'The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts' Bertrand Russell 'Science is what you know. Philosophy is what you don't know' Bertrand Russell discovered mathematics at the age of eleven. It was, he recalled, a transporting experience: 'as dazzling as first love'. From that moment on, he would pursue his passion with undying devotion and fervour. Mathematics might succeed, he felt, where philosophy had failed, reducing thought to its purest form, and freeing knowledge from doubt and contradiction. And for a time, so it seemed. Russell's mathematical investigations effortlessly resolved at a stroke some of philosophy's most intractable problems. Yet if mathematics could be a liberating mistress, she was also an unreliable one... Opening up the work of one of our age's undisputed giants, Ray Monk's exhilaratingly clear, readable guide tells a compelling human tale too: a moving story of love and loss, of ecstatic triumph and deep disillusion.

Maurice Blanchot is perhaps best known as a major French intellectual of the twentieth century: the man who countered Sartre's views on literature, who affirmed the work of Sade and Lautreamont, who gave eloquent voice to the generation of '68, and whose philosophical and literary work influenced the writing of, among others, Jacques Derrida, Gilles Deleuze, and Michel Foucault. He is also regarded as one of the most acute narrative writers in France since Marcel Proust. In Clandestine Encounters, Kevin Hart has gathered together major literary critics in Britain, France, and the United States to engage with Blanchot's immense, fascinating, and difficult body of creative work. Hart's substantial introduction usefully places Blanchot as a significant contributor to the tradition of the French philosophical novel, beginning with Voltaire's Candide in 1759, and best known through the works of Sartre. Clandestine Encounters considers a selection of Blanchot's narrative writings over the course of almost sixty years, from stories written in the mid-1930s to L'instant de ma mort (1994). Collectively, the contributors' close readings of Blanchot's novels, recits, and stories illuminate the close relationship between philosophy and narrative in his work while underscoring the variety and complexity of these narratives. Contributors: Christophe Bident, Arthur Cools, Thomas S. Davis, Christopher Fynsk, Rodolphe Gasche, Kevin Hart, Leslie Hill, Michael Holland, Stephen E. Lewis, Vivian Liska, Caroline Sheaffer-Jones, Christopher A. Strathman, Alain Toumayan