Tweed is one of Scotland's great gifts to the world. Woven into every strand of this most authentic and rugged of cloths is an extraordinary heritage of innovation and creativity. The Art of Tweed explores the landscapes, textures and patterns of this glorious fabric. From the rolling hills of Scotland's country estates to the rhythmic clatter of looms in our last-surviving mills. From artisan weavers on the Isle of Harris to the high fashion of international catwalks and urban designers reimagining tweed for the streets. Here is a story of romance, nostalgia, sustainability and style - of an effortlessly versatile cloth and its unique place in our lives. Whether fashioned into a flat cap or tailored into a cape, the story of tweed is a story to be shared.

The first in-depth study of a monumental wall hanging—rediscovered after many years—by renowned Bauhaus artist Anni Albers. Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real—seen for the first time outside of Mexico City at David Zwirner, New York, in 2019, and the subject of this book—is a superb example of this modern master’s work. In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers’s approach to working with textiles as a “many-sided practice,� it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers’s brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist’s pioneering investment in textiles as an art form and her parallel interest in mass-produced designs. Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show’s curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T’ai Smith, an expert on Bauhaus craft and weaving.

This book explores the fascinating history and present-day practices associated with cotton. This is a story of commercial and cultural enterprise, of the ties and tensions between East and West, of technological and industrial revolution, social modernization, colonialism and slavery. Cotton's history mirrors profound global transformations. And cotton remains one of the most significant mass commodities today. Cotton's track record on labor conditions in factories and plantations has tarnished its history and reputation, even as cotton clothes became the hallmark of modern industrialized society. Cotton expressed popular fashions and popular politics in dynamic ways. Yet cottons also take other cultural forms and are part of vibrant craft traditions in many parts of the world. This book explores the history, impact and ongoing life of this hugely influential textile.

From the authors of Needle Felting for Beginners, awarded BEST CRAFT BOOK in The Craft Business Awards 2021. Needle-felting is an easy and fun technique, requiring little in the way of expensive materials or equipment. Its accessibility means it's becoming more and more popular, and award-winning authors Judy Balchin and Roz Dace show how to make 20 wonderful little teddy bears using this tactile technique. Each bear measures around 10-12cm (4-5in) tall and can be made in a matter of hours from a bundle of wool fibres, a felting needle and some carefully chosen embellishments. Each bear has its own special character, and they make ideal gifts and keepsakes for friends and loved ones. There's a pretty ballet bear, a cool Christmas bear, as well as a vintage bear, rainbow bear and cute baby bears. Each project is accompanied by clear, step-by-step instructions and beautiful photographs, and there are handy hints and tips throughout the book to help make the crafting process even easier. Detailed guidance is provided at the start of the book on the materials and equipment you need; how to sculpt a basic bear; make your bears' paws, feet and faces; and how to really bring your bear to life by carefully positioning the nose, eyes and ears. The techniques are easy to learn and soon you will be designing and making bears of your own to keep or give. Previously published as How to Make Little Needle-Felted Teddy Bears (ISBN: 9781782210696).

A colorful celebration of the 59 US National Parks, this collection of 177 original art quilts depicts the widely varying landscapes, flora, and fauna of the parks. Basic facts about each of these national treasures-from Acadia in Maine, to Voyageurs in Minnesota, to Yosemite in California, to HaleakalAE in Hawaii-are included, along with short writings from 64 park rangers and other personnel. The book reveals individual glimpses into the passionate commitment to preserve, protect, and enjoy these special places.

Follow Jenni Smith as she's granted rare access to the Liberty design studio and historic archives, and celebrate the iconic designs that have made Liberty London one of the world's most iconic fabric manufacturers. Liberty London opened in 1875 and has been producing exquisite fabrics and designs for over 140 years. In this book there are 15 projects with a complete fabric design history of Liberty as well as a full colour reference index for every fabric used. Featuring beautiful details of the classic fabric designs produced over the years, each quilt will inspire readers to finally cut into those precious bits of fabric and begin enjoying them in pieced projects of their very own.  The hardback book comes in a gorgeous hardcover textured linen slipcase in beautiful Liberty fabric. It's an ideal gift for anyone who is a fan of Liberty or British design. This is the first quilting book to be an official partnership with Liberty.

William Morris Textiles was the first comprehensive survey of the many hundreds of original, colourful textiles produced by William Morris and the two commercial companies he founded and managed. To this day it remains the authority in the field, and this revised edition has been completely rewritten and expanded with beautiful new photography. Linda Parry provides new insight into the embroideries, printed and woven textiles, carpets and tapestries produced by Morris & Co., giving in-depth information about their design and manufacture. The varied, often highly specialized processes involved are discussed in detail, as are Morris's working methods.

