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Books > Philosophy > Western philosophy
In explicit form, Kant does not speak that much about values or
goods. The reason for this is obvious: the concepts of 'values' and
'goods' are part of the eudaimonistic tradition, and he famously
criticizes eudaimonism for its flawed 'material' approach to
ethics. But he uses, on several occasions, the traditional
teleological language of goods and values. Especially in the
Groundwork and the Critique of Practical Reason, Kant develops
crucial points on this conceptual basis. Furthermore, he implicitly
discusses issues of conditional and unconditional values,
subjective and objective values, aesthetic or economic values etc.
In recent Kant scholarship, there has been a controversy on the
question how moral and nonmoral values are related in Kant's
account of human dignity. This leads to the more fundamental
problem if Kant should be seen as a prescriptvist (antirealist) or
as subscribing to a more objective rational agency account of
goods. This issue and several further questions are addressed in
this volume.
In a bold new argument, Ulrika Carlsson grasps hold of the figure
of Eros that haunts Soren Kierkegaard's The Concept of Irony, and
for the first time, uses it as key to interpret that text and his
second book, Either/Or. According to Carlsson, Kierkegaard adopts
Plato's idea of Eros as the fundamental force that drives humans in
all their pursuits. For him, every existential stance-every way of
living and relating to the outside world-is at heart a way of
loving. By intensely examining Kierkegaard's erotic language, she
also challenges the theory that the philosopher's first two books
have little common ground and reveals that they are in fact
intimately connected by the central and explicit topic of love. In
this text suitable for both students and the Kierkegaard
specialist, Carlsson claims that despite long-held beliefs about
the disparity of his early work, his first two books both relate to
love and Part I of Either/Or should be treated as the sequel to The
Concept of Irony.
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