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Books > Religion & Spirituality > Alternative belief systems > Syncretist & eclectic religions & belief systems > Post-renaissance syncretist / eclectic systems > Theosophy & Anthroposophy
The philosopher and educationalist Rudolf Steiner was also a
radical dramatist who wrote four lengthy and complex plays. The
first of these, The Portal of Initiation, is rich in content and
artistically presented, but leaves us with questions: Why is the
first scene so long and many speeches so lengthy? Why are our usual
expectations of drama not met? Was Steiner really a competent
dramatist? In this essential guide, Trevor Dance suggests that the
first step to appreciating The Portal of Initiation is to
understand Steiner's methods. The play belongs to the tradition of
Mystery Dramas from ancient times - artistic works intended as
vehicles for inner development. Steiner thus combines aspects of
Goethe's alchemical fable The Green Snake and the Beautiful Lily
with the spiritual growth of contemporary individuals - all in the
broader context of reincarnation and karma. With accessibility in
mind, the author provides a clear synopsis of each scene and
introduces us to the characters - a collection of rustics,
sophisticates, hierophants and spiritual entities. Their dilemmas
and challenges take place on many layers of reality: from a room in
Sophia's house to the exalted Sun Temple. Revealing the enigmas
behind the creation and content of The Portal of Initiation, Dance
enables us not only to enjoy the play, but also to love it. His
lucid guide - the first of its kind - is an ideal introduction for
both individual readers and study groups.
As human beings, we have a great longing for community, to feel
part of something. Despite this apparent need, the opposite
tendency is evident everywhere: a growing individualism leading to
the breakdown of relationships, conflict and war. How can we
connect meaningfully with our fellow human beings and build
successful communities, whilst also cultivating a healthy
individuality? Karl Koenig considered that finding answers to these
questions was one of the central tasks of anthroposophy, as well as
its greatest potential downfall. Seventy years ago, he founded the
Camphill Movement as a search for social renewal and healing from
new sources. As part of a growing dialogue between people within
and outside of Camphill, a conference called Community Building in
the Light of Michael took place at the Goetheanum in 2009. The
contributions in this book originate from there; contributors
include Cornelius Pietzner, Virginia Sease, Penelope
Roberts-Baring, Sergei Prokofieff, Peter Selg and Bodo von Plato.
Following the death of the Austrian philosopher and spiritual
scientist Rudolf Steiner in 1925, Ita Wegman - one of his closest
esoteric pupils - began to publish regular letters to the members
of the Anthroposophical Society. In Steiner's tradition, these
letters were appended with 'leading thoughts' (or guiding
principles). Esoteric Studies collects many of these 'letters to
friends', together with various articles, reports and addresses by
Ita Wegman on subjects such as the Christmas Foundation Conference,
the Goetheanum building and the festival of Michaelmas. Featuring
an informative foreword by Crispian Villeneuve and a commemorative
study by George Adams, this book provides a fine introduction to
the work of Ita Wegman, as well as a rousing call for courage and
wakefulness in the spirit of the Archangel Michael!
At the threshold that divides the elemental and etheric worlds, Are
Thoresen encounters two spiritual entities - Vidar and Balder,
'guardians of the threshold' - whose task is to protect the
spiritual border from uninitiated intruders. Building on previous
reports, Encounters with Vidar offers startling new esoteric
teachings, gleaned - through processes of spiritual knowledge -
from these enigmatic gods. Here, Vidar and Balder emphasize the
importance of clairaudience as opposed to clairvoyance (the latter
particularly being open to attack from adversary beings). Through
the process of working with the communications, the author begins
to experience a transformation of his head chakras, leading to an
awakening of 'spiritual ears'. Whilst clairvoyance is like reading
the holy script, clairaudience is akin to hearing the holy script,
he learns. --- Amongst the wealth of fresh insights revealed here
are the 'fourth aspect of the soul' (or 'time-karma-Christ'); the
task of eurythmy today; the whereabouts of the contents of the
School of Spiritual Science; and the work of 'Vulcan beings' and
other planetary entities. Thoresen offers reflections on his
travels to western England (with its connections to Troy) and
southern Spain (with its legacy of Moorish occupation). His
intention is not to create new dogmas or beliefs, but to testify to
the living reality of metaphysical dimensions of reality - and
humanity's latent ability to access them.
