The Indian War of 1864 chronicles one of the bloodiest conflicts between the European settlers and military forces of the United States, and the Native American tribes. A shocking account of the bloodshed and damage wrought as white settlers moved relentlessly westward during the 19th century, this book lays bare the scale of the conflicts with the Native Americans. Furthermore it is authentic: a first-hand, somewhat biographical recollection of the conflict penned by a young American cavalryman posted to the Western frontier with the mission of securing it for settlers. The conflicts took place simultaneously with the American Civil War, and it was thus that rumors of the Confederacy joining with the Native American tribes in hindering the expansion of the United States are present. Despite its title, this book is not entirely about the skirmishes fought: it includes descriptions of the land, the fledgling frontier society of the 'Wild West' era, and members of the native tribes.

This book chronicles the lives and deaths of courageous Canadians. It also tells the inspiring story of how the citizens of Nelson of all ages, with help from surrounding communities, marshalled all their resources and devoted their civic life for six long years to help make victory possible. Their efforts prompted some to call Nelson "The Most Patriotic Town in B.C." And, Nelsons story highlights an important chapter of Canadian history -- the invaluable contribution to the Allied war effort made by countless small Canadian communities across the country.

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception. Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity. RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.

The fall of 2016 saw the release of the widely popular First World War video game Battlefield 1. Upon the game's initial announcement and following its subsequent release, Battlefield 1 became the target of an online racist backlash that targeted the game's inclusion of soldiers of color. Across social media and online communities, players loudly proclaimed the historical inaccuracy of black soldiers in the game and called for changes to be made that correct what they considered to be a mistake that was influenced by a supposed political agenda. Through the introduction of the theoretical framework of the 'White Mythic Space', this book seeks to investigate the reasons behind the racist rejection of soldiers of color by Battlefield 1 players in order to answer the question: Why do individuals reject the presence of people of African descent in popular representations of history?

Orestes Brownson's thought-provoking thesis on the US government, the Constitution of the United States, and the ultimate destiny of the USA, remains as incisive and intellectually rich today as when it was first published. Combining history with political philosophy, Brownson casts his analytical gaze to the inception of the American nation. Using a wide variety of documents, including those authored by the Founding Fathers prior to and following the creation of the United States, the author attempts to demonstrate how religion and politics are interrelated - in the case of America's founding, both had roles. Writing in the mid-19th century, Orestes Brownson attempts to clarify what the nature of the U.S. government is, and how the Constitution reflects it. Various natural laws, such as those pertaining to the family and human development of civilization, are examined. Part of Brownson's conclusion is the idea religion must continue to play a role in the USA, just as it has since the colonial era.