This is the first comprehensive study of bodily images in Dada. Travelling between the international centres of the movement, from Zurich to Berlin, Paris to New York, it examines a diverse range of media, including art, literature, performance, photography and film. Its overall approach is to confront Dada's bodily images not as organic unities but as fictions that reflect on the disjunctive, dehumanised society of war-torn Europe. These fictions occupy an ambivalent space between the battlefield (in their satirical exposure of ideology) and the fairground (in their playful manipulation and joyful renewal of the body). The book features analyses of works by Max Ernst, Francis Picabia, Hannah Hoech, Marcel Duchamp and others, and will appeal to scholars and students of European history, cultural history, art and literature. -- .

Today's war is for the survival of the planet. In Maintenant 14: A Journal of Contemporary Dada Writing and Art, the weapon of choice is Dada. Today, everyone in the world is affected by the growing impact of climate change, pollution, plastics, and lack of sustainability. The 2020 edition of the premiere journal of contemporary dada writing and art confronts the situation with a bold and rebellious collection of work that shows the absurdity of continuing the practices that have taken earth to the precipice of extinction. Using the theme "UN-SUSTAIN-A-BULL-SH*T" Maintenant 14 creators turn poetry and art into weapons that expose, confront, and lambast policies that have taken the planet to tipping points in the climate system, biodiversity loss, and the risk of social and ecological collapse. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, Maintenant 14 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by neo-pop artist/provocateur Walter Robinson. Past issues include art by Mark Kostabi, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, Charles Mingus III, and Kazunori Murakami; writing by Gerard Malanga, Charles Plymell, Andrei Codrescu, Anne Waldman, and more, with a strong contingent of artist-writers from the world of punk rock.

Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. "Objects of Desire: Surrealism and Design" is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dali, Marcel Duchamp, ntoni Gaudi, Frederick Kiesler, Rene Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function - it can also follow our obsessions, our fantasies, and our hidden desires.

What does it mean to write "This is not a pipe" across a bluntly literal painting of a pipe? Rene Magritte's famous canvas provides the starting point for a delightful homage by French philosopher and historian Michel Foucault. Much better known for his incisive and mordant explorations of power and social exclusion, Foucault here assumes a more playful stance. By exploring the nuances and ambiguities of Magritte's visual critique of language, he finds the painter less removed than previously thought from the pioneers of modern abstraction.

Hugo Ball--poet, philosopher, novelist, cabaret performer, journalist, mystic--was a man extremely sensitive to the currents of his time and carried in their wake. In February 1916 he founded the Cabaret Voltaire in Zurich. The sound poems and performance art by Ball and the other artists who gathered there were the beginnings of Dada. Ball's extraordinary diaries, one of the most significant products of the Dada movement, are here available in English in paperback for the first time, along with the original Dada manifesto and John Elderfield's critical introduction, revised and updated for the paperback edition, and a supplementary bibliography of Dada texts that have appeared since the 1974 hardcover edition of this book.

'Describes with plenty of colour how surrealism, from Rene Magritte's bowler hats to Salvador Dali's watches, was born and developed' The Times During the 1920s, in the Parisian neighbourhood of Montparnasse, a unique flowering of avant-garde artistic creativity became the cradle of Dada and Surrealism. In this crowd biography, Sue Roe tells the story - from Duchamp to Dali, via Man Ray and Max Ernst - of the salons and cafes, alliances and feuds, love affairs and scandals, successes and suicides of one of the most important and long-lasting artistic achievements of the twentieth century. 'Supercharged. Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too' Observer 'Roe is a talented writer, fascinated by la vie Boheme. She can find phrases that perfectly capture the feeling of a neighbourhood' Sunday Times 'Brings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read' Radio Times 'A skilled and graceful writer' Daily Telegraph

Luis Bunuel: A Life in Letters provides access for the first time to an annotated English-language version of around 750 of the most important and most widely relevant of these letters. Bunuel (1900-1983) came to international attention with his first films, Un Chien Andalou (with Dali, 1929) and L'Age d'Or (1930): two surprisingly avant-garde productions that established his position as the undisputed master of Surrealist filmmaking. He went on to make 30 full-length features in France, the US and Mexico, and consolidated his international reputation with a Palme d'Or for Viridiana in 1961, and an Academy Award in 1973 for The Discreet Charm of the Bourgeoisie. He corresponded with some of the most famous writers, directors, actors and artists of his generation and the list of these correspondents reads like a roll call of major twentieth-century cultural icons: Fellini, Truffaut, Vigo, Aragon, Dali, Unik - and yet none of this material has been accessible outside specialist archives and a very small number of publications in Spanish and French.

