Over two decades of turmoil and change in the Middle East, steered via the history-soaked landscape of Palestine. This new edition includes a previously unpublished epigraph in the form of a walk. When Raja Shehadeh first started hill walking in Palestine, in the late 1970s, he was not aware that he was travelling through a vanishing landscape. These hills would have seemed familiar to Christ, until the day concrete was poured over the flora and irreversible changes were brought about by those who claim a superior love of the land. Six walks span a period of twenty-six years, in the hills around Ramallah, in the Jerusalem wilderness and through the ravines by the Dead Sea. Each walk takes place at a different stage of Palestinian history since 1982, the first in the empty pristine hills and the last amongst the settlements and the wall. The reader senses the changing political atmosphere as well as the physical transformation of the landscape. By recording how the land felt and looked before these calamities, Raja Shehadeh attempts to preserve, at least in words, the Palestinian natural treasures that many Palestinians will never know.

In the first decades of the nineteenth century, no place burned more brightly in the imagination of European geographers - and fortune hunters - than the lost city of Timbuktu. Africa's legendary City of Gold, not visited by Europeans since the Middle Ages, held the promise of wealth and fame for the first explorer to make it there. In 1824, the French Geographical Society offered a cash prize to the first expedition from any nation to visit Timbuktu and return to tell the tale. Unwilling to trust in the slender chances of a lone explorer, the British sent several on their way. "The Race for Timbuktu" follows Major Alexander Gordon Laing's arduous trek across an unforgiving Sahara, battling unpredictable elements, crippling illness, vicious attacks - and the clock - to be the first white man in centuries to reach the gates of Timbuktu. In bringing Laing's dramatic story to life, Frank T. Kryza also provides a narrative history of the first phase of the colonization of Africa, which in less than a century would see nearly every square mile of the continent occupied by the nations of Europe.

In Downtown, Pete Hamill leads us on an unforgettable journey through the city he loves, from the island's southern tip to Times Square, combining a moving memoir of his days and nights in New York with a passionate history of its most enduring places and people.

Among the Believers is V. S. Naipaul's classic account of his journeys through Iran, Pakistan, Malaysia, and Indonesia; 'the believers' are the Muslims he met on those journeys, young men and women battling to regain the original purity of their faith in the hope of restoring order to a chaotic world. It is a uniquely valuable insight into modern Islam and the comforting simplifications of religious fanaticism. 'This book investigates the Islamic revolution and tries to understand the fundamentalist zeal that has gripped the young in Iran and other Muslim countries . . . He is a modern master.' - Sunday Times 'His level of perception is of the highest, and his prose has become the perfect instrument for realizing those perceptions on the page. His travel writing is perhaps the most important body of work of its kind in the second half of the century.' - Martin Amis, author of Time's Arrow.

The Inside Passage to Alaska, with its outer fringes and entailments, is a very complicated sea-route. Parts of it are open ocean, parts of it no wider than a modest river, and it has been in continuous use for several thousand years. Its aboriginal past - still tantalizingly close to hand - puts the inside passaged on terms of close kinship with the ancient sea of the Phoenicians and the Greeks. This book is much more than a book about a sea voyage; it is about Jonathan Raban's journey home to his father who is dying; about his crumbling relationship with his wife and also about the historical journey of the maddening Vancouver in his search for the North West Passage.

In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies-countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart's appearance with cries of "That is man " He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France's "routes nationales." And throughout he relates the ghastly episodes of the region's colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.

'One of the non-fiction books of the year.' Andrew O' Hagan A powerful, evocative and deeply personal journey into the world of missing people When Francisco Garcia was just seven years old, his father, Christobal, left his family. Unemployed, addicted to drink and drugs, and adrift in life, Christobal decided he would rather disappear altogether than carry on dealing with the problems in front of him. So that's what he did, leaving his young wife and child in the dead of night. He has been missing ever since. Twenty years on, Francisco is ready to take up the search for answers. Why did this happen and how could it be possible? Where might his father have gone? And is there any reason to hope for a happy reunion? During his journey, which takes him all across Britain and back to his father's homeland of Spain, Francisco tells the stories of those he meets along the way: the police investigators; the charity employees and volunteers; the once missing and those perilously at risk around us; the families, friends and all those left behind. If You Were There is the moving and affecting story of one man's search for his lost family, an urgent document of where we are now and a powerful, timeless reminder of our responsibility to others.

