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Books > Humanities > Philosophy > Western philosophy
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
The brilliant and provocative new book from one of the world’s foremost political writers.
In The War on the West, international bestselling author Douglas Murray asks: if the history of humankind is one of slavery, conquest, prejudice, genocide and exploitation, why are only Western nations taking the blame for it?
It’s become perfectly acceptable to celebrate the contributions of non-Western cultures, but discussing their flaws and crimes is called hate speech. What’s more it has become acceptable to discuss the flaws and crimes of Western culture, but celebrating their contributions is also called hate speech. Some of this is a much-needed reckoning; however, some is part of a larger international attack on reason, democracy, science, progress and the citizens of the West by dishonest scholars, hatemongers, hostile nations and human-rights abusers hoping to distract from their ongoing villainy.
In The War on the West, Douglas Murray shows the ways in which many well-meaning people have been lured into polarisation by lies, and shows how far the world’s most crucial political debates have been hijacked across Europe and America. Propelled by an incisive deconstruction of inconsistent arguments and hypocritical activism, The War on the West is an essential and urgent polemic that cements Murray’s status as one of the world’s foremost political writers.
Philosophy in eighteenth-century Britain was diverse, vibrant, and
sophisticated. This was the age of Hume and Berkeley and Reid, of
Hutcheson and Kames and Smith, of Ferguson and Burke and
Wollstonecraft. Important and influential works were published in
every area of philosophy, from the theory of vision to theories of
political resistance, from the philosophy of language to accounts
of ways of governing the passions. The philosophers of
eighteenth-century Britain were enormously influential, in France,
in Italy, in Germany, and in America. Their ideas and arguments
remain a powerful presence in philosophy three centuries later.
This Oxford Handbook is the first book ever to provide
comprehensive coverage of the full range of philosophical writing
in Britain in the eighteenth century. It provides accounts of the
writings of all the major figures, but also puts those figures in
the context provided by a host of writers less well known today.
The book has five principal sections: 'Logic and Metaphysics', 'The
Passions', 'Morals', 'Criticism', and 'Politics'. Each section
comprises four chapters, providing detailed coverage of all of the
important aspects of its subject matter. There is also an
introductory section, with chapters on the general character of
philosophizing in eighteenth-century Britain, and a concluding
section on the important question of the relation at this time
between philosophy and religion. The authors of the chapters are
experts in their fields. They include philosophers, historians,
political theorists, and literary critics, and they teach in
colleges and universities in Britain, in Europe, and in North
America.
In WHY POLITICAL LIBERALISM?, Paul Weithman offers a fresh,
rigorous, and compelling interpretation of John Rawls's reasons for
taking his so-called "political turn". Weithman takes Rawls at his
word that justice as fairness was recast as a form of political
liberalism because of an inconsistency Rawls found in his early
treatment of social stability. He argues that the inconsistency is
best seen by identifying the threats to stability with which the
early Rawls was concerned. One of those threats, often overlooked
by Rawls's readers, is the threat that the justice of a
well-ordered society would be undermined by a generalized
prisoner's dilemma. Showing how the Rawls of "A Theory of Justice"
tried to avert that threat shows that the much-neglected third part
of that book is of considerably greater philosophical interest, and
has considerably more unity of focus, than is generally
appreciated. Weithman painstakingly reconstructs Rawls's attempts
to show that a just society would be stable, and just as carefully
shows why Rawls came to think those arguments were inconsistent
with other parts of his theory. Weithman then shows that the
changes Rawls introduced into his view between "Theory of Justice"
and "Political Liberalism" result from his attempt to remove the
inconsistency and show that the hazard of the generalized
prisoner's dilemma can be averted after all. Recovering Rawls's two
treatments of stability helps to answer contested questions about
the role of the original position and the foundations of justice as
fairness. The result is a powerful and unified reading of Rawls's
work that explains his political turn and shows his enduring
engagement with some of the deepest concerns of human life.
"Weithman has written a masterful work of Rawls scholarship. This
book will deepen our understanding of how and why Rawls
restructured his theory, and illuminate this fascinating transition
in the history of political philosophy." Leif Wenar, Chair of
Ethics, Kings College London "Weithman's reconstruction of Rawls's
arguments is masterful, convincing and in many ways revelatory.
Readers will find that the text provides compelling answers to a
lot of puzzling questions about Rawls's project that have lingered
for some time. Perhaps most importantly, Weithman gives the best
explanation to date of exactly why Rawls felt compelled to revise
his theory as he did." Colin Bird, Department of Politics,
University of Virginia
HarperCollins is proud to present its incredible range of
best-loved, essential classics… Despite dating from the 4th
century BC, The Art of Rhetoric continues to be regarded by many as
the single most important work on the art of persuasion. As
democracy began emerging in 5th-century Athens, public speaking and
debate became an increasingly important tool to garner influence in
the assemblies, councils, and law courts of ancient Greece. In
response to this, both politicians and ordinary citizens became
desperate to learn greater skills in this area, as well as the
philosophy behind it. This treatise was one of the first to provide
just that, establishing methods and observations of informal
reasoning and style, and has continued to be hugely influential on
public speaking and philosophy today. Aristotle, the grandfather of
philosophy, student of Plato, and teacher of Alexander the Great,
was one of the first people to create a comprehensive system of
philosophy, encompassing logic, morality, aesthetics, politics,
ethics, and science. Although written over 2,000 years ago, The Art
of Rhetoric remains a comprehensive introduction for philosophy
students into the subject of rhetoric, as well as a useful manual
for anyone today looking to improve their oratory skills of
persuasion.
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