Drawing on extensive professional and personal experience, this book offers guidance and advice on how to better communicate with children about relationships and sexuality using everyday situations. An invaluable resource for teachers and parents, it provides you with the tools you need to feel confident and informed about how to talk about sexual education at all stages. The book explores the challenges in adult-child communication about sexuality and provides helpful advice on how to establish an open dialogue. The guidance provided is developmentally appropriate, with chapters moving through different ages and development stages. Throughout, the book emphasizes the importance of positive sexuality education, empowering children to enjoy their relationships and sexuality in a safe and healthy way.

This book offers a unique Australian perspective on the global crisis in refugee protection. Using performance as both an object and a lens, this volume explores the politics and aesthetics of migration control, border security and refugee resistance. The first half of the book, titled On Stage, examines performance objects such as verbatim and documentary plays, children's theatre, immersive performance, slam poetry, video art and feature films. Specifically, it considers how refugees, and their artistic collaborators, assert their individuality, agency and authority as well as their resistance to cruel policies like offshore processing through performance. The second half of the book, titled Off Stage, employs performance as a lens to analyse the wider field of refugee politics, including the relationship between forced migrants and the forced displacement of First Nations peoples that underpins the settler-colonial state, philosophies of cosmopolitanism, the role of the canon in art history and the spectacle of bordering practices. In doing so, it illuminates the strategic performativity-and nonperformativity-of the law, philosophy, the state and the academy more broadly in the exclusion and control of refugees. Taken together, the chapters in this volume draw on, and contribute to, a wide range of disciplines including theatre and performance studies, cultural studies, border studies and forced migration studies, and will be of great interest to students and scholars in all four fields.

The prolific theatrical activity that abounded on the stages of early modern Europe demonstrates that drama was a genre that transcended national borders. The transnational character of early modern theater reflects the rich admixture of various dramatic traditions, such as Spain's comedia and Italy's commedia dell'arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes. Of particular import to this study is the role that women and gender played in this cross-pollination of theatrical sources and practices. Contributors to the volume not only investigate the gendered effect of Spanish texts and literary types on English and French drama, they address the actual journeys of Spanish actresses to French theaters and of Italian actresses to the Spanish stage, while several emphasize the movement of royal women to various courts and their impact on theatrical activity in Spain and abroad. In their innovative focus on women's participation and influence, the chapters in this volume illustrate the frequent yet little studied transnational and transcultural points of contact between Spanish theater and the national theaters of England, France, Austria, and Italy.

'There's a lot of stigma attached to sex. Particularly with women, you have a big dichotomy between: Do you have sex? Do you not? Do you be a slut? Do you be a virgin? Do you be a prude? Do you be a man-whore? You can't really win.' Women are always being told how to be sexy, but are rarely asked what actually turns them on. Wendy Jones wanted to find out, so she interviewed twenty-four women from all walks of life, including a burlesque dancer, a girl guide leader, a shop assistant, a ninety-four year old who remembers the sexual freedom of the war, a transexual, a nun, a feminist into BDSM, a covered Muslim, a mother, a student, a polyamorist, and a sexual healer. The women talked about their lives, bodies, sexual fantasies and relationships, about what they've learned, how they have been hurt, what they enjoy and what they long for. The interviews are frank, engaging, and surprising. Each woman is unique but together they speak for a majority, and it's time we listened. This honest and inspiring exploration of female desire will change the way we think and talk about sex forever. 'English women have a reputation for being reserved and uptight; actually behind closed doors we're outrageous.'

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Thomas Martorelli's For People, Not for Profit tells the story of Fenway Health's growth from a small, volunteer-run walk-in clinic to an international leader into an international leader in care and research for the lesbian, gay, bisexual and transgender (LGBT) community and people living with HIV/AIDS. It is also the story of the tremendous societal changes that drove and affected that growth. The community activism and volunteer collectives of the 1970s; the devastation of the HIV/AIDS epidemic which emerged in the 1980s; the LGBT civil rights movement that gained strength and momentum through the 1990s; and the advances in research and advocacy that have brought so many health care and civil rights victories in the 2000s - it's all there. At the same time, Martorelli tells us Fenway's story through the voices of the people who were and are still a part of this incredible organization - from the early ups and downs through Fenway's growth into one of the largest LGBT health organizations in the world.