Carla Grissman spent the better part of a year in the '60s living in a farming hamlet in remote Anatolia, some 250 km east of Ankara. The hospitality, the friendship and the way in which the inhabitants of Uzak Koy accepted her into their community left a deep impression, and were remembered and treasured in a private memoir. Not for some forty years was it published, and yet it is one of the most honest, clear-sighted and affectionate portraits of rural Turkey, testimony to Proverbs 15:17, 'Better is a dinner of herbs where love is, than feasting on a fattened ox where hatred also dwells'.

Richard Hakluyt and Travel Writing in Early Modern Europe is an interdisciplinary collection of 24 essays which brings together leading international scholarship on Hakluyt and his work. Best known as editor of The Principal Navigations (1589; expanded 1598-1600), Hakluyt was a key figure in promoting English colonial and commercial expansion in the early modern period. He also translated major European travel texts, championed English settlement in North America, and promoted global trade and exploration via a Northeast and Northwest Passage. His work spanned every area of English activity and aspiration, from Muscovy to America, from Africa to the Near East, and India to China and Japan, providing up-to-date information and establishing an ideological framework for English rivalries with Spain, Portugal, France, and the Netherlands. This volume resituates Hakluyt in the political, economic, and intellectual context of his time. The genre of the travel collection to which he contributed emerged from Continental humanist literary culture. Hakluyt adapted this tradition for nationalistic purposes by locating a purported history of 'English' enterprise that stretched as far back as he could go in recovering antiquarian records. The essays in this collection advance the study of Hakluyt's literary and historical resources, his international connections, and his rhetorical and editorial practice. The volume is divided into 5 sections: 'Hakluyt's Contexts'; 'Early Modern Travel Writing Collections'; 'Editorial Practice'; 'Allegiances and Ideologies: Politics, Religion, Nation'; and 'Hakluyt: Rhetoric and Writing'. The volume concludes with an account of the formation and ethos of the Hakluyt Society, founded in 1846, which has continued his project to edit travel accounts of trade, exploration, and adventure.

For years Patricia Schultz has been telling us where to go-her 1,000 Places to See Before You Die (R) books and calendars have sold millions of copies to eager travelers looking to explore new destinations and round out bucket lists. Now, in a beautifully illustrated gift book that's filled with inspiration perfectly timed to meet the pent-up demand for travel, Patricia Schultz tells us why to go. Personal stories and anecdotes, quotes about travel, affirmations, ideas, and travel hacks-and stunning photographs throughout-Why We Travel comes at its subject from many directions, but all of them point to the same goal: Travel is one of the most richly rewarding experiences we can have. It is, as Pico Iyer says, the place where we stay up late, follow impulse and find ourselves as wide open as when we are in love. It is something we must do ourselves, since No one can explore the world for you. It forces us to go with the flow: When plan B doesn't work, move on in the alphabet. And it gives us so many memories. Patricia shares some of her most rewarding, like going on safari in Zambia and finding her most lasting memory in a classroom of five-year-olds.

"[An] unusual meditation on sex, death, art, and Jewishness. . . . Weber weaves in musings on his own sexual and religious experiences, creating a freewheeling psychoanalytic document whose approach would surely delight the doctor, even if its conclusions might surprise him." -New Yorker "Freud's Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired." -John Banville, author of The Sea and The Blue Guitar "This is an ingenious and fascinating reading of Freud's response to Signorelli's frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty." -Colm Toibin, author of Brooklyn and Nora Webster After a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorelli's frescoes the greatest artwork he'd ever encountered; yet, a year later, he couldn't recall the artist's name. When the name came back to him, the images he had so admired vanished from his mind's eye. This is known as the "Signorelli parapraxis" in the annals of Freudian psychoanalysis and is a famous example from Freud's own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues. What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freud's biography. As he sounds the depths of Freud's feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman. Freud's Trip to Orvieto is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes art's singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires. Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications.

