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Books > Humanities > History > European history > From 1900 > Second World War
For readers in the English-speaking world, almost all Holocaust
writing is translated writing. Translation is indispensable for our
understanding of the Holocaust because there is a need to tell
others what happened in a way that makes events and experiences
accessible - if not, perhaps, comprehensible - to other
communities. Yet what this means is only beginning to be explored
by Translation Studies scholars. This book aims to bring together
the insights of Translation Studies and Holocaust Studies in order
to show what a critical understanding of translation in practice
and context can contribute to our knowledge of the legacy of the
Holocaust. The role translation plays is not just as a facilitator
of a semi-transparent transfer of information. Holocaust writing
involves questions about language, truth and ethics, and a
theoretically informed understanding of translation adds to these
questions by drawing attention to processes of mediation and
reception in cultural and historical context. It is important to
examine how writing by Holocaust victims, which is closely tied to
a specific language and reflects on the relationship between
language, experience and thought, can (or cannot) be translated.
This volume brings the disciplines of Holocaust and Translation
Studies into an encounter with each other in order to explore the
effects of translation on Holocaust writing. The individual pieces
by Holocaust scholars explore general, theoretical questions and
individual case studies, and are accompanied by commentaries by
translation scholars.
In recent years, historical witnessing has emerged as a category of
"museum object." Audiovisual recordings of interviews with
individuals remembering events of historical importance are now
integral to the collections and research activities of museums.
They have also become important components in narrative and
exhibition design strategies. With a focus on Holocaust museums,
this study scrutinizes for the first time the new global phenomenon
of the "musealization" of the witness to history, exploring the
processes, prerequisites, and consequences of the transformation of
video testimonies into exhibits.
The Holocaust is often described as beyond representation. Drawing
on interdisciplinary perspectives, this ground-breaking collection
of essays by leading international scholars takes the Scrolls of
Auschwitz as its starting point. These powerful hand-written
testimonies, which were buried in the grounds of the crematoria at
Birkenau in 1944, seek to bear witness to mass murder from at its
core. The accounts, which are often marginalized in studies of
Holocaust testimony, are frequently highly literary and ask
significant questions of the notion that Auschwitz cannot be
attested to. The volume also includes a number of essays that
consider other forms of testimony, in media such as film,
literature and video, which have also been marginalized as they
fail to conform to dominant ideas about the nature and structure of
the event.
The purpose of this annotated bibliography is to provide a
comprehensive survey of writings about the Holocaust. The authors
present an overview of topics including Christian anti-judentum,
anti-semitism, the moral and religious response to the Nazi
persecution and genocide of the Jews, and post-World War II
responses to the Holocaust as they have appeared in the thousands
of books and articles published on the Holocaust. The bibliography
is divided into four topics with introductory comments that frame
the theories put forward in the books and articles. A broad array
of past and recent scholarship from a variety of venues and points
of view are represented.
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The Community of Żarki
(Hardcover)
Yitzchak Lador; Translated by David Horowitz-Larochette; Cover design or artwork by Rachel Kolokoff Hopper
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R953
Discovery Miles 9 530
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Ships in 12 - 17 working days
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Challenging the dominant narrative of the murder of European Jewry,
Pete Kakel's small book is distinctive in a number of ways.
Firstly, unlike most explanations which ignore, downplay, or
undervalue the Holocaust's colonial dimensions, it places the Nazi
colonial-imperial enterprise front-and-centre in understanding why
the Holocaust happened. Additionally, while acknowledging the
Holocaust's multiple causes, it identifies western-style
colonialism/racial imperialism as the single most important
contributor to the Holocaust's occurrence. And lastly, arguing that
it is no longer tenable to restrict the term 'Holocaust' to the
murder of European Jews, it suggests a broadening of the usage of
'Holocaust' to include the Nazi genocide of non-Jewish
noncombatants by the Nazis and their collaborators.Within this
paradigm, readers can understand the Holocaust as part of the
emerging global histories of imperialism, colonialism, and
genocide. Rather than an aberration or 'unique' event, Kakel
locates the Holocaust as part of a continuum of western
colonialism/racial imperialism, featuring genocidal violence
against noncombatants, while also illuminating the Nazi Judeocide's
terrible specificities.
The Jewish Heroes of Warsaw: The Afterlife of the Revolt by Avinoam
J. Patt analyzes how the heroic saga of the Warsaw Ghetto Uprising
was mythologized in a way that captured the attention of Jews
around the world, allowing them to imagine what it might have been
like to be there, engaged in the struggle against the Nazi
oppressor. The timing of the uprising, coinciding with the
transition to memorialization and mourning, solidified the event as
a date to remember both the heroes and the martyrs of Warsaw, and
of European Jewry more broadly. The Jewish Heroes of Warsaw
includes nine chapters. Chapter 1 includes a brief history of
Warsaw from 1939 to 1943, including the creation of the ghetto and
the development of the Jewish underground. Chapter 2 examines how
the uprising was reported, interpreted, and commemorated in the
first year after the revolt. Chapter 3 concerns the desire for
first-person accounts of the fighters. Chapter 4 examines the ways
the uprising was seized upon by Jewish communities around the world
as evidence that Jews had joined the struggle against fascism and
utilized as a prism for memorializing the destruction of European
Jewry. Chapter 5 analyzes how memory of the uprising was mobilized
by the Zionist movement, even as it debated how to best incorporate
the doomed struggle of Warsaw's Jews into the Zionist narrative.