Czech-born Jacqueline Groag (1903-1985) was an incredibly adept textile designer who trained at the Kunstgewerbeschule in Vienna during the 1920s under Franz Cisek and Josef Hoffmann. She produced textile designs for the Wiener Werkstatte and some of the Parisian fashion houses while she lived in Vienna. She married the architect and interior designer Jacques Groag - they made a successful team. However, in 1939 they were compelled to emigrate to the UK. Jacqueline Groag continued to produce textile design work for the British market, and after the war her designs could be seen at numerous outlets such as David Whitehead, Grafton, John Lewis and Liberty. For more than 20 years she worked as a freelance designer, supplying designs for carpets, greetings cards, laminates, plastics, textiles, wallpapers and wrapping papers to many firms including Bond-Worth Carpets, British European Airways, the British Overseas Airways Corporation, Dunlop, ICI and London Transport. In 1984 she became a Fellow of the Faculty of Royal Designers for Industry. She was a prodigious and successful designer to the end of her life. Along with Lucienne Day and Marian Mahler she is seen as central to a new and exciting development in textile design in the 1950s. Together their work is featured in a major exhibition 'Designing Women' which begins in Colorado Springs in September 2008. This is a ground breaking publication on the work of this highly important and influential designer.

Embroideries from the Greek islands dazzle with their bright colours and charming motifs. This publication reveals little-known pieces from the Ashmolean Museum at the University of Oxford, newly photographed and published here for the first time. The embroideries include fragments of pillowcases, bed valances, tents and curtains, as well as items of dress. As with all collections of textiles, the story of the Ashmolean holdings is chiefly about their makers and their ingenuity. Once forming the bulk of bridal trousseaux, Greek embroidered textiles were produced and maintained by young and old women for themselves and the house using locally produced materials. A mark of their worth and a platform for self-expression, embroidered textiles also helped Greek women to negotiate their place in the community, signalling status and affiliation.

In the first ever book devoted to a critical investigation of the personal style blogosphere, Minh-Ha T. Pham examines the phenomenal rise of elite Asian bloggers who have made a career of posting photographs of themselves wearing clothes on the Internet. Pham understands their online activities as "taste work" practices that generate myriad forms of capital for superbloggers and the brands they feature. A multifaceted and detailed analysis, Asians Wear Clothes on the Internet addresses questions concerning the status and meaning of "Asian taste" in the early twenty-first century, the kinds of cultural and economic work Asian tastes do, and the fashion public and industry's appetite for certain kinds of racialized eliteness. Situating blogging within the historical context of gendered and racialized fashion work while being attentive to the broader cultural, technological, and economic shifts in global consumer capitalism, Asians Wear Clothes on the Internet has profound implications for understanding the changing and enduring dynamics of race, gender, and class in shaping some of the most popular work practices and spaces of the digital fashion media economy.

These fine-quality note cards feature twelve traditional Asian prints. An introduction details the history and meaning behind the designs. Batik Designs - 6 Elegant Notecards and Envelopes are an excellent value; a fraction of the price of other fine art print envelopes. There are six cards printed with six different patterns and accompanying envelopes; On the back of each card is a short description about the front design

Carpets from Islamic lands have been treasured for centuries on nearly every continent on earth. Prized by European monarchs and traded as far afield as Tibet and the Americas, these woven and knotted masterpieces are both distinguished works of art and revealing utilitarian objects that offer a rare glimpse of life in the Islamic world. Carpets from Islamic Lands features more than forty fine classical carpets held in the al-Sabah Collection, Kuwait, along with several important pre-Islamic carpet fragments. Friedrich Spuhler describes this spectacular collection in the context of the history of Islamic art, recounting the carpets' fascinating stories and celebrating their intricate designs and masterful craftsmanship. Including pictures of many carpets never before reproduced in print, and a few that may have been lost forever following the Iraqi invasion of Kuwait in 1990, this richly illustrated volume is essential reading for modern admirers of oriental carpets, and a treasure in its own right.

In the textile industry, there is a pressing need for people who can facilitate the translation of creative solutions from designers into manufacturing language and data. The design technologist has to understand the elements and principles employed by designers and how these change for various textile media. One must also have a good understanding of the processes, materials and products for which the textile designer is required to produce creative solutions. This book will be for designers wishing to improve their technological knowledge, technologists wishing to understand the design process, and anyone else who seeks to work at this design-technology interface. Key Features: * Provides a comprehensive information about textile production, apparel production and the design aspects of both textile and apparel production. * Fills the traditional gap between design and manufacture changing with advanced technologies. * Includes brief summary of spinning, weaving, chemical processing and garmenting. * Facilitates translation of creative solutions from designers into manufacturing language and data. * Covers set of workshop activities.

Spearheaded by Constantine Sekeris, author of "MetamorFX," this book is an in-depth look at costume design and illustration. Showcasing an educational process breaking down the problematic areas of costume design for the film, video game and animation industries. From 10 top leading artists in the field, this title will have a wide range of aesthetic and design solutions. One will learn how to design and illustrate a costume from start to finish with educational tips and the process from sketches to finished Photoshop images to 3D ZBrush sculptures to fabrication.

