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Books > Religion & Spirituality > Alternative belief systems > Syncretist & eclectic religions & belief systems > Post-renaissance syncretist / eclectic systems > Theosophy & Anthroposophy
In these much-valued lectures, Rudolf Steiner begins by positing
the question, 'Why investigate the spiritual worlds at all?' He
goes on to explore the contemporary need for spiritual knowledge
and the authentic paths that can lead to it. Speaking in Torquay,
England, at the International Summer School organized by his friend
and colleague D.N. Dunlop, Steiner surveys the differences in
various types of consciousness - from ancient to modern times, in
waking and dreaming, from space into time - and the changes that
have taken place in relation to knowledge and science in the course
of history. He goes on to discuss the Mystery nature of
crystallized minerals and metals such as copper and silver, and
their relationship to the planets. He also describes how the ages
of life can become organs of perception. In a dramatic conclusion
Steiner explains the role of moon beings, ahrimanic elemental
beings, and the true nature of mediumship, ectoplasm and spiritual
possession. Presented here in a fresh translation that corrects
many errors in previous editions, the text is complemented with
notes, an introduction by Paul King and an index. Lectures include:
'Nature is the Great Illusion. "Know Thyself"'; 'The Three Worlds
and their Reflected Images'; 'Form and Substantiality of the
Mineral Kingdom in relation to Human Levels of Consciousness'; 'The
Secret of Research into other Realms through the Metamorphosis of
Consciousness'; 'The Inner Enlivening of the Soul through the
Qualities of Metals'; 'Initiation Science'; 'Star Knowledge';
'Possible Aberrations in Spiritual Research'. (Eleven lectures,
11-22 Aug. 1924, GA 243)
From Joseph Vogelsang and his mysterious peep-box to Hollywood
blockbusters and Netflix, R.A. Savoldelli's survey of cinema and
film is based on practical experience - he was once the enfant
terrible of Swiss cinema - and years of contemplation and study. He
examines the difference between film as the 'hypnotic monster'
referred to by the Italian director Pier Paolo Pasolini, and the
art of film that Rudolf Steiner aspired to. The author depicts the
historical development of cinema from its origins, paying
particular attention to science fiction - from Star Wars to The
Matrix - and influential filmmakers such as Eric Rohmer, Andrei
Tarkovsky and Pasolini. As a scholar of anthroposophy, Savoldelli
gives a comprehensive assessment of Rudolf Steiner's attitude to
film. In addition to frequenting the silent cinema of his time,
Steiner made several statements about the new artform in his
lectures, letters and private discussions. The author examines and
interprets these and complements them with commentary on Steiner's
attempt to produce a film on the theme of reincarnation and karma
as well as his explorations with Jan Stuten of 'light-show art'.
Other topics in this penetrating study include: 'Basic
philosophical stances in the pioneer period of media studies';
'Steiner's prophetic warnings about a technocratic form of
civilization that will destroy humanity'; 'Nostalgia for the
art-house cinema that emerged in the 60s'; and 'The project
discussed by Alexander Kluge and Andrei Tarkovsky for a film based
on Rudolf Steiner's From the Akashic Records'. Anyone interested in
the cinematic arts will find a treasure of stimulating ideas and
new thought in this unique book.
'I wrote this book out of the needs I see at the present time. I
see diseases being translocated to others - humans or animals -
despite the good intentions of many therapists or doctors. The
diseases are translocated because they do not exist in energetic
patterns, but as expressions of spiritual beings. Energy and
energy-patterns only exist in the physical world, but in the
spiritual world there are only spiritual beings.' From ancient
times, all cultures have known of the spiritual phenomenon of
'translocation' - the movement of a pathological entity from one
human being to another, or from a human being to an animal. These
pathological entities are spiritual beings, known as 'demons' in
common parlance. Their translocation, says Are Thoresen, can take
place as a result of conventional Western medicine, but also from
the application of 'alternative' therapies such as homeopathy,
acupuncture and herbal medicine. In order to have a positive
therapeutic impact, Thoresen advises that practitioners, doctors
and veterinarians need to acquire a deep understanding of the
function and laws of pathological demonic entities and the means to
influence them. Using the Middle Point or Christ-force, it is
possible to transform - instead of simply translocating - the
negative spiritual aspects that are at work in contemporary
society. As the author states: 'I have written this book to try to
investigate these possibilities, and to give my fellow travellers
in spirit the insights, tools and ability to make such a change.'