Love, sex and desire . . . how do we experience them? How do we relate them to the opposite sex? In 24 short chapters Alina Reyes writes in a range of styles: she can be erotic, poetic, humorous and candid. She describes her fantasies and her relationship with her own body. Alina Reyes also examines the social pressures, which lead to the premature deaths of celebrities like Marilyn Monroe, and which contribute to widespread attitudes of machismo and/or shame. A serious examination of the nature of desire and how it fits in with the strictures of society.

Alina Reyes, one of the first female authors of erotica, has written several novels including the bestseller "The Butcher" (1988), which sold 500,000 copies in her native France.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

"As pragmatic as it is compassionate, this intimate, humorous, and ultimately relaxing invitation to re-wild yourself, stripping away all that is not your true nature, will leave you inspired and curious to discover the wild woman within" (Lissa Rankin, MD, New York Times bestselling author of Mind Over Medicine). For many women today, achieving a successful career, a fulfilling romantic relationship, and a rewarding personal life can feel like an unattainable goal. The pressure to "have it all" wreaks havoc on our bodies and emotional well-being, and also creates unrealistic expectations. Toxic comparisons and the need to perform enforces damaging ideals of who and what we should be, making it harder for us to connect with who we really are. But what if there was a way to break free from these patterns and beliefs? What if you could free your body from stress and trauma, tap into your inherent creativity, and connect more authentically with the people who matter? In this life-changing book, intimacy expert and counselor Michaela Boehm shares practical rituals and exercises to show you simple, everyday changes that will revolutionize your connection to yourself, your life, and your relationships. Beyond the outdated stereotypes of femininity lies the ancient wisdom of the Wild Woman archetype, a path to reconnecting with our "body intelligence." In this book, you will learn to: - Re-wild yourself by connecting to who you really are and integrating body, emotions, and mind for powerful expression in the world. - Switch effortlessly between "doing" and "being," allowing you to access both empowered success and personal fulfillment. - Unlock creativity and intuition through understanding how body, heart, and mind can work together. - Engage in relaxed, body-specific exercises that help you connect with yourself and your chosen relationships.

"Bisexuality is about three centuries overdue . . . nevertheless, here it is: a learned, witty study of how our curious culture has managed to get everything wrong about sex." -Gore Vidal

The bestselling authors of The Multi-Orgasmic Man show you and your partner how to:

• Experience intense multiple whole-body orgasms
• Pleasure each other profoundly
• Use sexuality for health and healing
• Deepen your love and spiritual relationship

Couples will discover simple step-by-step techniques for a level of sexual pleasure, intimacy, and healing they may not have known was possible. This fully illustrated guide will inspire couples to make love all night-and make love last a lifetime.

This book provides an engaging and contextualised insight into a South African township-based arts centre that has survived the vicissitudes of steady militarisation in townships during some of the worst years of apartheid as well as the exhilaration of a new democratic policy while attempting to circumnavigate different policies and funding dispensations.

Sibikwa provides arts centres across the world and especially those in decolonising countries with strategies for survival in tumultuous times. This multi-disciplinary book maps and co-ordinates wider historical, political, and social contextual concerns and events with matters specific to a community-based east of Johannesburg and provides an exploration and analysis by experts of authentic theatre-making and performance, dance, indigenous music, arts in education and NGO governance. It has contemporary significance and raises important questions regarding inclusivity and transformation, the function and future of arts centres, community-based applied arts practices, creativity, and international partnerships.

This study will be of great interest to students and scholars in theatre and performance, indigenous music, dance, and South African history.

