Superficially, Wittgenstein and Heidegger seem worlds apart: they worked in different philosophical traditions, seemed mostly ignorant of one another's work, and Wittgenstein's terse aphorisms in plain language could not be farther stylistically from Heidegger's difficult prose. Nevertheless, Wittgenstein's Philosophical Investigations and Heidegger's Being and Time share a number of striking parallels. In particular, this book shows that both authors manifest a similar concern with authenticity. David Egan develops this position in three stages. Part One explores the emphasis both philosophers place on the everyday, and how this emphasis brings with it a methodological focus on recovering what we already know rather than advancing novel theses. Part Two argues that the dynamic of authenticity and inauthenticity in Being and Time finds homologies in Philosophical Investigations. Here Egan particularly articulates and defends a conception of authenticity in Wittgenstein that emphasizes the responsiveness and reciprocity of play. Part Three considers how both philosophers' conceptions of authenticity apply reflexively to their own work: each is concerned not only with the question of what it means to exist authentically but also with the question of what it means to do philosophy authentically. For both authors, the problematic of authenticity is intimately linked to the question of philosophical method.

At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.

Jonas Olson presents a critical survey of moral error theory, the view that there are no moral facts and so all moral claims are false. In Part I (History), he explores the historical context of the debate, and discusses the moral error theories of David Hume and of some more or less influential twentieth century philosophers, including Axel Hagerstroem, Bertrand Russell, Ludwig Wittgenstein, and Richard Robinson. He argues that the early cases for moral error theory are suggestive but that they would have been stronger had they included something like J. L. Mackie's arguments that moral properties and facts are metaphysically queer. Part II (Critique) focuses on these arguments. Olson identifies four queerness arguments, concerning supervenience, knowledge, motivation, and irreducible normativity, and goes on to establish that while the first three are not compelling, the fourth has considerable force, especially when combined with debunking explanations of why we tend to believe that there are moral properties and facts when in fact there are none. One conclusion of Part II is that a plausible error theory takes the form of an error theory about irreducible normativity. In Part III (Defence), Olson considers challenges according to which that kind of error theory has problematic ramifications regarding hypothetical reasons, epistemic reasons, and deliberation. He ends his discussion with a consideration of the implications of moral error theory for ordinary moral thought and talk, and for normative theorizing.

Liberal democracy needs a clear-eyed, robust defense to deal with the increasingly complex challenges it faces in the twenty-first century. Unfortunately much of contemporary liberal theory has rejected this endeavor for fear of appearing culturally hegemonic. Instead, liberal theorists have sought to gut liberalism of its ethical substance in order to render it more tolerant of non-liberal ways of life. This theoretical effort is misguided, however, because successful liberal democracy is an ethically demanding political regime that requires its citizenry to display certain virtues and habits of mind. Against the grain of contemporary theory, philosopher Richard Rorty blends American pragmatism and romanticism to produce a comprehensive vision of liberal modernity that features a virtue-based conception of liberal democracy. In doing so, Rorty defends his pragmatic liberalism against a host of notable interlocutors, including Charles Taylor, Nancy Fraser, Hilary Putnam, Richard J. Bernstein, and Jean Bethke Elshtain.

Soren Kierkegaard's Christian existentialism provides a unique framework for thinking about the problem of religious pluralism. This problem arises from the fact that there are lots of different religions in the world and each of them teaches different things. Accordingly, it is difficult to know which one, if any, ought to be believed in as actually being true. Fehir defends his view of Kierkegaard's understanding of faith and uses it to deal with common philosophical problems related to pluralism. In the course of advancing this argument, Kierkegaardian Reflections of the Problem of Pluralism also engages in interreligious dialogue by comparing Kierkegaard's views with representatives from Buddhism, Judaism, and Taoism.

This book is an original exploration of Deleuze's dynamic philosophies of space, time and language, bringing Deleuze and futurism together for the first time. Helen Palmer investigates both the potential for creative novelty and the pitfalls of formalism within both futurist and Deleuzian linguistic practices. Through creative and rigorous analyses of Russian and Italian futurist manifestos, the 'futurist' aspects of Deleuze's language and thought are drawn out. The genre of the futurist manifesto is a literary and linguistic model which can be applied to Deleuze's work, not only at times when he writes explicitly in the style of a manifesto but also in his earlier writings such as "Difference and Repetition" (1968) and "The Logic of Sense" (1969). The way in which avant-garde manifestos often attempt to perform and demand their aims simultaneously, and the problems which arise due to this, is an operation which can be perceived in Deleuze's writing. With a particular focus on Russian zaum, the book negotiates the philosophy behind futurist 'nonsense' language and how Deleuze propounds analogous goals in The Logic of Sense. This book critically engages with Deleuze's poetics, ultimately suggesting that multiple linguistic models operate synecdochically within his philosophy.