What is the meaning of memory in the information age? When all
knowledge is seemingly digitised and available for reference at any
time, do we actually need human memory? One consequence of the
proliferation of digitization is the deterioration of our capacity
to remember - a symptom that is apparent in a steady increase in
dementia within contemporary society. Rudolf Steiner indicates that
memory is the determining factor in awareness of oneself. Even a
partial loss of memory leads to loss of self-consciousness and the
sense of our 'I'. Thus, memory is crucial for the development of
I-consciousness - not only for the individual, but for humanity as
a whole. Rudolf Steiner's research on memory, recollection and
forgetting has many implications for the way we learn, for inner
development and spiritual growth. This unique selection of passages
from his works offers insights into how consciousness can remain
autonomous and creative in a digital environment. It also provides
ideas for improving education and emphasizes the importance of
life-long learning. Chapters include: 'The Development of Memory
Throughout Human History'; 'The Formation of Memory, Remembering
and Forgetting in the Human Individual'; 'Remembering and
Forgetting in Connection with Education'; 'How Remembering and
Forgetting are Transformed by the Schooling Path - Imagination and
Inspiration'; 'Remembering Backwards (Ruckschau) and Memory
Exercises'; 'Subconscious Memories of the Pre-birth Period and of
Life Between Death and a New Birth'; 'Memory and Remembering after
Death'; 'The Development of Memory in the Future'.
Moral preaching cannot establish morality. Only by delving into the
hidden secrets of life can we find its moral sources. Humanity has
always manifested moral life. In ancient India, for instance,
morality lay in devotion to the spirit: in Europe, the cardinal
virtue was courage. To understand the relationship between these,
however, the evolution of consciousness must be taken into account.
Originally, morality was a gift of the gods, a part of human
nature, but errors, deviations, a falling away have occurred in the
course of evolution. Nevertheless, something divine still underlies
human nature. In this short, much-loved cycle of three lectures,
Rudolf Steiner, using the example of St. Francis of Assisi,
indicates the sources for the recovery of a living morality. In
ancient times, some version of the caste system ruled. Then the
Buddha came with his teaching of equality and compassion. This
teaching was particularly suited to Europe. And thus, "some
centuries into the Christian era," on the shores of the Black Sea,
an esoteric school was established where Buddha's teaching was
interpenetrated with the Christian impulse. Two streams flowed out
of this school: a more Buddhist stream of equality and brotherhood,
and a stream of Christic morality. St. Francis came from this
school, permeated by outer Christ forces. Rudolf Steiner explains
how the spiritual world was connected with his coming. St. Francis
exemplifies morality as the middle path. We see a warrior nature
transformed into the expression of mercy, compassion, and love.
Rudolf Steiner shows the transformation of the virtues through the
evolution of consciousness and, above all, through the incarnation
of Christ in the Mystery of Golgotha. Since then, morality - if it
is true morality - works to build up Christ's being. Therefore
Francis sought to live a Christ-like life, seeking an intense
personal relationship to Christ and the Cross.
At the young age of twenty-one, Rudolf Steiner was chosen to edit
Goethe's scientific writings for the principle Goethe edition of
his time. Goethe's literary genius was universally acknowledged; it
was Steiner's task to understand and comment on Goethe's scientific
achievements. Steiner recognized the significance of Goethe's work
with nature and his epistemology, and here began Steiner's own
training in epistemology and spiritual science. This collection of
Steiner's introductions to Goethe's works re-visions the meaning of
knowledge and how we attain it. Goethe had discovered how thinking
could be applied to organic nature and that this experience
requires not just rational concepts but a whole new way of
perceiving. In an age when science and technology have been linked
to great catastrophes, many are looking for new ways to interact
with nature. With a fundamental declaration of the interpenetration
of our consciousness and the world around us, Steiner shows how
Goethe's approach points the way to a more compassionate and
intimate involvement with nature.
Meditative reflection - the strengthening of thinking and feeling
through the will - is one of the main methods of experiencing
Anthroposophy. 'The best path to this goal', says Sergei
Prokofieff, 'is inner work with the Foundation Stone Meditation,
because this meditation is the quintessence of the whole of
Anthroposophy, given in meditatively inspired form by means of
earthly words.' Rudolf Steiner characterized the content of the
Foundation Stone Meditation as having been spoken by him 'out of
the will of the spiritual world', as 'verses heard from the Cosmic
Word'. Due to its spiritual-mantric form, its text represents the
characteristics of an archetype, and for that reason is a key to
the most diverse areas of world and human existence. Depending on
'which spiritual portal is opened with this key', explains Sergei
Prokofieff, 'one arrives at one result or another, and one and the
same line of the meditation becomes a reply to the most varied
questions'. Prokofieff applies the above method in this impressive
work, illuminating various dimensions of spiritual science in the
process. His research embraces, among other aspects, the
relationship of the Foundation Stone Meditation to the being
Anthroposophia, the spiritual hierarchies, human karma, the
Rosicrucian, Michaelic and Grail streams, the Mystery of Golgotha,
the two Jesus boys, the three spiritual sources of Anthroposophy,
and even the Constitution of the Anthroposophical Society.
