From Hope to Horror: Diplomacy and the Making of the Rwanda Genocide examines Joyce E. Leader's time in the struggling state of Rwanda during the early 1990s, documenting the challenges and troubling disruptions that the transitioning society faced, including violence as prospective changes unleashed deep-seated social cleavages. As diplomat at the United States embassy in Kigali, Leader depicts her firsthand account of Rwanda's descent from the prospect of democracy and peace into horrific genocide. From a field perspective, From Hope to Horror follows the political quest to maintain or gain power that ultimately unleashed a three-way struggle leading to deep geographic and ethnic divisions in Rwandan society. Political wrangling played out against a background of ever-escalating violence while U.S diplomacy pushed for a democracy and peace without realizing its own contribution to the violent backlash from those whose power and privilege would be diminished due to U.S policies if this democracy was reached. Violence escalated with each step forward in either democracy or peacemaking until genocide enveloped the country, ending in the brutal slaughter and traumatizing of millions. Leader explores the ways in which the United States ultimately failed Rwanda by neglecting the unintended consequences of its policies in support of democratization and peacemaking. While Part 1 of From Hope to Horror documents the unfolding of pre-genocide Rwanda, Part 2 marks lessons learned that diplomacy must take under consideration to be more effective at preventing, mitigating, and managing conflicts to avert genocide. This firsthand account of the political dynamics inside Rwanda before the genocide will not only fill a gap in the literature but will also contribute to a dialogue among diplomats and students of genocide and conflict resolution about U.S. policy in transitioning societies and the importance of making conflict prevention a diplomatic and foreign policy priority.

Why is it that Catholics and Protestants in Northern Ireland have been in perpetual conflict for thirty years when they can live and prosper together elsewhere? Why was there a bloody civil war in Bosnia and Herzegovina when Croats, Serbs, and Muslims had lived peacefully side-by-side for decades? Why did nobody see and act upon the early warning signs of genocide in Rwanda that eventually killed close to a million people in a matter of weeks? What is it that makes Kashmir potentially worth a nuclear war between India and Pakistan?
In Ethnic Conflict, Stefan Wolff draws upon eye witness testimonies, reports by Human Rights organizations, theories of conflict and conflict management, and his own long experience in working to resolve ethnic conflict to offer compelling answers to these questions. In recent years hardly a day has gone by when ethnic conflict in some part of the world has not made headline news. The violence involved in these conflicts continues to destabilize entire regions, hamper social and economic development, and cause unimaginable human suffering. Wolff goes beyond superficial media coverage of these crises to illuminate the broad similarities between ethnic conflicts around the world and to engage the fundamental question underlying them all: why do nationalism and ethnicity still have such terrible power to turn neighbor against neighbor? Wolff also explores the crucial-and growing-links between ethnic conflict and other security challenges, such as terrorism and organized crime.
No issue is more pressing in the world today than the ongoing and seemingly intractable tragedy of ethnic conflict. Stefan Wolff's new book sheds vitally important new light onboth the causes and the potential solutions to one of humanity's darkest behaviors.

How can human beings kill or brutalize multitudes of other human beings? Focusing particularly on genocide, but also on other forms of mass killing, torture, and war, Ervin Staub explores the psychological, cultural, and societal roots of group aggression. He sketches a conceptual framework for the many influences on one group's desire to harm another: cultural and social patterns predisposing to violence, historical circumstances resulting in persistent life problems, and needs and modes of adaptation arising from the interaction of these influences. Such notions as cultural stereotyping and devaluation, societal self-concept, moral exclusion, the need for connection, authority orientation, personal and group goals, "better world" ideologies, justification, and moral equilibrium find a place in his analysis, and he addresses the relevant evidence from the behavioral sciences. Within this conceptual framework, Staub then considers the behavior of perpetrators and bystanders in four historical situations: the Holocaust (his primary example), the genocide of Armenians in Turkey, the "autogenocide" in Cambodia, and the "disappearances" in Argentina. Throughout, he is concerned with the roots of caring and the psychology of heroic helpers. In his concluding chapters, he reflects on the socialization of children at home and in schools, and on the societal practices and processes that facilitate the development of caring persons, and of care and cooperation among groups. A wide audience will find The Roots of Evil thought-provoking reading.

From events at Nuremberg and Tokyo after World War II, to the recent trials of Slobodan Milosević and Saddam Hussein, war crimes trials are an increasingly pervasive feature of the aftermath of conflict. In his new book, Law, War and Crime, Gerry Simpson explores the meaning and effect of such trials, and places them in their broader political and cultural contexts. The book traces the development of the war crimes field from its origins in the outlawing of piracy to its contemporary manifestation in the establishment of the International Criminal Court in The Hague.

