For readers of Schindler's List, The Man Who Broke into Auschwitz and The Boy in the Striped Pyjamas comes a heart-breaking story of the very best of humanity in the very worst of circumstances.

In 1942, Lale Sokolov arrived in Auschwitz-Birkenau. He was given the job of tattooing the prisoners marked for survival - scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust. Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight. And he was determined not only to survive himself, but to ensure this woman, Gita, did, too.

So begins one of the most life-affirming, courageous, unforgettable and human stories of the Holocaust: the true love story of the tattooist of Auschwitz.

Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends-and many others-with a comprehensive guide to hundreds of films and made-for-television movies. From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of perspectives--historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg, Quentin Tarantino and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.

Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, One Family's Shoah suggests a new way of writing cultural history.

A prominent Viennese psychiatrist before the war, Viktor Frankl was uniquely able to observe the way that both he and others in Auschwitz coped (or didn't) with the experience. He noticed that it was the men who comforted others and who gave away their last piece of bread who survived the longest - and who offered proof that everything can be taken away from us except the ability to choose our attitude in any given set of circumstances. The sort of person the prisoner became was the result of an inner decision and not of camp influences alone. Only those who allowed their inner hold on their moral and spiritual selves to subside eventually fell victim to the camp's degenerating influence - while those who made a victory of those experiences turned them into an inner triumph. Frankl came to believe man's deepest desire is to search for meaning and purpose. This outstanding work offers us all a way to transcend suffering and find significance in the art of living.'Viktor Frankl-is one of the moral heroes of the 20th century. His insights into human freedom, dignity and the search for meaning are deeply humanising, and have the power to transform lives.'Chief Rabbi Dr Jonathan Sacks'

With an overview essay, timeline, reference entries, and annotated bibliography, this resource is a concise, one-stop reference on antisemitism in today's society. Stretching back to biblical times, antisemitism is perhaps the world's oldest hatred of a group. It has manifested itself around the world, sometimes taking the form of superficially innocent jokes and at other times promoting such tragedies as the Holocaust. Far from disappeared, its continued existence in today's society is evidenced by vandalism of Jewish cemeteries and shootings at synagogues. This book explores the causes and consequences of contemporary antisemitism, placing this form of hatred in its historical, political, and social contexts. An overview essay surveys the background and significance of antisemitism and provides historical context for discussions of contemporary topics. A timeline highlights key events related to antisemitism. Some 50 alphabetically arranged reference entries provide objective, fundamental information about people, events, and other topics related to antisemitism. These entries cite works for further reading and provide cross-references to related topics. An annotated bibliography cites and evaluates some of the most important resources on antisemitism suitable for student research. An overview essay places antisemitism in its historical context and discusses its contemporary significance A timeline identifies key developments related to antisemitism Roughly 50 alphabetically arranged reference entries provide objective, fundamental information about topics related to antisemitism, with an emphasis on modern society Entry bibliographies direct users to specific sources of additional information An annotated bibliography lists and evaluates some of the most important broad works on antisemitism

Escaping Hell is the compelling and true story of a heroic young Polish officer who survived the terror of five years in the prisons of Auschwitz and Buchenwald - where violence was meaningless because human life had lost all value. During World War II, Kon Piekarski was a member of the Polish Underground Army, a clandestine resistance movement which operated even inside Auschwitz - organizing spectacular esacpes, operating a secret radio network and matching wits with the Gestapo. After Auschwitz, Piekarski became a prisoner of war at Buchenwald and spent time working in a factory where Russian prisoners of war were used for labour. In the face of constant danger, he and his comrades took every possible opportunity to sabotage the German war industry. He was finally transferred to a small camp near the French border, and escaped three months before the end of the war.

This open access book offers a framework for understanding how the Holocaust has shaped and continues to shape medical ethics, health policy, and questions related to human rights around the world. The field of bioethics continues to face questions of social and medical controversy that have their roots in the lessons of the Holocaust, such as debates over beginning-of-life and medical genetics, end-of-life matters such as medical aid in dying, the development of ethical codes and regulations to guide human subject research, and human rights abuses in vulnerable populations. As the only example of medically sanctioned genocide in history, and one that used medicine and science to fundamentally undermine human dignity and the moral foundation of society, the Holocaust provides an invaluable framework for exploring current issues in bioethics and society today. This book, therefore, is of great value to all current and future ethicists, medical practitioners and policymakers - as well as laypeople.

Historians have long noted that Jews often appear at the storm center of European history. Nowhere is this more true than when dealing with the tumultuous years between the Nazi seizure of power in Germany on January 30, 1933 and the proclamation of the State of Israel on May 14, 1948. Yet, the events of Jewish history must also be viewed within the broader contexts of European, American, and global history. Spanning sixteen years of destruction and rebirth, A World in Turmoil is the first book of its kind, an integrated chronology which attempts to provide the researcher with clear and concise data describing the events as they unfolded. From the murder pits of Nazi-occupied Eastern Europe, to the battlefields in all the major theatres of operation, to the home fronts of all the major and minor combatants, A World in Turmoil covers a broad spectrum of events. Although major events throughout the world are noted, the volume concentrates on events in Europe, the Middle East, and the Americas. While the volume deals primarily with politics, significant social and intellectual trends are woven into the chronology. Augmented by an introductory essay and postscript to help place events in their historical context, by a bibliography, and by name, place, and subject indexes, the volume provides scholars and researchers alike a basic reference tool on sixteen of the most important years in modern history.

Mimi Rubin had fond memories of growing up in Novy Bohumin, Czechoslovakia, a place that ten thousand people called home. It was a tranquil town until September 1, 1939, when the German army invaded the city. From that day forward, eighteen-yearold Mimi would face some of the harshest moments of her life.

This memoir follows Mimi's story-from her idyllic life in Novy Bohumin before the invasion, to being transported to a Jewish ghetto, to living in three different German concentration camps, and finally, to liberation. It tells of the heartbreaking loss of her parents, grandmother, and countless other friends and relatives. It tells of the tempered joys of being reunited with her sister and of finding love, marrying, and raising a family.

A compelling firsthand account, "Mimi of Novy Bohumin, Czechoslovakia: A Young Woman's Survival of the Holocaust" weaves the personal, yet horrifying, details of Mimi's experience with historical facts about this era in history. This story helps keep alive the memory of the millions of innocent men, women, and children who died in the German concentration camps during the 1930s and 1940s.

Scholarship often presumes that texts written about the Shoah, either by those directly involved in it or those writing its history, must always bear witness to the affective aftermath of the event, the lingering emotional effects of suffering. Drawing on the History of Emotions and on trauma theory, this monograph offers a critical study of the ambivalent attributions and expressions of emotion and "emotionlessness" in the literature and historiography of the Shoah. It addresses three phenomena: the metaphorical discourses by which emotionality and the purported lack thereof are attributed to victims and to perpetrators; the rhetoric of affective self-control and of affective distancing in fiction, testimony and historiography; and the poetics of empathy and the status of emotionality in discourses on the Shoah. Through a close analysis of a broad corpus centred around the work of W. G. Sebald, Dieter Schlesak, Ruth Kluger and Raul Hilberg, the book critically contextualises emotionality and its attributions in the post-war era, when a scepticism of pathos coincided with demands for factual rigidity. Ultimately, it invites the reader to reflect on their own affective stances towards history and its commemoration in the twenty-first century.