Green Matters offers a fascinating insight into the regenerative function of literature with regard to environmental concerns. Based on recent developments in ecocriticism, the book demonstrates how the aesthetic dimension of literary texts makes them a vital force in the struggle for sustainable futures. Applying this understanding to individual works from a number of different thematic fields, cultural contexts and literary genres, Green Matters presents novel approaches to the manifold ways in which literature can make a difference. While the first sections of the book highlight the transnational, the focus on Canada in the last section allows a more specific exploration of how themes, genres and literary forms develop their own manifestations within a national context. Through its unifying ecocultural focus and its variegated approaches, the volume is an essential contribution to contemporary environmental humanities.

Dieser Band ist dem Andenken des 200. Todesjahres Fichtes gewidmet, mit der Absicht, seine letzten Schriften und die Aktualitat seiner Philosophie zu wurdigen. Nach dem Abschluss der Fichte-Gesamtausgabe im Jahre 2012 stehen alle Materialien zur Verfugung, die der Fichte-Forschung ermoeglichen, eine schlussige Interpretation der letzten Gedanken Fichtes zu liefern. Dementsprechend ist der Band in vier Teile gegliedert. Der erste Teil beschaftigt sich mit der theoretischen und systematischen Darlegung seines Denkens in den letzten Berliner Jahren; der zweite Teil thematisiert den Freiheitsgedanken als grundlegende Annahme seines Systems und unternimmt unter Berucksichtigung verschiedener Reaktionen auch den Versuch, diesen zu kontextualisieren. Der dritte Teil ist der politischen Seite seiner Theorie gewidmet, die Fichte gerade in den Berliner Jahren weiter ausarbeitete. Diesen klassischen Themen der Fichte-Forschung folgen im vierten Teil Beitrage, die Fichtes philosophische Ansatze in den Dialog mit gegenwartigen Autoren und Fragen der Philosophie bringen. Beitragende sind Frederick Beiser, Daniel Breazeale, Matteo Vincenzo d'Alfonso, Mario Jorge De Carvalho, Carla De Pascale, Erich Fuchs, Andres Hoentsch, Marco Ivaldo, Christian Klotz, Douglas Moggach, Peter L. Oesterreich, Ives Radrizzani, Klaus Ries, Jacinto Rivera de Rosales Chacon, Friedrike Schick, Andreas Schmidt, Hartmut Traub, Klaus Vieweg, Hans Georg von Manz und Gunter Zoeller.

The Long Quarrel: Past and Present in the Eighteenth Century examines how the intellectual clashes emerging from the Quarrel of the Ancients and the Moderns continued to reverberate until the end of the eighteenth century. This extended Quarrel was not just about the value of ancient and modern, but about historical thought in a broader sense. The tension between ancient and modern expanded into a more general tension between past and present, which were no longer seen as essentially similar, but as different in nature. Thus, a new kind of historical consciousness came into being in the Long Quarrel of the eighteenth century, which also gave rise to new ideas about knowledge, art, literature and politics. Contributors are: Jacques Bos, Anna Cullhed, Hakon Evju, Vera Fasshauer, Andrew Jainchill, Anton M. Matytsin, Iain McDaniel, Larry F. Norman, David D. Reitsam, Jan Rotmans, Friederike Vosskamp, and Christine Zabel.

This collection brings together two of Schopenhauer's most respected works, wherein the philosopher shares his views on life and what he believes to be follies of human behavior. Writing with incisive poise and a great sense of humor, Schopenhauer introduces the various ideas present in his pessimistic philosophy. Holding the usual goals of life - money, position, material and sexual pleasures - in low regard, he explains how the cultivation of one's individuality and mind are far better pursuits, albeit those that most people neglect. Rather than simply criticize the state of humanity, Schopenhauer uses wit and lively argument to convince the reader of the value in his outlook. The practice of an ordinary life and career is thereby demonstrated as spiritually draining, in contrast to concentration upon a wise mind and strong body, plus a moderated or even ascetic approach to material things.

What does it mean to see time in the visual arts and how does art reveal the nature of time? Paul Atkinson investigates these questions through the work of the French philosopher Henri Bergson, whose theory of time as duration made him one of the most prominent thinkers of the fin de siecle. Although Bergson never enunciated an aesthetic theory and did not explicitly write on the visual arts, his philosophy gestures towards a play of sensual differences that is central to aesthetics. This book rethinks Bergson's philosophy in terms of aesthetics and provides a fascinating and original account of how Bergsonian ideas aid in understanding time and dynamism in the visual arts. From an examination of Bergson's influence on the visual arts to a reconsideration of the relationship between aesthetics and metaphysics, Henri Bergson and Visual Culture explores what it means to reconceptualise the visual arts in terms of duration. Atkinson revisits four key themes in Bergson's work - duration; time and the continuous gesture; the ramification of life and durational difference - and reveals Bergsonian aesthetics of duration through the application of these themes to a number of 19th and 20th-century artworks. This book introduces readers and art lovers to the work of Bergson and contributes to Bergsonian scholarship, as well as presenting a new of understanding the relationship between art and time.

The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 13 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published by Princeton University Press, 1980ff.