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Books > Music > Other types of music > Vocal music
SATB chorus and orchestra Pulsating rhythms underpin this energetic
arrangement of a traditional spiritual. The voice parts progress
from a forthright rendition of the famous tune at the beginning to
bold and exciting harmonies by the end. The arrangement would
provide a high-spirited and rousing climax for any Christmas
concert.
for SATB and organ or small orchestra Christmas Lullaby was
commissioned in 1989 by the Bach Choir in celebration of the
seventieth birthday of its conductor, Sir David Willcocks. The
haunting melody of the verses and the reflective refrain of 'Ave
Maria' have made this an immensely popular carol. This set contains
the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc,
1 x db.
This collection presents fifteen of the finest and best-loved
sacred carols and Christmas hymns, which can be sung as a set (to
form a complete Christmas service or concert), separately, or with
certain pieces taken out to suit the needs of a particular service
or concert. Scores and parts for all of the instrumental
accompaniments are available on hire individually and as a set,
with scores and parts for several accompaniments also available on
sale. Pieces from this collection available as separate leaflets: O
come all ye faithful; Joy to the world; Away in a Manger; Silent
Night; Rise up shepherd, and follow; Three Kings of Orient; Bring a
Torch.
for SATB chorus and orchestra This arrangement for choir and
orchestra of a traditional American spiritual conjures a deep
fervency, belying its simple appearance. The opening instruction is
'With hushed awe', and that encapsulates perfectly the gentle
radiance of the tender lyrics and the music's highly singable
lines.
This collection features thirteen much-loved Christmas hymns and
sacred carols in appealing arrangements by John Rutter. It may be
performed as sequence (with or without readings and prayers),
forming a complete Christmas service or concert, or the pieces may
be performed individually. Scores and parts for instrumental
accompaniments to the individual pieces are available on sale.
Several pieces from this collection available as separate leaflets:
Ding dong! merrily on high; O Holy Night; Joy to the world!; Go,
tell it on the mountain.
for mezzo-soprano solo, mixed choir, and orchestra or chamber
ensemble Feel the Spirit is a cycle of seven familiar spirituals,
expertly arranged by John Rutter. Equally suitable for concert,
school, or church use, the vivid and expressive arrangements can be
performed individually, or as a complete cycle that showcases the
rich heritage of the spiritual. The work brings new life to such
well-loved titles as Steal away, I got a robe, and When the saints
go marching in.
for SATB (with divisions) and small orchestra Set of parts for
Rutter's arrangement of this popular French carol. This
accompaniment is compatible with both the JRAE vocal score and the
Joy to the world! collection. This set contains the following
string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db.
Photocopies of these parts may be made as required for use by
choirs, orchestras, and groups within the purchaser's institution
only.
for SATB and piano, or brass quintet, timpani, and organ Chilcott's
four-movement setting of the Latin Gloria will be welcomed by
choirs looking for an uplifting and jubilant concert work. The
driving 'Gloria in excelsis Deo' features syncopated rhythms and an
upper-voice semi-chorus part in the 'Et in terra pax' section,
which can be taken from the main choir. The tender yet majestic
'Domine Deus' leads into the lyrical 'Qui tollis peccata mundi',
with interweaving melodic lines that express the solemnity of the
text. Finally, the dancing 'Quonium tu solus sanctus' keeps singers
on their toes with its upbeat tempo and lively cross-rhythms,
culminating in exultant 'Amen's for a suitably exhilarating ending.
for upper voices, optional narrator, and piano or strings and piano
Five Shakespeare Songs brings together the work of the late Sir
David Willcocks ('England's choir master') and the Bard, in a suite
of well-loved upper-voice pieces with favourite texts, optional
readings, and music of unsurpassed charm. With accompaniments for
piano or for strings and piano, the songs can be performed with a
newly discovered accompaniment for piano quintet. The effect is a
concert piece worthy of the world's stage.
for SSATB and piano or chamber orchestra This gentle arrangement of
Will L. Thompson's words and melody (1880) is ideal for mixed-voice
choirs of all levels of experience. The melody is sympathetically
treated, with simple vocal harmonizations alongside unison singing,
reflecting the humble message of the text: 'Jesus is calling, come
home'. The accompaniment, for piano or small orchestra, creates a
lush bed of sound over which the voices resonate.
for SATB and piano or orchestra Dances of Time is a diverse
collection of five choral songs addressing different aspects of
time. Texts ranging from biblical to twentieth century are set to
Chilcott's attractive and characterful music, drawing on elements
of dance forms in various styles. The work opens with a rhythmic
setting of Henry VIII's famous text 'Pastime with good company',
before the contrastingly wistful and reflective 'Today'. The carpe
diem sentiment of 'Gather ye rosebuds' is heightened through its
setting as a lively jig, and in 'To every thing there is a season'
a central section presents the paired images of the text from
Ecclesiastes, enclosed by almost hymn-like outer segments. The
infectiously positive 'Life has loveliness' sums up the overall
message of the collection: despite the passing of time, we can
celebrate the present through music and singing.
for SSATB (with divisions) unaccompanied In Christus est stella,
Will Todd sets words by the Venerable Bede, which are also found
inscribed above Bede's tomb in the Galilee Chapel of Durham
Cathedral. Featuring the original Latin text intertwined with an
English translation, the piece is homophonic and by turns ecstatic
and calmly contemplative. It is particularly suitable for All
Saints, All Souls, and Remembrance Day, as well as for funerals.
Christus est stella was originally published in the collection
Cantica Nova.
The B-minor Mass has always represented a fascinating challenge to
musical scholarship. Composed over the course of Johann Sebastian
Bach's life, it is considered by many to be the composer's greatest
and most complex work. The fourteen essays assembled in this volume
originate from the International Symposium 'Understanding Bach's
B-minor mass' at which scholars from eighteen countries gathered to
debate the latest topics in the field. In revised and updated form,
they comprise a thorough and systematic study of Bach's Opus
Ultimum, including a wide range of discussions relating to the
Mass's historical background and contexts, structure and
proportion, sources and editions, and the reception of the work in
the late eighteenth and early nineteenth centuries. In the light of
important new developments in the study of the piece, this
collection demonstrates the innovation and rigour for which Bach
scholarship has become known.
for SATB and piano or strings The Marriage of True Minds is an
emotive setting of Shakespeare's Sonnet 116, a favourite text for
weddings. Chilcott presents two distinct musical characters: the
music for the first quatrain is warm, passionate, and optimistic,
featuring changing metres and rich harmonies, while the music for
the second and third quatrains is contemplative yet resolute,
featuring running triplets in the accompaniment. The closing
couplet is a fusion of both characters, leading to a heartfelt,
touching finale. An accompaniment for strings is available on
hire/rental.
for SSAA unaccompanied This heartfelt setting of words by the
composer begins with a pianissimo drone over which the sopranos
introduce the expressive melody. With lush harmonies, moments of
dynamic intensity, and an overriding sense of awe, it would make an
ideal centrepiece for a Christmas or Epiphany concert or service. A
version for SATB is also available.
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