Simpson argues that the field of war crimes is constituted by a number of tensions between, for example, politics and law; local justice and cosmopolitan reckoning; collective guilt and individual responsibility; and between the instinct that war, at worst, is an error, and the conviction that war is a crime.

Written in the wake of an extraordinary period in the life of the law, the book asks a number of critical questions. What does it mean to talk about war in the language of the criminal law? What are the consequences of seeking to criminalise the conduct of one's enemies? How did this relatively new phenomenon of putting on trial perpetrators of mass atrocity and defeated enemies come into existence? This book seeks to answer these important questions whilst shedding new light on the complex relationship between law, war and crime.

Over the past 25 years, Rwanda has undergone remarkable shifts and transitions: culturally, economically, and educationally the country has gone from strength to strength. While much scholarship has understandably been retrospective, seeking to understand, document and commemorate the Genocide against the Tutsi, this volume gathers diverse perspectives on the changing social and cultural fabric of Rwanda since 1994. Rwanda Since 1994 considers the context of these changes, particularly in relation to the ongoing importance of remembering and in wider developments in the Great Lakes and East Africa regions. Equally it explores what stories of change are emerging from Rwanda: creative writing and testimonies, as well as national, regional, and international political narratives. The contributors interrogate which frameworks and narratives might be most useful for understanding different kinds of change, what new directions are emerging, and how Rwanda's trajectory is shaped by other global factors. The international set of contributors includes creative writers, practitioners, activists, and scholars from African studies, history, anthropology, education, international relations, modern languages, law and politics. As well as delving into the shifting dynamics of religion and gender in Rwanda today, the book brings to light the experiences of lesser-discussed groups of people such as the Twa and the children of perpetrators.

When the tyrannical Saddam Hussein was captured in 2003, the war in Iraq was in a precarious position. A provisional government had been assembled, but the Iraqi government was not yet recognized as sovereign. They were now expected to put their most infamous citizen on trial for war crimes. Called into duty at this moment was Rear Admiral Greg Slavonic, who was tasked with facilitating U.S. media presence at the arraignment which would establish the judicial framework for future tribunals. Admiral Slavonic was party to the historic US-Iraqi Transfer of Sovereignty and then as the senior military officer in the Iraqi courtroom where he was one of fifteen individuals to witness the historic event. As the senior military officer in the room with fifteen other observers, he managed a challenging pool of media jockeying for access for this once in a career story and plus served as advisor to the Iraqi judge on various media issues. Slavonic's first-hand narrative of a unique moment in military history features never-before-seen transcripts of Saddam Hussein's trial. For the first time, readers can read how Saddam responded to his charges, along with eleven of Hussein's closest advisors and cabinet members who were arraigned that day, and several charged with war "crimes against humanity". This would be the last time all twelve men would be together again who were responsible for the deaths of over several million fellow Iraqi citizens. This book expands our examination of difficult wars and chronicles the legal reckoning and downfall of a tyrant.

Of all the horrors of the last century--perhaps the bloodiest century of the past millennium--ethnic cleansing ranks among the worst. The term burst forth in public discourse in the spring of 1992 as a way to describe Serbian attacks on the Muslims of Bosnia-Herzegovina, but as this landmark book attests, ethnic cleansing is neither new nor likely to cease in our time.

Norman Naimark, distinguished historian of Europe and Russia, provides an insightful history of ethnic cleansing and its relationship to genocide and population transfer. Focusing on five specific cases, he exposes the myths about ethnic cleansing, in particular the commonly held belief that the practice stems from ancient hatreds. Naimark shows that this face of genocide had its roots in the European nationalism of the late nineteenth century but found its most virulent expression in the twentieth century as modern states and societies began to organize themselves by ethnic criteria. The most obvious example, and one of Naimark's cases, is the Nazi attack on the Jews that culminated in the Holocaust. Naimark also discusses the Armenian genocide of 1915 and the expulsion of Greeks from Anatolia during the Greco-Turkish War of 1921-22; the Soviet forced deportation of the Chechens-Ingush and the Crimean Tatars in 1944; the Polish and Czechoslovak expulsion of the Germans in 1944-47; and Bosnia and Kosovo.

In this harrowing history, Naimark reveals how over and over, as racism and religious hatreds picked up an ethnic name tag, war provided a cover for violence and mayhem, an evil tapestry behind which nations acted with impunity.