A Life with Colour is the first complete survey of Gerard Wagner's
biography and his artistic intentions, featuring dozens of
illustrations and more than 120 colour plates. The life and work of
Gerard Wagner (1906-1999) were closely aligned to the
artistic-spiritual stream connected with the Goetheanum in Dornach,
Switzerland. He first heard of the Goetheanum - and of its
destruction by fire at New Year 1922/23 - whilst still a youth. In
1926, he made his first visit to Dornach, but his intended stay of
a week turned into a lifelong sojourn of over 73 years. He found
there an active, striving community with which he felt intimately
connected. From the start, Gerard Wagner immersed himself in the
various artistic impulses that Rudolf Steiner had instigated. This,
together with an intensive study of anthroposophy, formed the basis
upon which he forged his own approach to painting. The many years
he spent in colour experimentation led him to discover objective
principles within the language of colour and form that are an
inspiration to many today. His paintings, first shown at the
Goetheanum in the early 1940s, were exhibited internationally, most
notably at the Menshikov Palace, Hermitage Museum, St Petersburg,
Russia, in 1997. '[Wagner's] whole being bowed before the mystery
of colour in a loving, joyful yet serious way, full of devotion and
dignity. His life and work itself became a living metaphor of the
creative power of colour.' - Christian Hitsch 'Caroline Chanter has
not only accomplished a great and seminal study that illuminates
the life and work of Gerard Wagner, but has done a great service
also to the Goetheanum and its School of Spiritual Science.' -
Peter Selg '[Gerard Wagner was] a soul which on earth was devoted
so selflessly and in such purity to the beings that are revealed...
in forms and colours. He helped them to utterance and manifestation
in this world of ours.' - Sergei O. Prokofieff
'Approaching the different and manifold sequences in this
book...one will gradually come to realise that metamorphosis can
become an ideal for knowledge, a guiding path for self-knowledge
and knowledge of the world - as intuitive contemplation and as
artistic creation.' - Dr Peter Wolf What is metamorphosis? Through
the medium of art, sculptor Gertraud Goodwin invites us to enter
the realm of time and continuously changing movement in this highly
original book. With chapters by various artists and writers,
interwoven with her key insights, Goodwin offers numerous points of
entry to understanding the mystery of metamorphosis.
Profusely-illustrated in colour, we are shown many sequences of
images - of sculptures, reliefs and graphic works - which, with the
aid of informed commentary, we are invited to 'read'. These images
belong together, developing from one to the next - just as single
experiences and events in life belong to our biographies. One
motif, one movement, passes through all stages, from simple
beginnings and more differentiated formations, to a culmination -
and, from there, back to a more mature simplicity and
concentration, which makes a new beginning possible.' In relation
to the transcendent, where ordinary words fail, the language of
form, texture and relations in space, like those of music in time,
offer alternatives to words, perhaps less encumbered by
preconceptions. These pages offer many examples of the beauties and
mysteries of metamorphosis, which is itself an essential component
of Nature's creative language.' - Dr Philip Kilner
Your favourite occupation? Pondering and musing. Your idea of
happiness? Pondering and musing. Your most extreme aversion?
Pedantry and a sense of order. Of what are you afraid? Punctuality.
The above quotations are extracted from a questionnaire filled in
by a young man in his late twenties. That person, Rudolf Steiner,
was later to found the spiritual science of anthroposophy and the
many practical disciplines that arose from it. Eventually, he would
write his Autobiography, although its composition would be
interrupted by his unexpected death. This little volume is an
essential complement to Steiner's unfinished autobiography. It
gathers a wealth of personal testimonies - including lectures,
resumes, notebook entries, a questionnaire, as well as biographical
notes written for Edouard Schure - much of which has not been
previously published in English. The various materials, together
with rare photographs, have been expertly collated and introduced
by Walter Kugler.
Building on the metahistorical exploration of drama that was the
subject of Tongues of Flame, Dawn Langman explores the practical
pathways through which the art of acting can evolve beyond the
'body and soul' paradigm still broadly accepted in contemporary
culture. Through the integration of Rudolf Steiner's research in
the arts of speech and eurythmy, and together with Michael
Chekhov's acting techniques, Langman raises the spiritual dimension
of the human being from that vague sensing which many actors intuit
- but which has, however, little bearing on their practice - into a
precise methodology. In this second volume in her series on 'The
Actor of the Future', she offers performance artists a clear
pathway ahead, enabling them to develop their work out of spiritual
insight and consciousness. 'Dawn Langman's research into character
creation invites the future into the present: suggesting the
intriguing connection between the evolving universe, human
consciousness and the mysteries at work in relationships and
destiny.' - Penelope Snowdon-Lait, Co-director, Spirit of the Word
training, New Zealand
Speaking towards the end of the catastrophic Great War, Rudolf
Steiner reveals the spiritual roots of the crises of our times.
