This is the only book from the perspective of the defendant who emerged victorious. It features reviews on book pages of national newspapers, and in history magazines. Deborah Lipstadt chronicles her five-year legal battle with David Irving that culminated in a sensational trial in 2000. In her acclaimed 1993 book "Denying the Holocaust", Deborah Lipstadt called David Irving, a prolific writer of books on World War II, "one of the most dangerous spokespersons for Holocaust denial", a conclusion she reached after closely examining his books, speeches, interviews, and other copious records. The following year, after Lipstadt's book was published in the UK, Irving filed a libel suit against Lipstadt and her UK publisher, Penguin. Lipstadt prepared her defence with the help of first-rate team of solicitors, historians, and experts. The dramatic trial, which unfolded over the course of 10 weeks, ultimately exposed the prejudice, extremism, and distortion of history that defined Irving's work. Lipstadt's victory was proclaimed on the front page of major newspapers around the world, with the "Daily Telegraph" proclaiming that the trial did "for the new century what the Nuremberg tribunals or the Eichmann trial did for earlier generations." Part history, part real life courtroom drama, "History On Trial" is Lipstadt's riveting, blow-by-blow account of the trial that tested the standards of historical and judicial truths and resulted in a formal denunciation of a Holocaust denier, crippling the movement for years to come.

The participation of German physicians in medical experiments on innocent people and mass murder is one of the most disturbing aspects of the Nazi era and the Holocaust. Six distinguished historians working in this field are addressing the critical issues raised by these murderous experiments, such as the place of the Holocaust in the larger context of eugenic and racial research, the motivation and roles of the German medical establishment, and the impact and legacy of the eugenics movements and Nazi medical practice on physicians and medicine since World War II. Based on the authors' original scholarship, these essays offer an excellent and very accessible introduction to an important and controversial subject. They are also particularly relevant in light of current controversies over the nature and application of research in human genetics and biotechnology.

When Otto Frank unwrapped his daughter's diary with trembling hands and began to read the first pages, he discovered a side to Anne that was as much a revelation to him as it would be to the rest of the world. Little did Otto know he was about to create an icon recognised the world over for her bravery, sometimes brutal teenage honesty and determination to see beauty even where its light was most hidden. Nor did he realise that publication would spark a bitter battle that would embroil him in years of legal contest and eventually drive him to a nervous breakdown and a new life in Switzerland. Today, more than seventy-five years after Anne's death, the diary is at the centre of a multi-million-pound industry, with competing foundations, cultural critics and former friends and relatives fighting for the right to control it. In this insightful and wide-ranging account, Karen Bartlett tells the full story of The Diary of Anne Frank, the highly controversial part it played in twentieth-century history, and its fundamental role in shaping our understanding of the Holocaust. At the same time, she sheds new light on the life and character of Otto Frank, the complex, driven and deeply human figure who lived in the shadows of the terrible events that robbed him of his family, while he painstakingly crafted and controlled his daughter's story.

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"The essays probe the growing vocabulary of Holocaust imagery and address the various ways (in varied venues) that the Holocaust has been remembered, represented, and received."--"American Jewish History"

"This challenging collection of essays which also contains some stunning art work, should find a place in every library that deals with the memory of the Holocaust and its effects that transcend the generation."
--"Conservative Judaism"

"(Makes) a cogent case for a deeper, unmastered engagement with Holocause trauma."--"Journal of Jewish Studies"

Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments.

Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole.

Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 colorplates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.

A collection of articles which offer an insight into the opinions and attitudes of the German population, the East Europeans and the Poles towards Jews during the period of Nazi persecution. Historians are able to make important distinctions between various periods, groups and regions. At the close of this study is a selection of articles that deal with support for the Jews.