First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

A collection of memorable voyages, from 17 celebrated women writers, including a 1700-mile trek across the Australian outback, through the splendour of Darwin's Galapogos, up to the startling heights of Pakistan's Indus Gorge and into the day-long darkness of a north Finland winter.

How I Accidentally Became a Global Stock Photo and Other Strange and Wonderful Stories is part memoir, part travelogue and part love letter. Shubnum Khan takes the reader on a journey around the world. Whether it is teaching children in a remote village in the Himalayas, attending a writers’ residency where the movie The Blair Witch Project was shot, getting pulled out of the ocean in Turkey or becoming a bride on a rooftop in Shanghai, Shubnum is quirky, moving and vulnerable in what she shares.

Shubnum offers an introspective reflection on what it means to be a woman, particularly a single Muslim woman in South Africa, trying to find herself in a modern world. The stories are drawn from her life journey, which has been full of unexpected twists and turns, and are interspersed with reflections on culture and religion as well as musings on family, relationships and love.

The Mindy Project meets Bridget Jones’s Diary with a side of Keeping Up With The Kandasamys, this is a book about holding onto hope and a reminder that once ‘you step off the edge, anything can happen’.

This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations. While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.

The land of the Iranians, known to European travelers for centuries as Persia, is a land riven by mountain-ranges, made inhospitable by deserts, yet rich in plains, forests and jewel-like gardens. Home to the most sublime architecture in the world, and a breeding ground for poets, Empires, Mystics and saints, it has an enduring and invincible fascination. David Blow enriches our understanding with his knowledgeable selection of the best of three thousand years of descriptive writing. He allows us to visit the courts of Cyrus and Xerxes, to ride out with the Parthians and Sassanians and to make a passing acquaintanceship with both the Shah and the late Ayatollah Khomeini, with Hafiz, and with Omar Khayyam.

Millstone Grit takes the form of a fifty mile walk through the West Riding and East Lancashire, exploring the industrial towns and moors. Glyn Hughes had grown up in the Cheshire countryside but on moving to the Pennines was deeply shocked by the impact of industry on the natural world; but over time he found beauty in its special landscapes and came to love the people who lived in them. In Millstone Grit the author investigates the specific culture of place - with chapters on Methodism and the Luddites, interviewing a millworker, examining the awakening of an urban working-class consciousness. Hughes is always observant, careful, poetic and no-nonsense, this new edition will find readers keen to rediscover his vision of the north.

Adventure writer Richard Grant takes on "the most American place on Earth" the enigmatic, beautiful, often derided Mississippi Delta. Richard Grant and his girlfriend were living in a shoebox apartment in New York City when they decided on a whim to buy an old plantation house in the Mississippi Delta. This is their journey of discovery into this strange and wonderful American place. Imagine A Year In Provence with alligators and assassins, or Midnight in the Garden of Good and Evil with hunting scenes and swamp-to-table dining. On a remote, isolated strip of land, three miles beyond the tiny community of Pluto, Richard and his girlfriend, Mariah, embark on a new life. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters, blues legend T-Model Ford, cookbook maven Martha Foose, catfish farmers, eccentric millionaires, and the actor Morgan Freeman. Grant brings an adept, empathetic eye to the fascinating people he meets, capturing the rich, extraordinary culture of the Delta, while tracking its utterly bizarre and criminal extremes. Reporting from all angles as only an outsider can, Grant also delves deeply into the Delta's lingering racial tensions. He finds that de facto segregation continues. Yet even as he observes major structural problems, he encounters many close, loving, and interdependent relationships between black and white families and good reasons for hope. Dispatches from Pluto is a book as unique as the Delta itself. It's lively, entertaining, and funny, containing a travel writer's flair for in-depth reporting alongside insightful reflections on poverty, community, and race. It's also a love story, as the nomadic Grant learns to settle down. He falls not just for his girlfriend but for the beguiling place they now call home. Mississippi, Grant concludes, is the best-kept secret in America.

