This memoir contains many fascinating vignettes about pre-war childhood in the Lithuanian city of Kaunas, a child's-eye-view of the lost world of East European Jewry. It tells the tormented story of the Kovno ghetto as seen by a youngster whose father was a leading figure in the medical life of the ghetto. The author then recounts the long, harsh journey of entering the gates of Dante's Inferno into the whirlpool of the Holocaust to Stutthof and Dachau and moves on to describe his liberation. The author also provides a full and fascinating focus on the post-war years: recovery, organizing education in Italy, and the struggles of starting a new life in the United States, including the high point of obtaining the release of the author's parents from the Soviet Union at the height of the Cold War. Jack Brauns has written a most personal and engaging tale. Not only is it a powerful factual narrative, but it is also an uplifting one that rises above the cruelties and savageries of the H

The noted historian and Litvak (Jews of Lithuanian heritage), Josef Rosin, presents the history of 50 Jewish towns in Lithuania. The book includes information about the founding of the settlements, their development into vibrant communities, and their ultimate destruction in the Shoah (Holocaust). This is Josefs third book, which brings to 102, the number of communities that he has documented. The thorough coverage shows the rich culture from which many American, South African and Israeli Jews of Litvak heritage can trace their history. This book is a rich resource for Litvak genealogists to extend their knowledge to understand the communities from which their ancestors came. This book is a valuable resource for libraries, synagogues and Litvak homes. Below is the list of towns with the Yiddish name first, and the Lithuanian name in parenthesis: Akmyan (Akmen), Anishok (Onukis), Erzhvilik (Ervilkas), Gelvan (Gelvonai), Girtegole (Girkalnis), Grinkishok (Grinkikis), Grishkabud (Grikabdis), Gudleve (Garliava), Kaltinan (Kaltinnai), Kamai (Kamajai), Krakinove (Krekenava), Kruzh (Kraiai), Kurshan (Kurnai), Laizeve (Laiuva), Leipun (Leipalingis), Loikeve (Laukuva), Ludvinove (Liudvinavas), Luknik (Luok), Maliat (Moltai), Miroslav (Miroslavas), Nemoksht (Nemakiai), Pashvitin (Pavitinys), Pikeln (Pikeliai), Plotel (Plateliai), Pumpyan (Pumpnai), Rasein (Raseiniai), Remigole (Ramygala), Riteve (Rietavas), Sapizishok (Zapykis), Shadeve (eduva), Shidleve (iluva), Siad (Seda), Srednik (Seredius), Survilishok (Survilikis), Svadushch (Svedasai), Trashkun (Troknai), Trishik (Trykiai), Tsaikishok (ekik), Tsitevyan (Tytuvnai), Vabolnik (Vabalninkas), Vaigeve (Vaiguva), Vainute (Vainutas), Vekshne (Viekniai), Velon (Veliouna), Vidukle (Vidukl), Yelok (Ylakiai), Yezne (Jieznas), Zharan (arnai), and Zhidik (idikai).

How is it possible, after the Shoah, to declare one's faith in the God of Israel? Breaking the Tablets is David Weiss Halivni's eloquent and insightful response to this question. Halivni, Auschwitz survivor and one of the greatest Talmudic scholars of the past century, declares that at this time of God's near absence, Jews can still observe the words of the Torah and pray for God to come near again. Jews must continue to study the classic texts of rabbinic Judaism but now with greater humility, recognizing that even the greatest religious leaders and thinkers interpret these texts only as mere people, prone to human error. Breaking the Tablets is important reading for anyone who feels burdened by the question of how it is possible to believe in God and practice their religion.

For the first time in 65 years, a modern, easy to understand, truly complete, accurate and uncensored edition of Mein Kampf has been released which reveals more than any past translation. Older translations altered passages, omitted passages, mistranslated Hitler's words, made some parts more sensational while concealing the true meaning in other parts of the book. If you have read one of these older translations of Mein Kampf, then you have not read the REAL Mein Kampf which is found only in this new special edition hardcover Ford Translation. Mein Kampf is often portrayed as nothing more than an Anti-Semitic work, however only 6% of it even talks about the Jews. The rest contains Hitler's ideas and beliefs for a greater nation plus his plan on how to accomplish that goal. The majority of the work involves Hitler's discussion of the German people's difficult times after the First World War, his political theories and his organization of the Nazi Party, as well as many attacks against his enemies which makes it a very interesting and moving story. Mein Kampf offers an interesting interpretation of politics, people, and foreign policy matters. To characterize it as simply a racist work is to oversimplify its message. Germany did not follow Hitler because he was a racist, they followed him because he promised a great future, and Mein Kampf is where he promised that great future. This Ford Translation offers: The most accurate translation ever produced. Phrases that are translated with precision and with no translator's bias. Uncommon words are replaced with more common and more meaningful terms. Any references to unfamiliar people, or places are explained in the text. This version is complete with all original passages and references restored, including passages omitted from other popular versions and passages censored by the Nazi government during the print history of the book. **This translation has corrected over 1000 errors which were present in past translations.** No English reader has been able to appreciate these subtleties in any previous English translation, not until the Ford Translation. This hardback version is also available in an audio format. Get your copy now and find out what deep desires truly drove Hitler.