Table of Contents

List of contributors

Acknowledgements

　

PART 1

Chapter 1. The Political is Personal: Smal Ndaba and Phyllis Klotz in Thumbnail Portraits of Origins and Orientations

Sarah Roberts

Chapter 2. Founding Sibikwa: A Professional Partnership Tempered in the Forge of Apartheid’s Final Years

Sarah Roberts

Chapter 3. Democracy, the First Decade: The Mandela-Mbeki Years (1994-2005)

Sarah Roberts

Chapter 4. The Trouble with Freedom: Mbeki’s Dream of an African Renaissance, Nation-building and Issues Surrounding HIV/AIDS in South Africa

Sarah Roberts

Chapter 5. Issues of Governance, Policy, Delivery, and Accountability Escalate: Sibikwa Responds to Developments in Arts and Culture Policy Documents and with Theatre-in-Education Projects

Sarah Roberts

　

Chapter 6. The Struggle for Social Justice in Confronting Gender-based Violence and Srategies of Intensifying an African Cultural Heritage as the Project Moves into the Future

Sarah Roberts

Appendix :1 A Chronology of Major Political Events, Cultural Developments and Sibikwa Plays

PART II

Chapter 7.Governance of Sibikwa Arts Centre: A Reflection on the Agility, Progress, and Longevity of the Organisation

Munyaradzi Chatikobo and Caryn Green

Chapter 8. Sibikwa’s Educational Programmes

Vanessa Bower and Hazel Barnes

Appendix 2: A Chronology of Educational and Vocational Training Programmes

Chapter 9. Living Proof: Thirty Years of Sibikwa’s Theatre Productions

Sarah Roberts

Appendix 3: A Chronology of Sibikwa Productions

Chapter 10. Celebrating Sibikwa’s Legacy of Dance and Physical Theatre from Community to Professional Dance Development

Clare Craighead and Lliane Loots

Appendix 4: A Chronology of Sibikwa Dance Company Productions and Festivals

Chapter 11. Keeping the African Sound Relevant

Evans Netshivhambe

Appendix 5: A Chronology of Sibikwa’s Music History

Chapter 12. Framing the Intersectional Gender Politics of the Sibikwa Legacy

Lliane Loots

Appendix 6- A Chronology of Gender Based Productions, Festivals and Training

Index

List of Contributors

Phyllis Klotz is the artistic director and co-founder of the Sibikwa Arts Centre in Benoni and has been at the forefront of arts training and development for youth for over 40 years. Her work has always been focused on the empowerment of young black females. She has been and still is involved in developmental theatre and arts education and is recognised as an expert in the development of community arts centres. She is the recipient of several awards for her contribution to South African theatre and has directed and co-written the seminal theatre piece, You Strike a Woman, You Strike a Rock. She has served on boards of the National Arts Council, State Theatre, CATHSSETA and the Market Theatre. She is also the recipient of the Naledi Lifetime Achievement Award.

Smal Ndaba is the co-founder and managing director of the Sibikwa Arts Centre; as an actor, playwright and director he has toured all over Southern Africa, the USA and Europe and has gained both national and international recognition for his work. He has initiated arts programmes to assist street children and juvenile prisoners; he assists South African and Mozambican community arts centres to build capacity. The majority of plays directed and written by Smal, focus on community issues. Smal has over 30 years’ experience working in the community arts and imparts his knowledge frequently through conducting workshops in South Africa, Zimbabwe, Botswana and the USA. He is joint winner of the Naledi Lifetime Achievement Award 2005 with co-director Phyllis Klotz.

Prof Hazel Barnes is retired head of the Drama and Performance Studies Programme at the University of KwaZulu-Natal, Pietermaritzburg campus where she lectured, researched, performed and directed theatre and also developed the applied drama and theatre option. She was the university orator for a number of years and also assistant Dean. Since retirement she has been a Mellon visiting scholar at the University of Cape Town and visiting lecturer and chair of the research committee of the Drama for Life Programme University of the Witwatersrand. She has written on the use of applied drama with the deaf, for reconciliation and trauma recovery, and on the work of South African playwrights, Greig Coetzee, whose plays she has anthologised, and Mandla Mothwe.

Vanessa Bower studied English and Speech & Drama and taught at various institutions in Cape Town. In 1998 she joined the staff of Sibikwa Community Theatre Project, where she facilitated teacher training programmes for seven years. She was later involved in the Learnership Programmes and subsequently trained a number of artists in arts facilitation at Sibikwa, in preparation for the Artists in Schools Programme. She has published a book on Assessment of Arts & Culture and has produced Creative Arts teacher support manuals for the Gauteng Department of Education. She has also provided training in Workplace Communications.

