Beskrywings, foto's en patrone van verskillende kledingstukke wat tydens die Anglo-Boereoorlog gemaak is. Dis algemene kennis dat die kakies so genoem is as gevolg van die kleur van hul uniforms, maar aan die vraag oor hoe presies die kleredrag van Boerekrygers en gewone burgers tydens die Anglo-Boereoorlog dan gelyk het, word selde aandag bestee. Hierdie boek bied 'n interessante blik op 'n noodsaaklike alledaagsheid wat destyds veel komplekser was as wat vandag se verbruikerskultuur ons laat besef!

Kari Hestnes has been a knit designer for almost 40 years-and she's a perennial fan favorite for her focus on gorgeous details and stunning embellishment, her flattering garment shaping, and her playful, vivid use of color. Now, she's revisited those four decades of challenging and endlessly rewarding work in order to bring together the best of the best, in one extraordinary collection: classic cabling, dynamic textures, and brilliant multicolor patterns for sweaters, cardigans, and tops, all featuring Hestnes's inimitable style and characteristic aesthetic flourishes. - Patterns using a variety of techniques and design elements, with instructions included for a minimum of five sizes - Full-color photographs of each project-plus additional nature photos were taken by Kari herself - Decades of timeless design inspiration, now available in English for the first time

Surface Design for Fabric is a comprehensive, how-to guide to more than 60 surface design techniques for various fabrics and leather-ranging from the traditional to the experimental.Highly illustrated with more than 600 color images, the step-by-step instructions and photographs demonstrate surface design techniques, allowing readers to quickly grasp the material and further explore and experiment on their own. Irwin covers a broad range of surface design techniques including: dyeing, staining, removing color, resists, printing and transfer, fiber manipulations, fabric manipulations, embroidery, and embellishments. This modern studio resource clearly guides readers in the creation of beautiful, innovative, and professional surface designs. Key Features ~Surface Design for Fabric STUDIO provides online access to video tutorials featuring select techniques from each chapter; student self quizzes with results and personalized study tips; and flashcards with definitions and image identification to help students master concepts and improve grades ~Chapters feature a fabric selection quick guide, tools and materials, how to set up your workspace, application methods, and safety guidelines for each technique. ~Designer Profiles and Collection Spotlights show current examples of surface design end uses in fashion design, textile art, fine art, and interior design ~Environmental Impact boxes address critical environmental and sustainability issues and concerns for each chapter ~Includes helpful hints, important facts, shortcuts and mistakes to avoid throughout chapters Instructor's Resources ~ Instructor's Guide and Test Bank

This glorious book is a modern guide to weaving, an ancient craft that is reaching new heights of popularity, from acclaimed contemporary weaver and textile artist Rachna Garodia. It contains a wealth of practical advice and tons of inspiration for every aspect of this endlessly adaptable craft, from gathering materials to making and exhibiting ambitious woven masterpieces, bringing in a wide selection of mixed media. Meditative and calming, a session at the loom is a great way to relax, and create something beautiful in the process. And you don't need expensive equipment: you can start your weaving journey on a small wooden frame or even a piece of cardboard, and it's now easy to book time on larger looms outside the home. The book includes: * Setting up and using your loom, from the simplest small frames to sophisticated table and floor looms. * Design and planning: taking inspiration from the natural world, sketching, photographing, making moodboards and exploring colour. * Gathering materials: from natural straw, grass, flowers, feathers, bark and seedpods to more traditional yarns and threads and even paper and photographs. * Personalising your work by incorporating well-loved old fabrics and precious sentimental items. * Unusual techniques: weaving with photographs or directly onto handmade paper, three-dimensional sculptural weaving, non-loom techniques such as looping and netting. * Gorgeously illustrated with work from the author and other artists from around the world, this book is an engaging and beautiful introduction to weaving for established textile artists or those coming to the craft for the first time.

