The use of digital surveillance technology is rapidly growing as it becomes significantly cheaper for live and remote monitoring. The second edition of "Digital Video Surveillance and Security" provides the most current and complete reference for security professionals and consultants as they plan, design, and implement surveillance systems to secure their places of business.

By providing the necessary explanations of terms, concepts, and technological capabilities, this revised edition addresses the newest technologies and solutions available on the market today. With clear descriptions and detailed illustrations, "Digital Video Surveillance and Security" is the only book that shows the need for an overall understanding of the digital video surveillance (DVS) ecosystem.
Highly visual with easy-to-read diagrams, schematics, tables, troubleshooting charts, and graphsIncludes design and implementation case studies and best practicesUses vendor-neutral comparisons of the latest camera equipment and recording options

Television In The Cloud provides the television professional with the first easy-to-comprehend guide for understanding the various aspects of this exciting technology. Written in an easy-to-read style, the book first addresses what "the cloud" is, the types of clouds, the different cloud service models, and the advantages of using the cloud as a television technology. From a general discussion of the cloud in Part I, the book moves to Television In The Cloud specifically. The section first looks at the building blocks of Television In The Cloud and what it takes to move television to the cloud. From there, the book discusses how the different areas of television can be positively affected by Television In The Cloud and the benefits that can be derived. Finally, the book looks at the freedoms that are created for the viewer and the television industry and ultimately the future of Television In The Cloud.

The Amazon Fire TV Streaming Media device competes with other streaming devices in the marketplace, but before you spend your money on other technologies, such as Roku, Apple TV, or Chromecast, reading this guide will reveal what others might not want you to know. This Kindle book is not a step-by-step user's manual that shows you how to unwrap your new device, insert the plugs and cables, use your voice to find a movie, etc., nor does it tell you what will be displayed on the screen. If that is what you are looking for, you can read more about that in the Q&A section about this product. What you *will* discover when you read this guide is how the Amazon Fire TV streaming media device compares to its co-fellow competitors in the marketplace at this time. The author has included called-out sections in each chapter entitled, "What the user needs to know." This follows sections that describe the product, the competitors' products, and holds nothing back by telling you the details that you might not experience until you buy, install, and use the product. The author has included this feature so you won't be surprised or kept in the dark with how this product compares with other competitive devices, and what you can really expect once you get this device installed. Nothing is held back in this review-style book, but just know that the data and information that is revealed applies to all the devices and current information available to this author as of this publication date. Sometimes when you can't find the information you need online or in print, you just have to go out there, purchase, install, and use the products, and then decide what is the best deal and best experience for yourself and others. Then you write about it and hope it saves someone from spending money on other products that they'll regret. That's what this book is all about, and I hope it helps you decide what to look for when you buy a streaming media device.

I successfully created a DVD Movie: Using a Power Point presentation with the Audio Recorded with a Microphone Using Cam Studio software to record several Video Clips Importing these Clips to Win Movie Maker and saving the Movie as a Video Then Burning a Disk Using Win DVD Maker This book describes how to perform all of the tasks necessary to end up with a published DVD. I learned how to do it by creating two Movies and Disks suitable for publishing. I must confess I made many mistakes ending up with unacceptable DVDs before successfully saving my subject matter using the Win Movie Maker. This saved Movie was then used to create a DVD suitable for publishing. It took me several months of trial and error before arriving at the proper procedure to use to obtain the final publishable DVD. This book shows you the proper steps and procedures to use so you can create a DVD using your material that will be suitable for publishing by your selected DVD publisher. The DVD can be published by Create Space (or another internet DVD publisher, if there is one) using their DVD setup program:

Are you an Apple TV owner looking to get the most out of your streaming media device? Perhaps you're looking for solutions to certain questions you've had about the device like how to use AirPlay, how to find channels, or other tips and tricks? Well, this guide is here to help you with all those questions and plenty of great tips to truly unleash the power of your Apple TV
Hi, I'm Shelby Johnson, a technology enthusiast and an Apple TV owner. I love the Apple TV streaming media player for its highly-functional entertainment value. I've used it and figured out many special tips and tricks to help you get the most out of your streaming media device.
I've developed this guide book to help you learn more about your device, including tips and tricks to really unlock and unleash the possibilities of your Apple TV device.
Here's just some of the great info in this book:
- Getting started with Apple TV
- Pre-setup and setup help
- Basics, tips & tricks
- Syncing with iTunes & streaming music
- How to use Photostreams
- How to find Apple TV content for free and to purchase
- How to use Amazon Instant Video and other streaming media
- A look at some of the best accessories for Apple TV
You'll learn all of the above and more in this book which features screenshots straight from Apple TV and step-by-step instructions on the processes involved in unleashing more powerful features from the device This is a must-have eBook to get for any Apple TV user who wants to take their device to the next level
**Please note this book is for owners of the American version of the Apple TV sold in the United States and may not apply to versions of the device in other countries.**

