A graphic and photographic representation of the Seasonal Color Harmony theory as it relates to the fashion industry and is being taught by color consultants around the world. This book is an essential reference for designers, buyers, sales associates, as well as consumers who wish to expand their knowledge and refine their style with or without having had their colors painted or draped. For the designer: If the style, fabric and color are in harmony with a seasonal type, the item will be more successful at retail, as well as more successful for the consumer. For the retail buyer: the book shows you how you can improve your buying and reduce markdowns by using the guidelines. The book resulted from the experiences of the author in her women's clothing stores, Tarika, in Davis, Ca. and Sacramento. An awareness of what at the time many thought was just a fad improved her buying, increased sales, and reduced markdowns and customer returns. For the sales associate: The Color Connection shows you how to be thought of as more than "just a clerk." For the consumer: The guidelines illustrated in The Color Connection show you how to reduce "closet mistakes," by using your best colors, planning your wardrobe, and developing a personal outer style consistent and in harmony with your inner style. Whether you have already a color fan in your possession or are just beginning to think about having your colors painted or draped, this book will help you refine your style. Much of the book is a composite of theories asthat I have learned through reading, seminars and from having my colors done eight times, including by Suzanne Caygill, author of Color, The Essence of You. Hundreds of illustrations and photographs, as well as text, translate what I have learned and believe to be more fact than fad or fiction - a theory whose time has come. The book is designed as a workbook with plenty of white space for you to add your notes, your sketches, your photos. Make it your own

In the shops of London's Oxford Street, girls wear patterned scarves over their hair as they cluster around makeup counters. Alongside them, hip twenty-somethings style their head-wraps in high black topknots to match their black boot-cut trousers. Participating in the world of popular mainstream fashion-often thought to be the domain of the West-these young Muslim women are part of an emergent cross-faith transnational youth subculture of modest fashion. In treating hijab and other forms of modest clothing as fashion, Reina Lewis counters the overuse of images of veiled women as "evidence" in the prevalent suggestion that Muslims and Islam are incompatible with Western modernity. Muslim Fashion contextualizes modest wardrobe styling within Islamic and global consumer cultures, interviewing key players including designers, bloggers, shoppers, store clerks, and shop owners. Focusing on Britain, North America, and Turkey, Lewis provides insights into the ways young Muslim women use multiple fashion systems to negotiate religion, identity, and ethnicity.

Australian Architect and Senior Lecturer at Melbourne University Derham Groves just published a book of his students' design of new shoes for the Chinese-American actress Anna May Wong with Culicidae Press. Groves writes in the design brief to his students: "At its best, fashion-like architecture-can be biographical. In 1939 the beautiful and intriguing Chinese-American actress Anna May Wong performed at the Tivoli Theatres in Melbourne and Sydney. ...] Wong was a fashionista of her day. It appears that she was particularly fond of shoes: while in Melbourne she was photographed buying shoes at Foy's department store and in Sydney she revealed to a reporter that a Chinese-style shoe she wore as a child and kept in her dressing-room was her lucky charm. Design and make a pair of shoes for Anna May Wong by 'altering' (i.e. adding to, cutting, painting, etc.) a second-hand pair of shoes purchased from an op shop. ...] Hand in the shoes, along with a 200-word explanation of how they relate to Anna May Wong, on the 12th of October 2010]. Also upload an image of the shoes on the subject's Wiki page."

This book gathers a collection of multidisciplinary essays written by distinguished scholars, visual artists, and writers. The common thread of these essays addresses the ways in which fiber arts have enriched and empowered the lives of women throughout the world. From Ancient Greece to the Holocaust, to the work of grassroots organizations, these essays illustrate the universality of fiber arts.

The volume, starting from the celebrated and fascinating Portrait of a Lady from the Poldi Pezzoli museum in Milan, one of the greatest masterpieces of Florentine portraiture from the latter half of the 15th century, investigates the art of the Pollaiolo brothers: Antonio, a goldsmith, painter and sculptor, and the most famous of the three; Piero, a painter; and Silvestro, who died young and was soon forgotten. Based on in- depth scientific analyses and research conducted on the methods of execution and materials used for the wide range of different works issued from the Pollaiolo brothers' workshop, the volume presents paintings, drawings, engravings, sculptures, bronzes, and objects of applied art.

