![]() |
![]() |
Your cart is empty |
||
Books > Professional & Technical > Electronics & communications engineering > Communications engineering / telecommunications > Television technology
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Get up to speed on this billion-dollar technology IPTV Crash Course offers an accessible overview of this rapidly evolving technology that is radically impacting the landscape of television distribution and broadcasting services. This practical resource offers straightforward, easy-to-follow explanations of the fundamentals of digital television as well as basic and advanced IPTV technology. You'll also find in-depth coverage of IP network client devices including hardware and software, allowing for an enriched entertainment experience. The Latest Innovations This book delves into new advancements in the field, examining both the technological layers of digital television and Internet service offerings, and how they are converging to create new business models. Soon, the integration of television entertainment into daily life will change, and IPTV Crash Course is an essential read for anyone interested in this groundbreaking technology. Full coverage of IPTV including: Overview of the Television Services Business * IPTV System Architecture * Digital Compression Process * Digital Television Technology * Digital Home Networking * IP Client Device Architectures (HW & SW) * Copy Protection and Digital Rights Management * IPTV Standardization Efforts
'Essential reading.' - ESQUIRE 'Both absorbing and highly illuminating' - THE BOOKSELLER 'No one understands the intricacies of YouTube like Chris Stokel-Walker' - THE ATLANTIC Two billion people watch YouTube and it reaches deep into everyday lives. Its creators start new trends, popularise new songs and games and make and break new products. Yet while they are famous to billions of mostly young people, they mostly remain a mystery to the general public and mainstream media. What is the secret of their appeal? How do they cope with being in front of the lens - and who is behind their success? More than 100 insiders spoke candidly to teach journalist Chris Stokel-Walker for this first in-depth independent book on YouTube. YouTubers is the only book you need to understand YouTube, its ownership by Google, its deal for stars and its ecosystem of talent managers, advertisers and marketers. It is a richly-layered deep dive into YouTube brimming with lively characters, engaging facts, and influencer case studies. It is an ideal guide for any media studies students, advertisers, brand managers and business people who need to understand YouTube professionally. And for any non-fiction reader interested in a gripping business and technology saga dripping with big money, ruthlessness, determination and ambition. YouTubers starts by charting the platform's launch in a boring 19-second video of the elephant enclosure at San Diego Zoo - which has now had 242 million views. YouTubers then moves onto the first oddball videos before the site found success by showing comedy clips from the TV show Saturday Night Live. YouTubers reveals how YouTube saw off its emerging rivals in the online video battle of the 2000s and was bought by the search engine specialist Google. With Google's billions and boosted by smartphones, YouTube became the dominant video platform. Bloggers started to create engaging, fast-cut videos that capitalised on the intimate relationship between creator and user - a 'parasocial' relationship stronger than the bond between TV presenter and viewer. By ceaselessly urging their followers to tap the like, comment and subscribe buttons, these creators helped YouTube's rise to global domination. YouTubers speaks to YouTube stars KSI, Hank and John Green and delves into the lives of child star MattyB, the training camp for aspiring teenage bloggers, the YouTube stunts that go wrong and the increasing efforts of creators to earn money from Patreon. And it tackles the platform's Muslim extremism, red-pilling, and its content guidelines and censorship. YouTubers asks how YouTube can take on the threat from other big platforms such as Instagram and Facebook. In short, YouTubers tells the riveting story of the exponential growth of YouTube from single home video to global tech phenomenon. It is the only book you need on YouTube. Extract Introduction One spring afternoon Casey Neistat uploaded a video lasting five minutes and twenty-two seconds to YouTube. In the style of so many YouTubers, he looked straight into the camera and aired his opinion on a matter of importance. As the elder statesman on the platform, Neistat's words carry weight. He can make or break products and careers - and this video was no different. Seconds after he uploaded his video to YouTube via his superfast broadband at his creative headquarters in New York, it was available worldwide to four billion people: everyone on Earth with an internet connection. Millions of Neistat's subscribers instantly received a notification telling them that one of YouTube's most influential stars was again speaking directly to them. Across the world in apartment blocks, restaurants, bedrooms and bathrooms, phones pinged, buzzed and beeped. Hundreds of thousands of people instantly watched what Neistat had to say. Wearing dark glasses, his hair streaked blond, Neistat vented his frustration at the way the media was second-guessing the motivations of YouTubers... Buy the book to carry one reading
Digital television (DTV) is a new type of broadcasting technology that will transform television as we now know it. DTV technology will allow broadcasters to offer television with movie-quality picture and CD-quality sound, along with a variety of other enhancements. DTV technology can also be used to transmit large amounts of other data into the home, which may be accessible by using one's computer or television set. DTV enables broadcasters to offer television with movie-quality picture and sound. It also offers greater multicasting and interactive capabilities. This book explores the many enhancing features, legal policies and reasons why consumers are now switching to digital television.