Just five years ago, television was considered to be in terminal decline, soon to be written off as yet another casualty of the digital revolution. Advertising revenues were tumbling and it was feared that audiences would rapidly decrease. Fast forward to today and television is strong than ever. Not only is it reaching record audiences but the very technologies that were meant to kill it off - the digital onslaught of the internet, wireless broadband, video on demands, social media, TiVo, smartphones and tablets - have only succeeded in fortifying TV's analogue strengths, creating an exhilarating new digital supermedium. 'TV's Not Dead How Television's Analogue Strenghs Have Created A Digital Supermedium' by acclaimed media analyst David Brennan explores how television discovered that its digital future lay in its analogue past. Brennan gives a fascinating insight into the world behind the box, illustrating the true complexity of the medium by outlining its significant role within the psychology of consumerism and in defining our social mores, our habits and our aspirations. A must-read for telly addicts and media professionals alike, Brennan defines exactly why TV is, and will remain, a universal cultural phenomenon. David Brennan has worked in media research, marketing and strategy in the UK and Australia for over thirty years. He is the founder of Media Native, the industry consultancy.

Managing technical people seems to be another kind of "ball-game." Many technical people are proud of their expertise and would not like to be always told what to do, as though they do not know their stuffs. Moreover, technical knowledge is advancing so fast that the current technical knowledge could become obsolete within a short time. This book provides many important ideas for the aspiring technical manager. Much of the knowledge presented in the book is not available in textbooks and could only be gained by being on the job. To manage and solve technical problems in an industrial or factory environment, book knowledge or theoretical knowledge alone is insufficient, and, practical knowledge or experience is just as important, if not more important. As a matter of fact, some things cannot be learnt from books but must be "experienced" first-hand. This kind of knowledge is of great importance to the practising engineer or technical manager. In this book the author shares this kind of knowledge which he has gained first-hand by being "on-the-job" with the reader, knowledge which is unlikely to be found in a normal technical management book. There are also important tips on practical management. Students of management should benefit from the book too. The book includes an introduction by a successful businessman offering important views on business and management. This book has been given several rounds of publicity by the press.

Published in 2013, Producing Streaming Video for Multiple Screen Delivery the only compression-related textbook released after 2010, and it incorporates the latest technologies, including DASH and HTML5 and new devices such as 4G transmitters for mobile delivery. This book is written for producers seeking to distribute streaming video to the widest possible audience, including computers, smartphones and tablets, and Over the Top (OTT) devices. Written by Jan Ozer, this book delivers the lessons learned from years of producing and consulting on streaming, and serving as a contributing editor to the industry bible, Streaming Media Magazine. In this book, you will learn:
The fundamentals of video streaming and compression, including adaptive streaming and H.264 encoding, and new technologies like DASH, HTML5 and HEVC.
How to configure a single group of files to distribute to computers, mobile and OTT devices, and when it s better to customize files for different target platforms.
How to most efficiently produce maximum quality video using tools like the Adobe Media Encoder, Apple Compressor, Sorenson Squeeze and Telestream Episode Pro.
How to choose an enterprise class encoder, with extensive discussions of workflow tools like Telestream Vantage and the ProMedia Workflow System from Harmonic.
How to choose between setting up your own streaming server or using an online video platform (OVP) and the most relevant questions to ask before choosing an OVP service provider.
The best technology options for producing a live event, from choosing an encoding tool or 4G delivery platform, to choosing a streaming media server or Live Streaming Service Provider (LSSP) like Livestream or Ustream.
When to consider using a rich media presentation system like Sonic Foundry MediaSite or MediaPlatform WebCaster and how to choose between the available systems.
Which producers need to add closed captions to their streaming videos and how to do so.
This book is the successor to Ozer s highly regarded Video Compression for Flash, Apple Devices and HTML5, which has earned a five-star rating on Amazon and is used as a textbook by many colleges and universities. Published over two years after Video Compression, however, Producing Streaming Video for Multiple Screen Delivery is almost a complete rewrite, and contains links to the dozens of product reviews and video tutorials published and produced by Ozer over the last 24 months.

Videographers' Audio Handbook is designed for media students, working videographers, and the home video enthusiast. By using the sound principles discussed in this book and by applying the specific work related explanations, the reader will improve on the overall sound quality of their video projects. The reader will learn key points in capturing audio for video productions, including - > Application of correct sound equipment > Proper connection and setup of location audio > Set distortion free recording levels > Troubleshoot and prevent location audio problems > Easily incorporate basic audio techniques > Recording dialogue on a variety of locations > Capture quality audio when using HDSLR cameras > Plus much more using pictures and graphical layouts The pages of information within this book are based on 30 years working in film and video. This work experience has been condensed in a conversational, informative book; helping the videographer to achieve their visual and auditory masterpiece, even if it's only their daughter's graduation.

