The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.

Today, we are living in the New Space Age, where mass commercial space travel is almost within our grasp. This otherworldly possibility has opened up new cultural images of space, both real and fictional, and has caused fashion design and spacesuit engineering to intersect in new, exciting ways. Spacewear traverses this uncharted territory by exploring the changing imagination of space in fashion-and fashion in space-from the first Space Age to the 21st century. Exploring how space travel has stylistically and technologically framed fashion design on earth and how we need to revisit established design practices for the weightless environment, Spacewear connects the catwalk and the space station. This book draws together speculative fantasies in sci-fi films such as Star Trek and 2001: A Space Odyssey, with the engineered spacesuits Biosuit, and the NASA Z-2 and with catwalk interpretations by the likes of Alexander McQueen, Hussein Chalayan, Andre Courreges, and Iris van Herpen. While the development of commercial space agencies has led to new concerns for style in garments for outer space that re-think fundamental design principles such as drape, high fashion has experimented with new possibilities for weightlessness that extend far beyond the 1960s vision of Space Age metallic fabrics and helmet-style headwear. Brownie takes the reader on a fascinating journey from fantasy to function and to form, deepening our understanding of this new category of fashion that is prompting new approaches to garment design and construction both on earth and in outer space.

The fashion business has been collecting and analyzing information about colors, fabrics, silhouettes, and styles since the 18th century - activities that have long been shrouded in mystery. The Fashion Forecasters is the first book to reveal the hidden history of color and trend forecasting and to explore its relevance to the fashion business of the past two centuries. It sheds light on trend forecasting in the industrial era, the profession's maturation during the modernist moment of the 20th century, and its continued importance in today's digital fast-fashion culture. Based on in-depth archival research and oral history interviews, The Fashion Forecasters examines the entrepreneurs, service companies, and consultants that have worked behind the scenes to connect designers and retailers to emerging fashion trends in Europe, North America, and Asia. Here you will read about the trend studios, color experts, and international trade fairs that formalized the prediction process in the modern era, and hear the voices of leading contemporary practitioners at international forecasting companies such as the Doneger Group in New York and WGSN in London. Probing the inner workings of the global fashion system, The Fashion Forecasters blends history, biography, and ethnography into a highly readable cultural narrative.

Richly comprehensive, this book gives us a one-of-a-kind look at all aspects of the work of internationally-renowned contemporary textile artist Gerhardt Knodel. Including over 400 images, it documents the development of Knodel's art from 1969 through 2014. Knodel became widely known for creating huge "environments of cloth" like 44 Panel Channel, a corridor of china-silk panels through which viewers walk, or the three-story-high Sky Court at Xerox world headquarters, a creation of wool, Mylar, and nylon. Knodel has transformed our view of textiles during the past 40 years, and here he describes his goals as well as his interest in the complex language of historic textiles as a stimulus to new work in the fiber medium. Experts share insights on the earlier phases of Knodel's work; his recent work, including a focus on games; and more. Resources include a biography orienting Knodel's influences to his works, plus an illustrated chronology.

Winter is coming. Every Sunday night, millions of fans gather around their televisions to take in the spectacle that is a new episode of Game of Thrones. Much is made of who will be gruesomely murdered each week on the hit show, though sometimes the question really is who won't die a fiery death. The show, based on the Song of Fire and Ice series written by George R. R. Martin, is a truly global phenomenon. With the seventh season of the HBO series in production, Game of Thrones has been nominated for multiple awards, its cast has been catapulted to celebrity and references to it proliferate throughout popular culture. Often positioned as the grittier antithesis to J. R. R. Tolkien's Lord of the Rings, Martin's narrative focuses on the darker side of chivalry and heroism, stripping away these higher ideals to reveal the greed, amorality and lust for power underpinning them. Fan Phenomena: Game of Thrones is an exciting new addition to the Intellect series, bringing together academics and fans of Martin's universe to consider not just the content of the books and HBO series, but fan responses to both. From trivia nights dedicated to minutiae to forums speculating on plot twists to academics trying to make sense of the bizarre climate of Westeros, everyone is talking about Game of Thrones. Edited by Kavita Mudan Finn, the book focuses on the communities created by the books and television series and how these communities envision themselves as consumers, critics and even creators of fanworks in a wide variety of media, including fiction, art, fancasting and cosplay.

Lace was a passion of Leopold Ikle (1838-1922), scion of a Hamburg textile dynasty who successfully produced machine-made embroidery over the course of the industrial boom in St. Gallen around 1900. He exported to England, France and the United States, among other places, at a time when St. Gallen was the market leader in the lace industry. Ikle's collection of handmade European bobbin lace and needlepoint from the sixteenth to the nineteenth century originally served as inspiration for his firm's textile designers. Through his passion for collecting, however, it quickly surpassed the practical demands of a simple pattern collection, and in 1904 he donated it to the Textile Museum St. Gallen. Historische Spitzen provides a comprehensive review as well as highlights of the lace samples in this unique collection. Text in German.

Le livre Porter le changement examine les solutions employees par les ecodesigners du Quebec pour adresser les enjeux environnementaux et sociaux relies a la surconsommation de produits mode. Appuye par 28 entrevues inspirantes de createurs, d'organisations et d'acteurs influents de la mode ethique quebecoise, cet ouvrage demontre comment l'approvisionnement en fibres ecoresponsables, les processus d'ennoblissement ecologiques, le recyclage, les strategies de design innovantes, la production locale et les habitudes de consommation conscientes et creatives detiennent le pouvoir de creer une industrie de mode locale et durable capable d'avoir une influence positive sur notre environnement et notre communaute."

Esta obra, recoge la segunda seleccion de cronicas escritas por el artista y autor Alex Ceball posterior a "Fashion Coolhunting: 100 cronicas de moda y tendencias." Siguiendo el mismo esquema de su anterior libro, los textos contenidos han sido cuidadosamente elegidos del blog "FASHION COOLHUNTING," el primero en el mundo escrito en lengua castellana a traves de internet, que convertiria al autor en pionero de una tendencia que seguirian miles de personas alrededor del mundo y uno de los primeros visionarios en el uso de las nuevas tecnologias de informacion y redes sociales en el desarrollo de la industria de la moda y las tendencias. En esta segunda entrega de 100 cronicas, los temas del diseno, el arte, la belleza y la moda juegan un partido con los de la crisis financiera, politica y valorica de la sociedad post contemporanea y su relacion con las tensiones sociales de la ultima etapa de la historia reciente, las redes sociales y como ha afectado al mundo de las areas creativas en un desfile de personajes, lugares y situaciones personales, grupales y globales que mutaron los gustos colectivos y de consumo, a traves de su particular vision de un mundo en constante movimiento. FASHION COOLHUNTING. VOLUME II.