Since 1879, he says, human minds have been influenced by backward
angels, 'spirits of darkness', who - following their defeat in
battle with Archangel Michael - were forced out of the heavens and
'fell' to the earth. This war in the spiritual worlds had
consequences, and it is essential that people today are
sufficiently awake to the retrogressive influences around them. In
a positive sense, we can choose freely to engage with the spirits
of light, who seek to emancipate human beings from bonds of race,
nation and blood. In this extraordinary series of lectures, Rudolf
Steiner throws light on hidden aspects of world affairs. With the
Bolshevik Revolution having just taken place, he discusses events
in Russia and humanity's attempts to build theoretically perfect
social orders. Steiner also speaks about the roles and spiritual
backgrounds of significant individuals, such as the mystics Johann
Valentin Andreae, Vladimir Soloviev and Saint-Martin, the American
and British politicians Woodrow Wilson and Lloyd George, and
world-historic figures including Charles Darwin and Johann Wolfgang
von Goethe. The new edition of this classic work features a revised
translation, notes and extensive appendices by editor Frederick
Amrine, plus a new introduction by Christopher Schaefer.
What if our teeth are a reflection of who we are? What if dental
problems such as toothache, decay and malpositioning illustrate the
deep functioning of our true self? What if, by harmonizing our
mouths, we could allay many of our physical and mental ills? After
years of dental practice, Michel Montaud made a breakthrough that
would change his life and work completely. Without being fully
conscious of what he was doing, he engaged in a dental therapy
which would prove to be remarkably effective, going beyond the
simple framework of mouth and teeth to extend to the human being as
a whole. This guided self-therapy, which he refers to as
Dentosophy, is a true alternative to the drastic measures of
extraction, surgery and orthodontics. From personal experience, the
author states that this approach can even remedy ailments such as
chronic rhinitis and otitis, eczema, allergies, asthma, back
problems and sleep disorders. Montaud describes his personal
journey of discovery, initially to help his suffering son. Now,
after decades of experience and numerous eloquent clinical results,
he demonstrates that this human-based approach to our mouth and
teeth can stimulate, at any age, the extraordinary healing
potential of our bodies. With case studies and supporting
photographic evidence, he shows that Dentosophy improves the
general health of patients, both physical and mental. This
illustrated and accessible book offers an exciting new perspective
on our teeth and their innate wisdom.
What lies at the root of the SARS-CoV-2 virus and the worldwide
pandemic it has caused, affecting the health and livelihoods of
untold millions of people? What are the deeper, spiritual realities
behind COVID-19 and the global turmoil it has left in its trail? In
an effort to answer these queries and many others put to her at the
start of the pandemic, Judith von Halle composed two letters in
March 2020, based on her own spiritual-scientific research.
Published in this book together with an additional essay, she
addresses questions such as: * Which entities stand behind the
virus? * How and why does it affect human beings? * What measures
can be taken for prevention and therapy? * What does the crisis
mean to individuals and what possibilities does it offer for
personal development? The author suggests that, apart from the
material havoc triggered by coronavirus, the spiritual causes
behind it are extremely serious and - if the present pandemic is
not to be the first in a series of catastrophes - humanity is
called upon to respond in a radically transformative way. In an
additional article von Halle tackles the controversial issues
relating to government lockdowns and the protest movements that
have sprung up in opposition to them. How do these events point to
real questions of individual freedom and, most importantly, how do
they relate to the central event of our time - an event that,
tragically, remains largely unknown? Revealing unexpected
perspectives to the COVID-19 pandemic, Judith von Halle asks urgent
and difficult questions and offers shattering insights for
humanity's further development.
'I wrote this book out of the needs I see at the present time. I
see diseases being translocated to others - humans or animals -
despite the good intentions of many therapists or doctors. The
diseases are translocated because they do not exist in energetic
patterns, but as expressions of spiritual beings. Energy and
energy-patterns only exist in the physical world, but in the
spiritual world there are only spiritual beings.' From ancient
times, all cultures have known of the spiritual phenomenon of
'translocation' - the movement of a pathological entity from one
human being to another, or from a human being to an animal. These
pathological entities are spiritual beings, known as 'demons' in
common parlance. Their translocation, says Are Thoresen, can take
place as a result of conventional Western medicine, but also from
the application of 'alternative' therapies such as homeopathy,
acupuncture and herbal medicine. In order to have a positive
therapeutic impact, Thoresen advises that practitioners, doctors
and veterinarians need to acquire a deep understanding of the
function and laws of pathological demonic entities and the means to
influence them. Using the Middle Point or Christ-force, it is
possible to transform - instead of simply translocating - the
negative spiritual aspects that are at work in contemporary
society. As the author states: 'I have written this book to try to
investigate these possibilities, and to give my fellow travellers
in spirit the insights, tools and ability to make such a change.'