The first collection of its kind, The Continental Philosophy of Film Reader is the essential anthology of writings by continental philosophers on cinema, representing the last century of film-making and thinking about film, as well as all of the major schools of Continental thought: phenomenology and existentialism, Marxism and critical theory, semiotics and hermeneutics, psychoanalysis, and postmodernism. Included here are not only the classic texts in continental philosophy of film, from Benjamin's "The Work of Art in the Age of Mechanical Reproduction" to extracts of Deleuze's Cinema and Barthes's Mythologies, but also the earliest works of Continental philosophy of film, from thinkers such as Georg Lukacs, and little-read gems by philosophical giants such as Sartre and Beauvoir. The book demonstrates both the philosophical significance of these thinkers' ideas about film, as well their influence on filmmakers in Europe and across the globe. In addition, however, this wide-ranging collection also teaches us how important film is to the last century of European philosophical thought. Almost every major continental European thinker of the twentieth and twenty-first centuries has had something to say-sometimes, quite a lot to say-about cinema: as an art form, as a social or political phenomenon, as a linguistic device and conveyor of information, as a projection of our fears and desires, as a site for oppression and resistance, or as a model on the basis of which some of us, at least, learn how to live. Purpose built for classroom use, with pedagogical features introducing and contextualizing the extracts, this reader is an indispensable tool for students and researchers in philosophy of film, film studies and the history of cinema.

This volume is composed of extended versions of selected papers presented at an international conference held in June 2011 at Opole University-the seventh in a series of annual American and European Values conferences organized by the Institute of Philosophy, Opole University, Poland. The papers were written independently with no prior guidelines other than the obvious need to address some aspect of George Herbert Mead's work. While rooted in careful study of Mead's original writings and transcribed lectures and the historical context in which that work was carried out, these papers have brought that work to bear on contemporary issues in metaphysics, epistemology, cognitive science, and social and political philosophy. There is good reason to classify Mead as one of the original classical American pragmatists (along with Charles Peirce, William James, and John Dewey) and consequently as a major figure in American philosophy. Nevertheless his thought has been marginalized for the most part, at least in academic philosophy. It is our intention to help recuperate Mead's reputation among a broader audience by providing a small corpus of significant contemporary scholarship on some key aspects of his thought.

In Nietzsche's Search for Philosophy: On the Middle Writings Keith Ansell-Pearson makes a novel and thought-provoking contribution to our appreciation of Nietzsche's neglected middle writings. These are the texts Human, All Too Human (1878-80), Dawn (1881), and The Gay Science (1882). There is a truth in the observation of Havelock Ellis that the works Nietzsche produced between 1878 and 1882 represent the maturity of his genius. In this study he explores key aspects of Nietzsche's philosophical activity in his middle writings, including his conceptions of philosophy, his commitment to various enlightenments, his critique of fanaticism, his search for the heroic-idyllic, his philosophy of modesty and his conception of ethics, and his search for joy and happiness. The book will appeal to readers across philosophy and the humanities, especially to those with an interest in Nietzsche and anyone who has a concern with the fate of philosophy in the modern world.

There can be little doubt that without Spinoza, German Idealism would have been just as impossible as it would have been without Kant. Yet the precise nature of Spinoza's influence on the German Idealists has hardly been studied in detail. This volume of essays by leading scholars sheds light on how the appropriation of Spinoza by Fichte, Schelling and Hegel grew out of the reception of his philosophy by, among others, Lessing, Mendelssohn, Jacobi, Herder, Goethe, Schleiermacher, Maimon and, of course, Kant. The volume thus not only illuminates the history of Spinoza's thought, but also initiates a genuine philosophical dialogue between the ideas of Spinoza and those of the German Idealists. The issues at stake - the value of humanity; the possibility and importance of self-negation; the nature and value of reason and imagination; human freedom; teleology; intuitive knowledge; the nature of God - remain of the highest philosophical importance today.