Munyaradzi Chatikobo is a Lecturer in Drama for Life and Cultural Policy and Management in the Wits School of Arts. He has considerable experience in Cultural Leadership and Arts Management training. His academic and research interests are in Cultural Policy and Management which includes Community Arts, Culture and Development, Cultural and Creative Industries, Culture and Diplomacy as well as Social and Cultural Entrepreneurship. He is a board member for Nhimbe Trust and CHIPAWO Trust in Zimbabwe. He is also a Non-Executive Director of Andani.Africa. He is a registered PhD candidate in the Wits School of Arts and his area of study is Cultural Policy and Community Theatre in South Africa. In 2018 he teamed up with Avril Joffe, Johanna Mavhungu and Annabell Lebethe to author a book chapter on Cultural Governance in South Africa. The chapter appears in a book edited by Ian W King and Annick Schramme titled Cultural Governance in the Global Context; An International Perspective on Arts Organisations (Palgrave).

Clare Craighead has been the company manager to Flatfoot Dance Company for the past 15 years. She holds an MA degree in Drama and Performance Studies from UKZN and has published in Critical Arts, South African Theatre Journal, South African Dance Journal and Agenda: A Journal of Feminist Media. Craighead spearheaded and continues to facilitate the JOMBA! Contemporary Dance Festival’s graduate writing residency programme. "JOMBA! KHULUMA". which is an intensive platform that takes graduate students - under festival conditions - through the rigours of reviewing and critically engaging dance. She has also been a contract lecturer/tutor to UKZN’s Drama and Performance Studies and Gender Studies Programmes and has a long-standing position as a moderator for Embury Institute for Education’s "Education and Diversity" module. Currently she is working as a lecturer at Durban University of Technology’s Drama and Production Studies Department.

Dr Lliane Loots holds the position of Lecturer in the Drama and Performance Studies Programme at the University of KwaZulu-Natal. She has a MA degree in Gender Studies and completed her PhD in 2018 looking at contemporary dance/performance histories on the African continent. As an artist/scholar her PhD research is framed within an ethnographic and autoethnographic paradigm with a focus on narrative as methodology. Loots has published widely within this area of academic/praxis enquiry. Loots holds the founding position of Artistic Director for UKZN’s Centre for Creative Arts annual international JOMBA! Contemporary Dance Experience – a festival that turns 23 in 2021. She has recently completed a 3-year stretch on the National Arts Festival’s Artistic Committee for dance. Loots founded Flatfoot Dance Company as a professional dance company in 2003 when it grew out of a dance training programme that originally began in 1994. As the artistic director and resident choreographer for Flatfoot, she has won numerous national choreographic awards and commissions and has travelled extensively in Europe, America and within the African continent with her dance work. Loots was awarded the Chevalier des Arts et des Lettres (Knight in the Order of Arts and Letters) by the French government in 2017 for her work in the South African dance sector.

Dr Evans Netshivhambe (ORCiD: 0000-0003-0362-4110) is a young South African composer lecturing in African music at the University of Pretoria with an interest in African music identity through African art composition. His PhD in African music composition incorporates Venda rhythmic elements into African art music, exploring a new 'sound world' through composition. He is currently a lecturer in African music studies, at the University of Pretoria. In 2008, Evans was awarded third prize in a choral music competition held by the Southern African Music Rights Organisation (SAMRO), which showcased 20th century choral music style. He also received three commissions from the SAMRO Foundation (in 2010, 2011 and 2012 respectively).

Dr Sarah Roberts’(ORCiD:0000-0002-4383-4668) areer synthesises professional practice with a commitment to education, development and scholarship. Recently retired from the University of the Witwatersrand, where she was an Associate Professor, she has developed and implemented a range of undergraduate courses in cultural studies, performance and design in the Division of Theatre and Performance. Her focus on developing improvisation skills and the agency of actors as an ensemble is documented in publications in the Journal of the Shakespeare Society of Southern Africa and the Journal of Contemporary Drama in English. A multi-award-winning professional production designer, her portfolio includes significant productions emerging from South Africa since 1985 including designing the stage for the Union Building Gardens for President Nelson Mandela’s inauguration in addition to landmark productions across the spectrum of musical theatre, contemporary dance and drama, including Sarafina!, Sophiatown andNothing But the Truth. These productions, including a significant number of Sibikwa productions over the span of thirty years, have been feted nationally and internationally. One of the original Board members of Sibikwa at its inception, she served as a trustee for the project for ten years and has since continued to be closely associated with a range of Sibikwa projects, productions and conferences.

