|
|
Books > Humanities > Philosophy > Western philosophy
Marx's early work is well known and widely available, but it
usually interpreted as at best a kind of stepping-stone to the Marx
of Capital. This book offers something completely different; it
reconstructs, from his first writings spanning from 1835 to 1846, a
coherent and well-rounded political philosophy. The influence of
Engels upon the development of that philosophy is discussed. This,
it is argued, was a philosophy that Marx could have presented had
he put the ideas together, as he hinted was his eventual intention.
Had he done so, this first Marx would have made an even greater
contribution to social and political philosophy than is generally
acknowledged today. Arguments regarding revolutionary change,
contradiction and other topics such as production, alienation and
emancipation contribute to a powerful analysis in the early works
of Marx, one which is worthy of discussion on its own merits. This
analysis is distributed among a range of books, papers, letters and
other writings, and is gathered here for the first time. Marx's
work of the period was driven by his commitment to emancipation.
Moreover, as is discussed in the conclusion to this book, his
emancipatory philosophy continues to have resonance today. This new
book presents Marx in a unique, new light and will be indispensable
reading for all studying and following his work.
 |
Symposium
(Hardcover)
Plato; Translated by Benjamin Jowett
|
R630
Discovery Miles 6 300
|
Ships in 10 - 15 working days
|
|
|
In 1906, Jan Lukasiewicz, a great logician, published his classic
dissertation on the concept of cause, containing not only a
thorough reconstruction of the title concept, but also a
systematization of the analytical method. It sparked an extremely
inspiring discussion among the other representatives of the
Lvov-Warsaw School. The main voices of this discussion are
supplemented here with texts of contemporary Polish philosophers.
They show how the concept of cause is presently functioning in
various disciplines and point to the topicality of Lukasiewicz's
method of analysis.
Nietzsche's famous attack upon established Christianity and
religion is brought to the reader in this superb hardcover edition
of The Antichrist, introduced and translated by H.L. Mencken. The
incendiary tone throughout The Antichrist separates it from most
other well-regarded philosophical texts; even in comparison to
Nietzsche's earlier works, the tone of indignation and conviction
behind each argument made is evident. There is little lofty
ponderousness; the book presents its arguments and points at a
blistering pace, placing itself among the most accessible and
comprehensive works of philosophy. The Antichrist comprises a total
of sixty-two short chapters, each with distinct philosophical
arguments or angle upon the targets of Christianity, organised
religion, and those who masquerade as faithful but are in actuality
anything but. Pointedly opposed to notions of Christian morality
and virtue, Nietzsche vehemently sets out a case for the faith's
redundancy and lack of necessity in human life.
Author of Motherless Brooklyn and The Fortress of Solitude,
Jonathan Lethem is one of the most celebrated and significant
American writers working today. This new scholarly study draws on a
deep knowledge of all Lethem's work to explore the range of his
writing, from his award-winning fiction to his work in comics and
criticism. Reading Lethem in relation to five themes crucial to his
work, Joseph Brooker considers influence and intertextuality; the
role of genres such as crime, science fiction and the Western; the
imaginative production of worlds; superheroes and comic book
traditions; and the representation of New York City. Close readings
of Lethem's fiction are contextualized by reference to broader
conceptual and comparative frames, as well as to Lethem's own
voluminous non-fictional writing and his adaptation of precursors
from Franz Kafka to Raymond Chandler. Rich in critical insight,
Jonathan Lethem and the Galaxy of Writing demonstrates how an
understanding of this author illuminates contemporary literature
and culture at large.
|
|