Edith Maryon (1872-1924) was a trained sculptor who worked
alongside Rudolf Steiner to create the unique sculpture of Christ
(the 'Representative of Humanity') at the Goetheanum in Dornach,
Switzerland. One of Steiner's closest collaborators, she was a
highly-valued colleague and esoteric pupil. As one of his dearest
friends, Maryon kept a busy and detailed correspondence with Rudolf
Steiner, in which he confided freely about his personal situation,
his lack of true colleagues, difficulties with lecture tours, and
the embattled public standing of anthroposophy. Almost invariably,
these letters emphasized Steiner's longing for the Dornach studio
and their shared work on the Christ statue. Maryon's early death,
aged 52 - following fifteen months of illness - shook Rudolf
Steiner to the core. He was to die himself less than a year later.
With this book, the author's central aim is to illuminate the
spiritual signature of Edith Maryon's relationship with Rudolf
Steiner and their mutual work in anthroposophy and on the sculpture
of Christ. Building on Rex Raab's (1993) biography, Peter Selg's
moving study features dozens of photos and facsimiles of letters,
utilizing previously unpublished sources from Edith Maryon's and
Ita Wegman's literary estates and the Rudolf Steiner Archive in
Dornach. -- The most essential and intrinsic quality of her soul
... was not a particular branch of human endeavour, not even art;
the most salient of her soul tendencies, her soul intentions, was
the striving for spirituality...' - Rudolf Steiner
A leading figure in the Theosophical Society, Leadbeater was a
prolific author, writing on subjects ranging from Buddhism, Masonic
history and the origins of Christianity through to the power of
thought and the fourth dimension. Leadbeater was also the force
behind Annie Besant, the discoverer and educator if Krishnamurti,
and became Presiding Bishop of the Liberal Catholic Church. For all
his influence Charles Leadbeater remains largely unknown as a man.
This biography, first published in 1982, dispels many of the
mysteries surrounding his life, and Leadbeater emerges as neither
evil degenerate or infallible saint, but as a complex and eccentric
adventurer into the realm of the occult. This title will be of
particular interest to students of history and theology.
Reassessing human history in relation to the cosmic-earthly events
of Christ's incarnation, Rudolf Steiner stresses the significance
of both Gnostic spirituality and the legends of the Holy Grail. The
'Christ-Impulse', he tells us, is not a one-time event but a
continuous process, beginning well before Jesus of Nazareth walked
the earth. This mighty impulse is a force that gives impetus to
human development, such as with the extraordinary blossoming of
free thinking of the last two millennia. Surveying this pattern of
evolving human thought, Steiner explains the roles of contrasting
historical figures, for example the great teacher Zarathustra, Joan
of Arc and Johannes Keplar. We are shown the widespread influence
of the clairvoyant prophetesses, the sibyls, who formed a backdrop
to the Greco-Roman world. Steiner contrasts their revelations to
those of the Hebrew prophets. The lectures culminate in the secret
background to the Parzival narrative. Steiner illustrates how it is
possible to experience the Holy Grail by reading the stellar script
in the sky at Easter. Here, he provides a rare personal account of
the processes he utilized to conduct esoteric research. The new
edition of these much-loved lectures features a revised translation
and an introduction, appendices and notes by Frederick Amrine.
The actual historical moments of birth of the various arts are not
known. At most, significant changes of direction are
distinguishable - and these are usually detected retrospectively.
However, the founding of eurythmy, a new art of movement, has been
extensively documented. The story of the first eurythmist, Lory
Maier-Smits, told in the pages of this profusely-illustrated book,
is a valuable contribution to that legacy. It brings to life the
pioneering period when the new artform was being developed under
Rudolf Steiner's personal instruction. Magdalene Siegloch traces
Lory Maier-Smits' biography with artistic care and loving detail.
She describes the eurythmist's early exposure to anthroposophy; her
training under Rudolf Steiner from 1912; the first performance of
eurythmy during the Theosophical Society festival in 1913; Rudolf
Steiner's lectures on the new art of movement; the staging of
eurythmy under the direction of Marie Steiner; and Maier-Smits'
later work as a trainer of eurythmists. Also included is an account
of Maier-Smits' personal path of development, her marriage and
family life.