This book traces the historical postcolonial journey of four generations of Jamaican psychiatrists challenging the European colonial 'civilizing mission' of psychiatric care. It details the process of deinstitutionizing patients with chronic mental illness using psychohistoriographic cultural therapy, by engaging them in creating sociodrama and poetry writing, not only to express and reverse the stigma contributing to their marginalized status, but also to reconnect them to a centuries-long history of oppression. The author thereby demonstrates that psychological decolonization requires a seminal understanding of the complex mental inter-relationship between slaves and slaveowners. Further, it is shown how the model analyzes the antipodal dialectic history of descendants of Africans enslaved in the New World by brutish British Imperialists suffering from the European psychosis of white supremacy. Drawing together a detailed description of the sociopoem Madnificent Irations, with an examination of Jamaica's political and social history, and the author's personal experience, this compelling work marks an important contribution to decolonial literature. It will be of particular interest to students and scholars of postcolonial studies, critical race theory, the history of psychology and community psychology.

Mary Midgley is one of the most influential moral philosophers of the twentieth century. Over the last 40 years, Midgley's writings on such central yet controversial topics as human nature, morality, science, animals, the environment, religion, and gender have shaped the landscape of contemporary philosophy. She is celebrated for the complexity, nuance, and sensibility with which she approaches some of the most challenging issues in philosophy without falling into the pitfalls of close-minded extremism. In turn, Midgley's sophisticated treatment of the interconnected and often muddled issues related to human nature has drawn interest from outside the philosophical world, stretching from scientists, artists, theologians, anthropologists, and journalists to the public more broadly. Mary Midgley: An Introduction systematically introduces readers to Midgley's collected thought on the most central and influential areas of her corpus. Through clear and lively engagement with Midgley's work, this volume offers readers accessible explanation, interpretation, and analysis of the concepts and perspectives for which she is best known, most notably her integrated understanding of human nature, her opposition to reductionism and scientism, and her influential conception of our relationship to animals and the wider world. These insights, supplemented by excerpts from original interviews with Midgley herself, provide readers of all backgrounds with an informed understanding and appreciation of Mary Midgley and the philosophical problems to which she has devoted her life's work.

Self-knowledge is commonly thought to have become a topic of serious philosophical inquiry during the early modern period. Already in the thirteenth century, however, the medieval thinker Thomas Aquinas developed a sophisticated theory of self-knowledge, which Therese Scarpelli Cory presents as a project of reconciling the conflicting phenomena of self-opacity and privileged self-access. Situating Aquinas's theory within the mid-thirteenth-century debate and his own maturing thought on human nature, Cory investigates the kinds of self-knowledge that Aquinas describes and the questions they raise. She shows that to a degree remarkable in a medieval thinker, self-knowledge turns out to be central to Aquinas's account of cognition and personhood, and that his theory provides tools for considering intentionality, reflexivity and selfhood. Her engaging account of this neglected aspect of medieval philosophy will interest readers studying Aquinas and the history of medieval philosophy more generally.

The Dictionary of Seventeenth and Eighteenth-Century Dutch Philosophers covers the 200-year period of the Dutch Republic, when its people experienced a Golden Age in the arts, in sea trade and in philosophy that left a lasting impression on European culture. The Dutch witnessed nothing less than a philosophical revolution, driven to a large extent by the migres from France, Finland, Portugal, Britain, Switzerland, Germany and elsewhere, who provided the Golden Age with its thinkers. As a result of the unique position held by the Netherlands during the period, this dictionary constitutes an anthology of European thought at large. Included are all foreign thinkers (such as Rene Descartes and Pierre Bayle) who exercised a major influence on the philosophical life of the Dutch Republic and who developed their ideas through interaction with other philosophers residing there. Among these resident philosophers, as well as all the well-known figures such as Benedict Spinoza, many lesser-known ones are included. Each entry includes a bibliography listing the subject's major and minor philosophical writings and giving guidance to further reading. A system of cross-references makes it easy for the reader to pursue connections and influences. In addition, the dictionary features entries on Dutch universities, city academies, publishing houses and journals. This work will be of interest to all students and scholars of the period.

