolled himself as a student in Santiniketan, at the university founded by Rabindranath Tagore, at the age of 19. Having made his home and found his creative metier there - as a student first and a teacher later - he was one of the pioneering trio of artists, along with Nandalal Bose and Benodebehari Mukherjee, who made Santiniketan the most important center for art in India between 1920 and 1947. Ramkinkar, as he was popularly known, was a man who had enormous gifts but never aired them; an artist who was single-minded in his pursuit of work but treated the results with philosophic unconcern. Indifferent to success, fame and money, he lived an unworldly and capricious life. His works reflect a great zest for the gifts of nature and deep concern for the conditions of poor and laboring people. The subject of this book is Ramkinkar's sculptures as seen through the photographic lens of Devi Prasad, supplemented by discussions on the artist's life and work in his own words and through the eyes of his students, friends and associates. Devi Prasad, who was a student at Kala Bhavan during 1938-44, went back to Santiniketan as a Visiting Professor in the year 1978. During his stay there, he undertook a photographic study of 60-odd sculptures of Ramkinkar. Towards the end of that year, during the seventh Pous celebrations, he exhibited nearly 150 of these photographs in three halls of Kala Bhavan. Ramkinkar himself, though in poor health by then, inaugurated the exhibition; he was deeply moved to see such a large photographic representation of his works.This book on Ramkinkar's sculptures by Devi Prasad is published as a tribute, to mark the artist's birth centenary year.

Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book--the first major American publication on Kapoor's work--surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal--as in his famous "Cloud Gate" (2004) in Chicago's Millennium Park. The works in "Anish Kapoor" include such striking works as "Past, Present, Future" (2006), "1000 Names" (1979-1980) and "When I Am Pregnant" (1992). This book, which accompanies an exhibition at Boston's Institute of Contemporary Art, offers American readers a long-overdue opportunity to consider the extraordinary clarity, subtlety, and power of Kapoor's art. Includes an interview with the artist by Nicholas Baume. Exhibition: Institute of Contemporary Art, Boston May 30-September 7, 2008 "Copublished with the Institute of Contemporary Art, Boston"