for SATB and organ or brass ensemble This rousing Jubilate was written in 2009 for Matthew Owens and the choirs of Wells Cathedral as a companion piece to the composer's Winchester Te Deum; it has the same instrumentation. With its strong melody and rich textures and harmonies, this work will prove immensely popular with all lovers of Rutter's music. An accompaniment for brass ensemble is available on hire.

for mixed-voice choir
This second book of anthems by Bob Chilcott assembles pieces in a wonderful range of styles and moods. The anthems have been carefully selected to be both approachable to a wide range of choirs and appropriate to the needs of today's liturgy. An indispensable addition to any choir library.

for SATB and piano four-hands or orchestra Written as a processional, the setting has brief musical interludes perfect for the entrance of a choir and clergy in a Christmas service. The energy and excitement built into this bouyant arrangement draws the listener in as it bounces from key to key with growing anticipation for a fantastic program (or service) of Christmas music!

for unaccompanied SSATB choir (with optional soprano solo) Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and will appeal to experienced choirs looking for a unique addition to the Christmas repertory.

for SSSAAA unaccompanied Published for the very first time, this is a beautiful arrangement of the old German tune 'Lasst uns das Kindlein Wiegan', setting words adapted from an old Scots poem by Ursula Wood. With flowing contrapuntal lines and characteristic harmonies, O my dear heart will be popular with all upper-voice choirs.

for equal voices in 4 parts
This unaccompanied carol is scored for four equal parts and comprises a sequence of three rounds. Rhythmic and engaging, this carol demonstrates the distinctive clarity of Skempton's musical language. It will particularly appeal to good chamber choirs.

for SATB unaccompanied I saw three ships is a lively setting of the traditional English text for unaccompanied mixed voices. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually builds to a forte last verse complete with chiming bells. Accessible and fun to sing, this would be an enjoyable addition to any carol concert.

for SATB unaccompanied Setting a contemporary poem by Kevin Crossley-Holland, The Heart-in-Waiting is a rich, expressive carol with sonorous chords and a deep, rich sound. Ideal for mixed-voice choirs looking for an evocative addition to the Christmas repertory.

for SATB and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences and exciting climax, all in a lilting swing. A version for upper voices is also available.

for SATB and organ The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Chesterton, it is highly original yet approachable, and develops the opening melodic motif to provide a sense of cohesion throughout the piece.

for SATB accompanied and unaccompanied This series brings together anthems and carols by some of Oxford's leading choral composers, including John Rutter, Bob Chilcott, Andrew Carter, Mack Wilberg, and Alan Bullard. Together, these collections offer a kaleidoscope of musical styles and texts, including unique arrangements of popular classics alongside some of the composers' finest original works to date. Previously published under the title 'Gaudete!', this collection of ten exciting carol arrangements has been re-covered to complement Bob Chilcott's first Christmas choral anthology, Bob Chilcott Carols 1. From the simple, understated beauty of 'Away in a manger' to the exuberant jazz waltz version of 'We wish you a merry Christmas', this volume takes a fresh look at classics of the Christmas repertoire. Orchestral material is available on hire for the accompanied pieces.

for chorus, chamber choir, and children's choir, or large divisi chorus, with orchestra and organ or brass ensemble and organ. Showcasing Chilcott's exceptional talent for large-scale choral writing, Salisbury Vespers pays homage to this most ancient of services, combining settings of the traditional Vespers psalms with anonymous early texts and words from the Sarum Primer of 1516. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the Magnificat, using the plainsong melody from the same section in Monteverdi's Vespers of 1610. With driving rhythms, passages of reflective contemplation, and expansive, powerful textures, this is sure to become a mainstay of the modern choral repertory for years to come. Written for large mixed choir, chamber choir, and children's choir, Salisbury Vespers could equally be performed by a large mixed choir, with the parts for chamber choir and children's choir being sung by smaller sections taken from within the large choir. Vocal scores are available on sale and on hire/rental.

for SATB and organ or brass quartet and timpani Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts available separately). The sound is majestic and declamatory, just as one would expect from an Easter fanfare, with a hint of modal harmony, resulting in a strong and accessible Eastertide anthem.

This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and traditions, Jackson here has created a work which embraces a wide-ranging perspective on human mortality. Each movement is given a different character and musical style, and the result is a unique, sublime work which cannot fail to impress. Vocal scores are available on sale and on hire/rental.

for SATB and piano or orchestra This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings, while the piano part complements the vocal lines with rich, luscious harmonies. An accessible and enjoyable option for mixed choirs. Orchestral material is available on hire.

for SATB and piano or orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for unison or SSA is also available. Orchestral material is available on hire.

for S or SSA and piano or chamber orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for SATB is also available. Orchestral material is available on hire.

for SATB and piano four-hands or orchestra Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on rental.

for SATB accompanied and unaccompanied
Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favorite, most requested songs from their workshops, while trying to represent a wide spectrum of Africas regions and cultural practicessongs of spirituality, religion, community, work, and play from Nigeria, Ghana, Congo, Benin Republic, South Africa, Namibia, Gambia, and others. The result is Songs of Africa, a user-friendly resource that will satisfy the hunger for new, diverse choral repertoire. As a performance aid, this exciting collection also includes a pronunciation guide, notes on performance practice and cultural context, and, where accompaniment is needed or suggested, some accessible percussion charts.

for SATB choir, soprano solo, mezzo-soprano solo, and chamber orchestra or piano McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, Magnificat is ideal for SATB choirs seeking fresh and inspiring new repertoire suitable for church or concert use. Instrumental parts and vocal scores are available on hire/rental.

for SATB and organ This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody, floating soprano descant, and mellifluous closing 'Amen' make this a setting of great beauty.