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Books > Music > Other types of music > Vocal music
for SSAATTBB unaccompanied This is a truly beautiful addition to the Christmas repertory, setting a specially commissioned poem by Charles Bennett. The flexible metre creates a sense of movement, while the luscious harmonies and often-homophonic textures provide an anchor to the choral writing. The Rose in the Middle of Winter will appeal to all mixed-voice choirs looking for a poignant centrepiece for a Christmas concert or service.
for SATB and piano Following the success of the upper-voice version, Chilcott has arranged the beautiful Like a Singing Bird for mixed choir. Combining texts by Christina Rossetti and Robert Burns, this version retains the upper-voice opening of the original, with the latter section being expanded into mixed-voice harmony.
for SATB (with divisions) unaccompanied Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic motifs, sections requiring precise articulation, and full homophonic climaxes. An exciting challenge for established choirs!
for SATB unaccompanied This lively and uplifting carol sets a joyful fifteenth-century Christmas text by James Ryman. The music is rhythmic and powerful, with moments of rich and vibrant harmony offset by the strong, fanfare-like Latin refrain.
for SATB and organ The four motets in this set are adapted from Bob Chilcott's large-scale choral work, Salisbury Vespers, which was premiered in Salisbury Cathedral in May 2009. Setting a variety of early Marian texts, the set includes the gentle and expressive 'I sing of a mayden' and the fervent 'Hail, Star of the sea most radiant'. Re-scored for SATB and organ, the motets will be welcomed by choirs of all sizes looking for a more intimate introduction to Chilcott's magnificent landmark work. The motets can be performed as a set or individually, and are suitable for concert and liturgical use. Accompaniments for instrumental ensemble or for brass and organ are available to hire separately for each of the accompanied motets.
for SATB and harp or piano This delightful choral work brings together arrangements of four well-loved folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Spring', and 'O, No John!'. A joyful celebration of youthful love and courtship, A Fancy of Folksongs bears all the hallmarks of Cecilia McDowall's appealing and popular style: rhythmic vitality, occasional astringent harmonies, and strong melodies, all brought together to create a distinctive and fresh sound. A Fancy of Folksongs can be accompanied by piano or harp (harp part available separately), and it is sure to be an instant hit with all lovers of McDowall's music. Vocal scores and harp part are available on sale and on hire/rental.
for soprano and tenor solo, SATB chorus, and orchestra or small ensemble Following the success of Salisbury Vespers, Bob Chilcott further explores the large-scale liturgical genre with his solemn yet uplifting Requiem. Setting words from the Missa pro defunctis and the Book of Common Prayer, the work gives a new slant to established texts: a beautiful setting of 'Thou knowest, Lord' sits alongside the powerful 'Offertorio', driving 'Sanctus', and enchanting 'Pie Jesu'. Deserving of a place among the canon of previous settings, Chilcott's Requiem is an elegy for the modern day. Accompaniments for orchestra and small ensemble are available on hire, and the piano reduction in the vocal score may be adapted for performance on the organ.
for unison voices and piano The central piece in Three Children's Songs, this setting of words by Frances Farrer is charming and lively. Having sung about the various professions to be pursued by their peers, the young choir proclaim their love of singing in a joyful chorus.
for flexible voices in one or two parts, with optional mixed-voice choir and piano or organ or chamber orchestra Due to popular demand, this tuneful carol is being made available as a separate choral publication. Setting a text by Timothy Dudley-Smith, the piece is characterized by a strong, memorable melody and warm harmonies. The choral leaflet preserves the flexible scoring of the original (first published in The Oxford Book of Flexible Carols), making it accessible to choirs of all types and sizes.
for SSATB unaccompanied First performed by the choirs of St Paul's, Westminster Cathedral, and Westminster Abbey, this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas, well-placed astringent harmonies, and a strong modal feel. Ideal for cathedral and other church choirs. Pronunciation guide and modern rendition of the text included.
for SATB with divisions and piano This secular text, written by Edgar Allen Poe, is fanciful, calling into question whether reality is a dream, or even a dream within a dream. The music is lush and has a subtle hint of popular harmonies alongside well-written choral lines and an accessible piano part. This would be perfect material for a good secondary school choir.
for SATB and piano or orchestra Known for his arrangements of Christmas carols, given his high exposure as Director of the Mormon Tabernacle Choir, Mack Wilberg has created a new carol arrangement of Adam Adolphe's O Holy Night for mixed choirs. The piece has been arranged in the accessible key of D-flat major along with Wilberg's signature lush textures, which maintain the warm, rich, and dramatic qualities found in this famous carol. Included underneath the English is the French text for those choirs wishing to sing in the original language. Orchestral material is available on rental.
for mixed-voice choir
for SATB and piano or orchestra
for SATB and piano, piano three-hands, and organ or orchestra
for unaccompanied SSATB choir (with optional soprano solo) Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and will appeal to experienced choirs looking for a unique addition to the Christmas repertory.
for SA and piano with body percussion This fun, raucous, and traditional Canadian sea-shanty is arranged for SA, piano, handclaps, thigh slaps, and foot stomps and has wonderful Canadian imagery: Were you ever in Quebec stowing timber on a deck? The piano part is easy to play and the vocal lines are a delight to sing. This title from the Oxford Music from Canada series is a perfect fit for school choirs.
for SATB unaccompanied Setting a contemporary poem by Kevin Crossley-Holland, The Heart-in-Waiting is a rich, expressive carol with sonorous chords and a deep, rich sound. Ideal for mixed-voice choirs looking for an evocative addition to the Christmas repertory.
for SATB and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences and exciting climax, all in a lilting swing. A version for upper voices is also available.
The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each carol is presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers. With a fabulous range of accessible, quality material, including traditional favourites and carols written specially for the collection, this is a must-have for all choirs at Christmas.
The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each carol is presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers. With a fabulous range of accessible, quality material, including traditional favourites and carols written specially for the collection, this is a must-have for all choirs at Christmas.
for SATB unaccompanied Out of the depths is a reflective, homophonic, and beautifully written work. The choral parts are very accessible, yet the resulting sound is rather sophisticated and thoughtful. This setting of Psalm 130 is suitable throughout the liturgical year, but would be particularly effective during Lent and other reflective occasions.
for SATB and piano four-hands or orchestra Written as a processional, the setting has brief musical interludes perfect for the entrance of a choir and clergy in a Christmas service. The energy and excitement built into this bouyant arrangement draws the listener in as it bounces from key to key with growing anticipation for a fantastic program (or service) of Christmas music! |
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