Tweed is one of Scotland's great gifts to the world. Woven into every strand of this most authentic and rugged of cloths is an extraordinary heritage of innovation and creativity. The Art of Tweed explores the landscapes, textures and patterns of this glorious fabric. From the rolling hills of Scotland's country estates to the rhythmic clatter of looms in our last-surviving mills. From artisan weavers on the Isle of Harris to the high fashion of international catwalks and urban designers reimagining tweed for the streets. Here is a story of romance, nostalgia, sustainability and style - of an effortlessly versatile cloth and its unique place in our lives. Whether fashioned into a flat cap or tailored into a cape, the story of tweed is a story to be shared.

"Extensive text, beautifully-written and well-researched, this book leads us through many historical and geographical adventures and towards a plethora of full-colour plates...These pages ground us by sharing a complex culture expressed through an object of practical simplicity." —Ptolemy Mann, Selvedge The Michael and Amy Rothberg Collection of knotted-pile tribal and nomadic bags and other rare small format pile weavings, among them many pieces made for women's dowries and other ceremonial functions, is recognised as the best of its kind anywhere in the world. The collection has been carefully and thoughtfully assembled over the past four decades. Michael Rothberg's collections are above all distinguished by the collector's acutely sensitive and perceptive eye for the best museum-quality material available on the international market. Specialists in the field and other collectors and tribal weaving enthusiasts have awaited the publication of this part of the Rothberg Collection for many years, ever since a selection of the material was shown at Sotheby's in Los Angeles in a feature exhibition during the American Conference on Oriental Rugs in January 1996. The scope of the collection includes antique pile bags, from the Transcaucasus region, as well as from the Shahsavan, Kurdish, Varamin region, Qashqa'i, Khamseh, Luri, Bakhtiari, Afshar and Baluch tribes of Iran.

Learn the historical art of fine whitework in this informative, instructional guide from the Royal School of Needlework and master skills of Jenny Adin-Christie. This exquisite guide provides a historical background to fine whitework, and an exploration of the key stitch techniques involved in this intricate style of hand embroidery. Discover how to master five key areas of whitework technique: sculptured, translucent, filigree, fretted and voided; then apply these to two detailed and stunning pieces - a delicate button with scabiosa motif, and an elaborate embroidery honoring the 150th anniversary of the RSN. Clear step-by-step instructions and stitch diagrams aid the reader in their own whitework embroideries, and there is plenty of inspiration by way of Jenny Adin-Christie's own elegant works, and those of other RSN students and tutors.

Key articles on the Bayeux tapestry collected in one volume, providing a comprehensive companion to its study. This volume presents a selection from the classic literature on the tapestry, providing a comprehensive companion to its study. The articles have been carefully chosen in order to provide a strong, balanced coverage of most aspects of the tapestry; all the major themes - the material fabric of the artefact, its origin, its relation to other early sources, its visual language, the form and function of the inscriptions, the work's general meaning and purpose, and the way it was perceived - are discussed in authoritative contributions collected here. The volume also includes substantial new essays by the editor on studying the Bayeux tapestry, and on its origin, art, and message. Contributors: RICHARD GAMESON, CHARLES STOTHARD, EDWARD FREEMAN, W.R. LETHERBY, CHARLES PRENTOUT, SIMONE BERTRAND, RENELEPELLEY, C.R. DODWELL, N.P. BROOKS, H.E.J. COWDREY, H.E. WALKER, RICHARD BRILLIANT, SHIRLEY ANNE BROWN, MICHAEL HERREN

In more than 270 color images, hundreds of quilts, juxtaposed for the first time, celebrate and explore the South's rich quilting history. Quilt expert Mary W. Kerr joins 13 other textile historians to show why southern quilts have a distinctiveness setting them apart, including factors like their patterns, use of tiny pieces, and specific color choices. Learn how the South's quilting traditions developed among all socioeconomic levels, and in communities such as African American, Scots Irish, and German. The use of cotton, the prominence of making-do aesthetics, and other characteristics are discussed, with in-depth looks at topics like feed sack use and tricolor quilts. Explore the classic patterns of Crown of Thorns, Whigs' Defeat, and Double Wedding Ring. Enjoy regional treasures like Texas Rattlesnake, the Shenandoah Valley Farmers Fancy, and many more. This compilation includes quilts from every Deep South state, offering commentary, examples, and insights.

