A true story of submission, dominance, bondage and fabulous sex. Having split up with her Dom, Max, Sarah sets about finding a new Master. She has put her profile up on personal sites that specialise in BDSM when she gets a phone call from Maddie, a Dominatrix who, with her husband Roy, often hosts BDSM parties. What better way to find a new Master than at a masqued BDSM party? Dressing up is the order of the evening. Sarah goes along with some trepidation - it's hard to go to any party alone, let alone one where you show up in a corset, high heels and very little else. Just when Sarah is thinking of leaving she meets Adam in the garden. He's been having the same thoughts. Still masked they really hit it off and have a great evening together, which involves retiring to one of the playrooms Maddie has arranged. After a fabulous night together Adam and Sarah agree it would be good to meet again. But a few days pass and he doesn't ring. Has Sarah fallen for the wrong man again? Bold, evocative and thrilling, this gripping short story provides a fascinating insight into the scandalous adventures of a real life submissive.

From aphrodisiacs to special touches, from orgasm-delaying techniques to the endless varieties of kisses, "The Kama Sutra" is a wellspring of erotic knowledge and inspiration. Sir Richard Burton's controversial translation, which caused a stir in the Western world, is provided here, in the complete and unexpurgated edition of this world-famous classic.

In 1994, "The Mistress Manual" was born as a simple pink guidebook self-published by a long-term and experienced dominant woman. She moved on to other efforts, and the book fell out of print -- much to the disappointment of thousands of eager and hopeful submissive men and dominant women.

Now, Greenery Press has brought this underground classic back to life in an updated second edition. The perfect reading for the woman or man who has completed our "Sexually Dominant Woman" and is looking for more information, "The Mistress Manual" covers everything from establishing your authority to exerting discipline.

This book provides an engaging and contextualised insight into a South African township-based arts centre that has survived the vicissitudes of steady militarisation in townships during some of the worst years of apartheid as well as the exhilaration of a new democratic policy while attempting to circumnavigate different policies and funding dispensations.

Sibikwa provides arts centres across the world and especially those in decolonising countries with strategies for survival in tumultuous times. This multi-disciplinary book maps and co-ordinates wider historical, political, and social contextual concerns and events with matters specific to a community-based east of Johannesburg and provides an exploration and analysis by experts of authentic theatre-making and performance, dance, indigenous music, arts in education and NGO governance. It has contemporary significance and raises important questions regarding inclusivity and transformation, the function and future of arts centres, community-based applied arts practices, creativity, and international partnerships.

This study will be of great interest to students and scholars in theatre and performance, indigenous music, dance, and South African history.

Table of Contents

List of contributors

Acknowledgements

　

PART 1

Chapter 1. The Political is Personal: Smal Ndaba and Phyllis Klotz in Thumbnail Portraits of Origins and Orientations

Sarah Roberts

Chapter 2. Founding Sibikwa: A Professional Partnership Tempered in the Forge of Apartheid’s Final Years

Sarah Roberts

Chapter 3. Democracy, the First Decade: The Mandela-Mbeki Years (1994-2005)

Sarah Roberts

Chapter 4. The Trouble with Freedom: Mbeki’s Dream of an African Renaissance, Nation-building and Issues Surrounding HIV/AIDS in South Africa

Sarah Roberts

Chapter 5. Issues of Governance, Policy, Delivery, and Accountability Escalate: Sibikwa Responds to Developments in Arts and Culture Policy Documents and with Theatre-in-Education Projects

Sarah Roberts

　

Chapter 6. The Struggle for Social Justice in Confronting Gender-based Violence and Srategies of Intensifying an African Cultural Heritage as the Project Moves into the Future

Sarah Roberts

Appendix :1 A Chronology of Major Political Events, Cultural Developments and Sibikwa Plays

PART II

Chapter 7.Governance of Sibikwa Arts Centre: A Reflection on the Agility, Progress, and Longevity of the Organisation

