From nomads' tents to poodle skirts, from car parts to Christmas tree ornaments, felt is one of the world's oldest and most understated textiles. Felt has developed simultaneously in multiple cultures, and often its origins are lost. However, far from having been supplanted by new fabrics, not only has felt retained its traditional uses among peoples around the world, but it has also seen a revival of popularity among today's hand feltmakers, craftspeople and fashion designers. This book follows the journey of felt through time, space, and purpose by pulling into focus a series of snapshots of different felting traditions. Beautifully illustrated, "Felt" covers the wide-ranging history and development of this most unassuming, yet ubiquitous, of fabrics from the earliest archaeological evidence in the mountains of Siberia to the groundbreaking works of contemporary fiber arts and sculptors.

Bauhaus artist Friedl Dicker-Brandeis The work of Friedl Dicker-Brandeis (1898-1944) occupies a key position in the broader history of the Austrian avant-garde while also deepening our understanding of modernism. Her work covers an impressive range of media and genres in the visual and applied arts. Influenced by her studies at Vienna's Kunstgewerbeschule (which later became the University of Applied Arts Vienna), the Itten Private School, and the Bauhaus in Weimar, she worked as a painter, stage designer, architect, designer in Vienna and Berlin, in exile, and as a deportee. This book explores the heterogeneity of Dicker's work, reconstructs her artistic strategies and references to aesthetic and political discourses from the 1920s to the 1940s, and documents for the first time her works in the collection of the University of Applied Arts Vienna. Portrait of her work and collection catalog, dedicated to the artist, designer, and architect Friedl Dicker-Brandeis Essays by Julie M. Johnson, Robin Rehm, Daniela Stoeppel, and others To accompany an exhibition in Vienna and Zurich

A CELEBRATION OF THE SCIENCE AND ART OF MAORI WEAVING, FOCUSED ON THE LARGEST COLLECTION OF MAORI CLOAKS IN THE WORLD Weaving is more than just a product of manual skills. From the simple rourou (food basket) to the prestigious kahukiwi (kiwi feather cloak), weaving is endowed with the very essence of the spiritual values of Maori people. This award-winning book opens the storeroom doors of the Te Papa Tongarewa Maori collections, illuminating the magnificent kakahu in those collections and the art and tradition of weaving itself. More than fifty rare and precious kakahu are featured within this book, with glossy colour detail illustrations of each, plus historical and contextual images and graphic diagrams of weaving techniques. These are accompanied by engaging descriptions bringing together information on every cloak - its age, materials, and weaving technique with quotes from master weavers and other experts, stories of the cloaks, details of their often remarkable provenance, discussion of how the craft is being revived and issues to do with cloaks held in international museums. A full glossary, illustrated guide to cloak types, and index are included. Contemporary cloaks made with novel materials also feature.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This catalogue is devoted to the Korean artists Park Suk Won, Park Jang-Nyun, and Song Burnsoo for their lifelong commitment to the establishment of contemporary Korean art. In the 1970s and 1980s, Park Suk Won presented his wood sculptures, through which he pursued his artistic practice of accumulation. In large-format paintings Park Jang-Nyun dealt with the depiction of hyperrealistic forms made of hemp fabric. Song Burnsoo is represented by a large tapestry made in the early 1990s and his later paintings in which his exploration of religious symbols is articulated. This richly illustrated publication offers insight into the oeuvres of three important contemporary Korean artists.

From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia's cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.

The history of textiles, more than that of any other artefact, is the history of human ingenuity. From the very earliest needles of 25,000 years ago, to the "techno textiles" used in Space Shuttle parachutes, they have been fundamental to human existence and achievement, and - as this book demonstrates - have informed developments in many other areas from agriculture to metallurgy. Textiles are truly global commodities, common to every culture and for a long time the motivation for trade, the exchange of ideas and sometimes even conflict, between these cultures. Silks from China, carpets from Persia, ikats from Indonesia, cottons from India, fine linens from Flanders - each one of these transactions has helped to shape the modern world. Written as a chronological survey spanning prehistory to the early 21st century, this book is organized around five themes - materials, methods, trade, technology and social structures - which allow textiles from all ages to be investigated from many angles: how they are made, what they are made from, how they function in society, the ways in which they are valued and given meaning, and the messages they contain. This approach shows the intricate re

This text offers a complete picture of the process of individual garment construction following the exact techniques used in the industry. The unique feature of this book is its presentation of each garment as a whole concept. With numerous diagrams and easy-to-follow instructions, students master the principles of design and flat pattern to create an individual item of apparel. Each chapter begins with the introduction of a basic sloper and follows with an explanation of the whole production process making a garment from pattern drafting to garment construction, including lining, interfacing, and markers. The balance of each chapter covers techniques for altering separate pattern pieces.