"Weaver's Stories from Island Southeast Asia" delves into the personal stories of individual textile artists, bringing recognition to their accomplishments, skills, and extraordinary lives. Photographs of ten women from eight locations in the Southeast Asian archipelago along with examples of their weaving are accompanied by a DVD showing them at work.

The book is part of a project to bring stories from the lives of Southeast Asian weavers and batik makers to an American audience, using video as the main component. Although the makers of textiles are generally not named in American museum collections, the creation of textiles is not anonymous in Southeast Asian communities. Senior artists are held in public esteem, and the cloth they produce is instantly recognizable to local people as their unique product.

Roy W. Hamilton is senior curator for Asian and Pacific collections at the Fowler Museum at UCLA. Other contributors include Jill Forshee, Traude Gavin, and Cherubim A. Quizon.

World-renowned artist and textile designer Kaffe Fassett provides a window into his creative process, offering readers new patterns, new ideas, and new inspiration With successes like Bold Blooms and Dreaming in Color, the latest book from Kaffe Fassett brings together all the best elements of his work and life. Kaffe Fassett in the Studio will offer an in-depth look at his work and where he finds inspiration, paying particular attention to his color work. He'll also showcase some of his greatest designs in the areas of needlework, patchwork, and knitting, as well as provide three to four new patterns in each of these areas. Lastly, Fassett will speak to his fabric design and painting processes. He remains an icon in the fashion and craft worlds. He partners with brands such as Coach and is regularly featured in the pages of Vogue. Fassett's brilliant use of color set his work apart from other artists, and any collection of his work is a must have among fans and beyond.

Here's the skinny on stripes: a zigzag tour of the form through seventy years of fabric design. Nearly 600 pictures of historic fabric swatches from all over the world provide a virtual treasure chest of design ideas, from the prim floral fashions of the 1940s to the outrageous color combinations and painterly couture fabrics released by the top design houses in Paris during the 1960s. Brilliant photographs provide a visual survey of stripes' many forms, from woven-in to imitation weaves, from wavy lines to prim and proper pin stripes. This is the largest full-color photographic album of textile stripes ever produced, and an invaluable reference guide for artists of every medium.

This pioneering work traces the history and evolution of the textiles of Myanmar (Burma) made and used by the Burman (Bama) ethnic majority. Written accessibly, it covers the importance of textiles in many contexts as well as changes and innovation brought about by trade and conflict with neighboring states, British colonization, postwar isolation, and recent "open-door" policies. In addition to visiting the major textile centers, Sylvia Fraser-Lu ventured into the more remote areas of the Burman heartland to garner information on lesser-known textiles and those made by minorities. Profusely illustrated with on-site and archival photographs of weavers and heirloom textiles, as well as with diagrams and sketches, this book will be an important reference for textile scholars and art historians and for those interested in Burman culture.

From the authors of Needle Felting for Beginners, awarded BEST CRAFT BOOK in The Craft Business Awards 2021. Needle-felting is an easy and fun technique, requiring little in the way of expensive materials or equipment. Its accessibility means it's becoming more and more popular, and award-winning authors Judy Balchin and Roz Dace show how to make 20 wonderful little teddy bears using this tactile technique. Each bear measures around 10-12cm (4-5in) tall and can be made in a matter of hours from a bundle of wool fibres, a felting needle and some carefully chosen embellishments. Each bear has its own special character, and they make ideal gifts and keepsakes for friends and loved ones. There's a pretty ballet bear, a cool Christmas bear, as well as a vintage bear, rainbow bear and cute baby bears. Each project is accompanied by clear, step-by-step instructions and beautiful photographs, and there are handy hints and tips throughout the book to help make the crafting process even easier. Detailed guidance is provided at the start of the book on the materials and equipment you need; how to sculpt a basic bear; make your bears' paws, feet and faces; and how to really bring your bear to life by carefully positioning the nose, eyes and ears. The techniques are easy to learn and soon you will be designing and making bears of your own to keep or give. Previously published as How to Make Little Needle-Felted Teddy Bears (ISBN: 9781782210696).

The first in-depth study of a monumental wall hanging—rediscovered after many years—by renowned Bauhaus artist Anni Albers. Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real—seen for the first time outside of Mexico City at David Zwirner, New York, in 2019, and the subject of this book—is a superb example of this modern master’s work. In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers’s approach to working with textiles as a “many-sided practice,� it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers’s brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist’s pioneering investment in textiles as an art form and her parallel interest in mass-produced designs. Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show’s curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T’ai Smith, an expert on Bauhaus craft and weaving.