In the aftermath of the 1992-1995 Bosnian war, the discovery of unmarked mass graves revealed Europe's worst atrocity since World War II: the genocide in the UN "safe area" of Srebrenica. "To Know Where He Lies" provides a powerful account of the innovative genetic technology developed to identify the eight thousand Bosnian Muslim (Bosniak) men and boys found in those graves and elsewhere, demonstrating how memory, imagination, and science come together to recover identities lost to genocide. Sarah E. Wagner explores technology's import across several areas of postwar Bosnian society - for families of the missing, the Srebrenica community, the Bosnian political leadership (including Serb and Muslim), and international aims of social repair - probing the meaning of absence itself.

How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the "traces" of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers-photographers, filmmakers, court dancers, and poets-embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. His book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French film-maker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988-part of the "post-memory" generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly's poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. His interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed in his book, which includes photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, he shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.

The laws of war have always been concerned with issues of necessity and proportionality, but how are these principles applied in modern warfare? What are the pressures on practitioners where an increasing emphasis on legality is the norm? Where do such boundaries lie in the contexts, means and methods of contemporary war? What is wrong, or right, in the view of military-political practitioners, in how those concepts relate to today's means and methods of war? These are among the issues addressed by James Gow in his compelling analysis of war and war crimes, which draws upon research conducted over many years with defence professionals from all over the world. Today more than ever, military strategy has to embrace justice and law, with both being deemed essential prerequisites for achieving success on the battlefield. And in a context where legitimacy defines success in warfare, but is a fragile and contested concept, no group has a greater interest in responding to these pressures and changes positively than the military. It is they who have the greatest need and desire to foster legitimacy in war by getting the politics-law-strategy nexus right, as well as developing a clear understanding of the relationship between war and war crimes, and calibrating where war becomes a war crime.

Between 1929 and 1942, Hungary's motion picture industry experienced meteoric growth. It leapt into Europe's top echelon, trailing only Nazi Germany and Italy in feature output. Yet by 1944, Hungary's cinema was in shambles, internal and external forces having destroyed its unification experiments and productive capacity. This original cultural and political history examines the birth, unexpected ascendance, and wartime collapse of Hungary's early sound cinema by placing it within a complex international nexus. Detailing the interplay of Hungarian cultural and political elites, Jewish film professionals and financiers, Nazi officials, and global film moguls, David Frey demonstrates how the transnational process of forging an industry designed to define a national culture proved particularly contentious and surprisingly contradictory in the heyday of racial nationalism and antisemitism.

Why countries colonize the lands of indigenous people Over the past few centuries, vast areas of the world have been violently colonized by settlers. But why did states like Australia and the United States stop settling frontier lands during the twentieth century? At the same time, why did states loudly committed to decolonization like Indonesia and China start settling the lands of such minorities as the West Papuans and Uyghurs? Settling for Less traces this bewildering historical reversal, explaining when and why indigenous peoples suffer displacement at the hands of settlers. Lachlan McNamee challenges the notion that settler colonialism can be explained by economics or racial ideologies. He tells a more complex story about state building and the conflicts of interest between indigenous peoples, states, and settlers. Drawing from a rich array of historical evidence, McNamee shows that states generally colonize frontier areas in response to security concerns. Elite schemes to populate contested frontiers with loyal settlers, however, often fail. As societies grow wealthier and cities increasingly become magnets for migration, states ultimately lose the power to settle frontier lands. Settling for Less uncovers the internal dynamics of settler colonialism and the diminishing power of colonizers in a rapidly urbanizing world. Contrasting successful and failed colonization projects in Australia, Indonesia, China, and beyond, this book demonstrates that economic development-by thwarting colonization-has proven a powerful force for indigenous self-determination.

Terrortimes, Terrorscapes: Continuities of Space, Time, and Memory in Twentieth-Century War and Genocide investigates interconnections between space and violence throughout the twentieth century, and how such connections informed collective memory. The interdisciplinary volume shows how entangled notions of time and space amplified by memory narratives led to continuities of violence across different conflicts creating "terrortimes" and "terrorscapes" in their wake. The volume examines such continuities of violence with the help of an analytical framework built around different themes. Its first part, spatial and temporal continuities of violence, looks at contested spaces and ideas of national, ethnic, or religious homogeneity that are often at the heart of prolonged conflicts. The second part, on states and actors, addresses the role of states as enablers of violence, asymmetric power dynamics, and the connection between imperialism and genocide in Africa. Imagination and emotion-the focus of the third part-explores utopian visions and their limits that instigate or hinder, and the mobilization of emotion through propaganda. Finally, the fourth part shows how the recollection of the past sometimes triggers new terrortimes. Departing from an understanding of violence limited to certain areas and time frames, this volume describes continuities of violence as overlapping fabrics woven together from notions of space, time, and memory.