Quilts and Color presents more than sixty graphically bold American quilts from the Pilgrim/Roy Collection, one of the finest and largest collections of quilts in the world. These collectors recognized that quilt makers often grappled with the same concerns as many modern artists. Influenced by twentieth-century art developments such as Abstraction, Op Art and the Colour Field movement, Paul Pilgrim and Gerald Roy were among the first to appreciate quilts as more than simply decorative bedcovers, women's fancy work, or symbols of a rustic past. Reproduced brilliantly and arranged by ideas based in colour theory - Vibrations, Mixtures, Gradation Harmonies, Contrasts, Variations, Optical Illusions and Singular Visions - each quilt in this book is celebrated as a unique work of art. The accompanying text also sheds light on the social and cultural history of the quilts as well as the practices and aspirations of their mostly anonymous makers, who created such works of enduring beauty and arresting visual impact.

With impeccable taste and an unerring eye for detail, connoisseur Simon Crompton guides the reader through the intricacies of contemporary artisanal menswear, from the Panama hat to the Milanese buttonhole. Each chapter focuses on a different item of clothing and the craftspeople who have mastered it. Aided by extensive illustrations, Crompton offers detailed insight into the way in which these luxury items are designed and constructed, explaining the subtle but crucial difference a hand-stitched seam, perfectly cut sleeve or screen-printed silk can make.

Stumpwork embroidery, also called raised embroidery, takes hand embroidery to another dimension and lifts it off the surface of the fabric with strikingly realistic results. This technique uses all the usual embroidery stitches you would expect and includes padding, wiring and slips to achieve its raised effect. Stumpwork Inspirations highlights the very best stumpwork has to offer in both design and technique. Featuring talented embroidery designers Susan O'Connor, Wendy Innes, Susan Casson, Anna Scott, Lesley Turpin-Delport and Jane Nicholas, this special collection, including lovely framed pictures and a pot lid, have been curated into one publication. With 8 stunning stumpwork projects to make, there are clear step-by-step instructions, pullout patterns, a stitch guide and all the information you need to stitch them. Discover the origins, stitches, techniques and designs that are uniquely stumpwork, and learn how to make your own beautiful works of art.

This gorgeous book will show you how to create breathtaking works of wall art and statement home decor - all made using simple macrame knots, natural dyes and 100 per cent recycled materials. Start by learning 18 key knots and 8 beautiful patterns, all shown clearly using step-by-step photography. Learn how to use natural dyes and how to pre-treat and dye your string. Key safety advice is given, as well as helpful tips for working with large pieces of macrame, knotting from an irregular-shaped support and keeping an even tension. The 16 projects are divided into 4 chapters: Macrame on the wall, Macrame to hang, Macrame for indoors & outdoors, and Macrame to decorate. The projects range from reworked classics such as the wall hanging and the plant hanger, which have been given a fresh, Insta-ready twist, to a wreath, bunting, hanging bedside table, mirror hanger, rug and tassels. Each project clearly explains which knots to use, the difficulty level, how long the project will take, plus photographs of the steps are provided as necessary. The projects are easy to follow, genuinely desirable and, best of all, really simple to make!

These stylish craft books are highly accessible, with all techniques fully explained, and each project photographed from start to finish. Each book contains 25 beautiful and original projects.

This book interprets the fiber art and craft-inspired sculpture by eight US and Latin American women artists whose works incite embodied affective experience. Grounded in the work of Gilles Deleuze and Felix Guattari, John Corso-Esquivel posits craft as a material act of intuition. The book provocatively asserts that fiber art-long disparaged in the wake of the high-low dichotomy of late Modernism-is, in fact, well-positioned to lead art at the vanguard of affect theory and twenty-first-century feminist subjectivities.