'Through thick and thin, never separate. Stick together, guard each other, and live for one another.' As Hitler's war intensified, the Ovitz family would have good reason to stand by their mother's mantra. Descending from the cattle train into the death camp of Auschwitz, all twelve emerged in 1945 as survivors - the largest family to survive intact. What saved them? Ironically, the fact that they were sought out by the 'Angel of Death' himself - Dr Joseph Mengele. For seven of the Ovitzes were dwarfs - and not just any dwarfs, but a beloved and highly successful vaudeville act known as the Lilliput Troupe. Together, they were the only all-dwarf ensemble with a full show of their own in the history of entertainment. The Ovitzes intrigued Mengele, and amongst the thousands on whom he performed his loathsome experiments, they became his prize 'patients': 'You're something special, not like the rest of them.' It was this disturbing affection that saved their lives. After being plunged into the darkest moments in modern history, this remarkable troupe emerged with spirits undimmed, and went on to light up Europe and Israel, which offered them a new home, with their unique performances. Giants reveals their moving and inspirational story.

Offering a cross-media exploration of Israeli media on Holocaust Remembrance Day, one of Israel's most sacred national rituals, over the past six decades, this fascinating book investigates the way in which variables such as medium, structure of ownership, genre and targeted audiences shape the collective recollection of traumatic memories.

A collection of articles which offer an insight into the opinions and attitudes of the German population, the East Europeans and the Poles towards Jews during the period of Nazi persecution. Historians are able to make important distinctions between various periods, groups and regions. At the close of this study is a selection of articles that deal with support for the Jews.

Features a new section on the institutional settings of German Jewish Studies, a Film Forum on Shahar Rozen's 1998 documentary Liebe Perla, and interviews with Paul Mendes-Flohr and Barbara Honigmann, among other contributions. Nexus is the official publication of the biennial German Jewish Studies Workshop at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing German Jewish Studies forum in North America. Because the locus of scholarship is never incidental, Nexus 6 introduces a new section, "Contexts," to examine, in this case, what it means to pursue German Jewish Studies at a Catholic university, Notre Dame. And because research is never static, it inaugurates a series in which scholars revisit their own prior scholarly publications. Robert Smith launches this initiative by revising his view of Dietrich Bonhoeffer as a source for post-Holocaust Christian-Jewish dialogue. The volume also offers conversations with the legendary Paul Mendes-Flohr on his understanding of the German Jewish "legacy" and with Barbara Honigmann on her distinctive prose style and what it means to her to practice Judaism. The popular Film Forum section returns, this time focusing on Shahar Rozen's 1998 documentary Liebe Perla. Nexus 6 also presents new scholarship on Babi Yar Holocaust memorials, Freud's famous Moses essay, Primo Levi's translation of Kafka, and an introduction to and first English translation of the 18th-century philosopher Salomon Maimon's understudied essay History of His Philosophical Authorship in Dialogues.

"An excellent introduction." . War in History ." . . the essays in this volume, individually and as a whole, represent for the English reader a valuable addition to scholarship on the emergence of genocidal policies." . Journal of Jewish Studies "A very interesting and valuable contribution to the debate on National Socialism." . Osterreichische Zeitschrift fur Politikwissenschaft Moving beyond the well-established problems and public discussions of the Holocaust, this collection of essays, written by some of the leading German historians of the younger generation, leaves behind the increasingly agitated arguments of the last years and substantially broadens, and in many areas revises, our knowledge of the Holocaust. Unlike previous studies, which have focused on whether the Holocaust could best be understood as the "fulfilment of a world view or as a process of "cumulative radicalisation," these articles provide an overview of how situational elements and gradual processes of radicalisation were variously combined with ever-changing objectives and fundamental ideological convictions. Focusing on the developments in Poland, the Soviet Union, Serbia, and France the authors find that heretofore we have actually had very little knowledge of many aspects of this history, particularly with regards to the specific forces that motivated German policy in the individual regions of Central and Eastern Europe. Thus the National-Socialist extermination policy is not seen as a secret undertaking but rather as part of the German conquest and occupation policy in Europe. Ulrich Herbert is Professor of Modern History at the University of Freiburg i. Br."

