Research on Rousseau's innovative last work is changing direction. Long situated in a context of autobiographical writing, its moral and philosophical content is now a major critical preoccupation. The Nature of Rousseau's 'Reveries': physical, human, aesthetic brings together the work of international specialists to explore new approaches to the defining feature - the 'nature' - of the Reveries. In essays which range from studies of botany or landscape painting to thematic or stylistic readings, authors re-examine Rousseau's intellectual understanding of and personal relationship with different conceptions of nature. Drawing connections between this text and earlier theoretical writings, authors analyse not only the philosophical and personal implications of Rousseau's reflections on the outer world but also and his attempts to examine and validate both his own nature and that of 'l'homme naturel'. In The Nature of Rousseau's 'Reveries': physical, human, aesthetic the contributors offer new insights into the character of Rousseau's last major work and suggest above all its experimental, elusive quality, hovering between inner and outer worlds, escape and fulfilment, experience and writing. They underline the unique richness of the Reveries, a work to be situated not simply at the end of Rousseau's life, but at the very centre of his thought.

Translated by Elizabeth S. Haldane and G.R.T. Ross. Edited with an Introduction by Enrique Chavez-Arvizo. Rene Descartes (1569-1650), the 'father' of modern philosophy, is without doubt one of the greatest thinkers in history: his genius lies at the core of our contemporary intellectual identity. Breaking with the conventions of his own time and suffering persecution by the Church as a consequence, Descartes in his writings - most of which are philosophical classics - attempted to answer the central questions surrounding the self, God, free-will and knowledge, using the science of thought as opposed to received wisdom based on the tenets of faith. This edition, the most comprehensive one-volume selection of Descartes' works available in English, includes his great essay, Discourse on Method.

Designed as a textbook for use in courses on natural theology and used by Immanuel Kant as the basis for his Lectures on The Philosophical Doctrine of Religion, Johan August Eberhard's Preparation for Natural Theology (1781) is now available in English for the first time. With a strong focus on the various intellectual debates and historically significant texts in late renaissance and early modern theology, Preparation for Natural Theology influenced the way Kant thought about practical cognition as well as moral and religious concepts. Access to Eberhard's complete text makes it possible to distinguish where in the lectures Kant is making changes to what Eberhard has written and where he is articulating his own ideas. Identifying new unexplored lines of research, this translation provides a deeper understanding of Kant's explicitly religious doctrines and his central moral writings, such as the Groundwork of the Metaphysics of Morals and the Critique of Practical Reason. Accompanied by Kant's previously untranslated handwritten notes on Eberhard's text as well as the Danzig transcripts of Kant's course on rational theology, Preparation for Natural Theology features a dual English-German / German-English glossary, a concordance and an introduction situating the book in relation to 18th-century theology and philosophy. This is a significant contribution to twenty-first century Kantian studies.

The literary and scientific renaissance that struck Germany around 1800 is usually taken to be the cradle of contemporary humanism. Posthumanism in the Age of Humanism shows how figures like Immanuel Kant and Johann Wolfgang Goethe as well as scientists specializing in the emerging modern life and cognitive sciences not only established but also transgressed the boundaries of the "human." This period so broadly painted as humanist by proponents and detractors alike also grappled with ways of challenging some of humanism's most cherished assumptions: the dualisms, for example, between freedom and nature, science and art, matter and spirit, mind and body, and thereby also between the human and the nonhuman. Posthumanism is older than we think, and the so-called "humanists" of the late Enlightenment have much to offer our contemporary re-thinking of the human.

What is the point of living? If we are all going to die anyway, if nothing will remain of whatever we achieve in this life, why should we bother trying to achieve anything in the first place? Can we be mortal and still live a meaningful life? Questions such as these have been asked for a long time, but nobody has found a conclusive answer yet. The connection between death and meaning, however, has taken centre stage in the philosophical and literary work of some of the world's greatest writers: Fyodor Dostoyevsky, Leo Tolstoy, Soren Kierkegaard, Arthur Schopenhauer, Herman Melville, Friedrich Nietzsche, William James, Ludwig Wittgenstein, Marcel Proust, and Albert Camus. This book explores their ideas, weaving a rich tapestry of concepts, voices and images, helping the reader to understand the concerns at the heart of those writers' work and uncovering common themes and stark contrasts in their understanding of what kind of world we live in and what really matters in life.

Sleep is quite a popular activity, indeed most humans spend around a third of their lives asleep. However, cultural, political, or aesthetic thought tends to remain concerned with the interpretation and actions of those who are awake. How to Sleep argues instead that sleep is a complex vital phenomena with a dynamic aesthetic and biological consistency. Arguing through examples drawn from contemporary, modern and renaissance art; from literature; film and computational media, and bringing these into relation with the history and findings of sleep science, this book argues for a new interplay between biology and culture. Meditations on sex, exhaustion, drugs, hormones and scientific instruments all play their part in this wide-ranging exposition of sleep as an ecology of interacting processes. How to Sleep builds on the interlocking of theory, experience and experiment so that the text itself is a lively articulation of bodies, organs and the aesthetic systems that interact with them. This book won't enhance your sleeping skills, but will give you something surprising to think about whilst being ostensibly awake.

