In the early morning hours of May 18, 1944 the Russian army, under orders from Stalin, deported the entire Crimean Tatar population from their historical homeland. Given only fifteen minutes to gather their belongings, they were herded into cattle cars bound for Soviet Central Asia. Although the official Soviet record was cleansed of this affair and the name of their ethnic group was erased from all records and official documents, Crimean Tatars did not assimilate with other groups or disappear. This is an ethnographic study of the negotiation of social memory and the role this had in the growth of a national repatriation movement among the Crimean Tatars. It examines the recollections of the Crimean Tatars, the techniques by which they are produced and transmitted and the formation of a remarkably uniform social memory in light of their dispersion throughout Central Asia. Through the lens of social memory, the book covers not only the deportation and life in the diaspora but the process by which the children and grandchildren of the deportees returned and anchored themselves in the Crimean Peninsula, a place they had never visited.

Born in Hungary in 1927, Magda Hollander-Lafon was among the 437,000 Jews deported from Hungary between May and July 1944. Magda, her mother, and her younger sister survived a three-day deportation to Auschwitz-Birkenau; there, she was considered fit for work and so spared, while her mother and sister were sent straight to their deaths. Hollander-Lafon recalls an experience she had in Birkenau: "A dying woman gestured to me: as she opened her hand to reveal four scraps of moldy bread, she said to me in a barely audible voice, 'Take it. You are young. You must live to be a witness to what is happening here. You must tell people so that this never happens again in the world.' I took those four scraps of bread and ate them in front of her. In her look I read both kindness and release. I was very young and did not understand what this act meant, or the responsibility that it represented." Years later, the memory of that woman's act came to the fore, and Magda Hollander-Lafon could be silent no longer. In her words, she wrote her book not to obey the duty of remembering but in loyalty to the memory of those women and men who disappeared before her eyes. Her story is not a simple memoir or chronology of events. Instead, through a series of short chapters, she invites us to reflect on what she has endured. Often centered on one person or place, the scenes of brutality and horror she describes are intermixed with reflections of a more meditative cast. Four Scraps of Bread is both historical and deeply evocative, melancholic, and at times poetic in nature. Following the text is a "Historical Note" with a chronology of the author's life that complements her kaleidoscopic style. After liberation and a period in transit camps, she arrived in Belgium, where she remained. Eventually, she chose to be baptized a Christian and pursued a career as a child psychologist. The author records a journey through extreme suffering and loss that led to radiant personal growth and a life of meaning. As she states: "Today I do not feel like a victim of the Holocaust but a witness reconciled with myself." Her ability to confront her experiences and free herself from her trauma allowed her to embrace a life of hope and peace. Her account is, finally, an exhortation to us all to discover life-giving joy.

First-hand testimony of survivors and eyewitnesses is compiled in this shocking and graphic account of the crimes committed during World War II at the largest death camp in Yugoslavia. At the small Croatian town of Jasenovac, the fascist "Independent State of Croatia" (a satellite state of the Nazi Third Reich) constructed a concentration camp where more than 200,000 people, mostly Orthodox Serbs, were systematically murdered. Among the participants in this genocide were members of the Roman Catholic clergy, from the Franciscan monk who became the camp commandant to the infamous Archbishop Stepinac, the spiritual advisor to the fascist state appointed by Pope Pius XII. Vladimir Dedijer, a close associate of Tito, has collected irrefutable documentary and photographic evidence, attesting to thousands of atrocities and the complicity of the Catholic Church in these crimes. The events described in this important volume provide a historical context to the current conflict in Yugoslavia and shed light on the motivations behind the apparently senseless ethnic and religious strife which is tearing Yugoslavia apart. The massacre at Jasenovac was the terrible culmination of centuries-old animosities between Orthodox Serbs and Catholic Croats and a dark episode in the history of the Catholic Church, one that the Church has attempted to hush up for fifty years.

In the last two decades our empirical knowledge of the Holocaust has been vastly expanded. Yet this empirical blossoming has not been accompanied by much theoretical reflection on the historiography. This volume argues that reflection on the historical process of (re)constructing the past is as important for understanding the Holocaust-and, by extension, any past event-as is archival research. It aims to go beyond the dominant paradigm of political history and describe the emergence of methods now being used to reconstruct the past in the context of Holocaust historiography.

