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Books > Humanities > Philosophy > Western philosophy
For a long time, analysis of the work of Samuel Beckett has been
dominated by existentialist and post-structuralist interpretations.
This new volume instead raises the question of how to understand
Beckett via the dialectics underpinning his work. The different
chapters explore how Beckett exposes and challenges essential
dialectical concepts such as objectivity, subjectivity,
exteriority, interiority, immanence, transcendence, and most
crucially: negativity. With contributions from prominent scholars
such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and
Dialectics not only sheds new light on how Beckett investigates the
shapes, types, and forms of negation – as in the all-pervasive
figures of ‘nothing’, ‘no’, ‘null’, and ‘not’ –
but also examines how several phenomena that occur throughout
Beckett’s work are structured in their use of negativity. These
include the relationships between voice and silence, space and
void, movement and stasis, the finite and the infinite and
repetition and transformation. This original analysis lends an
important new perspective to Beckett studies, and even more
fundamentally, to dialectics itself.
Introductory Readings in Philosophy: An Historical Approach is
grounded in the belief that no idea can really be understood or
exist separate from the historical context in which it is born.
This anthology encourages students to consider not only seminal
writings by historical philosophers, but also the philosophers'
values, who they were as people, and the society in which they
lived. Through this approach, students form a holistic
understanding of key philosophical principles and then reflect on
how these principles can apply to our modern lives. The anthology
is laid out topically, with each chapter referencing works from
important figures from the history of philosophy. The chapters pose
a series of questions to readers: What is philosophy? What is
epistemology? What is the foundation for belief? What is
metaphysics? What is moral philosophy? And what is meaning in, and
of, human life? Within these chapters, students read a variety of
philosophical works by Plato, Rene Descartes, Thomas Aquinas,
Friedrich Nietzsche, Aristotle, Confucius, and Immanuel Kant.
Topics addressed include moral philosophy, logical defense of our
actions, creating one's own method of inquiry, the formation of
belief, metaphysics as a way to explain real existence, the concept
of duty, and much more. Introductory Readings in Philosophy
challenges students to examine their lives and thought processes
through the lens of seminal philosophical writings. It is an
exceptional resource for introductory courses in philosophy.
Drawing on a rich variety of premodern Indian texts across multiple
traditions, genres, and languages, this collection explores how
emotional experience is framed, evoked, and theorized in order to
offer compelling insights into human subjectivity. Rather than
approaching emotion through the prism of Western theory, a team of
leading scholars of Indian traditions showcases the literary
texture, philosophical reflections, and theoretical paradigms that
classical Indian sources provide in their own right. The focus is
on how the texts themselves approach those dimensions of the human
condition we may intuitively think of as being about emotion,
without pre-judging what that might be. The result is a collection
that reveals the range and diversity of phenomena that benefit from
being gathered under the formal term “emotion”, but which in
fact open up what such theorisation, representation, and expression
might contribute to a cross-cultural understanding of this term. In
doing so, these chapters contribute to a cosmopolitan, comparative,
and pluralistic conception of human experience. Adopting a broad
phenomenological methodology, this handbook reframes debates on
emotion within classical Indian thought and is an invaluable
resource for researchers and students seeking to understand the
field beyond the Western tradition.
The interplay between nature, science, and art in antiquity and the
early modern period differs significantly from late modern
expectations. In this book scholars from ancient studies as well as
early modern studies, art history, literary criticism, philosophy,
and the history of science, explore that interplay in several
influential ancient texts and their reception in the Renaissance.
The Natural History of Pliny, De Architectura of Vitruvius, De
Rerum Natura of Lucretius, Automata of Hero, and Timaios of Plato
among other texts reveal how fields of inquiry now considered
distinct were originally understood as closely interrelated. In our
choice of texts, we focus on materialistic theories of nature,
knowledge, and art that remain underappreciated in ancient and
early modern studies even today.
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