From populist propaganda attacking knowledge as 'fake news' to the latest advances in artificial intelligence, human thought is under unprecedented attack today. If computers can do what humans can do and they can do it much faster, what's so special about human thought? In this new book, bestselling philosopher Markus Gabriel steps back from the polemics to re-examine the very nature of human thought. He conceives of human thinking as a 'sixth sense', a kind of sense organ that is closely tied our biological reality as human beings. Our thinking is not a form of data processing but rather the linking together of images and imaginary ideas which we process in different sensory modalities. Our time frame expands far beyond the present moment, as our ideas and beliefs stretch far beyond the here and now. We are living beings and the whole of evolution is built into our life story. In contrast to some of the exaggerated claims made by proponents of AI, Gabriel argues that our thinking is a complex structure and organic process that is not easily replicated and very far from being superseded by computers. With his usual wit and intellectual verve, Gabriel combines philosophical insight with pop culture to set out a bold defence of the human and a plea for an enlightened humanism for the 21st century. This timely book will be of great value to anyone interested in the nature of human thought and the relations between human beings and machines in an age of rapid technological change.

While large bodies of scholarship exist on the plays of Shakespeare and the philosophy of Heidegger, this book is the first to read these two influential figures alongside one another, and to reveal how they can help us develop a creative and contemplative sense of ethics, or an 'ethical imagination'. Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take place between the English language's most prominent poet and the philosopher widely considered to be central to continental philosophy. Interpreting the plays of Shakespeare through the writings of Heidegger and vice versa, each chapter pairs a select play with a select work of philosophy. In these pairings the themes, events, and arguments of each work are first carefully unpacked, and then key passages and concepts are taken up and read against and through one another. As these hermeneutic engagements and cross-readings unfold we find that the words and deeds of Shakespeare's characters uniquely illuminate, and are uniquely illuminated by, Heidegger's phenomenological analyses of being, language, and art.

Bringing together phenomenology and materialism, two perspectives seemingly at odds with each other, leading international theorist, Manuel DeLanda, has created an entirely new theory of visual perception. Engaging the scientific (biology, ecological psychology, neuroscience and robotics), the philosophical (idea of 'the embodied mind') and the mathematical (dynamic systems theory) to form a synthesis of how to see in the 21st century. A transdisciplinary and rigorous analysis of how vision shapes what matters.

In Posthumanism: A Guide for the Perplexed, Peter Mahon goes beyond recent theoretical approaches to 'the posthuman' to argue for a concrete posthumanism, which arises as humans, animals and technology become entangled, in science, society and culture. Concrete posthumanism is rooted in cutting-edge advances in techno-science, and this book offers readers an exciting, fresh and innovative exploration of this undulating, and often unstable, terrain. With wide-ranging coverage, of cybernetics, information theory, medicine, genetics, machine learning, politics, science fiction, philosophy and futurology, Mahon examines how posthumanism played-and continues to play-a crucial role in shaping how we understand our world. This analysis of posthumanism centers on human interactions with tools and technology, the centrality of science, as well as an understanding of techno-science as a pharmakon-an ancient Greek word for a substance that is both poison and cure. Mahon argues that posthumanism must be approached with an interdisciplinary attitude: a concrete posthumanism is only graspable through knowledge derived from science and the humanities. He concludes by sketching a 'post-humanities' to help us meet the challenges of posthumanism, challenges to which we all must rise. Posthumanism: A Guide for the Perplexed provides a concise, detailed and coherent exploration of posthumanism, introducing key approaches, concepts and themes. It is ideal for readers of all stripes who are interested in a concrete posthumanism and require more than just a simple introduction.

This book intends to broaden the study of idealism beyond its simplistic characterizations in contemporary philosophy. After idealist stances have practically disappeared from the mental landscape in the last hundred years, and the term "idealism" has itself become a sort of philosophical anathema, continental philosophy was, first, plunged into one of its deepest crises of truth, culminating in postmodernism, and then, the 21st century ushered in a new era of realism. Against this background, the volume gathers a number of renowned philosophers, among them Slavoj Zizek, Robert B. Pippin, Mladen Dolar, Sebastian Roedl, Paul Redding, Isabelle Thomas-Fogiel, James I. Porter, and others, in order to address the issue as to what exactly has been lost with the retreat of idealism, and what kind of idealism could still be rehabilitated in the present day. The contributions will both provide historical studies on idealism, pointing out the little known, overlooked, and surprising instances of idealist impulses, and set out to develop new perspectives and possibilities for a contemporary idealism. The appeal of the book lies in the fact that it defends a philosophical concept that has been increasingly under attack and thus contributes to an ongoing debate in ontology.

The culmination of Eliezer Schweid's life-work as a Jewish intellectual historian, this five-volume work provides a comprehensive, interdisciplinary account of the major thinkers and movements in modern Jewish thought, in the context of general philosophy and Jewish social-political historical developments, with extensive primary source excerpts. Volume Two, "The Birth of the Jewish Historical Studies and the Modern Jewish Religious Movements," discusses the major Jewish thinkers of central and eastern Europe before 1881, in connection with the movements they fostered: German-Jewish Wissenschaft (Zunz), Reform (Formstecher, Samuel Hirsch, Geiger), Neo-Orthodoxy (S. D. Luzzatto, Steinheim, Samson Raphael Hirsch), Positive-Historical (Frankel, Graetz), and Neo-Haredi (Kalischer, Malbim, Hayyim Volozhiner, Salanter). In addition, extensive attention is given to the thinkers of the east-European Haskalah, both earlier (Levinsohn, Rubin, Schorr, Mieses, Abraham Krochmal) and later proto-Zionist thinkers (Zweifel, Smolenskin, Pines, Lilienblum).