Feminist Theatre Practice: A Handbook is a helpful, practical guide to theatre-making which explores the different ways of representing gender. Best-selling author, Elaine Aston, takes the reader through the various stages of making feminist theatre- from warming up, through workshopped exploration, to performance - this volume is organised into three clear and instructive parts:
* Women in the Workshop
* Dramatic Texts, Feminist Contexts
* Gender and Devising Projects.
Orientated around the classroom/workshop, Handbook of Feminist Theatre Practice encompasses the main elements of feminist theatre, both practical or theoretical.

This anthology coomprises a diverse range of historical treatises and tracts that discuss and debate gender and sexual relations in early modern England. Combining complete texts and extracts-many hitherto unavailable in modern editions-the collection focuses on prevailing conceptions of sexuality and gender in major areas and institutions of Tudor and Stuart society. A broad selection of religious sermons, moral handbooks, household manuals, midwifery and legal textbooks, ballads and chapbooks has been chosen.

From aphrodisiacs to special touches, from orgasm-delaying techniques to the endless varieties of kisses, "The Kama Sutra" is a wellspring of erotic knowledge and inspiration. Sir Richard Burton's controversial translation, which caused a stir in the Western world, is provided here, in the complete and unexpurgated edition of this world-famous classic.

The articles in Naked Truths demonstrate the application of feminist theory to a diverse repertory of classical art: they offer topical and controversial readings on the material culture of the ancient Mediterranean. This volume presents a timely, provocative and beautifully illustrated re-evaluation of how the issues of gender, identity and sexuality reveal 'naked truths' about fundamental human values and social realities, through the compelling symbolism of the body.

Premodern Sexualities offers rigourous new approaches to current problems in the historiography of sexuality. From queer readings of early modern medical texts to transcribing and interrogating pre-modern documents of sexual transgression, the contributors bring together current theoretical discourses on sexuality while emphasizing problems in historicist interpretation of early textulaiztions of sexualtity. Premodern Sexualities clarifies the contributions literary studies can make - thorugh its emphasis on reading strategies - to the historiography of sexuality.
Editors Louise Fradenburg and Carla Freccero construct a genealogy for the history of sexuality, sexual practices and sexual identities. By expanding the recent abundance of work in the history of sexuality, Fradenburh and Freccero call for a rethinking of the categories of history and sexuality in ways that mutually transform each other in the much- needed encounter between historicism and queer theory.

"Premodern Sexualities" offers rigorous new approaches to current problems in the historiography of sexuality. From queer readings of early modern medical texts to transcribing and interrogating pre-modern documents of sexual transgression, the contributors bring together current theoretical discourses on sexuality while emphasizing problems in historicist interpretation of early textualizations of sexuality. "Premodern Sexualities" clarifies the contributions literary studies can make--through its emphasis on reading strategies--to the historiogrphy of sexuality.
Editors Louise Fradenburg and Carla Freccero construct a genealogy for the history of sexuality, sexual practices and sexual identities, by expanding the recent abundance of work in the history of sexuality, most notably popularized by John Boswell's "Same-Sex Unions in Pre-modern Europe." Expanding on a special issue of the GLQ which explored the role of pleasure in the construction of narratives about "premodernity" and "modernity," Fradenburg and Freccero call for a rethinking of the categories of history and sexuality in ways that mutually transform each other in the much needed encounter between historicism and queer theory.
"Premodern Sexualities" is organized into sections that address some of the most significant concerns in sexuality studies today, with essays by scholars from a wide range of literay and historical disciplines. Jonathan Goldberg, Ruth Karras, Bruce Holsinger and many others contribute essays in "The Erotics of Conquest," "Medicine and the Law," and "Sexuality and Sanctity."
Contributors include: David Boyd, Maria Carrion, Richard Corum, Lorraine Daston, Simon Gaunt, JonathanGoldberg, Bruce Holsinger, Ruth Karras, Kathryn Lavezzo, Karma Lochrie, Katherine Park, Patricia Parker, Jose Piedra, and Elizabeth Pittenger

Reclaim the Bible-based concept of marriage as a satisfying one-flesh relationship. A bestselling and definitive guide to marital intimacy for Christian couples, learn how to deepen sexual pleasure and enjoy God's gift of sexual intimacy with your spouse. It can be difficult to find biblically based sexual advice. A licensed psychologist and family therapist, Dr. Douglas Rosenau answers specific and often unasked questions about sexual topics, presenting married couples with detailed techniques and skills to deepen their sexual pleasure and improve their marriages. In this easy-to-read guide, Dr. Rosenau covers topics including: Building a biblical foundation of knowledge about sexual intimacy Enhancing pleasure and enjoying passionate intimacy Overcoming common hurdles Resolving problems and healing brokenness Grounded in Scripture and written by a pioneer of Christian sex therapy, A Celebration of Sex is comprehensive, direct, and honest, treating sex with the respect it deserves and a Christ-like foundation. An excellent tool for premarital education and counseling, it's a must-read for Christian spouses.