The Top DVDs of All Time! Finally . . . a DVD book for everyone! Heres your personal handbook to DVD . . . the ultimate guide to enjoying every last bit of fun this exciting format has to offer Bill Hunt and Todd Doogan have been reporting on DVD at The Digital Bits website since the format first appeared in 1997. And over the years, theyve noticed that there are few places viewers can go to have the various aspects of DVD and home theatre explained, in simple language -- plain talk anyone can understand. So they’ve written The Digital Bits Insiders Guide to DVD to fill this void. In it they: * Take a comprehensive look at over 100 of the top DVDs of all time * Explain DVD and all its features -- what it is and how it works * Offer expert advice on how to put together a great home theatre at an affordable cost * Explain the latest technology, such as DVD recorders and the new SACD and DVD-Audio high-resolution music formats * Provide an eye-opening glimpse of the future of DVD -- which promises your favorite films in high-definition video NOT FOR NEWBIES ONLY! Theres plenty here for long-time, experienced Bits readers too! Bill and Todd have included a comprehensive review of over 100 discs, in a whole variety of genres, that everyone should have in their private movie collection -- they even tell you what makes each one so great. Youll also get a fascinating, behind-the-scenes look at one of the biggest releases of 2003: Twentieth Century Fox’s nine-disc Alien Quadrilogy! The authors provide a revealing insider’s view of the making of this elaborate, special-edition box set. Here’s everything you need to know about DVDs -- for less than the cost of a single disc!
What is the Purpose of this Guide? In recent decades, corporate and employee communications and training have become increasingly important to organizations and enterprises in building and maintaining healthy productivity, strong corporate cultures and continuous growth. Video-based technologies that support these efforts have grown increasingly sophisticated and ubiquitous. In particular, satellite-based business television (BTV) and interactive distance learning (IDL) networks, employing one-way video transmission, have been widely adopted and successfully utilized by numerous organizations. This Guide specifically focuses on the key component of a BTV/IP network: the satellite receiver. It provides information and guidance on available, proven IP receiver technologies, the manufacturers who provide them, and touches on related components of BTV/IP network architecture. What is BTV/IP? BTV/IP stands for Business Television over Internet Protocol. Unlike traditional BTV, where the digital video signal is distributed to televisions from the satellite receiver, BTV/IP video content can be distributed to both televisions and local area networks (LAN). As such, BTV/IP can leverage computer networking technologies to enhance or extend traditional BTV services, with applications such as video on demand, video streaming to the desktop, dynamic digital signage, and real-time testing and measurement of viewer participation. Why Does the Guide Focus on the Receiver? More than any other component, the receiver often represents the largest capital expenditure of a typical satellite network. The receiver's reliability and performance has had a major impact on the operational success of BTV networks. This is truer with BTV/IP, where the receiver must seamlessly integrate with corporate local area networks. Enliten conducted extensive research of the various IP products available globally to identify which receivers meet the requirements of the satellite-based BTV/IP enterprise market. The BTV/IP receivers are segmented into the following categories: BTV/Media Gateway products designed exclusively for this market, offering: Playback of NTSC video to a television Streaming of IP video to a LAN Hard drive for storage Robust router functionality Middleware for BTV-specific applications IP Satellite Routers: Satellite receiver with robust router functionality, intended for deployment in a large enterprise (to interface within a LAN) environment IP Satellite Receivers: Satellite receiver with an IP network interface, intended for the Small Office Home Office (SOHO) environment Most of the BTV/IP receiver products covered in the Guide are currently deployed in the field. They are represented through established sales channels and can be purchased directly from the manufacturer by self-managed networks. Some of the products in this Guide do not meet the requirements of any one category. These products have been placed in the category deemed most appropriate. What are the Other Components of a BTV/IP Network? In developing services for a BTV/IP network, additional components besides the satellite receiver need to be considered. These components are addressed in the Network Architecture section and include IP encapsulators; low data rate encoders; network management systems; remote hardware; peripheral storage devices, dedicated players (for digital signage applications); interactive distance learning systems; and return path interfaces.