"We will be judged in our own time and in the future by measuring the aid that we, inhabitants of a free and fortunate country, gave to our brethren in this time of greatest disaster." This declaration, made shortly after the pogroms of November 1938 by the Jewish communities in Sweden, was truer than anyone could have forecast at the time. Pontus Rudberg focuses on this sensitive issue - Jewish responses to the Nazi persecutions and mass murder of Jews. What actions did Swedish Jews take to aid the Jews in Europe during the years 1933-45 and what determined their policies and actions? Specific attention is given to the aid efforts of the Jewish Community of Stockholm, including the range of activities in which the community engaged and the challenges and opportunities presented by official refugee policy in Sweden.

."..the author has identified a significant and little examined subject for study, and displays a deep knowledge of it... Where previously the issue of Polish film and the Holocaust had been addressed in single articles or chapters on the depiction of the Holocaust in particular films, here, for the first time we have a history." Jeremy Hicks, University of London

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's "The Last Stage" (1948) and Aleksander Ford's "Border Street" (1949), and next explores the Polish School period, represented by Andrzej Wajda's "A Generation" (1955) and Andrzej Munk's "The Passenger" (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kie lowski's "Decalogue 8" (1988), Andrzej Wajda's "Korczak" (1990), Jan Jakub Kolski's "Keep Away from the Window" (2000), and Roman Pola ski's "The Pianist" (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

Marek Haltof is Professor at Northern Michigan University in Marquette. His recent books include the "Historical Dictionary of Polish Cinema" (2007), "Australian Cinema: The Screen Construction of Australia" (in Polish, 2005), "The Cinema of Krzysztof Kie lowski: Variations on Destiny and Chance" (2004), and "Polish National Cinema" (2002).

Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

Over the decades, the Holocaust has remained a critical issue both historically and politically. This is due to the modernisation of anti-Semitism in the West, where accusations of ritual murder have long been passe and claims that the Holocaust was a hoax are de riguer, and to the government sanctions of anti-Semitism in the East in countries such as Iran. The purely scholarly problem of determining the number of victims, like other aspects of demography related to the Holocaust, have suddenly become closely embroiled in geopolitics and the phenomenon of Holocaust denial, which is now a context that has been forced upon it. This book is imbued with these connections and interrelationships. Avraham, Wolfgang Benz, Sergio Della Pergola, Mark Kupovetsky, Dieter Pohl, Aron Shneer, and the editors contribute their voices to the topic.

Sarah, nine years old, endures yet another air-raid in the street shelter in Blitz-torn England. At the same time nine-year old Claude is practising an escape should their house in occupied France be raided by the Gestapo. Sarah and Claude, Jews, and their families experience the devastating effects of Nazi Germany. The children are deeply traumatised, Sarah by the fate of her mother during an air-raid and Claude by the 'disappearance' of his family. The effects of their tragic experiences are played out very differently. The early lives of the children, though in different cultures and different circumstances, manifest very similar parallel experiences. It is only when the two central characters meet as adults that the effects of the trauma show themselves clearly and very dramatically. The novel traces four generations of the two families through to the final powerful and moving outcome.

Paris was home to one of the key European initiatives to document and commemorate the Holocaust, the Centre de documentation juive contemporaine . By analysing the earliest Holocaust narratives and their reception in France, this study provides a new understanding of the institutional development of Holocaust remembrance in France after the War.

Irmin Vinson's Some Thoughts on Hitler and Other Essays is a book about propaganda. Vinson explains how the organized Jewish community uses the memory of Adolf Hitler and the Holocaust as weapons to stigmatize the patriotism and ethnic pride not just of Germans, but of all whites, including those who fought against Hitler. In these clear, rational, and highly readable essays, Irmin Vinson demolishes this propaganda and exposes the insidious agenda behind it.

