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Books > Arts & Architecture > Art forms, treatments & subjects > Textile arts
A heavily illustrated classic on the evolution of the handloom. The
handloom-often no more than a bundle of sticks and a few lengths of
cordage-has been known to almost all cultures for thousands of
years. Eric Broudy places the wide variety of handlooms in their
historical context. What influenced their development? How did they
travel from one geographic area to another? Were they invented
independently by different cultures? How have modern cultures
improved on ancient weaving skills and methods? Broudy shows how
virtually every culture has woven on handlooms. He highlights the
incredible technical achievement of early cultures that created
magnificent textiles with the crudest of tools and demonstrates
that modern technology has done nothing to surpass their skill or
inventiveness.
In gold-rush Australia, social identity was in flux: gold promised
access to fashionable new clothes, a grand home, and the goods to
furnish it, but could not buy gentility. Needlework and Women's
Identity in Colonial Australia explores how the wives, mothers,
sisters, and daughters who migrated to the newly formed colony of
Victoria used their needle skills as a powerful claim to social
standing. Focusing on one of women's most common daily tasks, the
book examines how needlework's practice and products were vital in
the contest for social position in the turmoil of the first two
decades of the Victorian rush from 1851. Placing women firmly at
the center of colonial history, it explores how the needle became a
tool for stitching together identity. From decorative needlework to
household making and mending, women's sewing was a vehicle for
establishing, asserting, and maintaining social status.
Interdisciplinary in scope, Needlework and Women's Identity in
Colonial Australia draws on material culture, written primary
sources, and pictorial evidence, to create a rich portrait of the
objects and manners that defined genteel goldfields living. Giving
voice to women's experiences and positioning them as key players in
the fabric of gold-rush society, this volume offers a fresh
critical perspective on gender and textile history.
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