In the crowded center of Historic Cairo lies a covered market lined with wonderful textiles sewn by hand in brilliant colors and intricate patterns. This is the Street of the Tentmakers, the home of the Egyptian applique art known as 'khayamiya.' The Tentmakers of Cairo brings together the stories of the tentmakers and their extraordinary tents-from the huge tent pavilions, or suradiq, of the streets of Egypt, to the souvenirs of the First World War and textile artworks celebrated by quilters around the world. It traces the origins and aesthetics of the khayamiya textiles that enlivened the ceremonial tents of the Fatimid, Mamluk, and Ottoman dynasties, exploring the ways in which they challenged conventions under new patrons and technologies, inspired the paper cut-outs of Henri Matisse, and continue to preserve a legacy of skilled handcraft in an age of relentless mass production. Drawing on historical literature, interviews with tentmakers, and analysis of khayamiya from around the world, the authors reveal the stories of this unique and spectacular Egyptian textile art.

The colour and shade of dyed textiles were once as much an indicator of social class or position as the fabric itself and for centuries the recipes used by dyers were closely guarded secrets. The arrival of synthetic dyestuffs in the middle of the nineteenth century opened up a whole rainbow of options and within 50 years modern dyes had completely overturned the dyeing industry. From pre-history to the current day, the story of dyed textiles in Western Europe brings together the worlds of politics, money, the church, law, taxation, international trade and exploration, fashion, serendipity and science. This book is an introduction to a broad, diverse and fascinating subject of how and why people coloured textiles. A fresh review of this topic, this book brings previous scholars' work to light, alongside new discoveries and research.

In an era of increasingly available digital resources, many textile designers and makers find themselves at an interesting juncture between traditional craft processes and newer digital technologies. Highly specialized craft/design practitioners may now elect to make use of digital processes in their work, but often choose not to abandon craft skills fundamental to their practice, and aim to balance the complex connection between craft and digital processes. The essays collected here consider this transition from the viewpoint of aesthetic opportunity arising in the textile designer's hands-on experimentation with material and digital technologies available in the present. Craft provides the foundations for thinking within the design and production of textiles, and as such may provide some clues in the transition to creative and thoughtful use of current and future digital technologies. Within the framework of current challenges relating to sustainable development, globalization, and economic constraints it is important to interrogate and question how we might go about using established and emerging technologies in textiles in a positive manner.

Luxurious, beautiful, and portable, tapestry was the pre-eminent art form of the Tudor court. Henry VIII amassed an unrivaled collection over the course of his reign, and the author weaves the history of this magnificent collection into the life of its owner with an engaging narrative style. Now largely dispersed or destroyed, Henry's extensive inventory is here reassembled and reveals how, through tapestry, Henry identified himself with historic, religious, and mythological figures, putting England in dialogue-and competition-with the leading courts of Early Modern Europe while promoting his own religious and political agendas at home. Campbell's original account sheds new light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. Sumptuously illustrated with newly commissioned photographs, this stunning re-creation of Europe's greatest tapestry collection challenges the predominantly text-driven histories of the period and offers a fascinating new perspective on the life of Henry VIII. Published for the Paul Mellon Centre for Studies in British Art

Fashion Sewing: Advanced Techniques guides the reader through a range of intermediate and advanced skills, such as tailoring, sewing with knits, inserting linings and facings and how to sew a wide range of design variations for collars, pockets and sleeves. The detailed step-by-step instructions are easy to follow, with clear accompanying illustrations. This comprehensive guide is an ideal accompaniment to the first book in the series, Fashion Sewing: Introductory Techniques, but it will also enable those with little sewing experience to master their fashion sewing skills and create beautiful, professional-looking garments.

National Jewish Book Awards 2019 Finalist for Visual Arts. Richly illustrated and meticulously documented, this is the first comprehensive survey of synagogue textiles to be available in English. Bracha Yaniv, a leading expert in the field of Jewish ceremonial textiles, records their evolution from ancient times to the present. The volume contains a systematic consideration of the mantle, the wrapper, the Torah scroll binder, and the Torah ark curtain and valance, and considers the cultural factors that inspired the evolution of these different items and their motifs. Fabrics, techniques, and modes of production are described in detail; the inscriptions marking the circumstances of donation are similarly subjected to close analysis. Fully annotated plates demonstrate the richness of the styles and traditions in use in different parts of the Jewish diaspora, drawing attention to regional customs. Throughout, emphasis is placed on presenting and explaining all relevant aspects of the Jewish cultural heritage. The concluding section contains transcriptions, translations, and annotations of some 180 inscriptions recording the circumstances in which items were donated, providing a valuable survey of customs of dedication. Together with the comprehensive bibliography, inventory lists, and other relevant documentation, this volume will be an invaluable reference work for the scholarly community, museum curators, and others interested in the Jewish cultural heritage.