Munyaradzi Chatikobo and Caryn Green

Chapter 8. Sibikwa’s Educational Programmes

Vanessa Bower and Hazel Barnes

Appendix 2: A Chronology of Educational and Vocational Training Programmes

Chapter 9. Living Proof: Thirty Years of Sibikwa’s Theatre Productions

Sarah Roberts

Appendix 3: A Chronology of Sibikwa Productions

Chapter 10. Celebrating Sibikwa’s Legacy of Dance and Physical Theatre from Community to Professional Dance Development

Clare Craighead and Lliane Loots

Appendix 4: A Chronology of Sibikwa Dance Company Productions and Festivals

Chapter 11. Keeping the African Sound Relevant

Evans Netshivhambe

Appendix 5: A Chronology of Sibikwa’s Music History

Chapter 12. Framing the Intersectional Gender Politics of the Sibikwa Legacy

Lliane Loots

Appendix 6- A Chronology of Gender Based Productions, Festivals and Training

Index

List of Contributors

Phyllis Klotz is the artistic director and co-founder of the Sibikwa Arts Centre in Benoni and has been at the forefront of arts training and development for youth for over 40 years. Her work has always been focused on the empowerment of young black females. She has been and still is involved in developmental theatre and arts education and is recognised as an expert in the development of community arts centres. She is the recipient of several awards for her contribution to South African theatre and has directed and co-written the seminal theatre piece, You Strike a Woman, You Strike a Rock. She has served on boards of the National Arts Council, State Theatre, CATHSSETA and the Market Theatre. She is also the recipient of the Naledi Lifetime Achievement Award.

Smal Ndaba is the co-founder and managing director of the Sibikwa Arts Centre; as an actor, playwright and director he has toured all over Southern Africa, the USA and Europe and has gained both national and international recognition for his work. He has initiated arts programmes to assist street children and juvenile prisoners; he assists South African and Mozambican community arts centres to build capacity. The majority of plays directed and written by Smal, focus on community issues. Smal has over 30 years’ experience working in the community arts and imparts his knowledge frequently through conducting workshops in South Africa, Zimbabwe, Botswana and the USA. He is joint winner of the Naledi Lifetime Achievement Award 2005 with co-director Phyllis Klotz.

Prof Hazel Barnes is retired head of the Drama and Performance Studies Programme at the University of KwaZulu-Natal, Pietermaritzburg campus where she lectured, researched, performed and directed theatre and also developed the applied drama and theatre option. She was the university orator for a number of years and also assistant Dean. Since retirement she has been a Mellon visiting scholar at the University of Cape Town and visiting lecturer and chair of the research committee of the Drama for Life Programme University of the Witwatersrand. She has written on the use of applied drama with the deaf, for reconciliation and trauma recovery, and on the work of South African playwrights, Greig Coetzee, whose plays she has anthologised, and Mandla Mothwe.

Vanessa Bower studied English and Speech & Drama and taught at various institutions in Cape Town. In 1998 she joined the staff of Sibikwa Community Theatre Project, where she facilitated teacher training programmes for seven years. She was later involved in the Learnership Programmes and subsequently trained a number of artists in arts facilitation at Sibikwa, in preparation for the Artists in Schools Programme. She has published a book on Assessment of Arts & Culture and has produced Creative Arts teacher support manuals for the Gauteng Department of Education. She has also provided training in Workplace Communications.

Munyaradzi Chatikobo is a Lecturer in Drama for Life and Cultural Policy and Management in the Wits School of Arts. He has considerable experience in Cultural Leadership and Arts Management training. His academic and research interests are in Cultural Policy and Management which includes Community Arts, Culture and Development, Cultural and Creative Industries, Culture and Diplomacy as well as Social and Cultural Entrepreneurship. He is a board member for Nhimbe Trust and CHIPAWO Trust in Zimbabwe. He is also a Non-Executive Director of Andani.Africa. He is a registered PhD candidate in the Wits School of Arts and his area of study is Cultural Policy and Community Theatre in South Africa. In 2018 he teamed up with Avril Joffe, Johanna Mavhungu and Annabell Lebethe to author a book chapter on Cultural Governance in South Africa. The chapter appears in a book edited by Ian W King and Annick Schramme titled Cultural Governance in the Global Context; An International Perspective on Arts Organisations (Palgrave).