This book offers a whistle-stop guide to the history of spinning and weaving. The story begins in prehistory when people first wove yarns to create clothing and blankets. The book explores the ways in which spinning and weaving has continued to be important throughout human history (or should that be herstory), in artistic, economic and functional terms. The second part of the book brings us up to date, via interviews with modern day spinning and weaving artisans. These textiles artists generously allowed the author a window into their studios and discussed the way they use and adapt traditional methods, techniques and tools for the twenty first century. Photos of their work, and their working environment offers a unique view into the world of this ancient craft. Finally, if you are inspired to try your hand at this fascinating and most ancient of crafts, the book also has a resources section. It includes a valuable list of suppliers of fibre, dyes, tools and yarn, as well as information about training courses, useful websites and more - everything you need to get started.

Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists who have embraced multimedia forms of expression. Rich archival and newly commissioned photography bring to life one-of-a-kind work by more than 75 artists, including Gaza Bowen, Jean Cacicedo, Marian Clayden, Ben Compton, Marika Contompasis, Nicki Hitz Edson, Tim Harding, Sharron Hedges, Ana Lisa Hedstrom, Nina Vivian Huryn, Whitney Kent, Ina Kozel, Susanna Lewis, Janet Lipkin, K. Lee Manuel, Linda Mendelson, Norma Minkowitz, Anna VA Polesny, Debra Rapoport, Mario Rivoli, Dina Knapp, Joan Steiner, Arlene Stimmel, Jamie Summers, JoEllen Trilling, and Katherine Westphal. Off the Wall provides a detailed introduction to art to wear between 1967 and 1997 and elucidates the movement's origins by linking it to developments in the arts of the period, from fiber art to painting. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (November 8, 2019-May 17, 2020)

In this innovative study, Sarah Hill illuminates the history of Southeastern Cherokee women by examining changes in their basketry. Based in tradition and made from locally gathered materials, baskets evoke the lives and landscapes of their makers. Indeed, as "Weaving New Worlds" reveals, the stories of Cherokee baskets and the women who weave them are intertwined and inseparable. Incorporating written, woven, and spoken records, Hill demonstrates that changes in Cherokee basketry signal important transformations in Cherokee culture. Over the course of three centuries, Cherokees developed four major basketry traditions, each based on a different material--rivercane, white oak, honeysuckle, and maple. Hill explores how the addition of each new material occurred in the context of lived experience, ecological processes, social conditions, economic circumstances, and historical eras. Incorporating insights from written sources, interviews with contemporary Cherokee weavers, and a close examination of the baskets themselves, she presents Cherokee women as shapers and subjects of change. Even in the face of cultural assault and environmental loss, she argues, Cherokee women have continued to take what they have to make what they need, literally and metaphorically weaving new worlds from old.

Textiles: A Handbook for Designers is a thorough study of the textile industry and the design processes and techniques used by professionals. With an overview of the textile industry and a thorough explanation of the designer's role, the text encourages adaptation of any design expertise into the processes, techniques, and formats characteristic of the textile industry. Textiles is a compilation of information obtained from many different designers. Because each designer may work for years within only one segment of the market, this comprehensive view of studio practices throughout the industry should be meaningful even to practicing professionals. An indispensable reference work for artists who aspire to work with textile design as well as for professionals in the textile industry and related fields of interior and apparel design, the revised edition of Textiles covers the most recent developments as well as traditional practices.

Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history. The book features illustrative examples of symbol and pattern from a wide range of historical and cultural contexts, from Byzantine, Persian and Assyrian design, to case studies of Japanese and Chinese patterns. Looking at each culture's specific craft style, Hann shows how the visual arts are underpinned with a strict geometric structure, and argues that understanding these underlying structures enables us to classify and compare data from across cultures and historical periods. Richly illustrated with both colour and black and white images, and with clear, original commentary, the book enables students, practitioners, teachers and researchers to explore the historical and cultural significance of symbol and pattern in craft and design, ultimately displaying how a geometrical dialogue in design can be established through history and culture.