A New York Times best art book of 2022 Traces the history of lace in fashion from its sixteenth-century origins to the present   Threads of Power: Lace from the Textilmuseum St. Gallen offers a look at one of the world’s finest collections of historical lace. It traces the development of European lace from its emergence in the sixteenth century to the present, elucidating its important role in fashion. The book explores the longstanding connections between lace and status, addressing styles in lace worn at royal courts, including Habsburg Spain and Bourbon France, as well as lace worn by the elite ruling classes and Indigenous peoples in the Spanish Americas.   Featuring new research, the publication covers a range of topics related to lace production, lace in fashion and portraiture, lace revivals, the mechanization of the lace industries in the nineteenth and twentieth centuries, and contemporary innovations in lace. With a focus on lace techniques, women lace makers, and lace as a signifier of wealth and power, this richly illustrated book includes wide-ranging contributions by curators and experts from major museums and academic institutions.   Distributed for Bard Graduate Center   Exhibition Schedule:   Bard Graduate Center, New York (September 16, 2022–January 1, 2023)

The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches. The essays here take us from the eleventh century, with an exploration of the Bayeux Tapestry, into an examination and reconstruction of an extant thirteenth-century sleeve in France which provides a rare and early example of medieval quilted armour, and finally on to late medieval Sweden and the reconstruction of gilt-leather intarsia coverlets. A study of construction techniques and the evolution of form of gable and French hoods in the late medieval and the early modern periods follows; and the volume also includes a study of the Great Wardrobe under Edward I of England, and what it can tell us about textiles at the time.

In recent years, demand for kilims (flatwoven textiles) in the West has reached unprecedented levels. Kilim: The Complete Guide unravels the complex questions surrounding the origins and history of these unique flatweaves and of the peoples who make them. Hundreds of illustrations, many in colour and many specially taken, show them in all their glory. A detailed account of techniques - materials, dyes and dyeing, tools, kilim structures and weaving - is followed by a systematic analysis of motifs and symbolism. Here, the complex relationship between Islam and the animistic or shamanistic traditions that preceded it is explored. The core of the book is devoted to the specific characteristics of region, tribe and kilim type. Four major sections present much original research, fully informing the reader about kilims from Morocco, Algeria and Tunisia; Anatolia; Persia and the Caucasus; and Afghanistan and Central Asia. Chapters on new kilims and the use of kilims as bags or trappings as well as rugs - together with a reference guide to collecting, care and further study, conclude what has become the standard work on this widely appealing subject.

The word 'batik' is possibly of Malay origin from the word 'tik' meaning 'to drip' or 'to drop.' The term is applied to a resist dye technique invented independently in locations as diverse as Ancient Egypt, Japan and Turkestan. Batik is a remarkably flexible textile technique and is suited to small-scale methods of production, but demand from the fashion and tourism industries is increasing. This volume brings together the experiences and concerns of the international community of batik producers. It gives voice to their suggestions for ensuring that the producers of this traditional craft are integrated into its increasingly global production rather than excluded from it. Building on the work of batik designers and producers the book discusses the emergence of a global craft consciousness. Batik producers report on innovative measures taken both individually and collectively to hold their market position while commercial producers frequently annex and mass-produce traditional batik design. The book concludes with a discussion of marketing and production innovations and tourism which enable the producers of batik to maintain the integrity of their designs whilst harnessing the benefits of new commercial forms.

This classic book has been the go-to embroidery reference work since it was first published in 1934, owing to its clear instructions and huge library of stitches. It includes full illustrated instructions for over 400 embroidery stitches, ranging from simple border and outline stitches, to filling stitches, canvas stitches and pulled fabric stitches. Scattered throughout are dozens of inspirational embroideries to show the stitches in use. This detailed guide is ideal for those starting out with needlework as well as more accomplished embroiderers looking for inspiration for different stitches and techniques. This new, redesigned edition includes the internationally renowned embroiderer Jan Eaton's revisions to the original text, and includes a preface by famed embroiderer Mary Corbet.

Handmade textiles are personal, no matter where in the world they're created, and these photos and explanations of 25 diverse world cultures' techniques vividly share the details. Take a voyage through these pages and see how today's artisans continue to create traditional fiber arts with age-old methods. Blending well-researched information, engaging style, and inspiration, the pages explore espadrilles, flatwoven rugs, mittens, voudou flags, mirror embroidery, and the histories they hold. This open-eyed approach will appeal to textile devotees, from the casually curious to professional artists, and to people who are interested in heritage crafts and diverse cultures. Brandon has written for more than a decade for WARP (Weave a Real Peace), a nonprofit networking organization whose members are dedicated to improving the quality of life of textile artisans in communities in need.

