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Arts & Crafts > Fine Art Supplies > Pastels > Soft Pastels
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Each Blue Earth Pastel 28 stick set is organised from dark to light using a seven-value scale. Colours are further organised by intensity: Column A is the brightest while columns B, C and D are greyed with increasing amounts of complementary colour. Contents Include:28 x Blue Earth Soft Pastels (Violet) 1 x V1A, 1 x V1B, 1 x V1C, 1 x V1D, 1 x V2A, 1 x V2B, 1 x V2C, 1 x V2D, 1 x V3A, 1 x V3B, 1 x V3C, 1 x V3D, 1 x V4A, 1 x V4B, 1 x V4C, 1 x V4D, 1 x V5A, 1 x V5B, 1 x V5C, 1 x V5D, 1 x V6A, 1 x V6B, 1 x V6C, 1 x V6D, 1 x V7A, 1 x V7B, 1 x V7C, 1 x V7D Stick Box Size: 4" x 6.25" x 2" Stick Size: approx. 1/2" x 7/16" x 1 3/16"
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
As Les says, "The range of pastels I have chosen here are what I use most of the time, and have been used for all the paintings within gallery. I have some favourite colours in the Unison range. A49 is probably my favourite pastel, it is a dark Prussian Blue, which adds so much tone & depth to my colour mixing. There is a great turquoise range, another of my favourite colours, plus those gorgeous subtle yellows which I use to replace the harshness of white. The colours chosen in the ranges are perfect for painting landscapes if you like painting sunrise & sunset."
PanPastel Colours are professional grade soft pastel colours packed in a unique pan format (cake-like) so that they can be mixed and applied like paint. They are very low dust for a cleaner working environment.All 80 PanPastel Colours are made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust formulations.Only professional artists' grade pigments are used for the most concentrated colours possible. The colours have excellent lightfastness and are fully erasable.Each pan contains 40%* more material than the average pastel stick, and yields approx. 4-5 times more coverage than sticks.
The Sennelier Extra Soft Pastels range was developed at the turn of the last century by Gustave Sennelier and has continued to evolve into the world's largest range of pastel shades. The exceptional quality is a result of a perfect balance between pigment and natural binders. Sennelier soft pastels are prepared by hand without compression, and air dried to prevent brittleness.One of the finest artists' soft pastels available. This set of 30 half sticks, is perfect for creating landscape pictures, and contains the follwoing colours: 134 - Indigo 293 - Prussian blue 392 - Ultramarine deep 621 - Sapphire blue 52 - Carmine 685 - Helios red 409 - Van dyke violet 462 - Burnt sienna 457 - Burnt sienna 79 - Vermiliion brown 16 Flesh ochre 131 - Golden ochre 37 - Orange lead 342 - Bright yellow 99 - Naples yellow 603 - Lemon yellow 148 - Lawn green 722 - Turquoise green 210 - Reseda grey green 918 - Forest green 202 - Leaf green 203 - Leaf green 756 - Cinnabar green 231 - Chromium green 171 - Moss grey green 508 - Raw sienna 453 - Olive grey 423 - Blue grey 513 - Ivory black 525 - White
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Set includes: 550, 290, 10, 620, 400,401, 402, 403, 404, 410, 570, 331, 650, 520, 341, 80, 430, 220, 31, 30, 70, 630, 50, 360, 562.
Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Only lightfast, high density mineral pigments are used in the manufacture of Blue Earth Pastels. The pastels are almost square in shape and are on the very soft end of the hardness scale. Each stick has a number imprinted for easy identification. Blue Earth offer an impressive colour selection, with new Turquoise, Nearly Neutral Warm and Nearly Neutral Cool colours recently added to the original colour ranges. Stick Size: approx. 1/2" x 7/16" x 1 3/16"
Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Only professional artists’ grade pigments are used for the most concentrated colours possible. The colours have excellent lightfastness and are fully erasable. Each pan contains 40%* more material than the average pastel stick, and yields approx. 4-5 times more coverage than sticks. PanPastel Colours are fully compatible with: Pastel sticks, pencils, markers. Other artist’s colours and mediums for mixed media techniques. Most art and craft surfaces (from delicate handmade papers to toothy pastel surfaces). Conventional spray fixatives. *Average based on a survey of leading brands
Unison Pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours. |
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