"Sewing for Superheroes" is the fifth title in Marie Porter's "Spandex Simplified" series, and is all about designing and creating flattering, comfortable, and show-stopping spandex cosplay. (BAM POW ) This sewing manual is written from the experience of not only a spandex designer, but a former "performance" athlete. Written in layman terms, "Sewing for Superheroes" features carefully explained, step-by-step instructions and more than 250 full colour photos and diagrams. Requiring only basic sewing knowledge to get started, beginner and advanced seamstresses alike can enjoy using this book... and produce spectacular results from it. Learn how to design costumes, and how to alter patterns for shape, size, and style. Learn the tips, tricks, and techniques to make many of the design elements that can be used to design and create almost any style of spandex costume imaginable

A new method is described in this booklet that assists a person in choosing the most effective dress colors based on bits of information such as their date of birth and name. With help of easy to read tables included in this booklet, any person can determine such colors in minutes despite the fact that a choice is made from thousands of colors and personality types. The method is equally applicable to males and females. Color is individual and influential. Those who have discovered their personal colors look more interesting, more confident and more attractive. There is undoubtedly much that still remains beyond reach of scientific understanding. For example, in the area of clothing colors, many have realized that during work hours professional executives appear and behave far more efficiently in a white shirt and navy blue jacket rather than in a dark shirt or brown jacket and ladies in scarlet are far more vibrant than others in dull gray. In the present system named as CAANS, fundamental knowledge of influence of color on human behavior has been combined with basic aspects of empirical knowledge from areas of astrology and numerology. It has been the experience of this author that certain numbers repeatedly play a fortunate or unfortunate role in life as has been the experience of very many other humans and that in some way these numbers appear to be connected with one's date of birth. Starting with such elementary aspects of numerology and astrology and knowledge of colors, the CAANS system was gradually built up, initially as just an exercise for fun rather than anything more serious. However, as results emerged that appeared to be highly effective, the author has shared the method in a systematic and easily understood manner through this brief booklet. As illustrations, the booklet includes an application of the method for dress colors of a few famous personalities that include Oprah Winfrey, Angelina Jolie and Queen Elizabeth. On a lighter note the method has been applied to even deduce what is the sexiest color of underwear for President Obama. The result is fascinating.

This text features six Qing imperial costumes from the University of Hawai'i Asian Costume Collection and four Qing imperial costumes from the Honolulu Museum of Art. The author has explored the concept of Chinese design theory to realize how important the concept of balance and harmony as realized in the yin-yang philosophy is in Qing imperial robes design.

Talbot Hughes (1869-1942) was a British painter, a collector of historical costumes and miniature portraits, and writer on fine art and costume design. His collection of historical costumes and accessories was huge - totalling 750 pieces dating from 1450 to the through the 1870s. He used the costumes as props in his studio which enabled him to produce his historical paintings. In 1913, he published this book on Dress Design: an account of costume for artists and dress makers, illustrated by the author from old examples. The contents Include: Prehistoric Dress, Male and Female, The Development of Costume to the Tenth Century - Male and Female, Tenth to the Fifteenth Century - Male and Female. Fifteenth Century - Male and Female, Sixteenth Century - Character of Trimmings and various Male and Female designs, The Character of Trimmings through the Seventeenth Century and various Male and Female designs, The Character of Decoration and Trimmings of the Eighteenth Century and various Male and Female designs, Character of Trimmings of the Nineteenth Century and various Male and Female designs, Patterns of Various Reigns from Antique Costume, Patterns to Scale and an Index. This book is new and has been carefully reproduced from the original, complete with all the photographs and illustrations.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

"Finally...a first-hand peek into an untold chapter of Coco Chanel's amazing life." "Richard Parker's recollections of his time as the assistant to the fashion industry icon, chronicles the untold challenges encountered in opening a new showroom for Chanel Perfumes in New York; the hand-to-hand corporate infighting between Gregory Thomas, the powerful Chairman of Chanel America, and Tom Lee, its legendary designer; and the ultimate resurrection of Coco Chanel's reputation and legend. Parker's insights and comfortable writing style bring this industry-defining event and its era to life in page-turning fashion." Archie J. Thornton, President and CEO, The Thornton Works, Inc., formerly Managing Director, Ogilvy & Mather Worldwide "Coco Chanel's effervescent and strong personality is clearly delineated in this lively story of the launch of the Chanel Perfume Showroom in New York. After years of exile, her return to fame, as personally witnessed by her assistant, Richard Parker, was the second act in the astounding career of this fashion icon. Parker brings a sharp eye and dry humor to his first-hand account of working with Coco on the project which revived her career and made her a fashion star again." Holley Flagg, noted New York artist

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

1.6 Million African American Quilters is a handy, eye-opening booklet about today's Black quilt makers: Latest quilt industry figures, including number of Black quilters nationally; most comprehensive resource of websites, blogs, and YouTube videos featuring African American quilters and guilds. Also included in the more than 270 references are selected textile artists, doll makers, fabric designers, and quilters from the African diaspora; six afro-centrically designed art quilt blocks by Washington, D.C. artist Francine Haskins; and bibliographic references, many annotated, for selected books, articles, exhibit catalogs, dissertations, papers, and films about Black quilters.