Clare Craighead has been the company manager to Flatfoot Dance Company for the past 15 years. She holds an MA degree in Drama and Performance Studies from UKZN and has published in Critical Arts, South African Theatre Journal, South African Dance Journal and Agenda: A Journal of Feminist Media. Craighead spearheaded and continues to facilitate the JOMBA! Contemporary Dance Festival’s graduate writing residency programme. "JOMBA! KHULUMA". which is an intensive platform that takes graduate students - under festival conditions - through the rigours of reviewing and critically engaging dance. She has also been a contract lecturer/tutor to UKZN’s Drama and Performance Studies and Gender Studies Programmes and has a long-standing position as a moderator for Embury Institute for Education’s "Education and Diversity" module. Currently she is working as a lecturer at Durban University of Technology’s Drama and Production Studies Department.

Dr Lliane Loots holds the position of Lecturer in the Drama and Performance Studies Programme at the University of KwaZulu-Natal. She has a MA degree in Gender Studies and completed her PhD in 2018 looking at contemporary dance/performance histories on the African continent. As an artist/scholar her PhD research is framed within an ethnographic and autoethnographic paradigm with a focus on narrative as methodology. Loots has published widely within this area of academic/praxis enquiry. Loots holds the founding position of Artistic Director for UKZN’s Centre for Creative Arts annual international JOMBA! Contemporary Dance Experience – a festival that turns 23 in 2021. She has recently completed a 3-year stretch on the National Arts Festival’s Artistic Committee for dance. Loots founded Flatfoot Dance Company as a professional dance company in 2003 when it grew out of a dance training programme that originally began in 1994. As the artistic director and resident choreographer for Flatfoot, she has won numerous national choreographic awards and commissions and has travelled extensively in Europe, America and within the African continent with her dance work. Loots was awarded the Chevalier des Arts et des Lettres (Knight in the Order of Arts and Letters) by the French government in 2017 for her work in the South African dance sector.

Dr Evans Netshivhambe (ORCiD: 0000-0003-0362-4110) is a young South African composer lecturing in African music at the University of Pretoria with an interest in African music identity through African art composition. His PhD in African music composition incorporates Venda rhythmic elements into African art music, exploring a new 'sound world' through composition. He is currently a lecturer in African music studies, at the University of Pretoria. In 2008, Evans was awarded third prize in a choral music competition held by the Southern African Music Rights Organisation (SAMRO), which showcased 20th century choral music style. He also received three commissions from the SAMRO Foundation (in 2010, 2011 and 2012 respectively).

Dr Sarah Roberts’(ORCiD:0000-0002-4383-4668) areer synthesises professional practice with a commitment to education, development and scholarship. Recently retired from the University of the Witwatersrand, where she was an Associate Professor, she has developed and implemented a range of undergraduate courses in cultural studies, performance and design in the Division of Theatre and Performance. Her focus on developing improvisation skills and the agency of actors as an ensemble is documented in publications in the Journal of the Shakespeare Society of Southern Africa and the Journal of Contemporary Drama in English. A multi-award-winning professional production designer, her portfolio includes significant productions emerging from South Africa since 1985 including designing the stage for the Union Building Gardens for President Nelson Mandela’s inauguration in addition to landmark productions across the spectrum of musical theatre, contemporary dance and drama, including Sarafina!, Sophiatown andNothing But the Truth. These productions, including a significant number of Sibikwa productions over the span of thirty years, have been feted nationally and internationally. One of the original Board members of Sibikwa at its inception, she served as a trustee for the project for ten years and has since continued to be closely associated with a range of Sibikwa projects, productions and conferences.