Heinz Hartmann, a young, ambitious medical student, had fulfilled all the requirements for his degree in medicine except one - Aryan descent. As a Jew in the Germany of the 1930's, Hartmann saw his professors flee the country or be shipped off to concentration camps, Jewish-owned stores and homes looted and vandalised, and musicians forbidden to play music by Jewish composers. Because Hartmann was not allowed to graduate from a German medical school, he earned his M.D. degree at the University of Berne in Switzerland. But he later returned to Germany to marry Herta, a young nurse. Two weeks after the wedding, Hartmann and scores of other Jewish men were rounded up, loaded on to trains, and sent to Buchenwald. Hartmann was one of the more fortunate prisoners of the Nazis. In 1939, he was released from the camp and undertook the complicated, expensive, and dangerous procedures necessary to free his wife and himself from Germany to go to the United States. He then began his long and distinguished career as a general practitioner and his unending search for the meaning of Judaism. In "Once a Doctor, Always a Doctor", the author tells of the struggles, tragedies, and joys of his life with a spirit of innocence and good-heartedness. His narrative is filled with poignant, sometimes simple, often warm and funny stories about his early medical practice, his family life, the similarities and differences he has discovered between various religions, and the 'missionaries' who have tried to convert him. This book enlightens, delights, and inspires. It is the story of a sensitive, compassionate man - a doctor who has spent his life caring for the sick and healing the scars left by the Nazis.

Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.

Survival in Auschwitz: If This Is a Man is a book written by the Italian author, Primo Levi. It describes his experiences in the concentration camp at Auschwitz during the Second World War.

Levi, then a 25-year-old chemist, spent 10 months in Auschwitz before the camp was liberated by the Red Army. Of the 650 Italian Jews in his shipment, Levi was one of only twenty who left the camps alive. The average life expectancy of a new entrant was three months.

This truly amazing story offers a revealing glimpse into the realities of the Holocaust and its effects on our world.

Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.

Paths to Genocide examines the development of antisemitism from the beginnings of Christianity, through the Middle Ages, Reformation, Enlightenment and nineteenth century liberalism, nationalism and racism to the Holocaust. Focusing on major periods, places and problems in the history of European civilization, the book highlights historical contexts as it shows how religion, science, and socioeconomic forces all played a role in the evolution of antisemitism to its genocidal climax.

"A well-structured, ambitious collection of essays, it will certainly be an essential read for anyone interested in the anti-Jewish policies of National Socialist Germany and their long-term consequences for postwar Europe." . H-German The robbery and restitution of Jewish property are two inextricably linked social processes. It is not possible to understand the lawsuits and international agreements on the restoration of Jewish property of the late 1990s without examining what was robbed and by whom. In this volume distinguished historians first outline the mechanisms and scope of the European-wide program of plunder, before assessing the effectiveness and historical implications of post-war restitution efforts. Integrating the abundance of new research on the material effects of the Holocaust and its aftermath, a comparative perspective is offered on both robbery and restitution, examining developments in countries such as Germany, Poland, Italy, France, Belgium, Hungary and the Czech Republic. The international and interrelated nature of property confiscation initiated by Nazi Germany and its satellite states offers new insights into the functions and beneficiaries of state sanctioned robbery. Although the extent of implementation varied, Jewish spoils were used to boost support for anti-Jewish policies and prop up ailing war finances throughout Europe. Thus the combination of personal enrichment and state plunder were two sides of the same coin. The prolonged struggles over restitution issues are confronted in the second section of the book on the basis of eight national studies. Everywhere the solution of legal and material problems was intertwined with changing national myths about the war and conflicting interpretations of justice. Even those countries that pursued extensive restitution programs using rigorous legal means were unable to compensate or comprehend fully the scale of Jewish loss. Especially in Eastern Europe, it was not until the collapse of communism that even the concept of restoring some Jewish property rights became a viable option. The legacy of robbery and restitution offers both a model for redefining the practice of human rights and keys to understanding the lingering ghosts of antisemitism in countries where few Jews remain. Martin Dean is a Research Scholar at the Center for Advanced Holocaust Studies, United States Holocaust Memorial Museum (USHMM). He is the author of Collaboration in the Holocaust, published in association with the USHMM in 2000, and of several articles on the confiscation of Jewish property. From 1992 to 1997 he worked as Senior Historian for the Metropolitan Police War Crimes Unit. Constantin Goschler teaches modern history at the Humboldt-University, Berlin. He also taught at the universities of Prague, Jena and Bochum. His main fields of interest are transitional justice in the 20th century, history of science and the history of political ideas in the 19th century. He published several articles and books on restitution and indemnification for Nazi victims. Philipp Ther teaches modern Central and Eastern European History at the European University Frankfurt/Oder, Germany. His fields of interest are comparative nationalism studies, migrations and "ethnic cleansing," postwar social history of Central Europe and most recently the history of opera theatres in the long 19th century."

Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics--the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

The SS Cavalry Brigade was a unit of the Waffen-SS that differed from other German military formations as it developed a 'dual role': SS cavalrymen both helped to initiate the Holocaust in the Soviet Union and experienced combat at the front.

Jurek Becker is one of the most important post-war German authors. His first novel, Jacob the Liar, already has the status of a classic of post-1945 European literature about the Holocaust and has been widely translated. This timely book traces the main events in Becker's unusual personal history: his childhood experiences in the Lodz Ghetto and in the concentration camps of Ravensbruck and Sachsenhausen, his life in the GDR, and his move to the West. The author reflects both on Becker's quest for his Jewish identity as well as on his achievements in terms of narrative technique, formal innovation and style. Examining Becker's treatment of the Holocaust in his novels and stories, the author highlights their central themes of hope as resistance to barbarity, the idea of memory, the inability of a survivor of the camps to overcome psychological scars, but also the provocative portrayal of Jews as oppressors who take revenge on their former persecutors. Becker's portrayal of life in former East Germany, the role of gender relations, the problems facing a writer under a socialist regime, and East-West German relations are also investigated.
As the first comprehensive assessment of Becker's life and work, this book will be essential reading for those interested in German and Holocaust literature, critical theory and German studies.

A crafted collection detailing western responses to the Balkan War We didn't know. For half a century, Western politicians and intellectuals have so explained away their inaction in the face of genocide in World War II. In stark contrast, Western observers today face a daily barrage of information and images, from CNN, the Internet, and newspapers about the parties and individuals responsible for the current Balkan War and crimes against humanity. The stories, often accompanied by video or pictures of rape, torture, mass graves, and ethnic cleansing, available almost instantaneously, do not allow even the most uninterested viewer to ignore the grim reality of genocide. And yet, while information abounds, so do rationalizations for non-intervention in Balkan affairs-the threshold of real genocide has yet to be reached in Bosnia; all sides are equally guilty; Islamic fundamentalism in Bosnia is a threat to the West; it will only end when they all tire of killing each other-to name but a few. In This Time We Knew, Thomas Cushman and Stjepan G. Mestrovic have put together a collection of critical, reflective, essays that offer detailed sociological, political, and historical analyses of western responses to the war. This volume punctures once and for all common excuses for Western inaction. This Time We Knew further reveals the reasons why these rationalizations have persisted and led to the West's failure to intercede, in the face of incontrovertible evidence, in the most egregious crimes against humanity to occur in Europe since World War II. Contributors to the volume include Kai Erickson, Jean Baudrillard, Mark Almond, David Riesman, Daniel Kofman, Brendan Simms, Daniele Conversi, Brad Kagan Blitz, James J. Sadkovich, and Sheri Fink.

Sent across the ocean by their parents and taken in by foster parents and distant relatives, approximately 1,000 children, ranging in age from fourteen months to sixteen years, landed in the United States and out of Hitler's reach between 1934 and 1945. Seventy years after the first ship brought a handful of these children to American shores, the general public and many of the children themselves remain unaware of these rescues, and the fact that they were accomplished despite powerful forces in and outside the government that did not want them to occur. This is the first published account, told in the words of the children and their rescuers, to detail this unknown part of America's response to the Holocaust. It will challenge the belief that Americans did nothing to directly and actively save Holocaust victims. Judith Tydor Baumel, Holocaust scholar and sister of two rescued children, provides an introduction explaining why, when, how, and where the rescues were carried out, who the heroes and heroines were, and which individuals and organizations placed almost insurmountable obstacles in their path. This account presents both recollections and experiences recorded at the time of the rescued children, their descendants, and their rescuers. The story demonstrates what a small group of determined people can do to change the course of history.