Simple Pleasures presents the first major critical assessment of works by the artist Doris Lee (1904-1983). Lee was one of the most recognized artists in America during the 1930s and 40s, and was a leading figure in the Woodstock Artist's Colony. Her oeuvre reveals a remarkable ability to merge the reduction of abstraction with the appeal of the everyday. In so doing, she offers one of the very rare examples of a coherent visual identity that successfully bridged the various artistic "camps" that formed with the shift in the art world in the post-World War II era.Doris Lee exploded onto the national scene in 1935 when her painting Thanksgiving was awarded the Art Institute of Chicago's Logan Prize and instigated the Sanity in Art movement in protest. Two years later, her painting Catastrophe was purchased by the Metropolitan Museum of Art. Simple Pleasures explores this initial national recognition in the 1930s within the context of American Scene painting, and traces the artist's thematic interest in the simple objects and scenes of the everyday through her career. It also examines the influence of the rise in abstraction during the late 1940s and 1950s, and the particular way in which this abstraction found resonance with Lee's long-held interest in, and collections of, folk and non-western art. During this post-war period, Lee, like many of her American Scene colleagues, found lucrative work in the heyday of commercial advertising. Lee's commercial commissions for patrons such as American Tobacco Company, Life magazine, Abbott Laboratories, and Associated American Artists are especially compelling in both their populist accessibility and in their deceptively sophisticated abstraction. Sixty-five works by the artist span the 1930s through the 1960s and are comprised of paintings, drawings, prints, and commissioned commercial designs in fabric and pottery. Included are advertisements by companies that commissioned images from Lee, and photographs that contextualize the artist's work within the Woodstock artist's community.

Queen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. Inside the Royal Wardrobe overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales - who later became Queen Consort - to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpreting Alexandra's world from the objects out. Adopting an object-based methodology, the book features a range of original sources from letters, travel journals and newspaper editorials, to wardrobe accounts, memoirs, tailors' ledgers and business records. Revealing a shrewd and socially aware woman attuned to the popular power of royal dress, the work will appeal to students and scholars of costume, fashion and dress history, as well as of material culture and 19th century history.

A practical and inspirational book to learn how to develop a variety of textile techniques from personal visual sources. This book teaches you how to develop a diverse range of textile surface design techniques from personal visual inspiration sources, and apply them to your projects. Discover an assortment of traditional and unconventional methods, from smocking to soldering, through projects such as fashion and interiors items and textile art. The book encourages you to explore visual sources to discover their potential for imagery, texture, structure and manipulation, supporting you in the development and creation of your own unique pieces. Learn how to explore alternative possibilities, manipulate existing textile surfaces or create new ones. Whether you are a student, experienced artist or maker looking for new inspiration and techniques, this is an essential practical book.

Every Persian carpet has a story to tell -- from the remote villages of Afghanistan and Iran, down the ancient trade routes traveled for centuries, to the bazaars of Tehran and the markets of the Western world. Carpet-making is one of this tumultuous region's few constants, an art form that transcends religious and political turmoil. Part travelogue and part exploration into the meaning and worth of these mystical artifacts, "The Root of Wild Madder" presents practical information about carpets while exploring the artistic, religious, and cultural complexities of these enigmatic lands.

The first major publication to explore the prolific career of Kaffe Fassett, one of the most recognized names in contemporary craft and design Kaffe Fassett (b. 1937) is one of the most recognized names in contemporary craft and design with work encompassing knitting, needlepoint, quilting, textile design, mosaic, painting, and drawing. Fassett's sense of color and pattern has inspired makers around the world; his early successes include knitwear designs for fashion designers such as Bill Gibb and Missoni, and in more recent years he has collaborated with the luxury fashion house Coach. His inimitable eye can translate the most everyday of details into the basis for one of his colorful, sophisticated, maximalist designs. This book explores Fassett's career and work in context for the first time, highlighting and widening the scope of his output over more than five decades. Drawing on original artworks, photographs, and archival material, it illuminates the work of this distinctive, influential artist and designer. Essays from design and fashion historians sit alongside striking visual material and insightful interviews with Fassett that provide additional context about this prolific artist. Published in association with the Fashion and Textile Museum Exhibition Schedule: Fashion and Textile Museum, London (September 23, 2022-March 12, 2023) Dovecot Studios, Edinburgh (March 31-July 8, 2023) Millesgarden Museum, Sweden (September 2023-February 2024)

"Functional Clothing Design" is a book about how and why clothing works. This interdisciplinary text introduces new ways to look at the human body, the environment and clothing and to explore the relationships between them by looking at the ways clothing achieves goals such as protecting the body, increasing health and safety, improving a worker's efficiency on the job or increasing body function. Watkins and Dunne present technical material using clear, simple language that can be readily understood by beginning design students with no science or engineering background. Building on the groundbreaking text by Watkins, "Clothing: The Portable Environment," this text covers a full range of factors involved in designing functional clothing: protection from thermal, impact and other environmental hazards; enhancing movement and visibility and increasing body function with smart clothing; designing clothing for people with handicaps and designing protective clothing for groups such as the military, who face multiple hazards. "Functional Clothing Design" focuses on the full range of activities needed to develop functional clothing--from analysis of user needs to choosing appropriate materials to design and design evaluation. The text includes case studies throughout as well as new content on smart textiles and all the latest developments in wearable technology. Designers and others seeking clothing solutions to problems in many fields will find a common language linking a number of disciplines through which they can explore both problems and solutions.