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Do you need help restoring the pleasure to your marriage? Whether you've been married a day, a decade, or half a century, if your sexual relationship is marred by pain, tension, or disappointment-you are not alone. Thousands of couples struggle with sexual problems that keep their marriages from being all that God intended them to be. But there is hope! Now, sexual therapists and best-selling authors Joyce and Cliff Penner share their proven methods in this comprehensive, easy-to-follow book of detailed explanations, realistic anecdotes, and clearly written exercises. Providing the biblical basis for the sexual relationship, as well as helpful diagnostic aids, the Penners help you improve communication and educate yourselves about your God-given sexual response. Then they lead you step-by-step through creative (and fun) sexual-retraining assignments to help you overcome various problems. The Penners provide straightforward advice and reassuring encouragement to help you start restoring the pleasure to your marriage. Beginning counselors and pastors will also find this an invaluable resource for helping others overcome their sexual barriers.

'Radical, honest and timely' FOX FISHER 'Fascinating' ASH PALMISCIANO 'A cracking read' MEG-JOHN BARKER "This book is about my penis. This is my story of going through lower surgery, specifically phalloplasty, and the adventures I have with my changing genitals along the way. Welcome to my journey." After coming out as trans, Finlay Games was adamant lower surgery would not be a part of his transition, but as the years went by, and his gender dysphoria increased, he decided to explore surgical options. Detailing the emotional and physical journey of phalloplasty, this book takes the reader through Finlay's experiences, from the initial decision-making through each stage of the surgery to its completion, recovery and after-care. Describing how he had to relearn his body, sexuality and his relationships, Finlay shares his wealth of advice and tips on donor site options, different types of surgery, the referral process, essential items and resources, and looking after your mental health. Part memoir, part self-help guide, this insightful, witty and deeply honest book highlights the life-changing impact surgery can have for trans people and provides hope to those on a similar journey.

A revolutionary practice for couples to enhance sexuality and reach higher states of consciousness
- How to make sex a conscious decision, not an accidental encounter
- Discusses how slowness increases sensitivity and awakens the body's innate mechanism for ecstasy
- Reveals how sexuality can be sustainable and enjoyable well into old age
While fast, hot, orgasm-driven sex can bring momentary satisfaction, in the long run it can become boring and mechanical, causing many couples to lose interest and stop making time for physical intimacy. The first step to revive a waning sex life or make a healthy one more fulfilling, says author Diana Richardson, is to make sex a conscious decision rather than an accidental encounter. Focusing on eye contact, subtle sensations, and deep breathing, Diana's practice of slow sex awakens the body's innate mechanism for ecstasy, unlocking the door to extraordinary realms of sensitivity, sensuality, and higher consciousness.
Exploring the healing, spiritual power of slow sex, this book offers a step-by-step guide for committed couples to transform sex into a meditative, loving union of complementary energies. It explains how slow sex increases sensitivity and sexual vitality and how, because it creates and restores love, slow sex is loving sex. With a focus on coolness rather than heat, this practice provides couples a way to reach a shared meditative state and use it as a vehicle to achieve higher consciousness. Illustrating different positions for eye contact, deep sustained penetration, and soft penetration, this book reveals that sex truly can be sustainable and enjoyable well into old age.

What does it mean for someone to be 'trans'? What are the implications of this for healthcare provision? Drawing on the findings of an extensive research project, this book addresses urgent challenges and debates in trans health. It interweaves patient voices with social theory and autobiography, offering an innovative look at how shifting language, patient mistrust, waiting lists and professional power shape clinical encounters, and exploring what a better future might look like for trans patients.

Strictly for grown-ups! This saucy selection of puzzles puts the tease in brain-teasers, and makes a racy replacement for life's idle moments Put down your phone, tablet or smutty magazine and pick up this crude collection of conundrums and provocative puzzles. Whether you want to dive straight into the Bootylicious Bottoms Word Search, test your logic with a Raunchy Riddler, or even try your hand at the Sex Toys Sudoku, there are puzzles here to tickle a whole range of fancies. Inside you will find a variety of juicy puzzles, including these: Shuffle the letters of anagrams to identify seriously smutty lingo Pair up the matching icons in the playful picture puzzles Test your knowledge of everything erotic with a range of titillating trivia Join up the dot-to-dots to discover some sensual sex positions So, what are you waiting for? If you like the idea of puzzles that are a bit more naughty than they are nice, this is the perfect book for you.