Featuring new essays by established and emerging scholars, Intersections: Women artists/surrealism/modernism redefines conventional surrealist and modernist canons by focusing critical attention on women artists working in and with surrealism in the context of modernism. In doing so it redefines critical understanding of the complex relations between all three terms. The essays address work produced in a wide variety of international contexts and across several generations of surrealist production by women closely connected to the surrealist movement or more marginally influenced by it. Intersections explores work in a wide range of media, from painting and sculpture to film and fashion, by artists including Susan Hiller, Maya Deren, Birgit Jurgenssen, Aube Elleouet, Dorothea Tanning, Claude Cahun, Elsa Schiaparelli, Joyce Mansour, Leonor Fini, Mimi Parent, Lee Miller, Leonora Carrington, Ithell Colquhoun and Eileen Agar. -- .

Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Presenting the art of David Czupryn and Jochen Muhlenbrink, this publication explores two contemporary approaches to painting. They subtly challenge our perception of the world and investigate reality: What is reality, what is illusion? What is true and what is false? The paintings by both artists are designed to trick the eye. In his own unique style, Jochen Muhlenbrink creates a semblance of reality by imitating various materials that deceive viewers with their realism. Cardboard, plastic foil, adhesive tape, stacks of pictures leaning against a wall, used pizza boxes, or dry bread - Muhlenbrink paints light, shadows, brilliant reflections, surfaces, and signs of wear and tear in such lifelike detail that people sometimes fail to notice that they are looking at a painting. David Czupryn takes an opposite approach. He does not aim to trick us into believing that his surreal visual worlds are real. His images recall theatre stages where human hybrids appear next to carefully arranged still lifes whose different textures are meticulously depicted. In the spirit of classical trompe-l'oeil painting, Czupryn is a master of aesthetic deception who translates the pictorial language and techniques of past ages into the present and skillfully integrates numerous references to the history of art and religion, iconography and allegory, politics and society into his paintings. Text in English and German.

Leon Keer is the master of optical illusion. The 'Dutch JR' plays with perspectives and creates a whole new world. One in which Snow White is stuck under a door. Or a world in which you unexpectedly enter a seventies living room. This is his first monograph. He allows the reader an exclusive look into his world and imagination. How does he work? And how does a wild idea develop into a gigantic 3D artwork?

From its auspicious beginnings in the summer of 1966 to the present, the Chicago Surrealist Group-and the Surrealist Movement in the United States, which grew out of it-have continued to foment an exhilarating whirlwind of revolt while playfully igniting the sparks of Poetry, Freedom and Love in the crucible of the Unfettered Imagination. In so doing, it has brightly illuminated the pathways of absolute divergence that define the intrinsically anarchist trajectory of the surrealist adventure. Drawing on the full range of U.S. surrealist publications, from the original journal Arsenal/Surrealist Subversion to the very latest millennial communique from the front lines of the ongoing battle against miserabilism, this volume contains over 200 texts (more than two dozen appearing here for the first time) by more than fifty participants in the Surrealist Movement, making this the most comprehensive, diverse and lavishly illustrated compilation of American surrealist writings to have ever been assembled. Contributors include: Gale Ahrens, Jennifer Bean, Jen Besemer, Daniel C. Boyer, Paul Buhle, Ronnie Burk, Leonora Carrington, Laura Corsigilia, Jayne Cortez, Guy Ducornet, Rikki Ducornet, Schlechter Duvall, Alice Farley, J. Allen Fees, Beth Garon, Paul Garon, Eugenio F. Granell, Robert Green, Miriam Hansen, Diedra Harris-Kelley, Jan Hathaway, Corinna Jablonski, Joseph Jablonski, Ted Joans, Gerome Kamrowski, Robin D. G. Kelley, Don LaCoss, Philip Lamantia, Clarence John Laughlin, Mary Low, Herbert Marcuse, Tristan Meinecke, Casandra Stark Mele, Anne Olson, Nancy Joyce Peters, Charles Radcliffe, Myrna Bell Rochester, David Roediger, Franklin Rosemont, Penelope Rosemont, Ody Saban, Louise Simons, Martha Sonnenberg, Christopher Starr, Ivan Svitak, Cheikh Tidiane Sylla, Claude Tarnaud, Debra Taub, Dale Tomich, Patrick Turner, Darryl Lorenzo Wellington, Jordan West, Joel Williams, Marie Wilson, Haifa Zangana

Salvador Dali is perhaps the most universally famous and popular twentieth-century artist. What accounts for this popularity? Is it his excellence as an artist? The accessibility of his imagery? Or his genius as a self-publicist? In a searching text, completely revised and updated in this edition to incorporate new information that has come to light since Dali's death in 1989, Dawn Ades considers some of the puzzling questions raised by the Dali phenomenon. His early years, the development of his technique and style, his relationship with the Surrealists, his exploitation of Freudian ideas, and the image which Dali created of himself as the mad genius artist are all explored in this brilliant and thought provoking study.

Richard Huelsenbeck's memoirs bring to life the intellectual, artistic, and political concerns of the individuals involved in the Dada movement and document its controversies. Illustrated with woodcuts and drawings by George Grosz and Hans Arp, 'Memoirs of a Dada Drummer' also includes a sixteen-page section of rare photographs.

Masterpiece created out of periodical illustrations explores worlds of terror and surprise. Some consider this Ernst's greatest work.