Do you love trains? Do you love adventure? If so, join Tom Chesshyre on his meandering rail journey across Europe from London to Venice. Escaping the rat race for a few happy weeks, Chesshyre indulges in the freedom of the tracks. From France (dogged by rail worker strikes), through Belgium, the Netherlands, Germany and Poland, he travels as far east as Odessa by the Black Sea in Ukraine. With no set plans, simply a desire to let the trains lead the way, he heads back via Hungary, the Balkans and Austria. Along the way he enjoys many an encounter, befriending fellow travellers as well as a conductor or two. This is a love letter to Europe, written from the trackside.

Mary Montagu was one of the most extraordinary characters in the world. She was a self-educated intellectual, a free spirit, a radical, a feminist but also an entitled aristocrat and a society wit with powerful friends at court. In 1716 she travelled across Europe to take up residence in Istanbul as the wife of the British ambassador. Her letters remain as fresh as the day they were penned: enchanted by her discoveries of the life of Turkish women behind the veil, by Arabic poetry and by contemporary medical practices - including inoculation. For two years she lovingly observed Ottoman society as a participant, with affection, intelligence and an astonishing lack of prejudice.

There's never been a better time to live on this planet London - the Jolly Pilgrim sets off on a bicycle ride to Istanbul, planning a rendezvous with the girl he wants to marry. Eighteen months later and halfway around the world, following hospitalisations, financial meltdown, torment and heartbreak, he goes to live as a hermit in South America, to explore a bunch of ideas about humanity's place in the universe. He swims the Bosporus and works in a drag club, hitchhikes across Australia and dances salsa in an Ecuadorian prison, experiences rapture and revelation amidst talismanic historical and religious sites, endures love, voyeurism, bees, ants, sex, drugs, rock 'n' roll and in response, conceives a message of hope for civilisation. Part adventure story, part reflection on the state of our species, this profoundly uplifting, real-life odyssey ends with a call-to-arms for the human race to be more honest about itself. It's time to think bigger Welcome to enlightenment 2.0

"Spots of a leopard - on being a man" is a quest to discover the meaning of life in this day and age. When internationally acclaimed journalist Aernout Zevenbergen moved to Kenya in 1997, he had no idea how deeply his encounters with joy and sorrow in Africa would effect him. Writing about the most inspiring as well as the most disconcerting facets of life, Zevenbergen goes onto a subtle journey of self-discovery. What is love? If it takes a village to raise a child, does it also take a village to bury one? How does romance play a role in our lives? When is a man considered to be a good father? Can friendship conquer loneliness? What gives strength and inspiration when the going gets tough? Zevenbergen discusses these questions with a wide variety of men; from truckers to bikers, from paupers to presidents, from warriors to widowers. 'We are leopards wiping away their spots.' The author asks questions few have dared to ask men. Faced with their honesty, the author finds the courage to finally grow up as well. === Matthew Fox (author of 'The Hidden Spirituality of Men'): 'Your story telling is very powerful and moving and altogether creates a tapestry that gets one thinking strong thoughts and asking important questions.' The Weekender: 'Zevenbergen has a true talent for getting people to open up and speak their hearts' Cape Argus: 'Wordsmith: Aernout Zevenbergen has written beautifully crafted essays' Jury report Dick Scherpenzeel Foundation: 'He portrays in an extremely skillful way the face of traditions-in-flux.' Olivia Umurerwa Rutazibwa - politics.be: 'By voicing his own doubts and questions and by openly reflecting upon his own life, the journalistic stories get a beautiful human face.' Biblion: 'An extremely well written work on a topic for which there has been little attention.'