Lighting, lighting composition, visualization, camera expertise, image composition as well as keen budget awareness are the key ingredients that separate one who has mastered their craft from those who "wannabe." In this book Steve Flanigan has blended his experiences as a Director of Photography, Lighting Director, Producer, Director, Line Producer and Business owner to bring to the reader a rich background of experiences and knowledge, laced with stories that will aid both the beginning filmmaker and seasoned veteran thrive in their craft.

It is hard to believe that today in the 21st century there are people out there that still use the outdated VCRs and analog camcorders for 8mm movie to video transfers. To start with, they use inferior screen projection combined with the VCR capture and edit and sometimes VCR to VCR copy. This results in very poor final video quality. So, here is the book that outlines the procedure that uses the modern 21st century cameras combined with video processing and direct capture that produces sharp video with beautiful and vibrant colors. With little money and some spare time, by following this book, you can give a new life to those old 8mm movies. It will be a project that you will be proud to share with your family and friends. If still skeptical, feel free to check the following video samples and be your own judge: http: //dl.dropbox.com/u/5667638/sample1.wmv http: //dl.dropbox.com/u/5667638/sample2.wmv http: //dl.dropbox.com/u/5667638/sample3.

A substantially updated edition of Video Coding: An introduction to standard codecs (IEE 1999, winner of IEE Rayleigh Award as the best book of 2000), this book discusses the growth of digital television technology, from image compression to advanced video coding. This third edition also includes the latest developments on H.264/MPEG-4 video coding and the scalability defined for this codec, which were not available at the time of the previous edition (IEE 2003). The book highlights the need for standardisation in processing static and moving images and extensively exploits the ITU and ISO/IEC standards defined in this field. The book gives an authoritative explanation of pictures and video coding algorithms, working from basic principles through to the advanced video compression systems now being developed. It discusses the reasons behind the introduction of a standard codec for a specific application and its chosen parameters. Each chapter is devoted to a standard video codec, and chapters are introduced in an evolutionary manner complementing the earlier chapters. This book will enable readers to appreciate the fundamentals needed to design a video codec for any given application and should prove a valuable resource for managers, engineers and researchers working in this field.

Gene Minshall was born in Saco in the northeastern quadrant of Montana, a place that National Geographic has defined as "The Last Real America." Minshall claims that his birth home gave him an untainted perspective of the different cultures he would encounter and the business communities in which he would eventually live and work. After service in the Navy and a degree from the University of Montana, Minshall worked in television stations in Montana and Washington State, before ultimately landing at KSL-TV in Salt Lake City, Utah. Serving as a reporter and producer as well as the writer and director of a score of documentaries exploring issues and interests of the day, he eventually became the news director of a rival station. There he directed the daily flow of information and worked with media consultants and management to increase ratings and viewer interest. Minshall is now an independent producer of highly acclaimed corporate videos and documentaries examining public issues and concerns. He is an honored Knight's Fellow for the International Center for Journalists in Washington, D.C., and has accepted several lead foreign assignments. Because of his work with political and communication leaders Minshall was asked by the State Department to work with Third World media centers in order to help them be respectful and responsive to a public anxious to receive news without bias and propaganda. Minshall's goal is to help close the gap between what TV stations are promoting and what exactly is presented to their viewers. He laments media practices that work against fully informing the public and yet is the first to recognize the incredible contributions progressive news departments havemade. He admits his bias is in favor of the viewers and is anxious to have them receive news that is beyond the hand of management and consultants and more in tune with the nature and competent side of journalist. Gene hopes that his ideas as stated in this text may become a catalyst to encourage news departments to develop a guiding philosophy about their work and public obligations.

The Struggle for Unity: Colour television, the formative years traces the evolution of colour television from 1928, when rudimentary colour television was demonstrated for the first time, to c.1966, when the NTSC system and its variants, the PAL and SECAM systems, became widely available for the entertainment, education and enlightenment of society. Among the many topics discussed in the book, mention is made of the following: compatibility and non-compatibility; mechanical and all-electronic systems; field, line and dot sequential scanning; bandwidth constraints and band-sharing techniques; the CBS-RCA conflict; the relative merits of the different systems; the attempt to achieve unity of purpose in Europe; standards; and the development of colour cameras and display tubes. The book, which is based predominantly on written primary source material, does not simply provide a chronicle of dates and descriptions of events, devices and systems. Rather, it discusses the essential factors of colour television history from a general, technical and political viewpoint. Great care has been taken to ensure that an unbiased, accurate and balanced history has been written. Numerous references are given at the end of each chapter and the book is profusely illustrated.