Chapter 6 explores the aftermath of the war as survivors struggled
to come to terms with the devastation around them. Chapter 7
studies how the testimonies of three surviving ghetto fighters
present a fascinating case to examine the interaction between
memory, testimony, politics, and history. Chapter 8 analyzes
literary and artistic works, including Jacob Pat's Ash un Fayer,
Marie Syrkin, Blessed is the Match, and Natan Rapoport's Monument
to the Ghetto Fighters, among others. As this book demonstrates,
the revolt itself, while described as a ""revolution in Jewish
history,"" did little to change the existing modes for Jewish
understanding of events. Students and scholars of modern Jewish
history, Holocaust studies, and European studies will find great
value in this detail-oriented study.
The papacy of Pius XII (1939-1958) has been a source of
near-constant debate and criticism since his death over half a
century ago. Powerful myths have arisen around him, and central to
them is the dispute surrounding his alleged silence during the
years of the Holocaust. In this groundbreaking work, historian Paul
O'Shea examines the papacy as well as the little-studied pre-papal
life of Eugenio Pacelli in order to illuminate his policies,
actions, and statements during the war. Drawing carefully and
comprehensively on the historical record, O'Shea convincingly
demonstrates that Pius was neither an anti-Semitic villain nor a
"lamb without stain." Ultimately, Pius's legacy reveals the moral
crisis within many parts of the fractured Christian Commonwealth as
well as the personal culpability of Pacelli, the man and pope.
Since the end of World War II, the ongoing efforts aimed at
criminal prosecution, restitution, and other forms of justice in
the wake of the Holocaust have constituted one of the most
significant episodes in the history of human rights and
international law. As such, they have attracted sustained attention
from historians and legal scholars. This edited collection
substantially enlarges the topical and disciplinary scope of this
burgeoning field, exploring such varied subjects as literary
analysis of Hannah Arendt's work, the restitution case for Gustav
Klimt's Beethoven Frieze, and the ritualistic aspects of criminal
trials.
Examining how the press in Britain, Sweden and Finland responded to
the Holocaust immediately after the Second World War, Holmila
offers new insights into the challenge posed by the Holocaust for
liberal democracies by looking at the reporting of the liberation
of the camps, the Nuremberg trial and the Jewish immigration to
Palestine.
After the Fact studies the terrain of Holocaust documentaries
subsequent to the turn of the twenty-first century. Until now most
studies have centered primarily on canonical films such as Shoah
and Night and Fog, but over the course of the last ten years
filmmaking practices have altered dramatically. Changing
techniques, diminishing communities of survivors, and the public's
response to familiar, even iconic imagery, have all challenged
filmmakers to radically revise and newly envision how they depict
the Holocaust. Innovative styles have emerged, including
groundbreaking techniques of incorporating archival footage,
survivor testimony, and reenactment. Carrying wider implications
for the fields of Film Studies, Jewish Studies, and Visual Studies,
this book closely analyzes thirteen contemporary and
internationally produced films, most of which have hardly been
touched upon in the critical literature or elsewhere.
Alter Wiener's father was brutally murdered on September 11,
1939 by the German invaders of Poland. Alter was then a boy of 13.
At the age of 15 he was deported to Blechhammer, a Forced Labor
Camp for Jews, in Germany. He survived five camps. Upon liberation
by the Russian Army on May 9, 1945, Alter weighed 80 lbs as
reflected on the book's cover. Alter Wiener is one of the very few
Holocaust survivors still living in Portland, Oregon. He moved to
Oregon in 2000 and since then he has shared his life story with
over 800 audiences (as of April, 2013) in universities, colleges,
middle and high schools, Churches, Synagogues, prisons, clubs, etc.
He has also been interviewed by radio and TV stations as well as
the press. Wiener's autobiography is a testimony to an unfolding
tragedy taking place in WWII. Its message illustrates what
prejudice may lead to and how tolerance is imperative. This book is
not just Wiener's life story but it reveals many responses to his
story. Hopefully, it will enable many readers to truly understand
such levels of horror and a chance to empathize with the unique
plight of the Holocaust victims. Feel free to visit my website
www.alterwiener.com for more information including links.
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Augustow Memorial Book
(Hardcover)
Molly Karp; Edited by Y Aleksandroni; Cover design or artwork by Rachel Kolokoff Kolokoff Hopper
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R1,232
Discovery Miles 12 320
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Ships in 12 - 17 working days
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For decades, historians have debated how and to what extent the
Holocaust penetrated the German national consciousness between 1933
and 1945. How much did "ordinary" Germans know about the
subjugation and mass murder of the Jews, when did they know it, and
how did they respond collectively and as individuals? This compact
volume brings together six historical investigations into the
subject from leading scholars employing newly accessible and
previously underexploited evidence. Ranging from the roots of
popular anti-Semitism to the complex motivations of Germans who hid
Jews, these studies illuminate some of the most difficult questions
in Holocaust historiography, supplemented with an array of
fascinating primary source materials.
