Winner of the Pulitzer Prize in 1974 and the culmination of a life's work, The Denial of Death is Ernest Becker's brilliant and impassioned answer to the 'why' of human existence. In bold contrast to the predominant Freudian school of thought, Becker tackles the problem of the vital lie - man's refusal to acknowledge his own mortality.

The book argues that human civilisation is a defence against the knowledge that we are mortal beings. Becker states that humans live in both the physical world and a symbolic world of meaning, which is where our 'immortality project' resides. We create in order to become immortal - to become part of something we believe will last forever. In this way we hope to give our lives meaning.

In The Denial of Death, Becker sheds new light on the nature of humanity and issues a call to life and its living that still resonates decades after it was written.

This book explores how predictive processing, which argues that our brains are constantly generating and updating hypotheses about our external conditions, sheds new light on the nature of the mind. It shows how it is similar to and expands other theoretical approaches that emphasize the active role of the mind and its dynamic function. Offering a complete guide to the philosophical and empirical implications of predictive processing, contributors bring perspectives from philosophy, neuroscience, and psychology. Together, they explore the many philosophical applications of predictive processing and its exciting potential across mental health, cognitive science, neuroscience, and robotics. Presenting an extensive and balanced overview of the subject, The Philosophy and Science of Predictive Processing is a landmark volume within philosophy of mind.

Aristotle's Topics is a handbook for dialectic, i.e. the exercise for philosophical debates between a questioner and a respondent. Alexander takes the Topics as a sort of handbook teaching how to defend and how attack any philosophical claim against philosophical adversaries. In book 3, Aristotle develops strategies for arguing about comparative claims, in which properties are said to belong to subjects to a greater, lesser, or equal degree. Aristotle illustrates the different argumentative patterns that can be used to establish or refute a comparative claim through one single example: whether something is more or less or equally to be chosen or to be avoided than something else. In his commentary on Topics 3, here translated for the first time into English, Alexander of Aphrodisias spells out Aristotle's text by referring to issues and examples from debates with other philosophical school (especially: the Stoics) of his time. The commentary provides new evidence for Alexander's views on the logic of comparison and is a relatively neglected source for Peripatetic ethics in late antiquity. This volume will be valuable reading for students of Aristotle and of the developments of Peripatetic logic and ethics in late antiquity.

Over the past few decades, a growing number of studies have highlighted the importance of the 'School of Salamanca' for the emergence of colonial normative regimes and the formation of a language of normativity on a global scale. According to this influential account, American and Asian actors usually appear as passive recipients of normative knowledge produced in Europe. This book proposes a different perspective and shows, through a knowledge historical approach and several case studies, that the School of Salamanca has to be considered both an epistemic community and a community of practice that cannot be fixed to any individual place. Instead, the School of Salamanca encompassed a variety of different sites and actors throughout the world and thus represents a case of global knowledge production. Contributors are: Adriana Alvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, Jose Luis Egio, Dolors Folch, Enrique Gonzalez Gonzalez, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.

Love him or hate him, you certainly can't ignore him. For the past twenty years, Australian philosopher and professor of bioethics Peter Singer has pushed the hot buttons of our collective conscience. In addition to writing the book that sparked the modern animal rights movement, Singer has challenged our most closely held beliefs on the sanctity of human life, the moral obligation's of citizens of affluent nations toward those living in the poorest countries of the world, and much more, with arguments that intrigue as often and as powerfully as they incite.

Writings On An Ethical Life offers a comprehensive collection of Singer's best and most provocative writing, as chosen by Singer himself. Among the controversial subjects addressed are the moral status of animals, environmental account-ablility, abortion, infanticide, euthanasia, and the ultimate choice of living an ethical life. This book provides an unsurpassed one-volume view of both the underpinnings and the applications of Singer's governing philosophy.

This volume brings together an unprecedented compilation of papers from esteemed Russian psychophysiologists, cognitive scientists, and neuroscientists. The contributors explain the disciplinary trajectories and theoretical foundations inspiring their experimental research, providing important intellectual contexts. Commentaries by editors Chris Forsythe and Gabriel Radvansky discuss the relationships between Russian, European, and American developments in cognitive science and neuroscience. This volume provides a detailed exposition of the distinctively Russian advances in neuropsychology and cognitive science from the late nineteenth century to the present.

When Michael Walzer's Spheres of Justice was published ten years ago, the front page of The New York Times Book Review hailed the work as "an imaginative alternative to the current debate over distributive justice". Now in Thick and Thin, Walzer revises and extends his arguments in Spheres of Justice, framing his ideas about justice, social criticism, and national identity in light of the new political world that has arisen in the past decade. Walzer focuses on two different but interrelated kinds of moral argument: maximalist and minimalist, thick and thin, local and universal. According to Walzer the first, thick type of moral argument is culturally connected, referentially entangled, detailed, and specific; the second, or thin type, is abstract, ad hoc, detached, and general. Thick arguments play the larger role in determining our views about domestic justice and in shaping our criticism of local arrangements. Thin arguments shape our views about justice in foreign places and in international society. The book begins with an account of minimalist argument, then examines two uses of maximalist arguments, focusing on distributive justice and social criticism. Walzer then discusses minimalism with a qualified defense of self-determination in international society, and concludes with a discussion of the (divided) self capable of this differentiated moral engagement. Walzer's highly literate and fascinating blend of philosophy and historical analysis will appeal not only to those interested in the polemics surrounding Spheres of justice but also to intelligent readers who are more concerned with getting the arguments right.