The role of massacre in history has been given little focused attention either by historians or academics in related fields. This is surprising as its prevalence and persistence surely demands that it should be a subject of serious and systematic exploration. What exactly is a massacre? When - and why - does it happen? Is there a cultural, as well as political framework within which it occurs? How do human societies respond to it? What are its social and economic repercussions? Are massacres catalysts for change or are they part of the continuity of the human saga? These are just some of the questions the authors address in this important volume. Chronologically and geographically broad in scope, The Massacre in History provides in-depth analysis of particular massacres and themes associated with them from the 11th century to the present. Specific attention is paid to 15th century Christian-Jewish relations in Spain, the St. Batholemew's Day massacre, England and Ireland in the civil war era, the 19th century Caucasus, the rape of Nanking in 1937 and the Second World War origins of the Serb-Croat conflict. The book explores the subject of massacre from a variety of perspectives - its relationship to politics, culture, religion and society, its connection to ethnic cleansing and genocide, and its role in gender terms and in relation to the extermination of animals. The historians provide evidence to suggest that the "massacre" is often central to the course of human development and societal change.

The noted historian and Litvak (Jews of Lithuanian heritage), Josef Rosin, presents the history of 50 Jewish towns in Lithuania. The book includes information about the founding of the settlements, their development into vibrant communities, and their ultimate destruction in the Shoah (Holocaust). This is Josefs third book, which brings to 102, the number of communities that he has documented. The thorough coverage shows the rich culture from which many American, South African and Israeli Jews of Litvak heritage can trace their history. This book is a rich resource for Litvak genealogists to extend their knowledge to understand the communities from which their ancestors came. This book is a valuable resource for libraries, synagogues and Litvak homes. Below is the list of towns with the Yiddish name first, and the Lithuanian name in parenthesis: Akmyan (Akmen), Anishok (Onukis), Erzhvilik (Ervilkas), Gelvan (Gelvonai), Girtegole (Girkalnis), Grinkishok (Grinkikis), Grishkabud (Grikabdis), Gudleve (Garliava), Kaltinan (Kaltinnai), Kamai (Kamajai), Krakinove (Krekenava), Kruzh (Kraiai), Kurshan (Kurnai), Laizeve (Laiuva), Leipun (Leipalingis), Loikeve (Laukuva), Ludvinove (Liudvinavas), Luknik (Luok), Maliat (Moltai), Miroslav (Miroslavas), Nemoksht (Nemakiai), Pashvitin (Pavitinys), Pikeln (Pikeliai), Plotel (Plateliai), Pumpyan (Pumpnai), Rasein (Raseiniai), Remigole (Ramygala), Riteve (Rietavas), Sapizishok (Zapykis), Shadeve (eduva), Shidleve (iluva), Siad (Seda), Srednik (Seredius), Survilishok (Survilikis), Svadushch (Svedasai), Trashkun (Troknai), Trishik (Trykiai), Tsaikishok (ekik), Tsitevyan (Tytuvnai), Vabolnik (Vabalninkas), Vaigeve (Vaiguva), Vainute (Vainutas), Vekshne (Viekniai), Velon (Veliouna), Vidukle (Vidukl), Yelok (Ylakiai), Yezne (Jieznas), Zharan (arnai), and Zhidik (idikai).

A prominent Viennese psychiatrist before the war, Viktor Frankl was uniquely able to observe the way that both he and others in Auschwitz coped (or didn't) with the experience. He noticed that it was the men who comforted others and who gave away their last piece of bread who survived the longest - and who offered proof that everything can be taken away from us except the ability to choose our attitude in any given set of circumstances. The sort of person the prisoner became was the result of an inner decision and not of camp influences alone. Only those who allowed their inner hold on their moral and spiritual selves to subside eventually fell victim to the camp's degenerating influence - while those who made a victory of those experiences turned them into an inner triumph. Frankl came to believe man's deepest desire is to search for meaning and purpose. This outstanding work offers us all a way to transcend suffering and find significance in the art of living.'Viktor Frankl-is one of the moral heroes of the 20th century. His insights into human freedom, dignity and the search for meaning are deeply humanising, and have the power to transform lives.'Chief Rabbi Dr Jonathan Sacks'

A New Translation From The French By Marion Wiesel
"Night" is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
"""Night" offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

Leading international Holocaust scholars reflect upon their personal experiences and professional trajectories over many decades of immersion in the field. Changes are examined within the context of individual odysseys, including shifting cultural milieus and robust academic conflicts.