Uncovers the extraordinary breadth of designer Mariano Fortuny, including and beyond his fashion output, alongside the personal and political catalysts that inspired him Mariano Fortuny y Madrazo (1871-1949) was a polymath who experimented in a variety of media including electric lighting, stage design, photography, the development of pigments, and textile and garment design. Yet his vision as a painter, persistently attuned to light and color, shaped all his artistic endeavors. Fortuny: Time, Space, Light examines Fortuny's Venetian workspaces, clothing designs, stage lighting inventions, and paintings to find unifying themes of revivalism, memory, light, magic, and secrecy that run throughout his wide-ranging career. It features new archival discoveries, including unseen artworks and unpublished personal writings, as well as a new analysis of Fortuny's paintings, never-before discussed in an English-language publication. In addition to providing historical context and visual analysis of his work, the book delves into the relationships between Fortuny and Proust, Wagnerian opera, and Italian fascism. It also aims to illuminate more of Fortuny's personal motivations through new archival evidence and unpublished notes to explore how his object collection and library were used as catalysts for his innovative creations.

This wide-ranging book elucidates the symbolism of veils and highlights the power of drapery in Italian art from Giotto to Titian. In the cities of the Renaissance, display of luxury dress was a marker of status. Florentines decked out their palaces and streets with textiles for public rituals. But cloths are also the stuff of fantasy: throughout the book, the author moves from the material to the metaphorical. Curtains and veils, swaddling and shrouds, evoke associations with birth and death. The central chapters address the sculpture of Ghiberti and Donatello, focusing on how they deployed drapery to dramatic effect. In the final chapters the focus shifts to the paintings of Bellini, Lotto, and Titian, where drapery both clothes the figures and composes the picture. In the work of Titian, the veiled presence of the body is absorbed within the materials of oil-paint on canvas: medium and subject become one.

This is a concise yet detailed guide to the fundamental terms, materials, and techniques used to create textiles. Textiles have been made and used by every culture throughout history. However diverse - whether an Egyptian mummy wrapping, a Turkish carpet, Italian velvet, American quilt, or a Scottish kilt - all textiles have basic elements in common. They are made of fibres, constructed into forms, and patterned and coloured in ways that follow certain principles. "Looking at Textiles" serves as a guide to the fundamentals of the materials and techniques used to create textiles. The selected technical terms explain what textiles are, how they are made, and what they are made of, and include definitions of terms relating to fibres, dyes, looms and weaving, and patterning processes. The many illustrations, including macro- and micro-scale photographs of a range of ancient and historic museum textiles, demonstrate the features described in the text.

Brings together a superb collection of over 650 detailed examples English furniture and needlework from 1600 to 1760 These volumes are dedicated to one of the finest collections of early English furniture and needlework, formed by Percival D. Griffiths (1861-1937). Together with the noted authority, Robert W. Symonds, Griffiths assembled a pioneering collection of early English decorative arts: furniture, domestic needlework and related objects all dating to the seventeenth and first half of the eighteenth centuries. The book illustrates nearly 700 pieces owned by Griffiths and includes images of his interiors, and biographical data on Griffiths. Catalogue entries provide color images, exhibition histories, references, and provenance. These volumes present a wealth of new information that will aid both the amateur and connoisseur alike.

CONTENTS - PAGE - PREFACE - INTRODUCTION - 1. THE ANATOMY, CULTIVATION, AND MARKETING OF JUTE - 2. THE STRUCTURE AND PROPERTIES OF JUTE - 3. AN OUTLINE OF THE PROCESS - 4. JUTE BATCHING OILS AND EMULSIONS - 5. JUTE BATCHING - 6. CARDING - 7. DRAWING - 8. ROVING - 9. SPINNING - 10. THE SYSTEM - 11. WINDING - 12. QUALITY CONTROL - FURTHER READING - INDEX -

A powerful way to celebrate the 70th anniversary of the United Nations Human Rights Declaration, this book reminds us of its impact and each of its 30 principles, using intriguing art quilts. Sometimes taking us by surprise, the 75 textile artists visualize the global struggle for human rights with their interpretations of the Declaration, ratified in 1948, which represents the first global expression of rights to which all human beings are innately entitled. The 91 works themes include the first recorded initiation of human rights in Persia in 539 BCE, the plight of child soldiers and child brides, unlawful incarceration, the right to privacy, fair labor practices, torture, and the right of all world citizens to food, education, shelter, and healthcare. Together with the text of each Rights Declaration article, a message from the artist explains each quilts inspiration and meaning.

The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.

This monograph presents the Norwegian artist Bente Saetrang (b. 1946) and her forty years of commitment to the medium of textile. Saetrang is known for her intensive investigation of trompe l'oeil drapery, bold textile printing, monumental abstract colour studies, and juicy charcoal drawings. She was Norway's first professor of textile art, and her political engagement and unique knowledge of colour and textile qualities permeate her work. Through essays, poems, interviews, montages, and rich imagery, this monograph sheds light on the different phases of Saetrang's artistic practice and provides an excellent overview of this exciting artistic work. Text in English and Norwegian.