Love movies? Heres a new way to enjoy them! Easter Eggs are the insider gems tucked into the digital landscape of many DVDs -- deleted scenes, making of features, alternate endings, conversations between directors and actors -- plus, special inside jokes made just for DVD viewers. Movies featured include The Godfather, Harry Potter and the Sorcerers Stone, Star Wars: Episode I - The Phantom Menace, Shrek, Moulin Rouge, The Terminator, Tomb Raider, The Blair Witch Project, Cast Away, Citizen Kane, Die Hard, Magnolia, The Wizard of Oz, X-Men, and more.
The worlds of electronic information and entertainment are converging. Computer technology is taking over entertainment. Now more than ever technical professionals and consumers need to unscramble the confusion and the marketing hype. What is MPEG? What's the difference between DVD+R and DVD-R? How does TIVO work? Get a firm handle on the latest electronic technology.
Who needs the movies? Now, you can achieve stunning audio and top quality video results through your PC. This book shows you how to build your own home entertainment center using an ordinary PC. Watch and record TV shows and movies, put your entire CD collection on hard drive, and listen to radio stations from around the world.
The first-ever, fact-filled introduction to the new world of interactive TV
This up-to-date reference is the most complete dictionary covering
this fast-paced field. It contains virtually all the terminology
commonly used in modern global video and television technology,
with thorough definitions aimed at the engineering level. It covers
all international video standards, digital and analog video
signals, data compression, video conferencing,
encoding/decoding--indeed, every term associated with
video/television technology. Compiled by two internationally
recognized video/television experts, this dictionary promises to
become a standard reference.
FROM THE EDITOR OF THE STANDARD HANDBOOK OF VIDEO AND TELEVISION ENGINEERING THE ALL-MEDIA GUIDE TO PROFESSIONAL VIDEO PRODUCTION
The second edition has been updated with all the key developments
of the past three years, and includes new and expanded sections on
digital video interfaces, DSP, DVD, video servers, automation
systems, HDTV, 8-VSB modulation and the ATSC system.
JOIN THE DIGITAL PRODUCTION REVOLUTION! Not very long ago, there was television, film, video, and other forms of moving imagery. Now, in the Digital Era, all of this is content, a stream of bits providing superior picture and audio quality and options for HDTV, interactivity, e-commerce, and new ways to create and consume the worlds favorite forms of visual entertainment and information. The digital content creation revolution is ushering in an exciting -- and a confusing time in TV, motion-picture, and video production. A new generation of affordable digital cameras and video-recording systems is democratizing the production industry with new opportunities for talented film- and video-makers. At the same time, cable, satellite, and Internet distribution are multiplying program-distribution options. Creating Digital Content presents a series of chapters written by industry-leading experts and journalists to help you understand this exciting new era, which is impacting everyone from corporate video professionals and major movie studios to local TV stations and talented digital filmmakers.Edited by two industry experts at the forefront of the content revolution, Creating Digital Content includes chapters on:
Along with outstanding post-production tutorials, the authors also provide in-depth explanations of the new business models, revealing must-know information on surviving and profiting in a digital content creation environment. At a time when clear and accurate introductory information on the technology transitions sweeping the worlds of TV, motion-pictures, and the Web is hard to find, this is THE guidebook for surviving--and thriving--in the digital content-creation age.
Plain-talking intro to televisions newest technology. Digital Television Fundamentals, Second Edition, by Michael Robin and Michel Poulin, is the ideal guide for everyone who deals with digital video production or equipment design - or who just wants to know how this new phenomenon works. Fully detailed and heavily illustrated, this easy-reading reference covers it all--from video and audio fundamentals...to bit-serial distribution and ancillary data multiplexing...to digital signal compression and distribution methods of coding and decoding. In this edition youll find: multimedia television treatment covering technologies, hardware, systems, workstations, A/V signal processing, disk storage, servers, cameras, VCRs, CD-ROM, DVI--plus interconnections, multimedia software, systems, and applications and standardization activities; late-breaking information on the DTV standard and how it affects broadcasting equipment and operations; a focus on the importance of relevant SMPTE and CCIR-ITU standards; details on digital/analog equipment compatibility issues; much more!
