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Books > Philosophy > Western philosophy
This study illuminates the complex interplay between Deleuze and
Guattari's philosophy and architecture. Presenting their
wide-ranging impact on late 20th- and 21st-century architecture,
each chapter focuses on a core Deleuzian/Guattarian philosophical
concept and one key work of architecture which evokes, contorts, or
extends it. Challenging the idea that a concept or theory defines
and then produces the physical work and not vice versa, Chris L.
Smith positions the relationship between Deleuze and Guattari's
philosophy and the field of architecture as one that is mutually
substantiating and constitutive. In this framework, modes of
architectural production and experimentation become inextricable
from the conceptual territories defined by these two key thinkers,
producing a rigorous discussion of theoretical, practical, and
experimental engagements with their ideas.
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Faint Not
(Hardcover)
Steven De Lay
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R756
R625
Discovery Miles 6 250
Save R131 (17%)
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Ships in 10 - 15 working days
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This collection brings together two of Schopenhauer's most
respected works, wherein the philosopher shares his views on life
and what he believes to be follies of human behavior. Writing with
incisive poise and a great sense of humor, Schopenhauer introduces
the various ideas present in his pessimistic philosophy. Holding
the usual goals of life - money, position, material and sexual
pleasures - in low regard, he explains how the cultivation of one's
individuality and mind are far better pursuits, albeit those that
most people neglect. Rather than simply criticize the state of
humanity, Schopenhauer uses wit and lively argument to convince the
reader of the value in his outlook. The practice of an ordinary
life and career is thereby demonstrated as spiritually draining, in
contrast to concentration upon a wise mind and strong body, plus a
moderated or even ascetic approach to material things.
The International Kierkegaard Commentary-For the first time in
English the world community of scholars systematically assembled
and presented the results of recent research in the vast literature
of Soren Kierkegaard. Based on the definitive English edition of
Kierkegaard's works by Princeton University Press, this series of
commentaries addresses all the published texts of the influential
Danish philosopher and theologian. This is volume 16 in a series of
commentaries based upon the definitive translations of
Kierkegaard's writings published by Princeton University Press,
1980ff.
In Movies with Stanley Cavell in Mind, some of the scholars who
have become essential for our understanding of Stanley Cavell's
writing on film gather to use his landmark contributions to help us
read new films-from Hollywood and elsewhere-that exist beyond his
immediate reach and reading. In extending the scope of Cavell's
film philosophy, we naturally find ourselves contending with it and
amending it, as the case may be. Through a series of interpretive
vignettes, the group effort situates, for the expert and novitiate
alike, how Cavell's writing on film can profitably enrich one's
experience of cinema generally and also inform how we might
continue the practice of serious philosophical criticism of
specific films mindful of his sensibility. The resulting
conversations between texts, traditions, disciplines, genres, and
generations creates propitious conditions for discovering what it
means to watch and listen to movies with Stanley Cavell in mind.
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