The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 13 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published by Princeton University Press, 1980ff.

Ethology, or how animals relate to their environments, is currently enjoying increased academic attention. A prominent figure in this scholarship is Gilles Deleuze and yet, the significance of his relational metaphysics to ethology has still not been scrutinised. Jason Cullen's book is the first text to analyse Deleuze's philosophical ethology and he prioritises the theorist's examination of how beings relate to each other. For Cullen, Deleuze's Cinema books are integral to this investigation and he highlights how they expose a key Deleuzian theme: that beings are fundamentally continuous with each other. In light of this continuity then, Cullen reveals that how beings understand each other shapes them and allows them to transform their shared worlds.

The stereotype of Casanova as a promiscuous and unscrupulous lover has been so pervasive that generations of historians have failed to take serious account of his philosophical legacy. This has recently changed, however, as the publication of the definitive edition of his memoirs and the majority of his longer treatises has heralded a surge of interest in the writer. This book constitutes an interpretive turn in Casanova studies in which the author is positioned as a highly perceptive and engaged observer of the Enlightenment. Drawing primarily on Casanova's large body of manuscripts and lesser-known works, the contributors reveal a philosopher whose writings covered topics ranging from sensual pleasure to suicide. Analysing Casanova's oeuvre from the perspective of moral philosophy, contributors show how several of his works - including his historical writings and satirical essays on human folly - contribute to the Enlightenment quest for a secular morality. A major feature of this book is the first English annotated translation of Federico Di Trocchio's seminal article 'The philosophy of an adventurer', which paved the way for a re-evaluation of Casanova as a serious philosopher. In subsequent chapters contributors uncover the Italian context of Casanova's anticlericalism, analyse the sources of his views on suicide and explore the philosophical dialogues contained in his recently published manuscripts. Casanova: Enlightenment philosopher marks a turning point in literary and philosophical studies of the eighteenth century, and is an indispensable resource for analysing and interpreting the work of this previously overlooked Enlightenment thinker.

Socrates famously claimed that he knew nothing, and that wisdom consisted in awareness of one's ignorance. In Ignorance, Irony and Knowledge in Plato, Kevin Crotty makes the case for the centrality and fruitfulness of Socratic ignorance throughout Plato's philosophical career. Knowing that you don't know is more than a maxim of intellectual humility; Plato shows how it lies at the basis of all the virtues, and inspires dialogue, the best and most characteristic activity of the philosophical life. Far from being simply a lack or deficit, ignorance is a necessary constituent of genuine knowledge. Crotty explores the intricate ironies involved in the paradoxical relationship of ignorance and knowledge. He argues, further, that Plato never abandoned the historical Socrates to pursue his own philosophical agenda. Rather, his philosophical career can be largely understood as a progressive deepening of his appreciation of Socratic ignorance. Crotty presents Plato as a forerunner of the scholarly interest in ignorance that has gathered force in a wide variety of disciplines over the last 20 years.

What does it mean to see time in the visual arts and how does art reveal the nature of time? Paul Atkinson investigates these questions through the work of the French philosopher Henri Bergson, whose theory of time as duration made him one of the most prominent thinkers of the fin de siecle. Although Bergson never enunciated an aesthetic theory and did not explicitly write on the visual arts, his philosophy gestures towards a play of sensual differences that is central to aesthetics. This book rethinks Bergson's philosophy in terms of aesthetics and provides a fascinating and original account of how Bergsonian ideas aid in understanding time and dynamism in the visual arts. From an examination of Bergson's influence on the visual arts to a reconsideration of the relationship between aesthetics and metaphysics, Henri Bergson and Visual Culture explores what it means to reconceptualise the visual arts in terms of duration. Atkinson revisits four key themes in Bergson's work - duration; time and the continuous gesture; the ramification of life and durational difference - and reveals Bergsonian aesthetics of duration through the application of these themes to a number of 19th and 20th-century artworks. This book introduces readers and art lovers to the work of Bergson and contributes to Bergsonian scholarship, as well as presenting a new of understanding the relationship between art and time.