In, over and out? Not with the Gayma Sutra! This richly illustrated guide book will help spice up your sex life. More variety means more fun, and the variations are just about endless. Axel Neustadter has tested all the ways to play and found the ones to give you all the pleasure you've always wanted. He answers crucial questions about the most exciting sport there is: How to practice for the longest and most intense sex? What are the best positions for masturbation? How can two bottoms have an over-thetop experience together? And what toys can help make it even better? After reading this book, sex will never be boring again!

Intersex and/as/is/with disability. The connections between intersex and disability deserve nuanced attention if we are to strengthen intersex human rights claims and understand the experiences of intersex people living with the disabling consequences of medical intervention. Cripping Intersex explores three key themes: the medical management of people with intersex characteristics; the mainstream fascination with sport sex-testing policies; and the eugenic implications of preimplantation genetic diagnosis. This necessary work offers radical new understandings of intersex-with-disability by investigating how intersex and interphobia intersect with disability and ableism, and pushes analyses of intersex experience further than feminist or queer theory can do alone.

Trailer-trash superbrain Jim Goad is back with another vituperous observation of humanity and its associated idiocies: a no-holds-barred lambast of every sexual more on the planet.

Have you ever wanted to enhance the spiritual aspect to your sex life? Would you like to learn a new dimension to love making? Discover how tantric sex can teach you to be a better lover as well as changing the focus of your sex life with Get Intimate with Tantric Sex. This book covers all the latest background on male and female pleasure. Explore the history and traditional texts of tantric sex and follow a series of practical exercises and techniques. NOT GOT MUCH TIME? One, five and ten-minute introductions to key principles to get you started. AUTHOR INSIGHTS Lots of instant help with common problems and quick tips for success, based on the authors' many years of experience. TEST YOURSELF Tests in the book and online to keep track of your progress. EXTEND YOUR KNOWLEDGE Extra online articles at www.teachyourself.com to give you a richer understanding of the ancient practice of tantric sex. THINGS TO REMEMBER Quick refreshers to help you remember the key facts.

More than a book of Protocols, this title looks into the BDSM Leather subculture as a whole. Rubel demonstrates devotion to a master expressed through the slave's service.

Bondage for everybody: Stephan Niederwieser's relaxed style and focus on pleasure are the perfect combination for this introduction to bondage, a book that's sure to benefit both the rank beginner and the experienced practitioner. Here you'll find everything you need to know about the most important toys and accessories, about different kinds of knots and how to tie them securely. You'll find all the tools you need to let go of your inhibitions and get the biggest bang from your bondage experience. About the Author: Stephan Niederwieser is the bestselling author of several sex guides and five novels. He studied German language and literature, trained as a natural healer and psychotherapist, and conducts family constellation workshops. He lives in Berlin, Germany. Available in English are his sex guides Bend Over! The Complete Guide to Anal Sex, Blow Me! The Complete Guide to Oral Sex and Do It Yourself! The Complete Guide to Masturbation.

Sex. After. Baby.

These three words are spoken in hushed voices over playdates and at playgrounds. But while we may whisper them to our closest girlfriends, or joke about them after one too many beers with the guys, when it comes to talking with our partners about what's really going on (or not going on, as the case may be) in our child-proofed bedrooms, more and more of us find ourselves tongue-tied and tiptoeing. Are you part of the "sleepless, sexless" club?

You just might be, ifYou'd rather just go to bed than go to bed with your partner. The mind-blowing sex you once had now just blows.The TV is turned on more than you are.A playdate sounds better to you than yet another bad date night.The baby gets more kisses and cuddles than you do.You're beaten down from always having to initiate sex.Foreplay has become chore-play."Let's get it on" are now fighting words.

But it doesn't have to be this way. According to bestselling author Ian Kerner, Ph.D., and "naughty mommy" Heidi Raykeil, it really is possible to do the hokey pokey and keep up the hanky panky. Ian and Heidi often bring very different perspectives, but they agree that sex matters . . . a lot. It's the glue that holds couples together and keeps lovers from becoming simply roommates or co-parents. Funny and frank, Love in the Time of Colic will help parents take the charge out of this once-taboo subject, and put it back where it belongs--in the bedroom.