This book fills a void in Western texts by presenting the largest selection of Caucasian flat-woven carpets and textiles ever included in a single book. They originate in the region south of the Caucasus Mountains and west of the Caspian Sea, bounded by Russian, Turkey, and Iran, and comprising parts of Georgia, Armenia, and Azerbaijan. The book, with 436 beautiful color photographs, includes an extensive selection of old kilims, zilis, khorjins, and one of the most extensive collections of Caucasian mafrash bedding bags ever assembled. They date generally from the 19th and early 20th centuries. Weaving styles of the nomadic, indigenous peoples produce the rich mixture of geometric and figurative forms recognized as uniquely Caucasian. A fascinating description of the author's field visits to villages in the Caucasus accompanies illustrations of the textiles and peoples found there. The origins of these pieces are discussed through comparisons with artifacts in the Russian Ethnographic Museum in St. Petersburg. A unique feature is weaving examples by two Georgian ethnic sub-groups, the Tushetians and the Khevsuretis. The result is invaluable information regarding the weaving origins of Caucasian flat-woven textiles for collectors and curators, and richly colored pictorials that will inspire designers and artists.

Pulitzer Prize-winning historian Laurel Thatcher Ulrich has remarked, "Much of the social history of early America has been lost to us precisely because women were expected to use needles rather than pens." This book, part of the multivolume series of the International Quilt Study Center collections, recovers a swath of that lost history and shows us some of America's treasured material culture as it was pieced and stitched into place. "American Quilts in the Modern Age, 1870-1940" examines the period's quilts from both an artistic and a historical perspective. From pieced block to Crazy style to Colonial Revival examples, as well as one-of-a-kind creations, the full array of style and design appears in this book covering seven decades of quiltmaking. The contributing authors provide critical information regarding the modern and anti-modern tensions that persisted throughout this era of America's coming of age, from the Civil War to World War II. They also address the textile technology and cultural context of the times in which the quilts were created, with an eye to the role that industrialization and modernization played in the evolution of techniques, materials, and designs. With full-color photographs of over 587 quilts, "American Quilts in the Modern Age, 1870-1940" offers a new visual and tactile understanding of American culture and society, bridging the transition from traditional folk culture to the age of mass production and consumption.

Exploring the interrelationship between archival or bibliographic research and the study of extant objects, this text examines how such methods can inform our knowledge of textiles and dress.

Spider Woman's Children: Navajo Weavers Today illustrates the beautiful and complex world of contemporary Navajo life, art and family - a world shaped by history and rich cultural traditions. It offers an intimate view into the life of today's Navajo weavers that will inspire and surprise. While many books have been written about Navajo weaving, techniques and style, non has highlighted the weavers themselves. Authors and sisters Lynda Teller Pete and Barbara Teller Ornelas are fifth-generation Navajo weavers, which lends an authentic and in-depth perspective to each story.

This high-powered mix for all who make and appreciate contemporary art quilting is the second installment of the creativity-inspiring series Exploring Art Quilts with SAQA, which blends book-and-journal format with over 300 photos revealing today's latest works and designs. It also serves as a long-term creative reference. Be inspired by interviews, gorgeous art quilt photos, and current creations by members of Studio Art Quilt Associates, Inc. (SAQA), the renowned international organization dedicated to promoting the art quilt. Meet 12 artists living around the world, including stories on their beginnings as art quilters. Peer at every detail in photos from five of SAQA's recent exhibitions, showing the range of content being produced today. A series of articles examine art being made in various locales: Australia & New Zealand, Norway, and South Africa are included in this volume. Finally, learn from the work of SAQA's Juried Artist members in seven themed image galleries highlighting the range and complexity of their art.

A charming and witty history of the quirky - but widely-practiced craft of embroidering kneeler cushions 'A treasure of a collection' Amber Butchart, of BBC's The Great British Sewing Bee 'I think I may already have discovered the best non fiction book of 2023' Reverend Richard Coles, author of A Murder Before Evensong Kneelers is a celebration of the most widely practised - but often overlooked - folk art in England and Wales over the past ninety years: the design and craft of church kneelers. Featuring charming stories and enchanting designs from churches across the country, the book traces the history of kneelers; from their spectacular beginnings at Winchester in the 1930s to their booming popularity after Queen Elizabeth II's coronation and the present-day congregations who are keeping the tradition alive. In their range and diversity, the kneelers collected here form a fascinating social record of the concerns and interests that occupied their makers - including local fauna and flora, cricket, dragons, post-war tributes and the thrills of high-speed travel. Filled to the brim with beautiful full-colour images, Kneelers displays the quirky artistry and widely varied (and often surprising) motifs which have characterised church kneelers in the twentieth century. It rejoices in the personal stories of some of the people who have practised and advanced the art form, and is a wonderful commemoration of what happens when communities come together to celebrate their history and their environment. 'A glorious and delightful salute' Tracy Chevalier, author of A Single Thread 'This book is a Godsend!' Alan Titchmarsh, author of The Gardener's Almanac