This second edition of 'Textile Conservator's Manual', now revised and available in paperback, provides an in-depth review of the current practice, ethics and materials used in textile conservation. Concentrating on decorative art objects from the major cultures, the book gives practical instruction and a wide variety of case histories. While the format has been simplified, the text has been expanded and updated to include changes bought about by recent developments in the conservation of material. This new information will increase the reader's ability to interpret signs of ageing and past activity on the object. New case histories in Part Two represent major investigations into the technical history.A basis is provided from which to develop practical skills, taking into account the needs of the object, its essential characteristics of appearance and, above all, its structure. The book covers a wide range of decorative objects, from a fragment of linen 4000 years old to a theatrical backcloth of the twentieth century.This book is practical and thought-provoking, not only about what is being done and how, but also why.

In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats. Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women's embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture. Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers' work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists' visual literacy. Affinities with older textile practices include the region's lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects' creation elevates kantha beyond consideration as mere handcraft to recognition as art.

Edinburgh Weavers was one of the most important textile companies of the twentieth century. Alastair Morton, visionary art director of the company, commissioned a remarkable series of textiles from leading British artists, including Ben Nicholson, Barbara Hepworth and Elisabeth Frink, as well artist-designers, such as Marion Dorn, Ashley Havinden and Lucienne Day. Morton was also a gifted artist, textile designer and weaver in his own right. This long overdue study traces his wide-ranging career and records the history of Edinburgh Weavers and the glorious textiles it produced. Drawing on the V&A's extensive archive this impressive book features over 300 images of artists' textiles unparalleled in quality and scope and is an invaluable resource.

When does a carpet transcend the category of interior accessory to become art? This well-illustrated book features 200 carpets found in behind-the scenes tours of amazing homes around the world. In thematic chapters, it covers the main international trends, from Ethnic to Art Deco and from Contemporary to Artsy. These dressed-up living spaces provide inspiration for anyone fascinated by stylish living, creative interior design and the myriad possibilities for home decor. In addition, the author provides helpful information on the provenance of materials, quality of design, composition and workmanship possibilities for home decor. It's a fascinating glimpse into the homes of people with a good taste. Carpets & Rugs is comprehensive and more relevant than ever.

This book explores the fascinating history and present-day practices associated with cotton. This is a story of commercial and cultural enterprise, of the ties and tensions between East and West, of technological and industrial revolution, social modernization, colonialism and slavery. Cotton's history mirrors profound global transformations. And cotton remains one of the most significant mass commodities today. Cotton's track record on labor conditions in factories and plantations has tarnished its history and reputation, even as cotton clothes became the hallmark of modern industrialized society. Cotton expressed popular fashions and popular politics in dynamic ways. Yet cottons also take other cultural forms and are part of vibrant craft traditions in many parts of the world. This book explores the history, impact and ongoing life of this hugely influential textile.

A colorful celebration of the 59 US National Parks, this collection of 177 original art quilts depicts the widely varying landscapes, flora, and fauna of the parks. Basic facts about each of these national treasures-from Acadia in Maine, to Voyageurs in Minnesota, to Yosemite in California, to HaleakalAE in Hawaii-are included, along with short writings from 64 park rangers and other personnel. The book reveals individual glimpses into the passionate commitment to preserve, protect, and enjoy these special places.

Discover the rich creative possibilities of fragmentation and repair in textile art.Fragmentation and repair are two of the biggest buzzwords in textile and mixed-media art. In this fascinating book, renowned artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas and practical advice.Drawing on her own practice, Shelley explains how she reconstructs and reassembles cloth, paper and other materials to create new pieces, often incorporating found objects and items she has collected over the years to add depth and emotional resonance. From piercing and devore to patching and darning, techniques include: *Fragmentation of materials, text and image. *Repair using darning and patching along with pins, tape, adhesive and plaster. *The Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap). *Using salvaged and recycled materials, and repurposing household items. *Methods of distressing and manipulating surfaces including weathering, abrasion, burning, piercing, staining and burying. *Collage, working in a series and collecting fragments.Beautifully illustrated with Shelley's own pieces alongside those of other leading artists, this fascinating book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.