What really happened at Fort Pillow on April 12, 1864? The Union called it a massacre. The Confederacy called it necessity. TheTennessee spring came early that year, "awakening regional plants as warmer air and mois soil nurtured new life. Across the landscape could be seen the faint hint of green as sweet gum, hickory, oak cottonwood,...Sweet Williams, and wild dogwood added their hues." This serene backdrop in hardly the place where one would imagine such a one-sided military atrocity to take place. Although at first glance the numbers are hardly noteworthy, the casualty ratio speaks volumes on the event. Eyewitness accounts relate "vivid recollection" of the numerous and specific nature of the injuries suffered by the survivors." Controversy and scandal surround the Southern general Nathan Bedford Forrest. Why did it seem that he passively watched his men attack and mutilate more than one hundred apparently unarmed soldiers? Perhaps the biggest controversy involved racial prejudice. Was there a reason

United States Army Center of Military History publication, CMH Pub 12-3-1. 2nd edition.Photographs selected and text written by Kenneth E. Hunter. Mary Ann Bacon, editor. This book deals with the European Theater of Operations, covering the period from build up in Britain through V-E Day.

The Indian War of 1864 chronicles one of the bloodiest conflicts between the European settlers and military forces of the United States, and the Native American tribes. A shocking account of the bloodshed and damage wrought as white settlers moved relentlessly westward during the 19th century, this book lays bare the scale of the conflicts with the Native Americans. Furthermore it is authentic: a first-hand, somewhat biographical recollection of the conflict penned by a young American cavalryman posted to the Western frontier with the mission of securing it for settlers. The conflicts took place simultaneously with the American Civil War, and it was thus that rumors of the Confederacy joining with the Native American tribes in hindering the expansion of the United States are present. Despite its title, this book is not entirely about the skirmishes fought: it includes descriptions of the land, the fledgling frontier society of the 'Wild West' era, and members of the native tribes.

During World War II, Allied casualty rates in the air were high. Of the roughly 125,000 who served as aircrew with Bomber Command, 59,423 were killed or missing and presumed killed-a fatality rate of 45.5%. With odds like that, it would be no surprise if there were as few atheists in cockpits as there were in foxholes; and indeed, many airmen faced their dangerous missions with beliefs and rituals ranging from the traditional to the outlandish. Military historian S. P. MacKenzie considers this phenomenon in Flying against Fate, a pioneering study of the important role that superstition played in combat flier morale among the Allies in World War II. Mining a wealth of documents as well as a trove of published and unpublished memoirs and diaries, MacKenzie examines the myriad forms combat fliers' suspicions assumed, from jinxes to premonitions. Most commonly, airmen carried amulets or talismans-lucky boots or a stuffed toy; a coin whose year numbers added up to thirteen; counterintuitively, a boomerang. Some performed rituals or avoided other acts, e.g., having a photo taken before a flight. Whatever seemed to work was worth sticking with, and a heightened risk often meant an upsurge in superstitious thought and behavior. MacKenzie delves into behavior analysis studies to help explain the psychology behind much of the behavior he documents-not slighting the large cohort of crew members and commanders who demurred. He also looks into the ways in which superstitious behavior was tolerated or even encouraged by those in command who saw it as a means of buttressing morale. The first in-depth exploration of just how varied and deeply felt superstitious beliefs were to tens of thousands of combat fliers, Flying against Fate expands our understanding of a major aspect of the psychology of war in the air and of World War II.

Michael Stephenson's "Patriot Battles" is a comprehensive and richly detailed study of the military aspects of the War of Independence, and a fascinating look at the nuts and bolts of eighteenth-century combat. Covering everything from what motivated those who chose to fight to how they were enlisted, trained, clothed, and fed, it offers a close-up view of the war's greatest battles, with maps provided for each. Along the way many cherished myths are challenged, reputations are reassessed, and long-held assumptions are tested.

One of the most satisfying and illuminating contributions to the literature on the War of Independence in many years, "Patriot Battles" is a vastly entertaining work of superior scholarship and a refreshing wind blowing through some of American history's dustier corridors.