How to Critique Authoritarian Populism: Methodologies of the Frankfurt School offers a comprehensive introduction to the techniques used by the early Frankfurt School to study and combat authoritarianism and authoritarian populism. In recent years there has been a resurgence of interest in the writings of the early Frankfurt School, at the same time as authoritarian populist movements are resurging in Europe and the Americas. This volume shows why and how Frankfurt School methodologies can and should be used to address the rise of authoritarianism today. Critical theory scholars are assembled from a variety of disciplines to discuss Frankfurt School approaches to dialectical philosophy, psychoanalytic theory, human subjects research, discourse analysis and media studies. Contributors include: Robert J. Antonio, Stefanie Baumann, Christopher Craig Brittain, Dustin J. Byrd, Mariana Caldas Pinto Ferreira, Panayota Gounari, Peter-Erwin Jansen, Imaculada Kangussu, Douglas Kellner, Dan Krier, Lauren Langman, Claudia Leeb, Gregory Joseph Menillo, Jeremiah Morelock, Felipe Ziotti Narita, Michael R. Ott, Charles Reitz, Avery Schatz, Rudolf J. Siebert, William M. Sipling, David Norman Smith, Daniel Sullivan, and AK Thompson.

This second of a two-volume work provides a new understanding of Western subjectivity as theorized in the Augustinian Rule. A theopolitical synthesis of Antiquity, the Rule is a humble, yet extremely influential example of subjectivity production. In these volumes, Jodra argues that the Classical and Late-Ancient communitarian practices along the Mediterranean provide historical proof of a worldview in which the self and the other are not disjunctive components, but mutually inclusive forces. The Augustinian Rule is a culmination of this process and also the beginning of something new: the paradigm of the monastic self as protagonist of the new, medieval worldview. In the previous volume, Jodra gave us the Mediterranean backstory to Augustine's Rule. In this volume two, he develops his solution to socialism, through a kind of Augustinian communitarianism for today, in full. These volumes therefore restore the unity of the Hellenistic and Judaic world as found by the first Christians, proving that the self and the other are two essential pieces in the construction of our world.

Adam Smith's theory on morals provides the philosophical bedrock for his future works on economics, including his most famous book The Wealth of Nations. Published in 1759, this work sees Smith follow the lead of his tutor and mentor Francis Hutcheson. He divides his ethical examinations into four broad categories: ethics and virtue; private rights and natural liberties; rights of the family; and state and individual rights. Although lesser known compared to Adam Smith's later works, The Theory of Moral Sentiments is an influential work of philosophy in its own right, with the greatest effect being upon its author.

This collection brings together two of Schopenhauer's most respected works, wherein the philosopher shares his views on life and what he believes to be follies of human behavior. Writing with incisive poise and a great sense of humor, Schopenhauer introduces the various ideas present in his pessimistic philosophy. Holding the usual goals of life - money, position, material and sexual pleasures - in low regard, he explains how the cultivation of one's individuality and mind are far better pursuits, albeit those that most people neglect. Rather than simply criticize the state of humanity, Schopenhauer uses wit and lively argument to convince the reader of the value in his outlook. The practice of an ordinary life and career is thereby demonstrated as spiritually draining, in contrast to concentration upon a wise mind and strong body, plus a moderated or even ascetic approach to material things.

What does it mean to see time in the visual arts and how does art reveal the nature of time? Paul Atkinson investigates these questions through the work of the French philosopher Henri Bergson, whose theory of time as duration made him one of the most prominent thinkers of the fin de siecle. Although Bergson never enunciated an aesthetic theory and did not explicitly write on the visual arts, his philosophy gestures towards a play of sensual differences that is central to aesthetics. This book rethinks Bergson's philosophy in terms of aesthetics and provides a fascinating and original account of how Bergsonian ideas aid in understanding time and dynamism in the visual arts. From an examination of Bergson's influence on the visual arts to a reconsideration of the relationship between aesthetics and metaphysics, Henri Bergson and Visual Culture explores what it means to reconceptualise the visual arts in terms of duration. Atkinson revisits four key themes in Bergson's work - duration; time and the continuous gesture; the ramification of life and durational difference - and reveals Bergsonian aesthetics of duration through the application of these themes to a number of 19th and 20th-century artworks. This book introduces readers and art lovers to the work of Bergson and contributes to Bergsonian scholarship, as well as presenting a new of understanding the relationship between art and time.