'That nickname . . .' '"Little bird." It wasn't mine. I found out later he gave it to every little girl that came in to be injected. "Little Bird" didn't mean anything. It was a trick. There were thousands of "little birds", just like me, all thinking they were the only one.' As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz. In the few last months of the Second World War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz. Her experiences there cast a shadow over the rest of her life. Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. Along the way, Jacques learns long-hidden secrets about his mother's family. He gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

What are you willing to do to survive? What are you willing to endure if it means you might live? 'Achingly moving, gives much-needed hope . . . Deserves the status both as a valuable historical source and as a stand-out memoir' Daily Express 'A story that needs to be heard' 5***** Reader Review Entering Terezin, a Nazi concentration camp, Franci was expected to die. She refused. In the summer of 1942, twenty-two-year-old Franci Rabinek - designated a Jew by the Nazi racial laws - arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labour camps in Hamburg, and finally to Bergen Belsen. Franci, a spirited and glamorous young woman, was known among her fellow inmates as the Prague dress designer. Having endured the transportation of her parents, she never forgot her mother's parting words: 'Your only duty to us is to stay alive'. During an Auschwitz selection, Franci would spontaneously lie to Nazi officer Dr Josef Mengele, and claim to be an electrician. A split-second decision that would go on to endanger - and save - her life. Unpublished for 50 years, Franci's War is an astonishing account of one woman's attempt to survive. Heartbreaking and candid, Franci finds the light in her darkest years and the horrors she faces instill in her, strength and resilience to survive and to live again. She gives a voice to the women prisoners in her tight-knit circle of friends. Her testimony sheds new light on the alliances, love affairs, and sexual barter that took place during the Holocaust, offering a compelling insight into the resilience and courage of ordinary people in an extraordinary situation. Above all, Franci's War asks us to explore what it takes to survive, and what it means to truly live. 'A candid account of shocking events. Franci is someone many women today will be able to identify with' 5***** Reader Review 'First-hand accounts of life in Nazi death camps never lose their terrible power but few are as extraordinary as Franci's War' Mail on Sunday 'Fascinating and traumatic. Well worth a read' 5***** Reader Review

On 7 November 1938, an impoverished seventeen-year-old Polish Jew living in Paris, obsessed with Nazi persecution of his family in Germany, brooding on revenge - and his own insignificance - bought a handgun, carried it on the Metro to the German Embassy in Paris and, never before having fired a weapon, shot down the first German diplomat he saw. When the official died two days later, Hitler and Goebbels used the event as their pretext for the state-sponsored wave of anti-Semitic violence and terror known as Kristallnacht, the pogrom that was the initiating event of the Holocaust. Overnight this obscure young man, Herschel Grynszpan, found himself world-famous, his face on front pages everywhere, and a pawn in the machinations of power. Instead of being executed, he found himself a privileged prisoner of the Gestapo while Hitler and Goebbels prepared a show-trial. The trial, planned to the last detail, was intended to prove that the Jews had started the Second World War. Alone in his cell, Herschel soon grasped how the Nazis planned to use him, and set out to wage a battle of wits against Hitler and Goebbels, knowing perfectly well that if he succeeded in stopping the trial, he would certainly be murdered. Until very recently, what really happened has remained hazy. Hitler's Scapegoat, based on the most recent research - including access to a heretofore untapped archive compiled by a Nuremberg rapporteur - tells Herschel's extraordinary story in full for the first time.