A boxed set containing Every Thread a Story and The Secret Language of Miao Embroidery, this culmination highlights artists and textiles from the Guizhou Province of China. Every Thread a Story is a tribute to ethnic minority artisans of China's Guizhou Province. It is also a tribute to the heritage craft traditions and techniques passed down through the generations of their families. The book introduces more than a dozen contemporary artists from four ethnic groups working in the techniques of their ancestors, including indigo dyers, embroiderers of varying techniques, weavers, a metalsmith, and a paper maker. A wide-ranging look to the future questions the effects of tourism and modern development on the craft and culture of southeast Guizhou Province. The Secret Language of Miao Embroidery presents, for the first-time, expert interpretations of the Miao symbols and motifs embellished on traditional clothing of the Miao peoples of China. Using examples from pieces in a museum's collection, the author provides clear descriptions and stories for 60 symbols and motifs found in highly collectible Miao textiles, focusing on southeast Guizhou Province. Detailed colour photographs accompany each motif. Both are paperback books: Every Thread a Story contains 160 pages and The Secret Language of Miao Embroidery contains 64 pages.

'This magnificent book allows us to peer behind the veil to behold the world of beauty, pride, and meaning of ancient Afghan embroidery. Through stories of hope and challenge, we are able to walk with these remarkable Afghan women as they rebuild their lives. A triumph!' Peggy Clark, Director, Alliance for Artisan Enterprise 'Rangina Hamidi has enabled the women of war-torn Kandahar to bring their exquisite embroidery to the world. Now in this beautiful book, she takes us on a journey into her own life and the lives of the talented and courageous Afghan women she serves through Kandahar Treasure. This is an extraordinary story of resilient and remarkable people - a story that informs and inspires.' Melanie Verveer, former U.S. Ambassador for Global Women's Issues and Director of The Georgetown Institute for Women, Peace and Security From the harsh and hidden lives of woman in Afghanistan emerges a story of creativity, courage, and reclaiming a future through ancient cultural traditions. Fifteen years ago, Rangina Hamidi made the decision to dedicate her life to helping rebuild her native Kandahar, Afghanistan. The Taliban had been driven out but Kandahar was a shambles. Tens of thousands of women, widowed by years of conflict, struggled to support themselves and their families. Rangina started an entrepreneurial enterprise- Kandahar Treasure-using the exquisite traditional khamak embroidery of Kandahar to help women work within their cultural boundaries, to earn their living, and to find a degree of self-determination. Embroidering Within Boundaries chronicles the development of this remarkable and inspiring business run solely by Afghan women. Throughout the narrative, intimate and moving profiles of Kandahar Treasure artisans illustrate how they have gained confidence, education, and the will to lead their families into a more stable and prosperous future.

Textile Technology and Design addresses the critical role of the interior at the intersection of design and technology, with a range of interdisciplinary arguments by a wide range of contributors: from design practitioners to researchers and scholars to aerospace engineers. Chapters examine the way in which textiles and technology - while seemingly distinct - continually inform each other through their persistent overlapping of interests, and eventually coalesce in the practice of interior design. Covering all kinds of interiors from domestic (prefabricated kitchens and 3D wallpaper) to extreme (underwater habitats and space stations), it features a variety of critical aspects including pattern and ornament, domestic technologies, craft and the imperfect, gender issues, sound and smart textiles. This book is essential reading for students of textile technology, textile design and interior design.

The basic principles of the flat-pattern method are the foundation of producing effective apparel designs. Principles of Flat-Pattern Design, 4th Edition, maintains its simple and straightforward presentation of flat-patternmaking principles which is proven to be less intimidating for beginning students. Numbered and fully illustrated steps guide students through a logical series of pattern manipulation procedures, each beginning with a flat sketch of the design to be developed and ending with a representation of the completed pattern. A significant expansion of the introductory chapters in this 4th Edition aligns the patternmaking process with current industry practices, including technological advancements, design analysis, and production basics such as grading, marker making, and specifications.

Chapters provide detailed information on manufacturing (spinning, weaving, dyeing, decorating); communicative significance (ethnicity, identity, tradition, rank, geographic origin); and marketing and commercialization among contemporary groups of indigenous descent"--Handbook of Latin American Studies, v. 57.