Over the last two decades there has been an increasing interest in the influence of medieval Jewish thought upon Spinoza's philosophy. The essays in this volume, by Spinoza specialists and leading scholars in the field of medieval Jewish philosophy, consider the various dimensions of the rich, important, but vastly under-studied relationship between Spinoza and earlier Jewish thinkers. It is the first such collection in any language, and together the essays provide a detailed and extensive analysis of how different elements in Spinoza's metaphysics, epistemology, moral philosophy, and political and religious thought relate to the views of his Jewish philosophical forebears, such as Maimonides, Gersonides, Ibn Ezra, Crescas, and others. The topics addressed include the immortality of the soul, the nature of God, the intellectual love of God, moral luck, the nature of happiness, determinism and free will, the interpretation of Scripture, and the politics of religion.

Maximus the Confessor (c.580-662) has become one of the most discussed figures in contemporary patristic studies. This is partly due to the relatively recent discovery and critical edition of his works in various genres, including On the Ascetic Life, Four Centuries on Charity, Two Centuries on Theology and the Incarnation, On the 'Our Father', two separate Books of Difficulties, addressed to John and to Thomas, Questions and Doubts, Questions to Thalassius, Mystagogy and the Short Theological and Polemical Works. The impact of these works reached far beyond the Greek East, with his involvement in the western resistance to imperial heresy, notably at the Lateran Synod in 649. Together with Pope Martin I (649-53 CE), Maximus the Confessor and his circle were the most vocal opponents of Constantinople's introduction of the doctrine of monothelitism. This dispute over the number of wills in Christ became a contest between the imperial government and church of Constantinople on the one hand, and the bishop of Rome in concert with eastern monks such as Maximus, John Moschus, and Sophronius, on the other, over the right to define orthodoxy. An understanding of the difficult relations between church and state in this troubled period at the close of Late Antiquity is necessary for a full appreciation of Maximus' contribution to this controversy. The editors of this volume aim to provide the political and historical background to Maximus' activities, as well as a summary of his achievements in the spheres of theology and philosophy, especially neo-Platonism and Aristotelianism.

This book attempts to open up a path towards a phenomenological theory of values (more technically, a phenomenological axiology). By drawing on everyday experience, and dissociating the notion of value from that of tradition, it shows how emotional sensibility can be integrated to practical reason. This project was prompted by the persuasion that the fragility of democracy, and the current public irrelevance of the ideal principles which support it, largely depend on the inability of modern philosophy to overcome the well-entrenched skepticism about the power of practical reason. The book begins with a phenomenology of cynical consciousness, continues with a survey of still influential theories of value rooted in 20th century philosophy, and finally offers an outline of a bottom-up axiology that revives the anti-skeptical legacy of phenomenology, without ignoring the standards set by contemporary metaethics.

Anaximander, the sixth century BCE philosopher of Miletus, is often credited as being the instigator of both science and philosophy. The first recorded philosopher to posit the idea of the boundless cosmos, he was also the first to attempt to explain the origins of the world and humankind in rational terms. Anaximander's philosophy encompasses theories of justice, cosmogony, geometry, cosmology, zoology and meteorology. "Anaximander: A Re-assessment" draws together these wide-ranging threads into a single, coherent picture of the man, his worldview and his legacy to the history of thought. Arguing that Anaximander's statements are both apodeictic and based on observation of the world around him, Andrew Gregory examines how Anaximander's theories can all be construed in such a way that they are consistent with and supportive of each other. This includes the tenet that the philosophical elements of Anaximander's thought (his account of the" apeiron," the extant fragment) can be harmonised to support his views on the natural world. The work further explores how these theories relate to early Greek thought and in particular conceptions of theogony and meterology in Hesiod and Homer.

Greek Heroes in and out of Hades is a study on heroism and mortality from Homer to Plato. In a collection of thirty enjoyable essays, Stamatia Dova combines intertextual research and thought-provoking analysis to shed new light on concepts of the hero in the Iliad and the Odyssey, Bacchylides 5, Plato's Symposium, and Euripides' Alcestis. Through systematic readings of a wide range of seemingly unrelated texts, the author offers a cohesive picture of heroic character in a variety of literary genres. Her characterization of Achilles, Odysseus, and Heracles is artfully supported by a comprehensive overview of the theme of descent to the underworld in Homer, Bacchylides, and Euripides. Aimed at the specialist as well as the general reader, Greek Heroes in and out of Hades brings innovative Classical scholarship and insightful literary criticism to a wide audience.