The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe.
This unique anthology comes complete with:
* seven of Split Britches' best loved performance texts
* a critical, historical introduction by Sue-Ellen Case
* programme notes to accompany each of the plays
* a range of stunning photographic illustrations
The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.

The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe.
This unique anthology comes complete with:
* seven of Split Britches' best loved performance texts
* a critical, historical introduction by Sue-Ellen Case
* programme notes to accompany each of the plays
* a range of stunning photographic illustrations
The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.

This work provides a direct line into the most pressing issues in contemporary dance scholarship, as well as discussion of the ways in which which dance contributes to and creates culture. Instead of representing a single viewpoint, the essays in this volume reflect a range of perspectives. The contributors confront basic questions of definition and interpretation within dance studies, while at the same time examining broader issues, such as the body, gender, class, race, nationalism and cross-cultural exchange. Specific essays address such topics as the black male body in dance, gender and subversions in the dances of Mark Morris, race and nationalism in Martha Graham's American Document, and the history of oriental dance. The text should be of interest to historians and critics in a variety of fields. It offers students, scholars and critics of performance and culture an overview of the debates swirling within dance, as well as research articles in dance history, theory and criticism.

Moving Words provides a direct line into the most pressing issues in contemporary dance scholarship, as well as insights into ways in which dance contributes to and creates culture. Instead of representing a single viewpoint, the essays in this volume reflect a range of perspectives and represents the debates swirling within dance.
The contributors confront basic questions of definition and interpretation within dance studies, while at the same time examining broader issues, such as the body, gender, class, race, nationalism and cross-cultural exchange. Specific essays address such topics as the black male body in dance, gender and subversions in the dances of Mark Morris, race and nationalism in Martha Graham's 'American Document', and the history of oriental dance.

"Love is a theme which at all times and in all countries has been of primary interest to men and women, and therefore this book, which throws an illuminating ray of light in many a dark place still wrapped in mystery and silence, not only impresses the psychologist, but also fascinates the general reader with its wealth of interesting detail and charm of expression."-Ellie Schleussner In The Evolution of Love (1922) the Austrian Poet-Philosopher Emil Lucka reveals his conception of the development of love and sex. In his revolutionary presentation of ideas, the author blends history, psychology, and philosophy to speculate that love is not a fundamental predisposition, but evolved through historical changes. There are three distinct stages of the development of love that Lucka explores in this important work; Metaphysical Eroticism, the first, is the exploration of emotional climaxes and the sexual instinct. Moving from prehistoric man through the ideals of Greek love, and to the spread of Christianity, he lays his foundation through the lens of history. The second stage is Love, which he again demonstrates its development through history, specifically the birth of European civilization. The third stage is the unity of sexual impulse and love, the evolution of the spiritual love of man for woman based on personality. Finally, Lucka delves into erotic aberrations, exploring perversities of sex and love through the progress of history. In Lucka's conclusion, he looks at the realm of the spirit in the context of Ernst Heackel's biogenetic law. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Evolution of Love is both modern and readable.

Feminist Theaters in the USA is a fresh, informative portrait of a key era in feminist and theater history It is vital reading for feminist students, theater historians and theater practitioners. Their continued movement forward will be challenged and enriched by this timely look back at the trials and accomplishments of their predecessors.
Canning interviews over thirty women who took part in the dynamic feminist theater of the 1970s and 1980s. They provide first-hand accounts of the excitement, struggles and innovations which formed their experience. From this foundation Cannning constructs a compelling combination of historical survey, critique and celebration which explores:
* The history of the groups and their formation
* The politics which shaped their work
* Their methods and creative processes
* The productions they brought to the stage
* The reception from critics and audiences

Are bodies sexy? How, and in what sorts of ways? "Sexy Bodies" investigates the production of sexual bodies and sexual practices, sexualities of all kinds--dyke, bisexual, transracial, even heterosexual. While celebrating lesbian and queer sexualities, "Sexy Bodies" also explores what runs underneath and within "all" sexualities, discovering what is fundamentally strange about all bodies, all carnalities.
Looking at a pleasurable variety of cultural forms and texts, the contributors consider the particular charms of girls and horses, from "National Velvet" to "Marnie"; discuss figures of the lesbian body, from vampires to tomboys; uncover "virtual" lesbians in the fiction of Jeanette Winterson; track desire in the music of legendary Blues singers; and investigate the ever-scrutinized and celebrated body of Elizabeth Taylor. The collection also includes two important pieces of fiction byMary Fallon and Nicole Brossard.
"Sexy Bodies" makes new connections between and among bodies, cruising the borders of the obscene, the pleasurable, the desirable, and the unspoken, rethinking sexuality anew, as deeply and stangely sexy.
Contributors: Sue Best, Nicole Brossard, Dianne Chisholm, Barbara Creed, Angela Davis, Mary Fallon, Anna Gibbs, Sue Golding, Elizabeth Grosz, Melissa Jane Hardie, Lisa Moore, Chantal Nadeau, Elspeth Probyn, Sabina Sawhney, Catherine Waldby