John Logie Baird, Britain's foremost television pioneer, experimented with video recording onto gramophone discs in the late 1920s. Though unsuccessful at the time, his experiments resulted in several videodiscs, some 25 years before the videotape recorder became practical. These videodiscs - called Phonovision - remained neglected over the decades, considered by experts as unplayable. In the early 1980s, the author sought out and restored the surviving Phonovision discs. Using computer-based techniques in an investigation reminiscent of an archaeological dig, the author has not only revealed the images on the discs but also uncovered details of how the recordings were made. The Phonovision discs have now become recognised as one of Baird's most important legacies. In 1996 and 1998, amateur 'off-air' recordings of the BBC's 30-line Television Service (1932-35) were found, giving us our first view of what viewers were then watching. The author's restoration overturns established views on mechanically scanned television, providing us today with a true measure of Britain's heritage of television programme-making before electronic television. As well as helping to explain a poorly understood and complex period in television's history, this unique book, heavily illustrated with previously unpublished or rarely-seen historic photographs restored by the author, sheds light on the achievements of Baird, the development of video recording and the definition and invention of television itself.
HDTV - digital, high-definition television - is an invention so far-reaching that most people cannot yet grasp its full significance. But the new sets are arriving in stores, and we are in the midst of a revolution in television. In Defining Vision, Pulitzer Prize-winning author Joel Brinkley takes us inside the creation of HDTV, into a titanic competition between some of the world's most important high-tech corporations battling for a prize worth billions of dollars. Brinkley tells the story from deep inside the laboratories and boardrooms where the race was run. There, scheming contestants employed duplicity, extortion, and, occasionally, creative genius. At the same time, government leaders manipulated the race to their own ends, promoting it one moment and betraying it the next.
The labor costs of even a minor VCR repair are very high, and
warranties typically only cover the first 90 days of ownership. The
first four chapters of this practical guide allow do-it-yourselfers
to take charge of maintaining and repairing their own VCRs for
optimum performance. Basic VCR and recording principles are
explained so you can gain a better understanding of how your
machine operates.
From the first notions of 'seeing by electricity' in 1878, through the period of the first demonstration of rudimentary television in 1926 and up to 1940, when war brought the advance of the technology to a temporary halt, the development of television gathered about it a tremendous history. Following the discovery of the photo-conductive effect, numerous schemes for television were suggested but it was in the wake of Baird's early demonstrations that real industrial interest developed and the pace of progress increased. Much research and development work was undertaken in the UK, the US, Germany and France. By 1936 television technology had advanced to the point where high definition broadcasting was realistic. This meticulous and deeply researched book presents a balanced and thorough international history of television from 1878 to 1940, considering the factors - technical, commercial and social - that influenced and led to the establishment of public services in many countries. Highly illustrated throughout, this is a major book in the study of history of science, technology and media.
This unique volume examines the process of cableviewing, the nature of cableviewers, and especially the viewing choice process. The concept of viewing style is introduced and individual differences in viewing style are examined. The research presented here represents the change from media effects studies to studies of users and user behavior.
Aereo and FilmOn X stream television programming over the Internet for a monthly subscription fee. Aereo and FilmOn's technology permits subscribers to watch both live broadcast television in addition to already-aired programming. Their use of this development in technology has triggered multiple lawsuits from broadcasting companies alleging copyright violations. These cases reveal not only multiple interpretations of copyright law and its application to new and developing technologies but also a possible "loophole" in the law, which some have accused Aereo and FilmOn of exploiting. This book discusses internet television streaming and copyright laws. It then discusses remote-storage digital video recorders and the copyright laws that go along with it.
How streaming services and internet distribution have transformed global television culture. Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging-including Netflix, the world's largest subscription video-on-demand service. Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age. Netflix Nations addresses a fundamental tension in the digital media landscape - the clash between the internet's capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users ("this video is not available in your region"); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution. Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix's ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment.
During the years of the Polish People's Republic, Poles were cut off from the western world. Travel was restricted, as was access to outside culture and goods. This unique situation led to a period of great ingenuity in the realm of new media. Not only were media adapted to suit Poles' needs, but new technology was fashioned to gain access to western television, film and video games. Bringing people together, VCRs, computers and satellite television were thus a window to the outside world and contemporary to the mobilisation of Solidarity and the end of communism. As such, their diffusion is an important but largely overlooked aspect of Poland's history. Acutely aware of this, the authors of this book recount new media behind the Iron Curtain in a way that will appeal to scholars and non-academic readers alike. Coupling archival research with in depth interviews, they bring to life the talent and determination of the PPR's new media pioneers, compelling others to dig further. |
![]() ![]() You may like...
|