When does a carpet transcend the category of interior accessory to become art? This well-illustrated book features 200 carpets found in behind-the scenes tours of amazing homes around the world. In thematic chapters, it covers the main international trends, from Ethnic to Art Deco and from Contemporary to Artsy. These dressed-up living spaces provide inspiration for anyone fascinated by stylish living, creative interior design and the myriad possibilities for home decor. In addition, the author provides helpful information on the provenance of materials, quality of design, composition and workmanship possibilities for home decor. It's a fascinating glimpse into the homes of people with a good taste. Carpets & Rugs is comprehensive and more relevant than ever.

Slip into serenity through your stitches with this collection of 24 beautiful, meditative mandalas by Polka & Bloom's Carina Envoldsen-Harris. In our hurried modern world, we rarely take a moment to rest and spend time with our thoughts. In this book, rekindle lost tranquillity and quickly discover a new obsession with these exquisite mandalas. By following the delicate and repetitive patterns in the motifs, you can finally soothe your mind, slow down and treat yourself to much-needed me-time and peacefulness. The book offers 12 large and 12 smaller mandalas to embroider, which Carina explains how to make through simple, beautiful stitch diagrams and keys. Only 10 stitches have been used to create all the mandalas, and each one is explained and accompanied by clear, step-by-step diagrams at the beginning of the book. In addition, there are notes on what you need in your basic embroidery kit - from fabrics through to needles and thread - which means those new to embroidery can start their journey to mindfulness right away. With Carina's gentle guidance beginners can also learn how to display their creations in embroidery hoops, including the much-loved Dandelyne hoops which the 12 mini mandalas can fit inside perfectly. Any long-forgotten, tired pieces in your wardrobe and home? There is also advice and photos inside on how to use your stunning mandalas to embellish myriad accessories and items, from shoes to tote bags. If readers are less confident about jumping straight into embroidery - or are pressed for time - 24 corresponding black and white motifs can be found on transfer sheets at the back of the book, which you can iron onto your chosen fabric multiple times. There is also a final, mystical mandala template included for you to transfer, allowing you to test your new embroidery skills and develop your new-found creativity. So sit back, pick up your needles and lose yourself in the captivating, calming world of embroidery.

Textile design has a very exciting future. New fibres, fabrics and applications are constantly appearing and designers now have a wealth of avenues to explore. This book offers students a basic grounding in the three main pathways of textile design - printed, woven and mixed media textile design. Using a wealth of imagery and case studies from designers and studios at work today, the book looks at the basic principles of design and production, and the stages of creating a textile collection, giving students all the tools they need to develop their own work. Finally, the role of the textile designer is explored in several market sectors giving students an insight into the industry and possible career paths they may wish to follow. Designed for students both at degree and foundation level, the book will also appeal to those wishing to enter a career in textile design.

The artistic works by Sabine Groschup, a student of Maria Lassnig, range from painting, textile art and cinematic creations to sculptural pieces, literature and photography as well as spatial, video and sound installations. In her Augsburg solo exhibition "DER DOPPELTE (T)RAUM" (the Double Dream), Groschup presents her multifaceted work on a specially created, surreal stage. Real space and dream oscillate and merge into one another. This sets in motion a tense interplay between reality and dream, which is the focus of the artist's creative oeuvre. The essays collected here - by Silvia Eiblmayr, Katja Gasser and Peter Weibel, among others - help the reader to decipher and classify this oeuvre. First comprehensive presentation of Groschup's extensive and diverse artistic oeuvre. Presentation of the aesthetically unique, surreal stage scenario of the Augsburg exhibition Exhibition tim Augsburg June 29, 2022-October 9, 2022