Ernest Levy, the youngest of eight, was born into a strong Orthodox family and achieved his Bar Mitzvah as Nazism reached into Czechoslovakia and expelled Jews of Hungarian origin back across the border. From there his story takes us through the war years, via Auschwitz, to the labor camps, from where, as the Russians closed in, inmates were force-marched to Belsen. Ernest survived Belsen and typhoid to choose repatriation. Finding himself back in Budapest, a crisis of faith, brought on by the hideous experiences of his teens, led him to flirt with communism. A revived faith and a passion for music won the day and established his future. Since finding a home in Scotland in the early 1960s, he has been able to educate and enlighten the young people around him of events which otherwise would only be remote in a history book.

Appreciating the power of language, and how discriminatory words can have deadly consequences, is pivotal to our understanding of the Holocaust. Engaging with a wealth of primary sources and significant Holocaust scholarship, Anti-Semitism and the Holocaust traces the historical tradition of anti-Semitism to explore this in detail. From religious anti-Semitism in ancient Rome to racially-led anti-Semites focused on building superior nation-states in 19th-century Europe to Hitler's vitriolic attacks, Griech-Polelle analyzes how tropes and stereotypes incited suspicion, dislike and hatred of the Jews - and, ultimately, how this was used to drive anti-Semitic feeling toward genocide. Crucially, this 2nd edition sheds further light on the everyday experience of ordinary Germans and Jews under the Nazi regime, with new chapters examining the role of the Christian Churches in Hitler's persecution of the Jews and those who participated in rescue work and resistance more broadly. With new illustrations, a detailed glossary and up-to-date further reading suggestions and questions, this 2nd edition provides a concise and lucid survey of European Jewry, the Holocaust, and the language of anti-Semitism.

How is it possible, after the Shoah, to declare one's faith in the God of Israel? Breaking the Tablets is David Weiss Halivni's eloquent and insightful response to this question. Halivni, Auschwitz survivor and one of the greatest Talmudic scholars of the past century, declares that at this time of God's near absence, Jews can still observe the words of the Torah and pray for God to come near again. Jews must continue to study the classic texts of rabbinic Judaism but now with greater humility, recognizing that even the greatest religious leaders and thinkers interpret these texts only as mere people, prone to human error. Breaking the Tablets is important reading for anyone who feels burdened by the question of how it is possible to believe in God and practice their religion.

This book concerns building an idealized image of the society in which the Holocaust occurred. It inspects the category of the bystander (in Polish culture closely related to the witness), since the war recognized as the axis of self-presentation and majority politics of memory. The category is of performative character since it defines the roles of event participants, assumes passivity of the non-Jewish environment, and alienates the exterminated, thus making it impossible to speak about the bystanders' violence at the border between the ghetto and the 'Aryan' side. Bystanders were neither passive nor distanced; rather, they participated and played important roles in Nazi plans. Starting with the war, the authors analyze the functions of this category in the Polish discourse of memory through following its changing forms and showing links with social practices organizing the collective memory. Despite being often critiqued, this point of dispute about Polish memory rarely belongs to mainstream culture. It also blocks the memory of Polish violence against Jews. The book is intended for students and researchers interested in memory studies, the history of the Holocaust, the memory of genocide, and the war and postwar cultures of Poland and Eastern Europe.

The First Graphic Adaptation of the Multi-Million Bestseller '12th June, 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support.' In the summer of 1942, fleeing the horrors of the Nazi occupation, Anne Frank and her family were forced into hiding in the back of an Amsterdam warehouse. Aged thirteen when she went into the secret annexe, Anne Frank kept a diary in which she confided her innermost thoughts and feelings, movingly revealing how the eight people living under these extraordinary conditions coped with the daily threat of discovery and death. Adapted by Ari Folman, illustrated by David Polonsky, and authorized by the Anne Frank Foundation in Basel, this is the first graphic edition of the beloved diary of Anne Frank. 'Faithful to the spirit and often the language of the diary... Mr Polonsky's beautiful artwork offers a charming and convincing view of Anne on the page' THE ECONOMIST 'Folman and Polonsky have reclaimed Anne Frank in all of her humanity, and they allow us to witness for ourselves her beauty, courage, vision and imagination. And, in doing so, they have elevated the tools of the comic book to create an astonishing work of art.' JEWISH JOURNAL 'The illustrations [. . .] retell Anne's diary with great compassion, wit and ebullience' StANDPOINT

Leading international Holocaust scholars reflect upon their personal experiences and professional trajectories over many decades of immersion in the field. Changes are examined within the context of individual odysseys, including shifting cultural milieus and robust academic conflicts.