Rudolf Steiner's watercolour painting 'The Archetypal Human-Animal'
presents us with the enigmatic image of a strange creature
apparently swimming in water. It has a human profile, showing a
clearly outlined nose and slightly-opened mouth, with a mysterious
eye, almost concealed in its greenish hair. It has appendages
similar to hands and feet, and dark-blue plant-like forms float
about in the water beneath the creature's bright red and yellow
body. Only the title provides us with a clue to its meaning: it is
an 'archetypal human-animal' form. But even this is enigmatic. What
is this strange, unusual creature - this archetypal human-animal?
We are presented with a perplexing image and a puzzling
description. In this original work, illustrated throughout with
full-colour paintings and images - many by the author herself -
Angela Lord takes us on a journey of discovery to realizing the
meaning of Rudolf Steiner's painting. From Goethe's theory of
metamorphosis in nature, we are introduced to Steiner's ideas of
human evolution, from the primal beginnings of the archetypal
human-animal on 'Ancient Moon'. Lord recounts myths and legends
from many cultures that tell of human-animal forms, and reflects on
the meaning of the fish in Christianity. She takes us through a
series of 'colour sequences' for repainting Steiner's human-animal
motif, and includes appendices that summarize evolutionary phases
of the earth and humanity from a spiritual-scientific perspective.
The Archetypal Human-Animal is both a valuable workbook for
painters and a fascinating insight into hidden aspects of human
evolution.
'How can our souls unite with the etheric Christ, experienced in
the etheric world since the end of the last century? What steps
should we take, in the second century of the age of Michael, to
unite with Him?' At the centre of humanity's evolution stands the
Mystery of Golgotha, through which the Christ impulse entered the
earth. Anthroposophy, said Rudolf Steiner, was given at the
beginning of the last century to prepare for the second major
Christ event - the etheric Second Coming - beginning in 1933. This
Event is the portal that leads to the mighty and transformative
happenings taking place in the etheric world right now, enabling us
to meet the etheric Christ, Michael and Anthroposophia. At the
heart of this book is an existential question. Early in his
anthroposophical work, Ben-Aharon came to realize that without the
light of spiritual science, the meeting with the etheric Christ
remained simply a personal experience. Likewise, without the new
life forces streaming from the etheric Christ, anthroposophy was
merely a body of knowledge, frozen in time. Both needed each other.
But how was that mutually-enlivening bridge to be built? Speaking
candidly of his personal spiritual path and inner struggles of
consciousness, Ben-Aharon tackles this fundamental dilemma as a
prelude to the forthcoming, second edition of his book The New
Experience of the Supersensible. Contents include: The Ur-Phenomena
of the Modern Christ Experience, Paul's Christ Experience and the
Birth of Christian Platonism; The Michaelic Yoga; The
Platonic-Aristotelian Essence Exchange at the End of the Twentieth
Century; The Meeting with the Etheric Christ; The Abyss and the
Event of the Threshold; The Knowledge Drama of the Second Coming;
The Meeting with Michael; The Meeting with Anthroposophia.
During the refounding of the Anthroposophical Society as the
General Anthroposophical Society at Christmas 1923/24, Rudolf
Steiner also reconstituted, as the School of Spiritual Science, the
Esoteric School he had led in three classes from 1904 to 1914, at
the same time extending its scope by adding artistic and scientific
Sections. However, owing to his illness and later death in March
1925, he was only able to make a beginning by establishing the
First Class and the Sections. The actual step from the Esoteric
School to the School of Spiritual Science was nevertheless an
exceptional one. The Esoteric School from Helena Blavatsky's time
had been secret. Its existence was known only to those personally
invited to participate. In contrast, the existence of the School of
Spiritual Science was stated openly in the public statutes of the
General Anthroposophical Society. From the Christmas Conference
onwards, Rudolf Steiner worked within this publicly acknowledged
framework. The Class Lessons comprise a complete spiritual course
of nineteen fundamental lessons given between February and August
1924, several lessons given at other locations, and seven further
lessons from September 1924 which take up the themes of the first
part of the nineteen lessons in a modified form. This authentic,
accurate and high-quality bilingual edition - with English and
German texts printed side by side - is published in conjunction
with the School of Spiritual Science at the Goetheanum. A compact
four-volume clothbound set, it features plates with Rudolf
Steiner's handwritten notes of the mantras and reproductions of his
original colour blackboard drawings. The translations of the
mantric verses have been reworked by a committed group of
translators, linguists and editors, expressing subtleties of
meaning, grammatical accuracy and poetic style whilst retaining the
original sound and metre of the German mantric forms. Three
versions of the existing English translations are also included.
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