The conquest of the air-and beyond
This interesting book, which includes photographs and diagrams, describes the early years of man's attempts to gain mastery of the air. It chronicles the first, rudimentary attempts at flight in balloons to their ultimate development including their use during the Great War. Next came the age of the dirigible including, of course, the mighty Zeppelin. Allied dirigibles of the First World War are also considered. Most significant, however, was the development of powered, heavier than air, winged, machines and in this account they are described from their genesis with the Wright brothers to their use in the first great conflict which led to the creation of the air forces of the world. German and Allied aircraft are discussed, together with their various uses, applications and the deeds of the intrepid young men who flew them. There are not many accounts of the early days of aviation in peace and war so any addition to their number is welcome. This book was written before the potential of the aircraft had been fully realised and is an interesting perspective on how the first pilots, aircraft designers, manufacturers and visionaries saw them and their future in the opening decades of the twentieth century. An essential addition to any library of early aviation, this book is recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Margarete Susman was among the great Jewish women philosophers of the twentieth century, and largely unknown to many today. This book presents, for the first time in English, six of her important essays along with an introduction about her life and work. Carefully selected and edited by Elisa Klapheck, these essays give the English-speaking reader a taste of Susman's religious-political mode of thought, her originality, and her importance as Jewish thinker. Susman's writing on exile, return, and the revolutionary impact of Judaism on humanity, illuminate enhance our understanding of other Jewish philosophers of her time: Martin Buber, Franz Rosenzweig, and Ernst Bloch (all of them her friends). Her work is in particularly fitting company when read alongside Jewish religious-political and political thinkers such as Bertha Pappenheim, Hannah Arendt, Simone Weil, and Gertrud Stein. Initially a poet, Susman became a follower of the Jewish Renaissance movement, secular Messianism, and the German Revolution of 1918. This collection of essays shows how Susman's work speaks not only to her own time between the two World Wars but to the present day.

War was no stranger to the town of Sudbury, Massachusetts. A small farming community at the outbreak of the Civil War, Sudbury stood ready to support the cause of the Union. Uriah and Mary Moore, a local farmer and his wife, parents of ten children, sent four sons off to fight for the Union. George Frederick Moore was twenty years old when he joined the Thirty-fifth Massachusetts Regiment in 1862, along with brother, Albert. Their brother, John, had enlisted in the Thirteenth Massachusetts Regiment and had been serving since 1861. In 1864, a fourth brother, Alfred, joined the Fifty-ninth Massachusetts Regiment. The eighty-four letters in this collection span the years from August 1862 to the end of the War and include correspondence to and from Pvt. George Moore and five family members. George's personal diaries from 1863 and 1864 are also included, as well as the 1867 diary of Sarah Jones, the girl he married. Through research the family is traced long after the war, revealing their travels and accomplishments. Explanatory passages that accompany these letters highlight the campaigns of the Thirty-fifth Massachusetts through the war years. George Moore took part in battles from South Mountain and Antietam to Fredericksburg, Vicksburg, Campbell's Station, and the Siege of Knoxville. He participated in the Battles of the Wilderness, Cold Harbor, and the assault on Petersburg. The letters to and from George Moore and his loved ones provide an intimate glimpse of the trials, not only of the soldiers, but of the family who sent their boys off to war.

The First World War (1914-1918) marked a turning point in modern history and culture and its literary legacy is vast: poetry, fiction and memoirs abound. But the drama of the period is rarely recognised, with only a handful of plays commonly associated with the war."First World War Plays" draws together canonical and lesser-known plays from the First World War to the end of the twentieth century, tracing the ways in which dramatists have engaged with and resisted World War I in their works. Spanning almost a century of conflict, this anthology explores the changing cultural attitudes to warfare, including the significance of the war over time, interwar pacifism, and historical revisionism. The collection includes writing by combatants, as well as playwrights addressing historical events and national memory, by both men and women, and by writers from Great Britain and the United States.Plays from the period, like "Night Watches" by Allan Monkhouse (1916), "Mine Eyes Have Seen" by Alice Dunbar-Nelson (1918) and "Tunnel Trench" by Hubert Griffith (1924), are joined with reflections on the war in "Post Mortem" by Noel Coward (1930, performed 1944) and "Oh What A Lovely War" by Joan Littlewood's Theatre Workshop (1963) as well as later works "The Accrington Pals" by Peter Whelan (1982) and "Sea and Land and Sky "by Abigail Docherty (2010).Accompanied by a general introduction by editor, Dr Mark Rawlinson.

"I lived the same life as everyone else, the life of ordinary people, the masses." Sitting in a prison cell in the autumn of 1944, Hans Fallada sums up his life under the National Socialist dictatorship, the time of "inward emigration." Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. His frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.

The confessional mode did not come naturally to Fallada the writer of fiction, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. In the "house of the dead" he exacts his political revenge on paper. "I know that I am crazy. I'm risking not only my own life, I'm also risking the lives of many of the people I am writing about," he notes, driven by the compulsion to write. And write he does: about spying and denunciation, about the threat to his livelihood and his literary work, about the fate of many friends and contemporaries such as Ernst Rowohlt and Emil Jannings. To conceal his intentions and to save paper, he uses abbreviations. His notes, constantly exposed to the gaze of the prison warders, become a kind of secret code. He finally succeeds in smuggling the manuscript out of the prison, although it remained unpublished for half a century.

These revealing memoirs by one of the best-known German writers of the 20th century will be of great interest to all readers of modern literature.