Stumpwork embroidery, also called raised embroidery, takes hand embroidery to another dimension and lifts it off the surface of the fabric with strikingly realistic results. This technique uses all the usual embroidery stitches you would expect and includes padding, wiring and slips to achieve its raised effect. Stumpwork Inspirations highlights the very best stumpwork has to offer in both design and technique. Featuring talented embroidery designers Susan O'Connor, Wendy Innes, Susan Casson, Anna Scott, Lesley Turpin-Delport and Jane Nicholas, this special collection, including lovely framed pictures and a pot lid, have been curated into one publication. With 8 stunning stumpwork projects to make, there are clear step-by-step instructions, pullout patterns, a stitch guide and all the information you need to stitch them. Discover the origins, stitches, techniques and designs that are uniquely stumpwork, and learn how to make your own beautiful works of art.

As an important part of Chinese culture, Lingnan culture, mainly those in Guangdong province, plays a key role in the world culture. Elegant Guangdong Series cover 5 subjects of the Lingnan cultural and traditional gems in South China. Each volume has used vivid and precious illustrations and portraits. Gambiered Canton Gauze outlines the birth, evolution, dyeing and finishing process, prospect of this ethereal silk fabric in South China.

This book features the collector/author's well-informed views about a careful selection of mainly 19th century knotted pile carpets and flatwoven covers in various techniques from his own extensive collection, which has been built up over a period of more than five decades. Many of the rugs, which are all of the highest graphic and artistic quality, have been acquired without recourse to the open market and are therefore previously unseen and unpublished. Raoul (Mike) Tschebull's long experience in the genre allows insights that go beyond the conventional wisdom of the traditional antique oriental carpet bazaar. His collecting career began under the aegis of one of the great US collectors of a previous generation, Joseph V. McMullan. This beautifully illustrated book will include a general introduction to the region, which straddles the present-day border between north-western Iran and the Republic of Azerbaijan, setting the context for the focused presentation of some 70 examples, each with the author's comments about design, structure, technique and attribution, providing a matrix within which dating can be considered. In-country field experience colours some of his views, and extracts from his field notes and accompanying images will be included the book.

Part of a comprehensive catalog of the International Quilt Study Center and Museum collection, American Quilts in the Industrial Age, 1760-1870 highlights the dazzling designs and intricate needlework of America's treasured material culture. From whole cloth to pieced quilts to elaborate applique examples, all reflecting various design movements such as Neoclassicism and Eastern exoticism, the contributing authors address the development of quilt making in America from its inception in the 1700s to the period of the U.S. Civil War. Covering more than one hundred years of quilt making, this volume examines the period's quilts from both an artistic and a historical perspective. The contributors provide critical information regarding the founding of the republic and the influential republican values and ideals manifested in the quilts of this era. They also address the role that immigration and industrialization played in the evolution of materials and styles. With full-color photographs of nearly six hundred quilts, American Quilts in the Industrial Age, 1760-1870 offers new insights into American society.

French Tapestries and Textiles is a survey of the Getty Museum's seventeenth-and eighteenth-century French textiles-one of the world's finest collections. Featuring twenty-five extraordinary tapestries woven at the Gobelins and Beauvais manufactories, the catalogue also highlights three carpets, two knotted-pile screens, and two sets of embroidered bed hangings, one of which is the only complete lit a la duchesse surviving from the period. Among the magnificent textiles discussed in this lavish volume are the Emperor of China tapestry series, the whimsical Story of Don Quixote, and Boucher's cycle The Story of Psyche. A gatefold in the book opens to reveal a photograph of the stately twenty-nine-foot carpet commissioned for Louis XIV's Galerie du Bord de l'Eau at the Louvre, a piece not publicly displayed for more than 120 years. Each entry includes a listing of artists and weavers, date and place of manufacture, and materials and techniques used, followed by a complete description and a condition statement. The accompanying commentary provides information on the literary, historical, and visual source of design imagery as well as the context of the textile's commission and production. In addition, each textile shown has a complete provenance, exhibition history, and bibliography. For lovers of French decorative arts and connoisseurs of textiles, this book offers a study both of the art of tapestry- and textile-making and of the aesthetic tradition exemplified by these remarkable objects.