'I rang the bell, the door opened, and there stood Rudolf Steiner
in person. I was so taken aback that I dropped the basket which
burst open and all my clothes and underclothes, together with my
other belongings, were lying at the feet of the Doctor. A ball of
wool got away and rolled between Dr Steiner's feet into the long
corridor. Somewhat surprised, but amused, he said: "I have never
been greeted in this way."' Anna Samweber (1884-1969), an active
coworker in Berlin with Rudolf Steiner and Marie Steiner-von
Sivers, presents a lively, homely, and often moving collection of
anecdotes and recollections. Recorded by Jacob Streit during an
intensive two-day session, this short work offers a warm,
illuminating and intimate picture of Rudolf Steiner, the man and
his work, during a critical phase in the development of
anthroposophy.
`I send you fondest thoughts on your birthday. On this day I will
think a lot of all the beautiful things which were, and are
contained in our work together, and which now always stand so
beautifully before my inner eye when I describe them. Let me assure
you that I write this description with love.' - Rudolf Steiner to
Marie Steiner, 13 March 1925 Containing all the correspondence
between Rudolf and Marie Steiner to be found in their respective
estates, this volume provides unique insight into the couple's
pivotal relationship. The years 1901-25 were a time of struggle, as
Rudolf Steiner - faithfully supported by the young Marie von Sivers
(later to become Marie Steiner in 1914) - endeavoured to build a
completely new spiritual movement on earth. Their letters cover
everything from the esoteric view of evolution and human
advancement to dealing with organizational details, challenging
personalities and, of course, their own relationship. In addition
to the correspondence, a number of documents have been inserted
chronologically throughout the text. The famous `notes' written by
Rudolf Steiner for Edouard Schure, for example, provide a unique
introduction to the volume, giving profound insights into the
development of the anthroposophical movement. Also included are the
many versions of Rudolf Steiner's will. Comprehensive notes are
provided, as well as an index of persons and an itinerary giving
dates of relevant lectures and eurythmy performances.
As a practising Christian priest, Hermann Beckh was profoundly
aware that the mystery of substance - its transmutation in the
cosmos and the human being - was a mystical fact to be approached
with the greatest reverence, requiring at once ever-deepening
scholarship and meditation. He viewed chemistry as a worthy but
materialistic science devoid of spirit, while the fullness of
spiritual-physical nature could be approached by what he preferred
to call 'chymistry' or 'alchymy', thereby taking in millennia of
spiritual tradition. In consequence, Beckh's Alchymy, The Mystery
of the Material World is not limited to the conventional workings
of Western alchemy, nor to what can be found in the Bible from
Genesis to Revelation - although he does unveil hidden riches
there. Neither should Beckh be considered only as a learned
Professor with impeccable academic qualifications and European-wide
recognition. Beckh writes about such topics as 'Isis', 'the Golden
Fleece', traditional fairy-stories and Wagner's Parsifal in a way
that enables the reader to catch glimpses of the Mystery of
Substance; to share the writer's authentic experience of the divine
substantia - the living reality - of Christ in the world. Beckh's
Alchymy set an entirely new standard, and went on to become his
most popular publication. This is the first time that it has been
translated into English, along with updated footnotes, making his
ideas and insights accessible to a wide readership. In addition,
this edition features translations of Beckh's 'The New Jerusalem',
where theology could best be expressed in verse; his exemplary
essay on 'Snow-white'; observations on 'Allerleirauh', and a
substantial excerpt from Gundhild Kacer-Bock's biography of Beckh.
`The study of music is the study of the human being. The two are
inseparable, and eurythmy is the art which brings this most clearly
to expression. In these lectures, Rudolf Steiner guides us along a
path toward an understanding of the human form as music comes to
rest - the movements of eurythmy bringing this music back to life.'
- Dorothea Mier `Fundamentally speaking, music is the human being,
and indeed it is from music that we rightly learn how to free
ourselves from matter.' - Rudolf Steiner The focus of these eight
lectures is the source of movement and gesture in the human being.
The movement in musical experience is thus traced back to its
origin in the human instrument itself. Like the degrees of the
musical scale, Rudolf Steiner leads his select audience of young
artists through eight stages, focusing on the living principles of
discovery and renewal. Eurythmy was born in the turbulent decades
of the early twentieth century. From an individual question as to
whether it was possible to create an art based on meaningful
movement, Rudolf Steiner responded with fresh creative
possibilities for a renewal of the arts in their totality. The new
art of eurythmy was an unexpected gift. Today, music eurythmy,
along with its counterpart based on speech, is practiced as an art,
taught as a subject in schools, enjoyed as a social activity and
applied as a therapy. This definitive translation of Steiner's
original lecture course on eurythmy includes a facsimile,
transcription and translation of the lecturer's notes, together
with an introduction and index. The volume is supplemented with an
extensive `companion', featuring full commentary and notes compiled
by Alan Stott, as well as a translation of Josef Matthias Hauer's
Interpreting Melos.
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