This collection brings together two of Schopenhauer's most respected works, wherein the philosopher shares his views on life and what he believes to be follies of human behavior. Writing with incisive poise and a great sense of humor, Schopenhauer introduces the various ideas present in his pessimistic philosophy. Holding the usual goals of life - money, position, material and sexual pleasures - in low regard, he explains how the cultivation of one's individuality and mind are far better pursuits, albeit those that most people neglect. Rather than simply criticize the state of humanity, Schopenhauer uses wit and lively argument to convince the reader of the value in his outlook. The practice of an ordinary life and career is thereby demonstrated as spiritually draining, in contrast to concentration upon a wise mind and strong body, plus a moderated or even ascetic approach to material things.

The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 16 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published by Princeton University Press, 1980ff.

In Movies with Stanley Cavell in Mind, some of the scholars who have become essential for our understanding of Stanley Cavell's writing on film gather to use his landmark contributions to help us read new films-from Hollywood and elsewhere-that exist beyond his immediate reach and reading. In extending the scope of Cavell's film philosophy, we naturally find ourselves contending with it and amending it, as the case may be. Through a series of interpretive vignettes, the group effort situates, for the expert and novitiate alike, how Cavell's writing on film can profitably enrich one's experience of cinema generally and also inform how we might continue the practice of serious philosophical criticism of specific films mindful of his sensibility. The resulting conversations between texts, traditions, disciplines, genres, and generations creates propitious conditions for discovering what it means to watch and listen to movies with Stanley Cavell in mind.