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Books > Philosophy > Western philosophy
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Realism
(Hardcover)
Uwe C Koepke
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R707
R641
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Le Levite d'Ephraim, Rousseau's re-imagining of the final chapters
of the Book of Judges, contains major themes of Rousseau's oeuvre
and lays forth central concerns of his intellectual projects. Among
the themes highlighted in the concentrated narrative are: the
nature of signs and symbols and their relationship to the
individual and society that produce them; the role of hospitality
in constituting civil society; the textually-displayed moral
disorder as foreshadowing political revolution; and finally, the
role of violence in creating a unified polity. In Le Levite
d'Ephraim, Rousseau explores the psychological and communal
implications of violence and, through them, the social and
political context of society. The incarnation of violence on the
bodies of the women in this story highlights the centrality of
women in Rousseau's thought. Women are systematically dismembered,
both literally and figuratively, and this draws the reader's
attention to the significance of these women as they are
perennially re-membered inside and outside the text. This study of
these themes in Le Levite d'Ephraim places it in relation to the
biblical text at its origins and to Rousseau's own writings and
larger cultural concerns as he grapples with the challenges of
modernity.
George James was a professor at a small black college in Arkansas
during the 1950s when he wrote this book. Originally from Guyana,
he was an intellectual who studied African and European classics.
He soon realized something was wrong with the way the history of
philosophy had been documented by Western scholars. Their biggest
mistake, according to James, was they had assumed philosophy had
started with the Greeks. James had found that philosophy was almost
entirely from ancient Egypt and that the records of this had not
only been distorted but, in many cases, deliberately falsified. His
conclusion was that there was no such thing as Greek philosophy
because it was stolen from the Egyptians. As a result, this was one
of the first books to be banned from colleges and universities
throughout North America. Although opponents have eventually found
some flaws, it remains a groundbreaking book to this day. Even the
famous Greek historian from the 5th century, Herodotus, admitted
that the Greeks had borrowed many important ideas and concepts from
the Egyptians. These ideas covered not just philosophy, but also
medicine, architecture, politics and more. The purpose of this book
is to restore the truth about African contributions to higher
thought and culture.
Digitizing Enlightenment explores how a set of inter-related
digital projects are transforming our vision of the Enlightenment.
The featured projects are some of the best known, well-funded and
longest established research initiatives in the emerging area of
'digital humanities', a field that has, particularly since 2010,
been attracting a rising tide of interest from professional
academics, the media, funding councils, and the general public
worldwide. Advocates and practitioners of the digital humanities
argue that computational methods can fundamentally transform our
ability to answer some of the 'big questions' that drive humanities
research, allowing us to see patterns and relationships that were
hitherto hard to discern, and to pinpoint, visualise, and analyse
relevant data in efficient and powerful new ways. In the book's
opening section, leading scholars outline their own projects'
institutional and intellectual histories, the techniques and
methodologies they specifically developed, the sometimes-painful
lessons learned in the process, future trajectories for their
research, and how their findings are revising previous
understandings. A second section features chapters from early
career scholars working at the intersection of digital methods and
Enlightenment studies, an intellectual space largely forged by the
projects featured in part one. Highlighting current and future
research methods and directions for digital eighteenth-century
studies, the book offers a monument to the current state of digital
work, an overview of current findings, and a vision statement for
future research. Featuring contributions from Keith Michael Baker,
Elizabeth Andrews Bond, Robert M. Bond, Simon Burrows, Catherine
Nicole Coleman, Melanie Conroy, Charles Cooney, Nicholas Cronk, Dan
Edelstein, Chloe Summers Edmondson, the late Richard Frautschi,
Clovis Gladstone, Howard Hotson, Angus Martin, Katherine McDonough,
Alicia C. Montoya, Robert Morrissey, Laure Philip, Jeffrey S.
Ravel, Glenn Roe, and Sean Takats.
The German poet and mystic Novalis once identified philosophy as a
form of homesickness. More than two centuries later, as modernity's
displacements continue to intensify, we feel Novalis's homesickness
more than ever. Yet nowhere has a longing for home flourished more
than in contemporary environmental thinking, and particularly in
eco-phenomenology. If only we can reestablish our sense of material
enmeshment in nature, so the logic goes, we might reverse the
degradation we humans have wrought-and in saving the earth we can
once again dwell in the nearness of our own being. Unsettling
Nature opens with a meditation on the trouble with such ecological
homecoming narratives, which bear a close resemblance to narratives
of settler colonial homemaking. Taylor Eggan demonstrates that the
Heideggerian strain of eco-phenomenology-along with its well-trod
categories of home, dwelling, and world-produces uncanny effects in
settler colonial contexts. He reads instances of nature's
defamiliarization not merely as psychological phenomena but also as
symptoms of the repressed consciousness of coloniality. The book at
once critiques Heidegger's phenomenology and brings it forward
through chapters on Willa Cather, D. H. Lawrence, Olive Schreiner,
Doris Lessing, and J. M. Coetzee. Suggesting that alienation may in
fact be "natural" to the human condition and hence something worth
embracing instead of repressing, Unsettling Nature concludes with a
speculative proposal to transform eco-phenomenology into
"exo-phenomenology"-an experiential mode that engages deeply with
the alterity of others and with the self as its own Other.
This monograph is a critical and historical account of Aristotelian
essentialism and modal logic. In Chapter One, ancient and
contemporary interpretations and claims of inconsistency in
Aristotle's modal syllogistic are examined. A more consistent model
is developed through attention to Aristotle's comments on negation.
In Chapter Two, proofs for each of the mixed apodictic syllogisms
are analyzed and diagrammed. Chapter Three explores how Aristotle's
modal metaphysics fits within the context of the Posterior
Analytics. Chapter Four contrasts Aristotelian modal logic to
contemporary modal metaphysics and argues for ways in which a
return to Aristotle may spark intriguing thought in contemporary
discussions of the philosophy of science and in debate over the
metaphysics of identity.
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