Textile design has a very exciting future. New fibres, fabrics and applications are constantly appearing and designers now have a wealth of avenues to explore. This book offers students a basic grounding in the three main pathways of textile design - printed, woven and mixed media textile design. Using a wealth of imagery and case studies from designers and studios at work today, the book looks at the basic principles of design and production, and the stages of creating a textile collection, giving students all the tools they need to develop their own work. Finally, the role of the textile designer is explored in several market sectors giving students an insight into the industry and possible career paths they may wish to follow. Designed for students both at degree and foundation level, the book will also appeal to those wishing to enter a career in textile design.

A groundbreaking study of a remarkable artist, described by the New York Times as 'a figure ahead of her time'. The significance of Hannah Ryggen (1894-1970) as one of the most important figures in the history of Scandinavian art has only recently been recognized internationally. Beloved and renowned for her original contributions to modernist tapestry, Ryggen made radical political statements against Fascism and Nazism before and during the Second World War. Using primary sources, Ryggen expert Marit Paasche brings us a much fuller knowledge of the artist, weaving her life and work into a story that illuminates not only the artist herself, but also 20th-century art history in general. Hannah Ryggen's visually spellbinding tapestries, made on a homemade handloom in her small farm on the remote Norwegian coast, depict a wealth of subjects: Mussolini's Abyssinian campaign, her husband's internment in a Nazi camp in occupied Norway, the post-war growth of nuclear power, and media coverage of the Vietnam War. At once hard-hitting and humorous, her works combine personal candour, social and political engagement and visual majesty. Paasche explores both the artist's bold subject matter and particular balance of abstraction and figuration within the context of her life and beliefs. Including a comprehensive selection of works, this book provides an enthralling account of a remarkable, and unjustly overlooked, artist.

"[A] 'greatest hits' riffing on Miuccia Prada's own obsessions with maid's uniforms, schoolgirl garb and twists on luxury."--Alexander Fury, AnOther Magazine This dazzling book "makes the perfect coffee-table book for style-savvy bibliophiles"--Los Angeles Times Founded in 1913 as a leather-goods house in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the company in 1979. After initially focusing on accessories, she presented the house's first fashion collection in 1988, quickly transforming Prada into one of the world's most influential luxury brands. Her deeply personal, sophisticated, and subtly subversive approach often works against the cliches of beauty and sexy as she strives, in her own words, to be "more clever, or more difficult, or more complicated . . . or more new." Published in collaboration with Prada to celebrate 30 years of trend-setting creations, this stunning volume offers a comprehensive and definitive history of the house. Organized chronologically, each of Prada's collections is introduced by a description of its influences and highlights and is illustrated with stunning catwalk images of models such as Naomi Campbell, Kate Moss, and Gisele Bundchen showcasing clothing, accessories, and beauty looks. With a biographical profile of Miuccia Prada and an extensive reference section, this handsome and well-researched retrospective reflects the passion, craftsmanship, and creative spirit that define Prada.

Knitting and crochet have long been considered forms of folk art, but in the 21st century, these time-honoured crafts are breaking away from the outdated stereotype of cosy domesticity. Whether miniature or oversized, multi-coloured or monochrome, abstract or naturalistic, intimate or exhibitionist, knitted works are now invading galleries, museums and other public spaces. Yarn has become a medium for artistic expression as valid and multifaceted as painting, sculpture or photography. Showcasing forty international artists who incorporate knitting, crochet and more into their practice, this book provides a survey of yarn work in contemporary art, illustrating the huge range of ways in which these techniques have been embraced as a form of creative expression. Some artists evoke a kind of nostalgia, rediscovering skills that have fallen from fashion or promoting the value of ancient handicrafts in an industrialized world of mass-production. Others push the boundaries of knitting by using non-traditional materials such as rope or wire, or by using its sculptural potential to tackle themes that are political, personal or transgressive. Although often associated with feelings of warmth, enclosure and familial love, yarn can also represent the ties that bind us together or a membrane that protects us from the world. Packed with striking images, this book demonstrates how knitting needles and crochet hooks can created works of art that are challenging and unique, forcing us to take a fresh look at our own lives and beliefs and at the objects that surround us every day.