Of the 400,000 German-speaking Jews that escaped the Third Reich as
refugees, approximately 16,000 ended up in Shanghai, China, as part
of one of the more remote enclaves within the Jewish diaspora. The
stories of the Shanghai Jews contain extremes of the suffering and
endurance that defined the refugee experience. Nobody wanted to go
to China, and because Shanghai was the last choice of refugees,
those who went there had nowhere else left to go. They had endured
every stage of escalating Nazi persecution, including the mass
arrests during Kristallnacht, the real beginning of the Holocaust.
This groundbreaking oral history volume is based on 20 years of
interviews with over 100 former Shanghai refugees. It offers a
moving and at times astonishing collective portrait of courage,
culture shock, persistence, and enduring hope in the face of
unimaginable hardships.
In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar
factory in Germany: Deutsche Zigarren-Werke. When his competitors,
supported by Nazi authorities, tried to shut it down, the
headstrong entrepreneur refused to give up the fight. Isay
Rottenberg was born into a large Jewish family in Russian Poland in
1889 and grew up in Lodz. He left for Berlin at the age of eighteen
to escape military service, moving again in 1917 to Amsterdam on
the occasion of his marriage. In 1932 he moved to Germany to take
over a bankrupt cigar factory. With newfangled American technology,
it was the most modern at the time. The energetic and ambitious
Rottenberg was certain he could bring it back to life, and with
newly hired staff of 670 workers, the cigar factory was soon back
in business. Six months later, Hitler came to power and the Nazi
government forbade the use of machines in the cigar industry so
that traditional hand-rollers could be re-employed. That was when
the real struggle began. More than six hundred qualified machine
workers and engineers would lose their jobs if the factory had to
close down. Supported by the local authorities he managed to keep
the factory going, but in 1935 he was imprisoned following
accusations of fraud. The factory was expropriated by the Deutsche
Bank. When he was released six months later thanks to the efforts
of the Dutch consul, he brought a lawsuit of his own. His fight for
rehabilitation and restitution of his property would continue until
Kristallnacht in 1938. The Cigar Factory of Isay Rottenberg is
written by two of Rottenberg's granddaughters, who knew little of
their grandfather's past growing up in Amsterdam until a call for
claims for stolen or confiscated property started them on a journey
of discovery.
In this pioneering volume, a group of "third generation" scholars
subject the contested ligature between Finland and the Holocaust to
critique. Finland's Holocaust: Silences of History traces the
implications of antisemitism in Finland in the late nineteenth and
early twentieth centuries, through Finland's alliance with the
Third Reich during much of World War II, to the complex negotiation
with its wartime past. Taking up a range of issues - from cultural
history, folklore, the arts, and sports, to the interpretation of
military and national history - this collection examines how modern
Finnish memory and the writing of history have both engaged and
evaded the figure of the Holocaust. As the first English-language
introduction to the changing position of Finland in contemporary
international Holocaust historiography, Finland's Holocaust is
essential reading for any student of antisemitism and the
Holocaust, providing a critical perspective on the role of
political and cultural historiography in modern Finland.
The testimonies of individuals who survived the Holocaust as
children pose distinct emotional and intellectual challenges for
researchers: as now-adult interviewees recall profound childhood
experiences of suffering and persecution, they also invoke their
own historical awareness and memories of their postwar lives,
requiring readers to follow simultaneous, disparate narratives.
This interdisciplinary volume brings together historians,
psychologists, and other scholars to explore child survivors'
accounts. With a central focus on the Kestenberg Holocaust Child
Survivor Archive's over 1,500 testimonies, it not only enlarges our
understanding of the Holocaust empirically but illuminates the
methodological, theoretical, and institutional dimensions of this
unique form of historical record.
Sent across the ocean by their parents and taken in by foster
parents and distant relatives, approximately 1,000 children,
ranging in age from fourteen months to sixteen years, landed in the
United States and out of Hitler's reach between 1934 and 1945.
Seventy years after the first ship brought a handful of these
children to American shores, the general public and many of the
children themselves remain unaware of these rescues, and the fact
that they were accomplished despite powerful forces in and outside
the government that did not want them to occur. This is the first
published account, told in the words of the children and their
rescuers, to detail this unknown part of America's response to the
Holocaust. It will challenge the belief that Americans did nothing
to directly and actively save Holocaust victims. Judith Tydor
Baumel, Holocaust scholar and sister of two rescued children,
provides an introduction explaining why, when, how, and where the
rescues were carried out, who the heroes and heroines were, and
which individuals and organizations placed almost insurmountable
obstacles in their path. This account presents both recollections
and experiences recorded at the time of the rescued children, their
descendants, and their rescuers. The story demonstrates what a
small group of determined people can do to change the course of
history.
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