There is a great deal of discussion about media globalization, particularly television, especially as it is being driven by the spread of satellite technology and cable. While certain schools of thought view this trend as promoting cultural heterogeneity and the diversification of programme content, this book argues otherwise. It discusses the influence of globalization on Jamaica's television industry. Specifically, it looks at how market liberalization, globalization's twin force, has lead to government divestment of the television sector and increased private ownership and consolidation within this sector. It revisits the cultural imperialism debate within the context of media globalization and locates Jamaica's position within this milieu. It suggests that old concerns relating to cultural imperialism are still relevant in new ideas such as cultural proximity and programme modeling. The book also discusses the implications that increased private ownership of television media in Jamaica have for public broadcasting services, especially in an age of consolidation. Finally, the book examines current media policies and discusses whether or not they are adequate to address the present media environment, within which the market model of media management encourages anti-competitive behaviour among media firms.

On 17 February 2009, federal law requires all full-power television stations in the United States to cease analogue broadcasting, enabling the government to reclaim valuable spectrum that the broadcasters currently use for analogue broadcasts. This change, often referred to as the digital television (DTV) transition, requires action by broadcasters and consumers to ensure broadcast television signals are still available and viewable. The National Telecommunications and Information Administration (NTIA) created a program to subsidise consumers' purchases of digital-to-analogue converter boxes. After the transition, households with analogue sets that rely on over-the-air broadcast signals must take action or they will lose television service, but some households might not be aware of this potential disruption.

Current market analysis indicates that the most challenging issue in IPTV relates to content security. To achieve high access control a sophisticated group key management is required. This key must be updated and distributed each time a new member joins the group or a current one leaves it. Because of its dependency on time-consuming cryptographic operations this rekeying process can become a bottleneck in the Pay-TV system over Internet. This book tackles this problem by providing novel high-performance architectures, called rekeying processors, which act as coprocessors in the server environment to accelerate group rekeying. The direct effect thereof is higher quality of service regarding joining members and higher access control concerning leaving ones. In addition, a benchmarking framework is presented to evaluate the performance of different rekeying algorithms. The book is intended for Internet Pay-TV providers who plan to scale up their service without loss of access control or QoS. Designers of new rekeying solutions will find a reliable benchmark framework to evaluate their algorithms. Non-specialists will gain an insight into a serious challenge in the emerging IPTV.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Get up to speed on this billion-dollar technology IPTV Crash Course offers an accessible overview of this rapidly evolving technology that is radically impacting the landscape of television distribution and broadcasting services. This practical resource offers straightforward, easy-to-follow explanations of the fundamentals of digital television as well as basic and advanced IPTV technology. You'll also find in-depth coverage of IP network client devices including hardware and software, allowing for an enriched entertainment experience. The Latest Innovations This book delves into new advancements in the field, examining both the technological layers of digital television and Internet service offerings, and how they are converging to create new business models. Soon, the integration of television entertainment into daily life will change, and IPTV Crash Course is an essential read for anyone interested in this groundbreaking technology. Full coverage of IPTV including: Overview of the Television Services Business * IPTV System Architecture * Digital Compression Process * Digital Television Technology * Digital Home Networking * IP Client Device Architectures (HW & SW) * Copy Protection and Digital Rights Management * IPTV Standardization Efforts

These are the transcripts and reports from a U.S. House of Representatives hearing held in 1984 on subliminal communication technology---the process by which an individual is presented with information without that individual being made aware specifically of that information, but to which they make a selective response. The message, which is usually in the form of words, pictures or voices, is presented so rapidly or faintly that the person seeing or hearing the message is not consciously aware of seeing or hearing anything.

Summary: How engineers developed new technologies to broadcast television in digital form, and how Britain in 1998 became the first country to launch a digital terrestrial service. Based on interviews with engineers who were involoved, and including simple explanations of the engineering involved, this is a book for the general reader. In More Detail: This is an account of how an international team of engineers developed new technologies which would allow television to be broadcast in digital form, and how Britain in 1998 became the first country to launch a digital terrestrial service. Beginning with efforts in the 1950s and 1960s to improve the existing analogue television technology, and the appearance in the 1980s of the ill-fated MAC system, the book traces the development and gradual introduction of digital techniques for manipulating and storing pictures in the studio, through the collaborative efforts of the early 1990s to specify a new family of standards for digital broadcasting, to the triumphs and tribulations which followed the early launch of digital television in Britain and in some other countries.. Based on interviews with a number of the people who made it happen, and including simple explanations of the engineering involved, this is a book for the general reader with an interest in the history of technology and how things work.

The worlds of electronic information and entertainment are converging. Computer technology is taking over entertainment. Now more than ever technical professionals and consumers need to unscramble the confusion and the marketing hype. What is MPEG? What's the difference between DVD+R and DVD-R? How does TIVO work? Get a firm handle on the latest electronic technology.