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Dear G-Spot is New York Times bestselling author Zane's long-awaited guide to what she knows better than anyone else: love and sex. Dear G-Spot includes real letters from real people, both women and men, who have sought Zane's advice over the years -- the preacher's wife worrying about being judged, the virgin, the guy next door, the gay man next door, the woman with low self-esteem, and the other woman with a sex drive over the moon. In her own uniquely can-did and humorous way, Zane answers all your questions -- even questions you never thought to ask -- about making whoopee.

An introductory guide to the sacred sexuality practices of Tantra and how you can weave them together to create wholeness in your life. Tantra is often described as the 'path of love' or 'the way of the heart'. It is a spiritual path that brings apparent opposites into unity so that life can flow with ease. Sexuality is fused with spirituality, masculine with feminine, playfulness with depth, and the dark shadows of the psyche with the light of conscious awareness. And the catalyst for this union is love. In this book, sacred sexuality teacher Shashi Solluna explains how Tantric practices can help you become fully alive and move from sex to spirit and from spirit to sex in a creative dance of life. You will learn: - the philosophy of Tantra as a spiritual path - different ways to explore your own sexuality - techniques to open your heart and cultivate sacred relationships - how to activate your sexual energy and experience a richer, more fulfilling sex life - how to unite the physical with higher spiritual consciousness through intimacy, sensuality and orgasm This title was previously published under the title Tantra (Hay House Basics series).

On those nights when you are spending time with that someone special. A little thing to spice up your nights and to warm the senses.

Winner of the 2011 AASECT Book Award! Co-authors of Men's Sexual Health, Michael Metz and Barry McCarthy have come together to inspire and motivate readers in their newest book, Enduring Desire. Real-life examples and clear, helpful individual and couple exercises allow readers to reach for realistic and high quality sexual satisfaction as a couple. Throughout the book, the authors promote positive, realistic sexual expectations without commercialism and the hyped, exotic promises that only set people up for disappointment. The message is down-to-earth and full of joy for all couples from their 20s to their 80s. The authors advocate the variable, flexible "Good Enough Sex" (GES) model, which validates the inherent variability and flexibility of couple sexuality and examines the biopsychosocial, multidimensional, and comprehensive roles, functions and meanings of couple sexuality.

Winner of the 2009 Smart Marriages (R) Impact Award Think all sex should be earth shattering? The quality of most couple sex doesn't measure up to the much distorted image of the perfect romantic love/passionate sex encounter portrayed in popular culture. In Discovering Your Couple Sexual Style: Sharing Desire, Pleasure, and Satisfaction, renowned marital and sex therapist Barry McCarthy and his wife Emily McCarthy urge couples to ignore what they see on TV, in books, or online, and discover their own unique sexual style. The McCarthys offer three guidelines for sexual satisfaction: develop positive, realistic sexual expectations; explore sensual and sexual options; and communicate sexual desires. With this foundation, couples can take a straightforward survey to determine which of four couple sexual styles best fits their relationship. Based on three years of research and treating more than 4,000 individuals and couples, Discovering Your Couple Sexual Style provides information, guidelines, exercises, and case studies that will help readers find their own sexual voice and develop a mutually satisfying sexual style.