Praise for the Build a Bag series: "These books are ideal for those new to bag making and will help readers grow their bag-making skills and confidence as they work through the projects. The plastic templates are a brilliant idea and a great bonus." - The Sewing Directory New to the highly acclaimed Build a Bag series, Debbie Shore brings you a selection of 15 brilliant backpacks! The 15 designs are created using the full-size rigid template contained within the book. It is easy-to-use, durable, reusable, wipe-clean and perfect for fussy cutting, plus it is simple to position and use - there is no need to pin it. The backpacks are made using different techniques, pockets, straps and fastenings to create 15 very different results. But why stop there? The template can also be used for your own design variations. As you mix and match the techniques covered within the book, Debbie gives advice on how to adapt and create your own unique designs. Each project in the book is explained using Debbie's friendly style and easy-to-follow step-by-step photography, and there is also a comprehensive techniques section and a guide to using the template.

Weaving Europe, Crafting the Museum delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum. Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects’ fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future. Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.

This monumental reference work--long awaited by collectors and scholars--fills an essential gap in the available literature on oriental rugs. Lavishly illustrated with over 1000 photographs and drawings, it offers clear and precise definitions for the rug and textile terms in use across a broad swath of the globe--from Morocco to Turkey, Persia, the Caucasus region, Central Asia, Afghanistan, Pakistan, India and China. Covering priceless museum-quality rug traditions as well as modern centers of production, Oriental Rugs: An Illustrated Lexicon of Motifs, Materials, and Origins draws on classical scholarship as well as current terminology in use among producers and traders in these areas today. It focuses primarily on the vibrant hand-knotting and hand-weaving traditions of the Near East and Central Asia, but also includes some examples of Scandinavian and Native American weavings. Oriental rugs are receiving ever-increasing attention and recognition in the field of art history. Tribal weavings especially have become a focus for new research, and Oriental Rugs provides a new understanding of many distinctive traditions that were previously understudied, such as the weavings of southwest Persia, Baluchistan and Kurdistan. This concise oriental rug reference book is a must-have for scholars and anyone serious about collecting rugs, selling rugs or the rug trade in general. Additional reference information also includes: Foreign terms Place names The Oriental Rug lexicon Museums with notable rug collections Oriental rug internet sites

Patchwork quilts are hugely evocative emblems of our domestic past. With no two quite the same, each example hints both at the story of the particular household in which it was produced and at a larger piece of social history. But quilting is by no means only historical, with the craft seeing a huge revival in popularity in recent years, and items that were once made for purely utilitarian and practical reasons are now produced and appreciated for the connection they afford us to a rich vein of heritage and nostalgia. Illustrated with a stunning range of examples from the Quilters' Guild Collection - of which the author is curator - this book is a wonderful introduction to a hugely important aspect of British domestic history.

Foreword by John Boyega

Just in time for the next blockbuster, Star Wars: The Last Jedi, this unique and beautifully designed compendium with removable features traces one of the franchise’s most iconic characters—the stormtrooper—from initial development through all nine Star Wars movies to their many iterations in TV, comics, videogames, novels, and pop-culture.

Star Wars: A New Hope, the very first installment in the beloved science-fiction series, introduced the Imperial stormtroopers—the army of the fearsome and tyrannical Galactic Empire. Charged with establishing Imperial authority and suppressing resistance, these terrifying, faceless, well-disciplined soldiers in white have become a universal symbol of oppression.

Star Wars Stormtroopers explores these striking warriors and their evolution in depth for the first time. Ryder Windham and Adam Bray trace the roots of their creation and design, and explore how these elite troops from a galaxy far, far away have been depicted in movies, cartoons, comics, novels, and merchandizing.

Filled with photographs, illustrations, story boards, and other artwork, this lavish officially licensed book comes complete with removable features, including posters, stickers, replica memorabilia and more, making it an essential keepsake for every Star Wars fan, as well as military, design, and film aficionados.