Based on never previously explored personal accounts and archival documentation, this book examines life and death in the Theresienstadt ghetto, seen through the eyes of the Jewish victims from Denmark. "How was it in Theresienstadt?" Thus asked Johan Grun rhetorically when he, in July 1945, published a short text about his experiences. The successful flight of the majority of Danish Jewry in October 1943 is a well-known episode of the Holocaust, but the experience of the 470 men, women, and children that were deported to the ghetto has seldom been the object of scholarly interest. Providing an overview of the Judenaktion in Denmark and the subsequent deportations, the book sheds light on the fate of those who were arrested. Through a micro-historical analysis of everyday life, it describes various aspects of social and daily life in proximity to death. In doing so, the volume illuminates the diversity of individual situations and conveys the deportees' perceptions and striving for survival and 'normality'. Offering a multi-perspective and international approach that places the case of Denmark into the broader Jewish experience during the Holocaust, this book is invaluable for researchers of Jewish studies, Holocaust and genocide studies, and the history of modern Denmark.

Kurt and Sonja Messerschmidt met in Nazi Berlin, married in the Theresienstadt ghetto, and survived Auschwitz. In this book, they tell their intertwined stories in their own words. The text directly expresses their experiences, reactions, and emotions. The reader moves with them through the stages of their Holocaust journeys: persecution in Berlin, deportation to Theresienstadt and then to Auschwitz, slave labor, liberation, reunion, and finally emigration to the US. Kurt and Sonja saw the death of Jews every day for two years, but they never stopped creating their own lives. The spoken words of these survivors create a uniquely direct relationship with the reader, as if this couple were telling their story in their living room.

'Extraordinary ... The beating heart of this novel is the exquisite empathy it demonstrates ... There is a gentle magnificence at work in its pages' Irish Times 'Tender, poignant and heartfelt ... A generous novel that celebrates communication, connection and courage' Daily Mail Marie owes Michka more than she can say - but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she'll be safe. But Michka doesn't feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she's carried since she was a little girl. And she is losing her words - grasping more desperately day by day for what once came easily to her. Jerome is a speech therapist, dispatched to help the home's ageing population snatch and hold tight onto the speech still afforded to them. But Michka is no ordinary client. Michka has been carrying an old debt she does not know how to repay - and as her words slide out of her grasp, time is running out. Delicately wrought and darkly gripping, Gratitude is about love, loss and redemption; about what we owe one another, and the redemptive power of showing thanks.

This is the story of an international forced labour camp for women, the largest of the auxiliary women's camps attached to KZ Buchenwald in Germany. It was the place that the Jewish prisoners sang the satiric camp anthem: Hasag is our father, the best father there is / He promises us - long years of happiness / In Leipzig - a paradise on earth. Was Hasag-Leipzig really a paradise compared to other Nazi installations, in terms of the treatment of prisoners and their living conditions? This study provides answers to this question as it depicts the camp for 5500 from 18 countries, among them 1200 Jewish prisoners brought there from Poland. Special attention is paid here to the cultural activities. The author has collected a large number of verses penned in the camp. They add a refreshing new dimension to the scholarly work, bringing the reader closer to the alien, unfamiliar world known as the Hasag-Leipzig Women's Camp.

In 1961 Adolf Eichmann went on trial in Jerusalem for his part in the Nazi persecution and mass murder of Europe 's Jews. For the first time a judicial process focussed on the genocide against the Jews and heard Jewish witnesses to the catastrophe. The trial and the controversies it caused had a profound effect on shaping the collective memory of what became the Holocaust .

This volume, a special issue of the Journal of Israeli History, brings together new research by scholars from Europe, Israel and the USA.

American church-related liberal arts colleges are dedicated to two traditions: Christian thought and liberal learning. According to Haynes, the moral continuity of these traditions was severed by the Holocaust. Because so many representations of these traditions contributed to the Nazis' ideological and physical efforts to annihilate millions of men, women, and children, it is unclear whether these traditions can any longer be said to facilitate human flourishing. Haynes presents a convincing argument that the post-Holocaust church-related college can participate in the restoration of these ruptured traditions through a commitment to Holocaust Education. This book provides valuable information for teachers who already offer a Holocaust course or for those who are considering doing so. In addition, the author presents an accurate picture of Holocaust Education at church-related colleges through an analysis of his nationwide survey. This book will be an important resource for scholars, teachers, and administrators.

This collection of twenty essays analyzes the encounters of the Yishuv (the Hebrew community in pre-state Israel) and Israeli society with the Holocaust while it occurred, and with its survivors. Sixty years after the end of the Second World War, this is still a painful topic, very much at the center of the agendas of both Israel and the Jewish communities worldwide, focusing on a soul-searching issue: was the tragedy unfolding in Europe part and parcel of public life in the Yishuv, its priorities and anxieties, and did Israeli society embrace the survivors as they deserved? Based on a wide scope of primary sources and on many years of research, the essays deal with a variety of poignant sub-issues, such as the attitudes of David Ben-Gurion, Martin Buber and other leaders, the understanding of the information about the 'Final Solution', relations and tensions between the Yishuv and the Jewish communities and youth movements in Nazi-occupied Europe, rescue plans and their failure, decis

The Nazis' persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called "privileged" positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi's concept of the "grey zone," this study analyzes the passing of moral judgment on "privileged" Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann's Shoah and Steven Spielberg's Schindler's List. Negotiating the problems and potentialities of "representing the unrepresentable," this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.