Sex in the Outdoors says it all! If you enjoy-or strive to have the opportunity to enjoy-sex in the vast outdoors, then you've laid hands on the ultimate resource. Benefits include: Increased self-esteem Increased awareness of bears and other critters Increased fitness of necessary body parts Increased awareness of possible partners Increased interest in getting it Increased chance of getting it Increased chance of getting away with it Whether you want it, someone you know wants it, or you have a sex-starved niece or nephew who needs it-Buck Tilton's Sex in the Outdoors promises to deliver the intimate yet practical information all sex-crazed outdoor folks need to know, whether they know they need to know or not."Outdoor passion without proper planning can have unexpected consequences, such as your partner moaning, "Oh, Baby, is that poison oak?" Thank goodness for the Minister of Sex, Buck Tilton, M.S., and his book." -Michael Hodgson, author of the humor series No Shit, There I Was and publisher of www.geartrends.com

In this extraordinary and bold book, S.H. Clark explores and constructs a history of poetic misogyny. For the first time, a wide range of English poetry by men is examined for evidence of the articulation of heterosexual masculine desires.
But Clark goes beyond a straightforward oppositional model of reading the male canon, to ask how we read this work 'after feminism', and whether it is possible to value these texts as misogynist texts in the light of feminist theory?
Sordid Images is a challenging, controversial book. It will excite and unsettle its readers, and inspire many to look again at some of the cornerstone works of English literature.

A bestseller since it was first published in 1972, Alex Comfort's classic work celebrates human physical intimacy with such authority and clarity that a whole generation felt empowered to enjoy sex. It was groundbreaking and unique in the wide range of subjects it discussed and in its reassuring authority and sense of fun. No other book has come close in providing such a wise, witty, uninhibited - sometimes delightfully eccentric - guide to lovemaking. And the original illustrations are absolutely iconic.

For anyone who has wondered Why does everyone else seem to be able to make romantic relationships work, and I can't? What's wrong with me? Why is love so hard? Psychologist and bestselling memoirist Kerry Cohen is all too familiar with the questions she often hears from her clients-and has asked herself. Even though sex and love are some of the most universal, sought-after experiences we have, many of us lack the tools and understanding to approach them in a healthy way. Without knowing it, many people struggling with sex and love actually fall somewhere on the spectrum of sex and love addiction (SLA). Sex and love addiction is still wildly misunderstood. It's shrouded in secrecy and shame, and many counselors lack the training to address it-leaving people who need help without resources. Yet SLA isn't a binary of you are or you aren't, rather, it's a spectrum. Kerry Cohen knows this all too well as both a therapist and someone who identifies on the SLA spectrum. Based on research and her own clinical experience, Crazy for You dives into SLA and provides an inclusive framework for understanding relationships, along with practical exercises and advice for self-assessment, discovery, and healing:Part one explains the sex and love addiction spectrum, helping you determine where you fall on it and how you got therePart two introduces strategies for breaking the spell of sex and love addiction, like behavior modifications and self-awareness techniquesPart three teaches you how to navigate healthy, safe, and fulfilling relationships

Better sex in ten steps: renowned sex therapist and bestselling author Ian Kerner shares the program he uses to help thousands of couples achieve more intimacy and enjoyment. Think about the last time you had sex. Who initiated it? When and where did it happen? What was off-limits and why? Did you lose yourself in pleasure and connection, or did you come away feeling disappointed, or even ashamed? In this book, Kerner shows you how to create a sex life that works for you. He helps you figure out what's working, what's not, where you might be missing some elements, and how to construct a sex life that is mutually satisfying. He also discusses many common sexual problems - such as low desire, issues with climaxing, and erectile unpredictability - and how to resolve them. Drawing on the latest research and informed by his own experience of overcoming sexual problems, he lays out an easy-to-follow step-by-step process that has transformed the lives of his many clients, and can do the same for you.

Once again, Nigel Cawthorne takes the reader on a fascinating journey through the strange, hidden sexual history of England. The history of sex in Britain has been largely glossed over by 'proper' historians: Nigel Cawthorne has burrowed deep into the archives to reveal exactly what our ancestors got up to in bed (and out of it). There are chapters on the ancient arts of seduction, adultery, brothels, 'the English vice', contraception, defloration, and many more - from the torrid Tudors to the supposedly strait-laced Victorians.

'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' Phillip Zarrilli, University of Exeter

'Theatre people of any gender will be transformed by Rose Malague 's eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' Jill Dolan, Princeton University

'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?'

An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky 's System within the U.S. Strasberg, Adler, Meisner, and Hagen by analyzing and comparing their related but distinctly different approaches.

This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act.