The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Costume; Indumentaria; Prendas de vestir; United States; Clothing and dress; Art / Fashion; Health

Following Argentina's revolution in 1810, the dress of young patriots inspired a nation and distanced its politics from the relics of Spanish colonialism. Fashion writing often escaped the notice of authorities, allowing authors to masquerade political ideas under the guise of frivolity and entertainment. In Couture and Consensus, Regina A. Root maps this pivotal and overlooked facet of Argentine cultural history, showing how politics emerged from dress to disrupt authoritarian practices and stimulate creativity in a newly independent nation. Drawing from genres as diverse as fiction, poetry, songs, and fashion magazines, Root offers a sartorial history that produces an original understanding of how Argentina forged its identity during the regime of Juan Manuel de Rosas (1829-1852), a critical historical time. Couture and Consensus closely analyzes military uniforms, women's dress, and the novels of the era to reveal fashion's role in advancing an agenda and disseminating political goals, notions Root connects to the contemporary moment. An insightful presentation of the discourse of fashion, Couture and Consensus also paints a riveting portrait of Argentine society in the nineteenth century-its politics, people, and creative forces.

Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

Textile imagery is pervasive in classical literature. An awareness of the craft and technology of weaving and spinning, of the production and consumption of clothing items, and of the social and religious significance of garments is key to the appreciation of how textile and cloth metaphors work as literary devices, their suitability to conceptualize human activities and represent cosmic realities, and their potential to evoke symbolic associations and generic expectations. Spanning mainly Greek and Latin poetic genres, yet encompassing comparative evidence from other Indo-European languages and literature, these 18 chapters draw a various yet consistent picture of the literary exploitation of the imagery, concepts and symbolism of ancient textiles and clothing. Topics include refreshing readings of tragic instances of deadly peploi and fatal fabrics situate them within a Near Eastern tradition of curse as garment, explore female agency in the narrative of their production, and argue for broader symbolic implications of textile-making within the sphere of natural wealth The concepts and technological principles of ancient weaving emerge as cognitive patterns that, by means of analogy rather than metaphor, are reflected in early Greek mathematic and logical thinking, and in archaic poetics. The significance of weaving technology in early philosophical conceptions of cosmic order is revived by Lucretius' account of atomic compound structure, where he makes extensive use of textile imagery, whilst clothing imagery is at the center of the sustained intertextual strategy built by Statius in his epic poem, where recurrent cloaks activate a multilayered poetic memory.

From nomads' tents to poodle skirts, from car parts to Christmas tree ornaments, felt is one of the world's oldest and most understated textiles. Felt has developed simultaneously in multiple cultures, and often its origins are lost. However, far from having been supplanted by new fabrics, not only has felt retained its traditional uses among peoples around the world, but it has also seen a revival of popularity among today's hand feltmakers, craftspeople and fashion designers. This book follows the journey of felt through time, space, and purpose by pulling into focus a series of snapshots of different felting traditions. Beautifully illustrated, "Felt" covers the wide-ranging history and development of this most unassuming, yet ubiquitous, of fabrics from the earliest archaeological evidence in the mountains of Siberia to the groundbreaking works of contemporary fiber arts and sculptors.

Bauhaus artist Friedl Dicker-Brandeis The work of Friedl Dicker-Brandeis (1898-1944) occupies a key position in the broader history of the Austrian avant-garde while also deepening our understanding of modernism. Her work covers an impressive range of media and genres in the visual and applied arts. Influenced by her studies at Vienna's Kunstgewerbeschule (which later became the University of Applied Arts Vienna), the Itten Private School, and the Bauhaus in Weimar, she worked as a painter, stage designer, architect, designer in Vienna and Berlin, in exile, and as a deportee. This book explores the heterogeneity of Dicker's work, reconstructs her artistic strategies and references to aesthetic and political discourses from the 1920s to the 1940s, and documents for the first time her works in the collection of the University of Applied Arts Vienna. Portrait of her work and collection catalog, dedicated to the artist, designer, and architect Friedl Dicker-Brandeis Essays by Julie M. Johnson, Robin Rehm, Daniela Stoeppel, and others To accompany an exhibition in Vienna and Zurich

A CELEBRATION OF THE SCIENCE AND ART OF MAORI WEAVING, FOCUSED ON THE LARGEST COLLECTION OF MAORI CLOAKS IN THE WORLD Weaving is more than just a product of manual skills. From the simple rourou (food basket) to the prestigious kahukiwi (kiwi feather cloak), weaving is endowed with the very essence of the spiritual values of Maori people. This award-winning book opens the storeroom doors of the Te Papa Tongarewa Maori collections, illuminating the magnificent kakahu in those collections and the art and tradition of weaving itself. More than fifty rare and precious kakahu are featured within this book, with glossy colour detail illustrations of each, plus historical and contextual images and graphic diagrams of weaving techniques. These are accompanied by engaging descriptions bringing together information on every cloak - its age, materials, and weaving technique with quotes from master weavers and other experts, stories of the cloaks, details of their often remarkable provenance, discussion of how the craft is being revived and issues to do with cloaks held in international museums. A full glossary, illustrated guide to cloak types, and index are included. Contemporary cloaks made with novel materials also feature.