Some Kind of Duty features all new handmade weavings by Chicago-based artist Karolina Gnatowski, known as kg. In monumental and small-scale tapestries, kg, anAmerican artist who was born in Poland incorporates references ranging from Polish immigration, badminton, Jim Morrison, and feminist fiber artists to addiction, mourning, and their pet. The artist's keen attention to the details of life's coincidences and moments of intersection finds a fitting form in their reverence for the history of tapestry weaving, and the evidence of everyday life incorporated into the artist's work makes their weavings an offering to those both living and dead. This catalog accompanies an exhibition at the DePaul Art Museum, and it features full-color plates of the works on view, an interview between the artist and DPAM Director and Chief Curator Julie Rodrigues Widholm, an essay by K. L. H. Wells, assistant professor in the Department of Art History at the University of Wisconsin-Milwaukee, and poems written by the artist to accompany each work.

Textile artist Takaku Kuboku (1908-1993) is a paragon among modern artists of Japan, fusing rural and urban, traditional and innovative, and Asian and European influences in his life and work. This volume introduces his aesthetic ideas and artistic practice to an English-speaking audience for the first time. In a milieu where artists championed indigenous craft techniques as a vital component of authentic Asian artistic achievement, he specialized in wax-resist textile dyeing, or roketsuzome. His works on silk were among the most highly sought-after by the elite classes of Japanese society. With his daughter Hisako (b. 1944) he produced obi and kimono that combine the Japanese aesthetic of spontaneous inkbrush painting with modern Cubist and abstract designs, while maintaining ties with traditional Japanese painting. The subjects are predominantly drawn from nature, with a spiritual undertone indicating an awareness of and sensitivity to the idea of a life force that courses through and unifies all living things.

Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943 2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback's substantial archive, Edward A. Vazquez demonstrates that the artist's work with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback's site-determined practice draws viewers' focus to their connection to space and others sharing it. As Vazquez shows, Sandback's art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.

This book is aimed at anyone with an interest in surface design and pattern, whether they are students, hobbyists or professionals. Over 350 images from the last 100 years are presented with informative captions, ordered aesthetically to create a pleasing visual impression whereby contemporary images are displayed next to historical images. The images are drawn from a wide variety of styles, art movements and countries of origin to give an overview of pattern design from the beginning of the last century to the present day. Images include fabric designs and wallpaper patterns primarily, plus some ceramic and other decorative patterns where appropriate. Patterns are chosen from a number of sources, including the archives of colleges, museums and private collections. International fashion houses and notable British designers such as Celia Birtwell and Zandra Rhodes have contributed images. An introduction discusses the predominant key themes that are relevant to the subject of pattern design.

The best new research on medieval clothing and textiles, drawing from a range of disciplines. Following the Journal's tradition of drawing on a range of disciplines, the essays here also extend chronologically from the tenth through the sixteenth century and cover a wide geography: from Scandinavia to Spain, with stops in England and the Low Countries. They include an examination of the lexical items for banners in Beowulf, evidence of the use of curved template for the composition in the Bayeux Tapestry, a discussion of medieval cultivation of hemp for use in textiles in Sweden, a reading of the character of Lady Mede (Piers Plowman) in the context of costume history, the historical context of the Spanish verdugados (in English, the farthingale)and its use as political propaganda, an analysis of the sartorial imagery on a tabletop painting (attributed to Bosch) depicting the Seven Deadly Sins, and the reconstruction of one of the sixteenth-century London Livery companies' crowns.

Anne Bardsgard grew up in Selbu and has always had a close relationship with her hometown and its rich knitting history-her relentless interest in the traditional mittens that made Selbu famous worldwide became the groundwork for her first book, the stunning all-in-one historical reference, design compendium and mitten pattern guide Selbu Mittens. Now she's back to delve into the wider realm of sweaters, cardigans, socks, and hats with this companion collection: over 450 motifs that can be adapted and combined using any of the foundational garment patterns included, based on extensive and thorough documentation of photographs, drawings, and preserved samples of historical knitted items from Selbu. The result is a unique and unequaled look into the traditional knitting culture of the Selbu region-and an endlessly inspiring pattern resource.

This book aims to make sense of the Bayeux Tapestry by bringing together answers to a number of questions which this famous hanging presents to the viewer. How did the embroiderers organise the stitching of the Bayeux Tapestry? Are its limited colours used with greater sophistication than viewers have recognised? What do we know of the Tapestry's supporting cast: naked figures in the margins and clerics present at events in the main register? Can we learn anything about the original purpose of the Tapestry from detailed examination of Bayeux Cathedral's 1476 Inventory, the first known reference to the Tapestry's existence? This book combines up-to-the-minute research with an introduction that draws on the contributors' personal observations in order to interrogate the Tapestry's enduring value. Bringing together contributions from leading specialists and newer voices in the field, it will be essential reading for students and scholars of the Bayeux Tapestry, medieval art and culture. -- .