Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Overshot - The Political Aesthetics of Woven Textiles from the Antebellum South and Beyond (Hardcover)
Loot Price: R3,073
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Overshot - The Political Aesthetics of Woven Textiles from the Antebellum South and Beyond (Hardcover)
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Woven coverlets have appeared in several guises within the history
of folk textiles. Created on four-harness looms, coverlets made in
the nineteenth-century American South typically featured colored
wool and cotton threads woven into striking geometric patterns.
Although they are not as well known as other textiles and domestic
objects, "overshot" coverlets were, and continue to be, significant
examples of material culture that require tremendous skill and
creativity to produce. They also express currents of conformity and
dissent. In addition to being pleasing to the eye and hand,
"overshot" coverlets have advanced a variety of social and
political ends. At times exhibited in slave quarters along the
seaboard in Georgia and South Carolina in association with
plantation properties, they also appear in piedmont areas attached
to the antebellum yeomanry, in the context of nationalist craft
revivals, and in white-box contemporary art. With Overshot, Susan
Falls and Jessica R. Smith analyze what we can learn by examining
the exhibition and interpretation of these materials within
American public history. By showing how geometric overshot
coverlets can be understood in relationship to the global economy
and within politicized cultural movements, Falls and Smith
demonstrate how these erstwhile domestic, utilitarian objects
explode the art/craft dichotomy, belong to a rich narrative of
historical art forms, and tell us far more about American culture
today than simply representing a nostalgic past, particularly with
regard to ideas about race, class, nationalism, women's labor, and
the separation of private versus public spaces.
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