Deaths by suicide are high: every 40 seconds, someone in the world chooses to end their life. Despite acknowledgement that suicide notes are social texts, there has been no book which analyzes suicide notes as discursive texts and no attempt at a qualitative discourse analysis of them. Discourses of Men's Suicide Notes redresses this gap in the literature. Focussing on men and masculinity and anchored in qualitative discourse analysis, Dariusz Galasinski responds to the need for a more thorough understanding of suicidal behaviour. Culturally, men have been posited to be 'masters of the universe' and yet some choose to end their lives. This book takes a qualitative approach to data gathered from the Polish Corpus of Suicide Notes, a unique repository of over 600 suicide notes, to explore discourse from and about men at the most traumatic juncture of their lives. Discussing how men construct suicide notes and the ways in which they position their relationships and identities within them, Discourses of Men's Suicide Notes seeks to understand what these notes mean and what significance and power they are invested with.

Although many contemporary scholars have deepened our understanding of civil society, a concept that made its entry into modern social thought in the 17th century, by offering insightful exegetical inquiries into the tradition of thinking about this concept, critiquing the limits of civil society discourse, or seeking to offer empirical analyses of existing civil societies, none have attempted anything as bold or original as Jeffrey C. Alexander's The Civil Sphere. While consciously building on this three centuries long tradition of thought on the subject, Alexander has broken new ground by articulating in considerable detail a theoretical framework that differs from what he sees as the two major perspectives that have heretofore shaped civil society discourse. In so doing, he has sought to construct from the bottom up a model of what he calls the civil sphere, which he treats in Durkheimian fashion as a new social fact. In this volume, six internationally recognized scholars comment on the civil sphere thesis. Robert Bellah, Bryan S. Turner, and Axel Honneth consider the work as a whole. Mario Diani, Chad Alan Goldberg, and Farhad Khosrokhavar offer analyses of specific aspects of the civil sphere. In their substantive introduction, Peter Kivisto and Giuseppe Sciortino locate the civil sphere thesis in terms of Alexander's larger theoretical arc as it has shifted from neofunctionalism to cultural sociology. Finally, Alexander's clarifies and further elaborates on the concept of the civil sphere.

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them-even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.

Gotz proposes that there is no opposition between faith and humor, belief and laughter. To argue this point, he shows how both the structure of faith and that of humor are the same, and this structure is paradox. Paradox, which is well known in the secular realms of mathematics and philosophy, is explored, first, in detail, and then he shows how faith and humor, both, are paradoxical in nature. The result is that there is no real opposition between faith and humor. The tragic and the comic are sisters, as Aristotle saw in antiquity.

On the other side, Gotz shows what happens when faith and humor depart from paradox: faith becomes dogmatic and fanatical, and humor becomes superficial and banal. Fanatical faith latches onto beliefs and dogmas rather than to the openness of paradox, and so it leads to terrorism against those who hold onto different beliefs. Gotz also warns against an easy embrace of tolerance as the only alternative to fanaticism, because tolerance itself is imperfect and is often forced to accept evil. It should not, Gotz argues, be the sole solution inculcated in our schools. This is a thoughtful and provocative analysis that will be of interest to the general reader as well as scholars and students interested in the place of religion in contemporary society.

This book documents and explains the remarkable decline in the American marriage rate that began about 1970. This decline has occurred in spite of the fact that married people are better off than unmarried people in many ways. Many other attempts to explain the "retreat from marriage" blame it on culture change involving a devaluation of marriage, and/or on ignorance of the benefits of marriage among the unmarried population. In turn, because unmarried adults and single-parent families are poorer than others, poverty and its associated problems are attributed to the failure to marry. The argument presented here is that the declining marriage rate is due to the deteriorating position of workers, particularly men, in the American economy. Not only have jobs disappeared and wages decreased, especially for the less-educated, but existing jobs have become more precarious. Less-educated workers can't count on having jobs in the future, and can't count on earning enough to support families if they have jobs because their wages have stagnated. In this economic environment, the flexibility to change partners becomes a survival strategy for the economically marginalized population, which has been increasing in size for the past four decades. Arrangements such as cohabitation allow for this flexibility; marriage does not. This argument implies that marriage is not a realistic choice for many Americans. In fact, it is a choice that many people don't actually have. Marriages between economically marginal men and women would not eventuate in the benefits that middle-class people experience when they marry, and would eliminate an option they may need to survive in the face of unrelenting poverty. We won't convince these people that marriage would improve their lives, because in most cases it wouldn't be true. To return the marriage rate to its pre-1970 level, we need to address the economic factors that have caused the decline.

Reviews: "The author incorporates many brilliant theories surrounding the sustenance of youth development programs, as well as important social themes regarding bullying, as well as motives behind rape and violence. Readers will become exposed to the author's messages of social compassion, becoming aware of social constructs and social problems.... The author is very well read, communicating in an eloquent and intellectual manner. The author includes many original theories as well as compelling supplementary sources, giving the reading a strong amount of credibility... Chapter ten is highly innovative and includes insightful content summarizing the contents of the book." -Krystina Murray- Xulon Press

Conferences, symposiums, and other large events that take place at far away hotels require many hours of preparation to plan and need a capable event staff to market. Without the innovative technologies that have changed the face of the tourism industry, many destinations would be unequipped to handle such a task. Impact of ICTs on Event Management and Marketing is a collection of innovative research on the methods and applications of information and communications technologies on almost all facets of hospitality and tourism-related businesses including hotels, restaurants, and other tourism areas. While highlighting topics including digital marketing, artificial intelligence, and event tourism, this book is ideally designed for business managers, event planners, and marketing professionals.