Sex and Eroticism in Mesopotamian Literature is a new contribution to current debates about sex and eroticism. It gives an insight into Mesopotamian attitudes to sexuality by examining the oldest preserved written evidence on the subject - the Sumero-Akkadian cuneiform sources - which were written between the 21st and the 5th centuries B.C. Using these long-neglected and often astonishing data, Gwendolyn Leick is able to anlayse Mesopotamian views of prostitution, love magic and deviant sexual behaviour as well as more general issues of sexuality and gender.
This fascinating book sheds light on the sexual culture of one of the earliest literate civilisations.

eBook available with sample pages: 0203414284

In this extraordinary and bold book, S.H. Clark explores and constructs a history of poetic misogyny. For the first time, a wide range of English poetry by men is examined for evidence of the articulation of heterosexual masculine desires.
But Clark goes beyond a straightforward oppositional model of reading the male canon, to ask how we read this work 'after feminism', and whether it is possible to value these texts as misogynist texts in the light of feminist theory?
Sordid Images is a challenging, controversial book. It will excite and unsettle its readers, and inspire many to look again at some of the cornerstone works of English literature.

For some time sex has been defined as the biological difference between men and women, and gender as the manner in which culture defines and constrains these differences. Feminine/masculine, male/female, women/men, boy/girl - terms of sexual and gender division like these permeate the way we think and talk about ourselves and each other. On most occasions we find their use non-problematic and people employ them easily, at other times, however, particularly if we are interested in psychology, we may wonder whether this ease is illusory.; One may speculate whether being a woman necessarily implies being "feminine." One may question why young women are often referred to as girls, while men are seldom referred to as boys. Is dressing in a stereotypically feminine manner a reliable indication that a woman is heterosexual? What about cross dressing? Why do these topics hold so much fascination for the media?; "Gender, Sex and Sexuality" examines the effects that the inequalities experienced between men and women have had on the psychologies of both sexes, and the battle to remove them. It aims to introduce the reader to current research and theories, drawing on novels, theatre, soap operas, as well as research for case histories.

For some time sex has been defined as the biological difference between men and women, and gender as the manner in which culture defines and constrains these differences. Feminine/masculine, male/female, women/men, boy/girl - terms of sexual and gender division like these permeate the way we think and talk about ourselves and each other. On most occasions we find their use non-problematic and people employ them easily, at other times, however, particularly if we are interested in psychology, we may wonder whether this ease is illusory.; One may speculate whether being a woman necessarily implies being "feminine." One may question why young women are often referred to as girls, while men are seldom referred to as boys. Is dressing in a stereotypically feminine manner a reliable indication that a woman is heterosexual? What about cross dressing? Why do these topics hold so much fascination for the media?; "Gender, Sex and Sexuality" examines the effects that the inequalities experienced between men and women have had on the psychologies of both sexes, and the battle to remove them. It aims to introduce the reader to current research and theories, drawing on novels, theatre, soap operas, as well as research for case histories.

Michel Foucault is famous as one of the 20th-century's most innovative and wide-ranging thinkers. The qualities that made him one of the most-read and influential theorists of the modern age find full expression in History of Sexuality, the last project Foucault was able to complete before his death in 1984. Central to Foucault's appeal is the creativity of his thought. Creative thinking takes many forms - from redefining an issue in a novel way to making unexpected and illuminating connections. Foucault's particular talent could perhaps best be described as turning questions inside out. In the case of sexuality, for instance, his interpretation of the historical evidence led him to argue that the sexual categories that we are used to (homosexual, lesbian, straight, and so on) are not "natural," but constructs that are products of the ways in which power and knowledge interact in society. Such categories, Foucault continues, actually serve to produce the desires they seek to name. And their creation, in turn, is closely linked to the power that society exerts on those who belong to different sexual groups. Foucault's ideas - familiar now - were so novel in their time that they proved highly challenging. But to see the world through Foucault's thought is to see it in a profoundly different and illuminating way - an example of creative thinking at its best.

First Published in 1998. Routledge is an imprint of Taylor and Francis, an informa company.

Your Karma Got You Down? Claim your history, own your power, and change your life! In this groundbreaking book, Tracee Dunblazier takes an in depth look at your karmic relationships: the spiritual imprints and repetitive patterns that position you in life. The restoration of every soul, and the systems that govern them, get an overhaul! Karma is not punishment and reward; it is the reassurance that we will inevitably experience all we are, are"€"and all we have created for others"€" through reincarnation and spiritual patterning.

This wisdom will inspire change on every level.

You will understand what karma is and learn all the ways to reveal, accept, forgive, and transform your connections in every dimension.

First Published in 1996. Routledge is an imprint of Taylor and Francis, an informa company.

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First Published in 1999. Routledge is an imprint of Taylor and Francis, an informa company.