This is the first reference work to describe the history of embroidery throughout Central Asia, the Iranian Plateau and the Indian Subcontinent from the medieval period through to the present. It offers an authoritative guide to all the major embroidery traditions of the region and a detailed examination of the material, technical, artistic and design dimensions of the subject, including its use by today’s fashion designers. For millennia, the peoples of Central Asian, the Iranian Plateau and the Indian Subcontinent have migrated and traded along the multiple strands of the Silk Road, both north–south and east–west. This history of contact has found rich expression within the arts and crafts of the region and particularly in the heritage of embroidery which has sat at the heart of the social and cultural lives of these diverse communities. Embroidery has been produced to decorate individuals, their families, their clients, their homes and public spaces and has reflected economic and political changes over time as well as social, religious and artistic contexts. Generously illustrated with 500 images (over 450 in colour) of clothes, accessories, and examples of decorated soft furnishings such as cushions, bed linen, curtains, floor coverings and wall hangings, the Encyclopedia is an essential resource for students and scholars of the subject. This volume is the second in the Bloomsbury World Encyclopedia of Embroidery series. The first volume, on embroidery from the Arab World, won the 2017 Dartmouth Medal, awarded by the American Library Association for a reference work of outstanding quality and significance.

Embroideries from the Greek islands dazzle with their bright colours and charming motifs. This publication reveals little-known pieces from the Ashmolean Museum at the University of Oxford, newly photographed and published here for the first time. The embroideries include fragments of pillowcases, bed valances, tents and curtains, as well as items of dress. As with all collections of textiles, the story of the Ashmolean holdings is chiefly about their makers and their ingenuity. Once forming the bulk of bridal trousseaux, Greek embroidered textiles were produced and maintained by young and old women for themselves and the house using locally produced materials. A mark of their worth and a platform for self-expression, embroidered textiles also helped Greek women to negotiate their place in the community, signalling status and affiliation.

As an important part of Chinese culture, Lingnan culture, mainly those in Guangdong province, plays a key role in the world culture. Elegant Guangdong Series cover 5 subjects of the Lingnan cultural and traditional gems in South China. Each volume has used vivid and precious illustrations and portraits. Gambiered Canton Gauze outlines the birth, evolution, dyeing and finishing process, prospect of this ethereal silk fabric in South China.

This book features the collector/author's well-informed views about a careful selection of mainly 19th century knotted pile carpets and flatwoven covers in various techniques from his own extensive collection, which has been built up over a period of more than five decades. Many of the rugs, which are all of the highest graphic and artistic quality, have been acquired without recourse to the open market and are therefore previously unseen and unpublished. Raoul (Mike) Tschebull's long experience in the genre allows insights that go beyond the conventional wisdom of the traditional antique oriental carpet bazaar. His collecting career began under the aegis of one of the great US collectors of a previous generation, Joseph V. McMullan. This beautifully illustrated book will include a general introduction to the region, which straddles the present-day border between north-western Iran and the Republic of Azerbaijan, setting the context for the focused presentation of some 70 examples, each with the author's comments about design, structure, technique and attribution, providing a matrix within which dating can be considered. In-country field experience colours some of his views, and extracts from his field notes and accompanying images will be included the book.

This collection explores how the body became a touchstone for late antique religious practice and imagination. When we read the stories and testimonies of late ancient Christians, what different types of bodies stand before us? How do we understand the range of bodily experiences-solitary and social, private and public-that clothed ancient Christians? How can bodily experience help us explore matters of gender, religious identity, class, and ethnicity? The Garb of Being investigates these questions through stories from the Eastern Christian world of antiquity: monks and martyrs, families and congregations, and textual bodies. Contributors include S. Abrams Rebillard, T. Arentzen, S. P. Brock, R. S. Falcasantos , C. M. Furey, S. H. Griffith, R. Krawiec, B. McNary-Zak, J.-N. Mellon Saint-Laurent, C. T. Schroeder, A. P. Urbano, F. M. Young

"What People Wore When "combines the studies of two classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth for the first time. Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.
With authoritative narrative from leading experts in the history of costume, extraordinary contemporary quotes that reveal the impact of style in its day, detailed annotation, and an extensive glossary, the book provides a magnificent study of the rich vocabulary of style through the ages.

Modern materials are the basis of the contemporary material world. This work presents the papers of a conference which considered modern materials in the textile field as a subject in its own right. It features topics ranging from familiar textile types, such as costume, to unusual applications in wall hangings, furniture and theatre scenery.