The fashion business has been collecting and analyzing information about colors, fabrics, silhouettes, and styles since the 18th century - activities that have long been shrouded in mystery. The Fashion Forecasters is the first book to reveal the hidden history of color and trend forecasting and to explore its relevance to the fashion business of the past two centuries. It sheds light on trend forecasting in the industrial era, the profession's maturation during the modernist moment of the 20th century, and its continued importance in today's digital fast-fashion culture. Based on in-depth archival research and oral history interviews, The Fashion Forecasters examines the entrepreneurs, service companies, and consultants that have worked behind the scenes to connect designers and retailers to emerging fashion trends in Europe, North America, and Asia. Here you will read about the trend studios, color experts, and international trade fairs that formalized the prediction process in the modern era, and hear the voices of leading contemporary practitioners at international forecasting companies such as the Doneger Group in New York and WGSN in London. Probing the inner workings of the global fashion system, The Fashion Forecasters blends history, biography, and ethnography into a highly readable cultural narrative.

This thorough handbook by a textile professional describes and illustrates fibers and yarns, fabric structures, fabric design, dye and printing processes, finishes and treatments, styles and applications of cloth for furniture, window-, wall-, and floor coverings. Also covered are testing and flaws; the fabric industry, and professional practice.

Brings together a superb collection of over 650 detailed examples English furniture and needlework from 1600 to 1760 These volumes are dedicated to one of the finest collections of early English furniture and needlework, formed by Percival D. Griffiths (1861-1937). Together with the noted authority, Robert W. Symonds, Griffiths assembled a pioneering collection of early English decorative arts: furniture, domestic needlework and related objects all dating to the seventeenth and first half of the eighteenth centuries. The book illustrates nearly 700 pieces owned by Griffiths and includes images of his interiors, and biographical data on Griffiths. Catalogue entries provide color images, exhibition histories, references, and provenance. These volumes present a wealth of new information that will aid both the amateur and connoisseur alike.

This volume looks at how the issues of textiles and gender intertwine across three millennia in antiquity and examines continuities and differences across time and space - with surprising resonances for the modern world. The interplay of gender, identity, textile production and use is notable on many levels, from the question of who was involved in the transformation of raw materials into fabric at one end, to the wearing of garments and the construction of identity at the other. Textile production has often been considered to follow a linear trajectory from a domestic (female) activity to a more 'commercial' or 'industrial' (male-centred) mode of production. In reality, many modes of production co-existed and the making of textiles is not so easily grafted onto the labour of one sex or the other. Similarly, textiles once transformed into garments are often of 'unisex' shape but worn to express the gender of the wearer. As shown by the detailed textual source material and the rich illustrations in this volume, dress and gender are intimately linked in the visual and written records of antiquity. The contributors show how it is common practice in both art and literature not only to use particular garments to characterize one sex or the other, but also to undermine characterizations by suggesting that they display features usually associated with the opposite gender.

Authors Mary Anne Wise and Cheryl Conway-Daly detail the creation and the triumph of Multicolores, a rug-hooking cooperative in Guatemala. Rug Hooking serves as a template for how to start a non-profit business while working hand in hand with traditional artisans in developing nations. Through a compelling narrative, the authors describe how they built a business framework from within the local culture and created successful teaching strategies that encouraged both artistic advancement as well as personal growth - all the while establishing and maintaining their enterprise as a force in the global marketplace.

'I have only one problem with this fascinating book - it had to end! I felt so well acquainted with the weavers and the authors and the techniques that it seemed like the story should go on forever. Loving, honest, illuminating documentation is how I would characterise the text, augmented by Joe Coca's superb photography.' Janet De Boer, editor of Australia's Textile Fibre Forum magazine for 30 years. What began as a couple's backpacking adventure transformed into a thriving fairtrade business and a renewed sense of well-being. Over the past decade, Joshua Hirschstein and Maren Beck have developed deep connections with the villagers of Xam Tai who raise their own fibre from silkworms, create their own natural dyes, and weave the patterns of their ancestors into healing cloths, ceremonial textiles and daily wear. Their narrative provides an in-depth and rare view into the everyday lives, culture, and craft of Lao silk weavers. Engaging personal stories and intimate photography bring it all into focus: the patience and skill of artisans, the steady pace of village life, and a commitment to honouring the old ways.

The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.

Richly comprehensive, this book gives us a one-of-a-kind look at all aspects of the work of internationally-renowned contemporary textile artist Gerhardt Knodel. Including over 400 images, it documents the development of Knodel's art from 1969 through 2014. Knodel became widely known for creating huge "environments of cloth" like 44 Panel Channel, a corridor of china-silk panels through which viewers walk, or the three-story-high Sky Court at Xerox world headquarters, a creation of wool, Mylar, and nylon. Knodel has transformed our view of textiles during the past 40 years, and here he describes his goals as well as his interest in the complex language of historic textiles as a stimulus to new work in the fiber medium. Experts share insights on the earlier phases of Knodel's work; his recent work, including a focus on games; and more. Resources include a biography orienting Knodel's influences to his works, plus an illustrated chronology.